Your source for retro horror movie and book reviews

Posts tagged “Veteran Writers

Book Featurette: Roulette

routtle

A young man pushed to the edge. A barrel in his mouth–one last time to reflect on his life.

What reviewers are saying about Roulette:

“I initially gave this 4 stars, but the more I thought about it, I think this short vignette deserves a full 5 because this is one that really sticks with you. I can’t really talk much about the text without giving away the whole thing, but the protagonist/narrator starts off in a very dark place but experiences a sort of rebirth and redemption. I see that this is the author’s first publication, and he’s come out of the gate really strongly. I very much look forward to watching the author as he progresses. If this is any indication, he’s going to go far.” -Geordon Vantassle

“Amazingly written!!! I was immediately hooked from the first to the last sentence! I can’t wait to see more from Kurt Thingvold!!!” -Amazon Reviewer.
“The juxtaposition of one man’s heaven and hell, combined with the elegance and realism of the writing makes this a definite page turner!” -Amazon Reviewer. 
“Dark and twisted, triumphant yet mournful. The author manages to capture an entire lifetime worth of haunted memories in just a few pages. This is a suspenseful short story that will have you rapidly turning from page to page.” -Light Seeker

You can get your copy of Roulette for less than a cup of coffee, $0.99 cents!

buynow
13509471_1325598504135835_177962208_o
Kurt Thingvold was born and raised in IL. He finds passion in writing, that helps calm his demons. He grew up in a tough household that encouraged reading and studying. He spends his time writing in multiple of genres. When not writing he can be found playing games, reading, or attempting to slay the beast known as “Customer Service”, which, he fails at almost every day. Kurt is a frequent flyer here on Machine Mean, you can also check out his review on Ridly Scott’s legacy movie Alien here

 


NEW BOOK COVER REVEALS (DWELLING & EMERGING)

Fresh off the press, I’m very excited to share with you the cover reveals for both books in my new Subdue Series, Dwelling and Emerging. These novels have been penned from the heart, not to sound so literary. But its true. Each character has been weaved and sown from my experiences and those that I’ve served with, compelled with research and good ole fashion storytelling. I’ve included below an full book cover image and synopsis. Thank you all for the support while these books have been in production and for your continued support as we release them out in the world.

Dwelling (Subdue Book 1)

Dwelling_jacket

Synopsis:

A group of inseparable childhood friends are now adults, physically and psychologically devastated by war…

A horrifying creature emerges from a sandstorm just before Ricky Smith dies in battle. Forced to leave base housing, his widow Maggie buys a home on Oak Lee Road in the town of Jotham. Maggie is isolated in the historic house…and disconcerted by strange clicking sounds inside the walls.

Jonathan Steele attempts to drink the painful past away…

Jonathan was wounded in that fateful battle and now suffers from PTSD. He wants to put the nightmare behind him, but when Ricky’s ghost appears with cryptic warnings about Maggie’s house, he begins to question his sanity.

Bobby Weeks is a homeless veteran struggling with a lycanthropic curse…

Afraid of bringing harm, Bobby stays far away from those he loves. But after a full moon, a mysterious woman approaches him and reveals a vision about a house with a sinister presence, and he realizes staying away might no longer be an option.

Minister Jake Williams lost his faith on the battlefield…

While Jake will do anything to reconnect with God, he turns to vices to fill the religious void. But a church elder urges him to take a sabbatical, and a ghost tells him to quit the ministry, and his life is more out of control than ever.

When Maggie wakes in a strange subterranean cavern, she can’t deny her home harbors dark secrets. Desperate, she sends letters to her old friends to reunite in Jotham, and events conspire to draw them all to the house…unaware of the danger awaiting them.

The friends have already been through hell, but can any of them survive the evil dwelling beneath the House on Oak Lee?

Emerging (Subdue Book 2)

Emerging FULL

 

Synopsis:

Traumatized by war, friends gather for a reluctant reunion…

A historic house in Jotham, Texas harbors a malevolent force, and as her fear grows, widow Maggie Smith pleads with three lifelong friends to gather in her home. But will their presence combat the darkness…or feed it?

