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Creature Features in Review: Them! (1954)

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The most foreboding title among the horror and science fiction lexicon, besides perhaps IT or They (which is just a cheap knockoff of the more impressive film we’re about to discuss), is the 1954 masterpiece known as Them! Among the many different creature features, be it swamp critters or critters from space or super mutant hybrids, bugs freak me out the most. As defined by the omnipotent Wikipedia, “Entomophobia (also known as insectophobia) is a specific phobia characterized by an excessive or unrealistic fear of one or more classes of insect, and classified as a phobia by the DSM-5. More specific cases included apiphobia (fear of bees) and myrmecophobia (fear of ants).” Now, that being said…I think my “fear” can be measured by mass. The smaller the insect, the less I get “freaked out.” Hence, small little pests like flies and mosquitoes are simply put…pests, easily swatted or shooed away. But on the other spectrum, the bigger they get, the more I’m apted to run away screaming. If someone were to make a monster movie with the intention of provoking the mass amount of fear from yours truly, Them! would be the quintessential experience.

But it cannot be done in a silly way. If you want a serious reaction, the movie will need to have a serious undertone. Them! is a perfect example of this. As a fan of most dubbed “classics,” basically timeless pieces of cinematic history, be it 1930s or 40s or 50s or 60s or even those in the Silent Era, I took double pleasure in the fact that this now 63 year old movie can still capture that tension, that wonderful feeling of dread so fantastically. Them!, not too sound too fan-girlish, is utterly amazing. By modern standards, Them! easily tops what producers consider to be blockbusters in not just storytelling and characterization, but also special effects. It makes me curious what original audiences thought when they first sat in their parked fin-tailed red and chrome Chrysler’s at the local drive-in, WITHOUT having been desensitized by years of modern computer generated graphics.

Alas, those day’s are gone forever.

All we can do now is cherish the time we had.

Sad.

Well…

For those who have not had the pleasure, here is a quick synopsis of Them!

“The earliest atomic tests in New Mexico cause common ants to mutate into giant man-eating monsters that threaten civilization.”

Boom. You don’t really need anything more than that, do you? Needless to say, IMDb isn’t wrong. In a nut shell, those are the stakes. A mutated strain of ants are multiplying in the New Mexico desert and could very well threaten civilization. And not just any mutated ant species, but a mutation of the Cataglyphis genus, better known as Desert Ants. These sand dwellers are among the most aggressive of ant. The perfect bugs to supersize for a horror/science fiction movie, right?

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One of the fun aspects of Them! is how the movie starts off and is treated more or less throughout the entirety as a “detective” story. The movie opens with a patrol car doing their normal patrol and pickup a little girl, no more than six years old, strolling through the desert alone dressed in a nightgown and cradling a broken doll. They try talking to her but she is catatonic, speechless, staring blankly out at the brown sand. That feeling of dread we talked about begins to weave slowly into the movie and as the policemen investigate a nearby trailer, finding it mostly destroyed, pulled apart from the outside (they deduce) the tension builds even further.

The next scene certainly adds to not only the mystery but also the horror when police sergeant Ben Peterson’s (played by the very awesome James Whitmore) partner “disappears” off screen investigating a strange sound. He get’s off a couple of shots and then screams, that kind of scream that sends chills down your spine. The sound the officer investigates permeates throughout the entire movie. A familiar nature melody for anyone living in suburbia or out in the country. The sound of cicada or crickets singing in trees or in tall grass. Come summer, that sound is still quite pleasant to me, despite this film’s attempt to ruin it. Though, there is a lingering feeling of “what’s really making that sound? Are they, Them! watching me?”

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And I love how, despite the excellent movie art on the  poster, knowing there will be giant ants in this movie, the story stalls the BIG reveal, forgive the pun, until the absolute right moment. And that moment, much how the newly brought on character, FBI agent, Robert Graham (played by man’s man James Arness), to its frustrating conclusion through the “comic relief” of sorts Professor Harold Medford (played by Santa himself Edmund Gwenn) and his “if a boy can do it a girl can do it too” daughter Dr. Patrica Medford (Joan Weldon). The Dr. Medord’s are not really that comedic, the old man is sort of how we might think brilliant old men are, a tad absent minded to every day tasks, but a genius in their preferred fields of study. And the female Dr. Medford, despite her strong grace of femininity, wasn’t overpowering or preachy. She was meek but smart and willing to go places most men wouldn’t dare go. In a decade before feminism really took off in America, it’s hard to place the purpose of her character. Regardless, I was and am very pleased with her performance, second to her father perhaps, how she was not the ditsy romance how most other movies place actresses. Harold may have been love struck, but everyone else called her Pat, a genderless name, and I prefer it that way.

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The reveal was perfect, as I said. A sandstorm kicks up and everyone’s goggled and stumbling around for clues. Somehow Pat get’s separated from the group. That chilling buzzing, ringing, clicking cicada sound starts again, getting louder and louder, and everyone is looking around wondering what that noice is and where it’s coming from. Above Pat on a dune, emerges a large black head with giant orb eyes long furry antenna and large sharp looking mandibles. She screams, alerting the others who begin opening fire, destroying the ant’s antenna (to the suggestion of Dr. Medford). The ant is killed and while the others are staring at this impossible horror, Dr. Medford makes a statement, the inspiration and message of the entire movie, I think. He says, “We may be witnesses to a Biblical prophecy come true – ‘And there shall be destruction and darkness come upon creation, and the beasts shall reign over the earth.'” He says something very similar towards the end of the movie, stating, “When Man entered the atomic age, he opened a door into a new world. What we’ll eventually find in that new world, nobody can predict.”

