Your source for retro horror and book reviews

Posts tagged “zompoc

Fright Fest: DAWN OF THE DEAD (1978)

Related image

Francine Parker: They’re still here. 
Stephen: They’re after us. They know we’re still in here. 
Peter: They’re after the place. They don’t know why; they just remember. Remember that they want to be in here. 
Francine Parker: What the hell are they? 
Peter: They’re us, that’s all, when there’s no more room in hell. 
Stephen: What? 
Peter: Something my granddad used to tell us. You know Macumba? Vodou. My granddad was a priest in Trinidad. He used to tell us, “When there’s no more room in hell, the dead will walk the Earth.” 

Dawn of the Dead is among many things a very quotable movie. The scene above is probably everyone’s favorite, and for some there are more selective scenes to nibble on. Scientists arguing on what remains of the news broadcast. The SWAT incursion of the Philadelphia apartment building. The refueling scene, the dock scene, the shopping montage. The raiders and ensuing firefight. There are plenty. And if you were to ask me, I can’t really say if I personally have an all-time favorite scene, I mean let’s be honest here, there are so many to choose from. From the very beginning, Dawn of the Dead lures you in and keeps your attention rooted into the story. The pacing couldn’t be more perfect.  Continue Reading

Advertisements

Fright Fest: Burial Ground, The Nights of Terror (1981)

Image result for Burial Ground 1981

Zombie fans come from every walk of life and every zombie fan has their own tastes when it comes to zombie movies. In fact, you could say that there are even sub-genres within the sub-genre of flesh eaters. Just this month alone during this year’s Fright Fest we have seen a wide variety of zombie flicks (saving the best for last, which will be tomorrows review). The only sub-genre within the sub-genre we did not allow into the mix were voodoo curses and “anger” viruses, like 28 Days Later which is not technically a “zombie” movie at all, just like The Crazies were not zombies, they’re “mad, insane, and otherwise still living.” Feeling very much like a bouncer at some classy (or not so classy actually) nightclub, we’ve allowed in a certain clientele. “Are you dead and are you eating the flesh of the living? Yes. Okay. You’re cool, come on in.” That’s right folks, we’ve got standards at this joint.

Be that as it may, even folks who consider themselves “fans” of flesh eating walking corpses are not necessarily all that well versed when it comes to the cabinet of zombie movies. Nowadays I’d say that’s a fair statement given the popularity of The Walking Dead and Z-Nation (not sure if that’s still popular, but I tossed it up anyway). There are some zombie fans who watch TWD and that’s about all she wrote. And there are others who delve into the Romero films, such as Dawn of the Dead, Night of the Living Dead, Day of the Dead, Land of the Dead, Diary of the Dead, and I shall’t not name that dreadfully last one made. And some Romero fans haven’t even seen all the named and unnamed movies. And then there are the truly indoctrinated flesh eating fan, those who’ve peered into the depths of foreign film and came back to tell the tale. You think only the Americans have zombies in the bag, well…you are sadly mistaken. As Winston Zeddmore so aptly put it, “I have seen shit that’ll turn you white!”  Continue Reading


Fright Fest: Land of the Dead (2005)

Related image

In 2005, my interest in the undead had officially been reclassified as ‘Mildly Addicted’, due in no small part to the Romero trinity of Night, Dawn and Day. By now I had branched out, and was working my way through any zombie film I could get my distended claws into. Then the news broke that Romero was making a new zombie film, Land of the Dead. To say I was a little excited would be an understatement. I remember watching it at the time and whilst I enjoyed it, it was not a patch on the originals, or most of the films I had been watching during that period.

So, looking at it objectively now and giving it another (overdue) viewing, has my opinion changed? Well…get comfortable, and I’ll begin.  Continue Reading


Fright Fest: [REC] (2007)

Related image

[REC] (2007)

Directors: Jaume BalagueróPaco Plaza

Writers: Jaume Balagueró (screenplay), Luiso Berdejo

Release Date: 23 November 2007 (Spain)

Since its release back in 2007, REC has since become something of a modern horror classic, and is no doubt destined to be in the pantheon of greats in the many years to come. Like it’s found footage forebear The Blair Witch Project it elevates its limitations to enormous strengths – creating a building and palpable tension throughout that will have you creeping closer, and closer to the edge of your seat as it reaches its horrifying conclusion.