Minister Jake Williams fears Maggie has had a breakdown…

Feeling he has no choice, Jake locates the other intended guest, Bobby Weeks, who agrees to go with him but struggles with keeping his lycanthropic curse hidden.

Jonathan Steele, a wounded veteran battling PTSD, arrives with his disgruntled wife. After drinking too much at dinner, Jonathan insults the homeless Bobby, and Bobby is missing from the house the next morning.

The dark past of Maggie’s home awakens in the present…

Jake, whose faith is in doubt, confides in a local priest while he and Jonathan search for Bobby, and Ricky’s ghost makes another visit to Jonathan, causing him to become fixated on saving Maggie from the evil that surrounds her.

As the danger intensifies, trust is elusive, and betrayal is certain…

Maggie might be lost, Bobby confronts a terrible choice, and Jake and Jonathan fight to save them all—before they become more victims of the horror emerging beneath the deadly house in Jotham.

Dwelling releases on Dec 8th. Available for presale now on Amazon here.

Emerging releases on Dec 15th. Available for presale now on Amazon here.


From Combat Veteran to Horror Writer

Before we get into this, there is a quote from Michael Herr in his book, Dispatches, that I’d like to share. It’s a long quote, so bear with me. Herr says:

“I keep thinking about all the kids who got wiped out by seventeen years of war movies before coming to Vietnam to get wiped out for good. You don’t know what a media freak is until you’ve seen the way a few of those grunts would run around during a fight when they knew that there was a television crew nearby; they were actually making war movies in their heads, doing little guts-and-glory Leatherneck tap dances under fire, getting their pimples shot off for the networks. They were insane, but the war hadn’t done that to them. Most combat troops stopped thinking of the war as an adventure after their first few firefights, but there were always the ones who couldn’t let that go, these few who were up there doing numbers for the cameras… We’d all seen too many movies, stayed too long in Television City, years of media glut had made certain connections difficult” (Dispatches, 1977).

My reasoning for sharing this quote from Herr is because, in more ways than one, his voice sums up my own feelings regarding my experiences in the Iraq War, OIF (Operation Iraqi Freedom for those in the know), and writing/living with those memories today. Allow me to explain.

There seems to be a surge of “war stories” finding their way into the media nowadays. I’m in no way saying this is a bad thing; I wish there were more veteran writers. However, I have to be somewhat suspicious when I see books marketed as “another action-packed heroic tale of contemporary military service.” Such as from a Navy Seal’s perspective or some high ranked officer sharing their “retelling” of command with low fidelity storytelling. I’m not trying to be quip here, nor am I trying to call out any one individual. What I am trying to call out is similar to what Herr stated in the quote shared above. There seems to be this carnivorous appetite for war stories, but not war as it really is, rather war from a heroic narrative, or worse, war stories where soldiers are nothing more than pawns in a Mad Hatter’s political chess game. I feel these kinds of stories are for people who do not have a genuine interest in the reality of war from the perspective of, say, Joe-Shmoe from Littlerock, Arkansas. These kinds of stories are for people who want to be entertained, not enlighten to the cruel banality of combat.

For a long time, I didn’t write much about anything. A few poems, here and there, but nothing I was willing to share with anyone, under any circumstance. Well…except for maybe in death, if I was dead then I guess I couldn’t really do much about someone reading my work, could I?

iraq me 2003

I signed up for the U.S. Army in Sept 2001 and was honorably discharged in February 2008. Roughly seven years of service, including three tours in Iraq, 2003-2004, 2004-2005, and finally 2006-2007. The last tour was probably the hardest, not only was my deployment extended for the great 2007 Iraq War troop surge (Operation Arrowhead, I think), but I took more hits than in any of my previous two tours, and on top of that, I had someone other than my parents waiting for me at home. My wife and I had just met a few months before I deployed. She stayed with me the entire deployment. We wrote dozens of letters to each other, we chatted on the phone and on the internet, and that’s if circumstances made it possible. She supported me, with more than just care packages, but by giving me focus, reminding me that I was more than just a soldier. Being away from her was the hardest thing I’ve ever done. Let me say, I don’t mean to sound callous towards my parents, I love my parents very much, but with my wife it was different. For the first time, I couldn’t imagine myself dying and not being afraid. Not just for the circumstance (bodily suffering) but for the recompense of leaving her behind (emotional suffering). I didn’t want to die. I didn’t want to be robbed of this imagined life we could’ve had together. I didn’t want to lose that. And I didn’t want her to suffer for my loss.

