Your source for retro horror movie and book reviews

Posts tagged “Wer

Fright Fest: Wer (2013)

 

werposter

Straight from the outset, you just know this movie is gonna be good. Opening with a victim in the hospital, recalling the encounter her family endured, it skips to a harrowing and savage ‘found footage’ scene of her husband being slaughtered and her son being eaten alive. The incident takes place in Lyon, France, and the police arrest a suspect in the killing. A stooping giant of a man named Talan Gwynek is taken into custody and is represented by Defense Attorney Kate Moore and her partners, Eric and Gavin.

Here’s a quick synopsis from the always impressive IMDb:

“A defense attorney begins to suspect that there might be more to her client, who is charged with the murders of a vacationing family than meets the eye.”

There are not many werewolf movies which explore the condition known as porphyria, an affliction with some symptoms similar to lycanthropy – Excessive hair on the head and body, receding gums which give the appearance of larger teeth or even fangs, violent outbursts. Other, more debilitating symptoms such as joint pain, muscle weakness, nerve damage and even seizures correspond with Talan’s condition, placing doubt on whether he’d even be physically capable of committing this crime. Talan agrees to undergo tests.

wer2

The tests prove disastrous to their case. It’s my favourite scene in the whole movie. Talan escapes and the hunt is on.

Brian Scott O’Connor, who plays the role of Talan Gwynek is a riveting actor. His sheer size looks menacing, but his demeanour seems so passive and gentle, which just adds to his imposing presence on the screen. In the beginning, you’ll think, yeah, he did it. At several points in the film, though, they convincingly present a strong case in favour of Talan, and you really grow to like the bloke; like and pity him. Solid performances from all the actors, brilliant film work, and an intriguing and well thought out plotline, this really struck a chord in my werewolf heart. The transformation scenes and the beast which emerges are ingeniously kept within the realms of possibility, while at the same time, gets your blood racing and the adrenaline flowing. Nothing as spectacular as say, the iconic transformation scene from the classic, American Werewolf In London, or a lot of these more recent movies which engulf their effects in CGI, but there is something more realistic, more organic in the way it is portrayed.

wer3

Out of the several dozen werewolf movies eye own, Wer is among my favourite top five werewolf movies of all time (that’s counting the Ginger Snaps trilogy as one movie haha). Released in 2013, it is one of the freshest takes on the werewolf theme and stands out amongst the many werewolf movies that have been coming out in recent years. There are two definite camps in the debate over whether or not werewolves, vampires, zombies etc. have been done to death. Wer is one werewolf movie which will appeal to both sides of that debate. It’ll satisfy the avid werewolf aficionado as well as the ones who think they’ve seen about as much of werewolves as they care to handle. That’s five howls from me! Aaaarrrrooooooooooooooooooyeah!

 

toneyepic

Toneye Eyenot writes tales of horror and dark fantasy which have appeared in numerous anthologies over the past two years. He is the author of a clown/werewolf novella titled BLOOD MOON BIG TOP just released with JEA Press, plus the ongoing SACRED BLADE OF PROFANITY series with two books, THE SCARLETT CURSE and JOSHUA’S FOLLY, published through J. Ellington Ashton Press and a third currently in the works. He is the editor of the soon to be unleashed FULL MOON SLAUGHTER werewolf anthology, also with JEA. Toneye lurks in the Blue Mountains in NSW Australia, with the myriad voices who tear the horrors from his mind and splatter them onto the page. You can most easily connect with Toneye through his Facebook page – https://www.facebook.com/Toneye-Eyenot-Dark-Author-Musician-1128293857187537/?ref=bookmarks Or website – http://toneyeeyenot.weebly.com/ Find his books here – https://www.amazon.com/Toneye-Eyenot/e/B00NVVMHVA/ref=sr_tc_2_0?qid=1473283520&sr=1-2-ent

 


Wer[e]wolfs in France: a horror movie review

If you’ve been watching some of my social media feeds, you may have noticed my recent bent, complaint, what have you, regarding a general lack of good werewolf movies. Its a serious issue. Well, serious enough to make a geek for werewolf lore to pout and stomp about on Twitter and Facebook. I mean, what’s really out there? Anything good? But then again, the bar for werewolf movies is a precarious one, for sure. Like most monster movies, or at least the classic monsters, most walk a thin line between greatness and cheesy. And because I know you’re dying to know, here are some of my favorites, including but not limited to: The Wolfman (1941), for obvious reasons as the godfather of all traditional werewolf movies and one I use as a bar for all others, Frankenstein meets The Wolfman (1943), simply because its basically a sequel for The Wolfman, Silver Bullet (1985), for its small town charm and of course Gary Busey cameo, Ginger Snaps I & II (2000, 2004 respectively), which were odd twist on the womanhood coming of age trope, but entertaining nevertheless, Cursed (2004), say what you will about Christina Ricci but I thought the practical effects and mood and throwback to classic monster movies was great, Wolf (1994), cause come on! who doesn’t enjoy a good Jack Nicholson flick? And of course, the greatest of the great, An American Werewolf in London (1981) which boosts some of the best transformation scenes in horror history!

