Where will you be when the world ends? When it comes to apocalyptic movies, the beginning has always been my favorite part. Sure, its fun to see the aftermath, what the world looks like when the dust settles, but what I find absolutely intriguing is what happens in those defining moments when normalcy if flipped on its head. This is a huge reason why I’ve always enjoyed George A. Romero’s films. Night of the Living Dead and Dawn of the Dead (arguably) are about how the world ends in the moment. Day of the Dead and Land of the Dead are films about how people are doing after-the-fact. Good movies, but they’re missing that special punch. The defining factor which begs the question: What will you do when the world ends? Continue Reading
The Art of Death in Dead and Buried
What if someone’s arrogance took the act of dying to the extreme for artistic purposes? This is the cornerstone of Gary Sherman’s Dead and Buried, written by the team of Dan O’Bannon and Ronald Shusett (though apparently O’Bannon’s writing efforts had been edited out) based upon the Chelsea Quinn Yarbro novel.
The story takes place in mythical Potters Bluff, Rhode Island – one of those out-of-the-way seaside communities where everything appears to be quaint, but what happens at night or behind closed doors is a different kind “The Twilight Zone” story. Daniel Gillis (James Forentino) happens to be the local sheriff investigating bizarre murders that seemingly spring out of nowhere, and William G. Dobbs (Jack Albertson), the town’s old-time undertaker who can’t even speak until a Big Band tune ends, helps in providing clues left behind by the bodies of the recently departed. But Sheriff Gillis is having a hard time navigating the evidence that may prove the involvement of his neighbors as well as his wife, Janet (Melody Anderson). Continue Reading
Don’t you hate it when a zombie pulls your brain out the back of your head and squishes it between his fingers like Gak? Are you curious what that would look like? Give the first installment of Lucio Fulci’s Gates of Hell trilogy, City of the Living Dead, about sixty minutes of your time, and you can see for yourself.
The film opens with a séance, during which a psychic, Mary, envisions the suicide of a priest and the subsequent rise of the dead. She gets fairly riled, foams at the mouth, and dies. Only she’s not dead and is almost buried alive but for the intervention of a dashing reporter, Peter, who nearly brains her with a pickaxe in the process of removing her from the casket. It turns out that by committing suicide, the priest of her vision has opened a gateway to Hell in a town called Dunwich. Mary and Peter team up to find the town and close the gate before All Saints Day, when the dead will rise. Continue Reading
Which is better: walking zombies or running zombies? What about the 28 Units of Time series? Do you consider the monsters to be zombies or ragers? These are the two biggest arguments among horror folk about zombie flicks, but I would like to introduce another, for I am a rabble-rouser.
While George Romero invented the modern zombie film in 1968, he also reduced the genre down into a formula ten years later with Dawn of the Dead. The suburban apocalypse, leaving small pockets of survivors, some of whom retain their basic humanity while others revert to savagery and animalistic behaviors. Meanwhile, the rank and file of the undead grows with each passing moment, spreading through cities and towns. In one case, Lucio Fulci’s Zombi, the dead are seen walking over the Brooklyn Bridge, an obscene rag-tag army staggering their way through the five boroughs. Continue Reading
Director: Umberto Lenzi
Also Known As: City of the Walking Dead
Are you bored of zombies yet? I am. I am thoroughly fed up of them. Sick to death. If a zombie horde wanted to kill us, they could just wander around and re-enact parts of 90% of the zombie films released in the last 10 years. We’d die of brain fatigue, being forced to watch the same troupes re-trod time and time and time again. I’m not saying all new zombie material is terrible, it’s just that the sub-genre is so flooded it’s harder to find. Continue Reading
[ SPOIL-O-RAMA, GUYS—DON’T CRY ABOUT IT—HAVE FUN WITH IT… ]
I’d been meaning to check these films out on my own for a while and had a set in my amazon wishlist waiting and ready when I saw this title in the list of choices of films to review. I called dibs and went immediately to amazon to grab this. So, just so I’m clear on what I’m working with, the set I now have is the Blue Underground set of all four Blind Dead films (and that Ghost Galleon that popped off its holder in transit better be watchable when I get to it…) and there is a decent amount of conflicting information (hence, the 1971/2 up top). This film is generally referred to as Tombs of the Blind Dead, but the disc in this set has two versions of the film—the first one I watched, La Noche Del Terror Ciego (The Night of the Blind Terror) is the original Spanish/Portuguese production title and cut; and The Blind Dead. Nowhere in the actual video material does it say the title I’ve always heard this film given, other than the box. Also, on the box it says it came out in 1971, but most other places say 1972. Continue Reading
Day of the Dead is the third installment of the ‘Dead’ series from the late, great George A. Romero, and the final movie in what many consider the ‘original Dead trilogy’. It is, in every way, a masterpiece.
As the second sequel to Night of the Living Dead and part of a series, it is the perfect final third act. As a standalone horror movie, it is fantastic. As a zombie movie, it is divine. The special effects alone set this movie apart from most others, rivaled only by those in John Carpenter’s The Thing and Ridley Scott’s Alien (and okay, maybe also Tremors, directed by Ron Underwood). Continue Reading
Shock Waves (1977)
[85 minutes. PG. Director: Ken Wiederhorn]
(It’s 40 years old, but I’ll give a SPOILER WARNING anyway)
There are literal and figurative streams of consciousness at work in Shock Waves, Ken Wiederhorn’s most well-remembered film.
It’s not a great film – at least not as great as my childhood mind remembers – but makeup designer Alan Ormsby’s suggestion on the Blu-ray commentary track, that the film is possessed of a “dreamlike quality” is not inaccurate. And that’s arguably where it acquires its power.
It’s a film that takes place primarily on water, with the midsection set in an abandoned hotel on a desert island.
There are scenes where characters paddle toward escape – through narrow, knotted thickets; through shallow ocean waters on the way out to sea – and don’t say much. They don’t need to, really – they know their situation is inexplicable and absurd, so what’s the sense in fevered rationalizations? By the end, the lone survivor of the ordeal, Rose (Brooke Adams) has been rendered catatonic by what she’s seen, reduced to writing gibberish in a journal. Continue Reading
I’ve often written or talked about the first ever zombie film I saw, the eponymous Dawn of the Dead, by the legend that was, George A. Romero. The second was Return of the Living Dead II, the line, “His brains, they smell so spicy,” still sticks firmly in my head. The third, though unknown to me at the time, would probably have as big an impact as the first. It was Night of the Comet.
The film is basically a 50s/60s B-Movie, made in the eighties. It has a cheesy voice-over at the beginning which would not be out of place in Invasion of the Bodysnatchers or War of the Worlds. The setup is remarkably similar to Day of the Triffids. A once in a lifetime meteor shower promises an amazing light display, so the entire world and their dog hold street parties to have a few beers and take in the sights. Unfortunately, thanks to the heavy handed introduction, we learn that this very comet also made an appearance just as the dinosaurs disappeared. Continue Reading
The first time I saw the trailer for Dead Snow, I knew I wanted to watch the movie. It looked fun, exciting, and familiar. When I finally watched the movie, I wasn’t disappointed. By the end, I was giddy. Dead Snow had all the horror elements in it that I enjoy: carnage, blood and guts, and a super cool villain. As an added bonus, it also had humor. Continue Reading