 

In 2008, after being pushed by family to get into college, I finally agreed. I’m glad I did. College helped with more than just furthering my career. Slowly, through the course from 2008-2014, I began to open up. I didn’t really want to at first, again, back to the “glamorization of war,” I feared any attempt to recount my experience would be a cheapening of it, a cheapening of other veteran’s experiences by attempting to sell my own. I didn’t want to do that, but I felt drawn to write something.

iraq1

My first attempt was during a creative writing class into my second semester at San Jacinto Community College. The assignment was to write a short narrative story. I wrote, “There will be Ghosts,” which was my ode to both my experiences and the Tom Cruise Vietnam movie, “Born on the Fourth of July.” From there I dove head first into fiction-writing. I began a little science-fiction piece which never came to fruition, and probably never will. I consider these first works to be a learning curve, not something I’d want to see published. A dabbling, if you will, in the creative cosmos, finding my voice and all that fun stuff. When I left community college to enter the university (University of Houston-Clear Lake), I had to put my fictional writing on the back burner and focus almost exclusively on my history studies. While this may seem like a setback, I do not see it that way. In fact, I believe these two years of hardnosed historical study gave me an element lacking in my previous fictional-writing attempts. Dedicating myself to my studies gave me a depth I wouldn’t have been able to include in my work otherwise. My studies focused on 20th century Germany, namely the Weimar Republic and Nazi eras. I also took  Vietnam War history classes, Texas history, and the Civil Rights Movement, each class taught from the ground-up. This is a somewhat relative new way of teaching history. Traditionally, history is taught from the top, that is, from famous generals and presidents or other such impressive folk. From the bottom-up, history is taught from the Joe-Shmoe perspective, the everyday lives of everyday people. It was fantastic. A new way of looking at our world and the people that fill it by giving them relevance. In 2014 I graduated from the University of Houston-Clear Lake with a Bachelor of Arts in History…now what?

 

iraq2

Suddenly I found this huge pocket of empty space. My mandatory studies were over with nothing to keep my mind focused on. I decided to get back to fictional writing no longer for term papers, but something that would keep my mind busy, keep me sane, and present a challenge. I wrote two short stories soon after graduating. “Hobo: a horror short story,” and “Are you hungry, dear?” Both are of the horror genre. And before you ask, “why horror,” let me be brief and just say that I’ve always been a fan of horror and dark fiction, ever since my big sister let me watch “Night of the Living Dead” one Friday night. And even before then, I read Goosebumps and then grew into Stephen King. It made sense for me to gravitate to the genre that I felt more comfortable in. And besides, horror gives us the most honest and straightforward media for social commentary…sometimes we need that ugly non-decorum. And Hobo was as direct a social commentary piece I’ve ever written. Through storytelling, I discussed this growing issue with perspectives and homelessness and then threw that into a gory tale of cannibalism. Perhaps over-the-top…but it was fun to write! “Are you hungry, dear?” I was thinking about this problem with identity, are we who we are because of what we have done in the past, or can we be better. This, of course, was told in thru a story basically about a witch who performs a dark ritual on a pizza!

While these shorts were fun, they also gave me some traction toward my first full-length book, Reinheit.