wer movie poster

With the above information, you can kind of gleam how I judge or  expect from a werewolf movie. Last night, because most of my shows are now on summer break, I was on the prowl for a good horror movie, one that I had not yet watched, something new, and something (hopefully) good. While trolling some online, I stumbled upon a new werewolf movie, one with a synopsis and trailer that were potent enough to actually catch my interest. Wer, released in 2014 bringing the werewolf mythology to the steady-cam genre. The filming is actually quite bizarre, or perhaps I watch too many old flicks and am out of touch, but the steady-cam in Wer was a strange mix of found footage and a handheld following the cast, giving an off beat “you’re part of the movie” vibe. Before I continue, let you toss you the synopsis!

Synopsis:

Wer is set in France, and we begin with an American family camping near woods at night, and while filming with the obligatory hand-held camera, the family are brutally attacked by something unknown, but the camera fails to catch anything worthwhile. The husband and small child are slaughtered but the mother survives, and gives a statement to police telling them it was like a man with big hands that attacked them. It just so happens that an extremely tall and hairy man, Talan Gwynek (Brian Scott O’Connor), lives near where the attack took place, and because he closely fits the description is immediately arrested for the gruesome murders.

Talan refuses to speak to anyone until his newly appointed American lawyer, Kate Moore (A.J. Cook), turns up at the police station. Talan has a strange body and mouth guard to protect the police from his bite, but Kate insists the police remove his cuffs and the gag. The cop in charge, Detective Pistor (played by Sebastian Roché, who bares an uncanny resemblance to Chef Gordon Ramsay) gives her only 5-minutes with the suspect. Talan talks very briefly and when the police rush in to put him back in his restraints, Kate’s co-worker, Gavin Flemyng (Simon Quarterman) is scratched on the arm by Talan. Eventually Talan is on the loose with predictable results – Nav Qateel, Influx Magazine.

For starters, let me tell you a bit of the film that I actually liked. One, the musical was chilling and original. The score is probably what saved Wer when the special effects had failed to capture the moment. The mood, through the majority of the film,  is haunting. Especially at the beginning when the Porter family is brutally attacked and during the chase to find poor Talan Gwynek. And to boot, Wer was something new, exploring new avenues to bring audiences back to the classic monster tale. The casting was good, though I prefer no names in my horror movies. You may recognize the protagonist, Kate Moore, played by the ever serious A.J. Cook (think Criminal Minds).

But there were some setbacks

The dialogue and character motivations are gruelingly opaque. There were a few moments when I felt tossed from “being in the movie” to cringing as the characters stumbled through the script. The screenwriting needed some major cleaning up. The beginning was great, it was toward the middle and ending when you were able to notice some ugly un-buffered moments and painful improv. The motivations were also not very clear. There was some mystery, I guess, with Gwynek’s family and their land, but it wasn’t polished enough to make any sense. And think this is were some horror flicks trip up. They make the story and plot overly complicated by adding all these minor conflicts that actually don’t even matter. The biggest conflict is the werewolf “sickness.” And that should have been the only conflict, aside from perhaps some character conflict and love interests. Just saying, you don’t need some government conspiracy story in the midst of a werewolf conspiracy story, especially if you’re screenwriting isn’t polished, it’ll just get confusing. I’m not an expert, but if you want my opinion, focus on the monster and flesh the characters out more. Don’t worry about all this “other stuff,” it’ll just be distracting.

Let me say something regarding practical effects. It is a sad but true state of affairs that because of budget restraints, a film must sacrifice some practical effects for CGI. However, budget restraints should not be an excuse for cheap and sloppy effects. There were some really good practical effect moments in Wer, but they were too often overshadowed by the cheap use of CGI, and not even good CGI. The muzzle fire and blood splatter was some of the worst, even more than The Walking Dead’s muzzle fire and blood splatter effects. If you don’t have the budget, cut back. Or find someone good who is willing to work for cheap. Cut back on something in the budget, for heavens sake! You’re making a horror movie for crying out loud! The practical effects ought to be your top priority!! This is why you should also cast talented no names who are looking to earn their bones in the movie biz.

My Rating: 2.5 / 5