Co-written and directed by Jaume Balagueró and Paco Plaza, REC presents itself as ‘real’ footage recorded when a local TV reporter Angela Vidal (Manuela Velasco) and her cameraman Pablo (Pablo Rosso) cover a fire crew about their day-to-day lives, and join them when they respond to a vague emergency call about an elderly lady in a local apartment building.  Continue Reading


Fright Fest: Train to Busan (2016)

Related image

Let me start off by saying that the film cover for “Train to Busan” is so eye-catching that it made me want to watch it, even if it is a zombie movie. I wanted it NOT to be a zombie movie, because frankly, I hate zombie movies. I love trains though, and couple that with a thriller or horror movie, you’ve enticed me right there. I was happy to sign up for another year of this October Fright Fest and review a film, but silly me, I thought it would be something classic. I freaked out after I signed up, when Thomas, the host, said the theme was zombies. CRAP! What kind of zombie movie am I going to be able to watch? The only one I had seen before was “World War Z,” which wasn’t bad, but it may have been the eye candy.  Continue Reading


Fright Fest: Invisible Invaders (1959)

Related image

From another planet comes the Invisible Invaders!

How can you stop what you don’t see?

The dead will destroy all the living!

The living dead threaten all life on earth!

I know, Invisible Invaders? you say. Aliens, you must be joking. Certainly, Tommy, anything Romero-esque would be post 1968 and here you have a review for Fright Fest: Zombies with a film released back in 1959. What gives? Well, I’ll tell you. Yes, the rules still apply, though truth be told this one does kinda skirt the line a bit. The reason I wanted to include Invisible Invaders is due to the ambiance of the film and how obscure it has become in recent years despite its obviously forgotten importance to the history of zombie lore. As per the “rules” and as per the formula of Romero films, the zombies or ghouls or walking dead are not living persons controlled through magic or voodoo, though I do enjoy that variation, it doesn’t quite fit within the spectrum of Romeroism. The rule is simple enough, a person dies, they get up and attack the living, that living person dies and they get up and attack the living, etc. etc.  Continue Reading


Fright Fest: DAWN OF THE DEAD (2004)

Related image

I love horror movies. I love zombie movies. But more specifically, I love one very specific part.

I love the beginnings of zombie movies.

I love the inherent sense of dread at what we all know is coming. If the sequencing is done right, it’s a thrill to watch, with a few disparate, seemingly unconnected events and soon enough, it’s all going to shit. It’s quick. It’s brutal. It’s total. And best of all, you are never told why it is happening.

Zombies have often been painted as a metaphorical criticism of our own over-consumerism but I think it also functions as a demonstration of our own existential shelf life. That at any given moment, anything can turn on us and bring about a cruel and uncaring demise. The frailty of our own condition is really highlighted in the terrifying opening moments of any great zombie film.
Continue Reading


Fright Fest: Diary of the Dead (2008)

Related image

Where will you be when the world ends? When it comes to apocalyptic movies, the beginning has always been my favorite part. Sure, its fun to see the aftermath, what the world looks like when the dust settles, but what I find absolutely intriguing is what happens in those defining moments when normalcy if flipped on its head. This is a huge reason why I’ve always enjoyed George A. Romero’s films. Night of the Living Dead and Dawn of the Dead (arguably) are about how the world ends in the moment. Day of the Dead and Land of the Dead are films about how people are doing after-the-fact. Good movies, but they’re missing that special punch. The defining factor which begs the question: What will you do when the world ends?  Continue Reading


Fright Fest: City of the Living Dead (1980)

Related image

Don’t you hate it when a zombie pulls your brain out the back of your head and squishes it between his fingers like Gak? Are you curious what that would look like? Give the first installment of Lucio Fulci’s Gates of Hell trilogy, City of the Living Dead, about sixty minutes of your time, and you can see for yourself.

The film opens with a séance, during which a psychic, Mary, envisions the suicide of a priest and the subsequent rise of the dead. She gets fairly riled, foams at the mouth, and dies. Only she’s not dead and is almost buried alive but for the intervention of a dashing reporter, Peter, who nearly brains her with a pickaxe in the process of removing her from the casket. It turns out that by committing suicide, the priest of her vision has opened a gateway to Hell in a town called Dunwich. Mary and Peter team up to find the town and close the gate before All Saints Day, when the dead will rise.  Continue Reading


Fright Fest: The Living Dead at Manchester Morgue (1974)

Image result for manchester morgue

Which is better: walking zombies or running zombies? What about the 28 Units of Time series? Do you consider the monsters to be zombies or ragers? These are the two biggest arguments among horror folk about zombie flicks, but I would like to introduce another, for I am a rabble-rouser.

While George Romero invented the modern zombie film in 1968, he also reduced the genre down into a formula ten years later with Dawn of the Dead. The suburban apocalypse, leaving small pockets of survivors, some of whom retain their basic humanity while others revert to savagery and animalistic behaviors. Meanwhile, the rank and file of the undead grows with each passing moment, spreading through cities and towns. In one case, Lucio Fulci’s Zombi, the dead are seen walking over the Brooklyn Bridge, an obscene rag-tag army staggering their way through the five boroughs.  Continue Reading