Reinheit was published originally under Booktrope’s horror imprint Forsaken, and now currently resides with Shadow Work Publishing, was, to be frank, the most serious thing I’ve ever written, other than my wedding vows. But let me be clear, this was not my “Iraq War” piece, though, as a writer you have to draw emotion from somewhere, and it would seem a lot of my emotion still streams from my experiences in Iraq. I think some of that bled into Reinheit. As for the story, I tapped into my history studies and focused on Nazi Germany. I didn’t want this to be just a historical fiction piece, I wanted to say something about some of the issues going on in 2014, in the media, and on social websites, such as Facebook. The total disregard for looking at people as simply that, people. Reinheit drew from real history, but the story was really about the here and now. A school teacher dealing with an abusive husband, an SS officer pushing himself to carry out his ghastly orders, a thug of a husband who views the world from a very narrow hall, an old man looking for redemption, and of course, a curious armchair with a very dark purpose.

While penning Reinheit, I was able to develop my, what authors call, “writers voice.” When you read a lot, which is a must if you want to write, you kind of take on the voice of the authors you are reading. You need to write to chisel away all those voices, and hopefully find your own in the process. I think this is intended to be an ongoing thing. The more you chisel, the more defined your voice becomes, until maybe reaching some point when your aged and withered and giving lectures to a new generation of writers. Obviously, I haven’t reached this milestone yet. I’m still having fun with it. So, yes, writing Reinheit helped define my own voice and gave me the necessary encouragement to take the next step, writing my “war story.”

iraq3

Again, I couldn’t write something heroic, though I know a lot of whom I consider to be heroic. I didn’t want to pass the war off as some grand adventure. I wanted to rip the decorum off war, the shininess of it. I wanted to bring audiences into the preverbal trenches of “All Quiet on the Western Front.” I wanted to bring an air of hardnosed poetry as Philip Larkin had done for his own generation with his masterpiece, “MCMXIV.” And above all this, I wanted to be direct and honest, no matter how difficult or depressing that may be. Even for myself, rehashing brutal memories. With my pile of one-subject notebooks (yes, I write everything longhand before MS Word), a set out on this endeavor. What I had titled Subdue was inked in about nine months, from paper to MS Word, and has recently been picked up by my new publisher. I cannot go into too many details about the book just yet, but I can say that within those pages are real, raw, and utterly difficult subjects. While hopefully still entertaining, because of the relationships between the characters, it was not written to entertain, it was written to discuss the reality of war and living with the memory of war, I wanted to talk about PTSD, anger, war-guilt, and suicide because these are discussions that need to happen by getting away from the myth of superman and disconnect of high-adventure combat by focusing on the naked ugliness of it and how we can live with those memories through expression…and the sad gut punching fact that many cannot live with the memories of war…

While there will always be “those” books that do not give much substance to the echoes of war, I’ve been seeing more and more veteran writers coming forward from the trenches, unabashed by unrepentant honesty. BRAVO! There was a recent Vanity Fair article called, “The Words of War” that included a few of these up and coming writers of poetry, novels, and screenplays. I felt encouraged reading it. Seeing fellow veterans picking up the pen and expressing themselves. I’m proud to be part of this “Lost Generation,” for as Elliot Ackerman, one of the veteran writers mentioned above, puts it, “it might have been better to be part of the ‘Lost Generation’ than the lost part of a generation.”

Tommy_Invisible

Thomas S. Flowers is the published author of several character driven stories of dark fiction. He resides in Houston, Texas, with his wife and daughter. He is published with The Sinister Horror Company’s horror anthology The Black Room Manuscripts. His debut novel,Reinheit, is published with Shadow Work Publishing, along with The Incredible Zilch Von Whitstein and Lanmò His paranormal/miltary series, The Subdue Books, including both Dwelling and Emerging, are published with Limitless Publishing, LLC. In 2008, he was honorably discharged from the U.S. Army where he served for seven years, with three tours serving in Operation Iraqi Freedom. In 2014, Thomas graduated from University of Houston Clear Lake with a BA in History. He blogs at machinemean[dot]org, where he does author interviews and reviews on a wide range of strange yet oddly related topics.

Did you like what you read here? Be sure to subscribe to our SPAM FREE newsletter. Keep in the loop with new book releases, sales, giveaways, future articles, guest posts, and of course…a free eBook copy of Strange Authors, an anthology that includes some of the weirdest and vilest writers in the horror community. (click below).

freebookposter