The Atomic Age…

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Full of sparking large logos and flashy gadgets and a new generation of fast food and drive-in theaters and modern jazz and rock-in-roll, but this was also an era of uncertainty. Hiroshima and Nagasaki awakened something in humanity. Something more than just awe and dread. Something darker and more pious than religion. The Atomic Age was this new fear of the bomb. Uncertainty over world powers, the growth of the Cold War, and a horizon in modern science to which many did not understand. Not knowing is the greatest fear of all, at least according to H.P. Lovecraft. The Atomic Age also gave birth to this very feature we find ourselves enjoying (hopefully), the birth of unnatural monsters such as Godzilla and Them! Better known as Creature Features.

Them! acts as a cautionary tale. Be warned, what will await us on the other side of the door. Will science bring upon us destruction and darkness? Will man’s ignorance? Them! isn’t about the dangers of real giant bugs, its about consequences. That in everything we do or strive to bring about, for every action there is an equal and opposite reaction, as Newton had once said. Its a message every new generation hears, right? Cautionary warnings from the old folks rocking on the porch, talking about how things used to be.

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The rest of Them! takes on that similar detective story we were introduced to in the beginning. They hunt down the hive and destroy the giant ants with poison, only to discover a few  queens had escaped prior. Now the once localized investigation turns into a global event. Hush hush, of course, to avoid widespread panic, the team with the added benefit of the military and select government officials quickly work to destroy Them! But the movie doesn’t end like some monster movies with the creatures being destroyed…there is a feeling of uncertainty, astute given the era, and we are left wondering if perhaps there are more giant mutated ants out in the desert thanks to atomic weaponry. And as Dr. Wedford said, “nobody can predict.”

My rating: 5 out of 5

Who doesn’t love a good story? From great works such as, All Quiet on the Western Front and Salem’s Lot, Thomas S. Flowers has a passion to create similar character-driven stories of dark fiction ranging from Shakespearean gore fests to paranormal thrillers. Residing in the swamps of Houston, Texas, with his wife and daughter, Thomas has published several novels, including, Reinheit, The Incredible Zilch Von Whitstein, Apocalypse Meow, Lanmò, The Hobbsburg Horror, Beautiful Ugly and other Weirdness, Feast, and PLANET OF THE DEAD. In 2008, Thomas was honorably discharged from the U.S. Army where he served 3 tours in Operation Iraqi Freedom as a Military Police Officer. In 2014, Thomas graduated from University of Houston-Clear Lake with a Bachelors in History. He blogs at http://www.machinemean.org, where he contributes reviews on movies and books along with a gambit of guest writers who discuss a wide range of strange yet oddly related topics. Follow Thomas on his website www.ThomasSFlowers.com.

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Beautiful Ugly: And Other Weirdness by [Flowers, Thomas S.]

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Nature’s Fury Blogathon: The Black Scorpion (1957)

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Narrator: For centuries, the prayers of Mexico’s peasants have been their only shield against the devastating furies that have wrecked their homes and destroyed their lives. And so today, again they kneel, terrified and helpless, as a new volcano is created by the mysterious and rebellious forces of nature. The Earth has split a thousand times. Whole acres of rich farmlands have cracked and dropped from sight. And millions of tons of molten lava are roaring down the slopes, in a quake recorded on the seismograph of the University of Mexico as the most violent of modern times. To the benighted citizenry of this remote countryside, the most alarming aspect of the phenomenon is the fact that its unabated hourly growth is without precedence, having reached a towering height of nine thousand feet within a few days. And with each added foot, it spreads its evil onslaught into a wider circumference. But what is now most feared is that rescue work will be severely hampered by the hazardous inaccessibility of the terrain.

As we enter into The Black Scorpion, we’re greeted with the above narration, giving no clues to the future horror in which we will soon behold. The premise is basic, and strangely different from a majority of sci-fi movies during this very Cold era. A volcano erupts in a little hamlet near Mexico City and the local villagers and animals, mostly cattle, are vanishing. The corpses that have been found are inflected with a strange wound and a puzzling poison, biological, natural, and otherworldly, found within their bloodstream.

As the story progresses, American geologist Hank Scott, played by well-known sci-fi actor Richard Denning (who looks a hell-of-a-lot like Kenneth Tobey from The Thing from Another World), and his local partner Dr. Artur Ramos (Carlos Rivas), travel to the sight of the temperamental volcano to conduct research and investigate why the sleeping giant has decided to wake. Their investigations lead them into an odd series of findings that eventually reveal the true source of the disappearances of locals and cattle. On their initial venture, they stumble upon a small pueblo that has been completely decimated. They find only one survivor, an infant. The only other person the duo happen upon is the missing constable, eyes frozen in terror and an eerie puncture wound on the back of his neck.

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Team Hank then travel to San Lorenzo, which seems nearly overrun with panicked villagers who believe the disappearances and the destruction of their homes are the cause of a demon bull. Hank and Artur seem un-phased by the frenzy or by Major Cosio’s pleading for them to remain in San Lorenzo, not for the safety of the scientists, but so that if something were to happen to them, the Mexican army would not be forced to waste their time in a rescue mission instead of working where they are needed more, with the scared and frightened villagers. Hank simply laughs and continues on with his expedition, which to me seemed odd. They haven’t specified if he was there to investigate the vanishing people and cattle, only that they were there to survey and study the volcano.

Well, this wouldn’t be a quasi-American 1950s sci-fi movie without at least one damsel in distress. For this role were are given the lovely Sunset Boulevard showgirl, Playboy Playmate (1958) Mara Corday who plays cattle ranch owner Teresa Alvarez. No stranger to cult sci-fi movies, Mara has been in a few well known classics, including Tarantula, The Giant Claw, and a number of spaghetti westerns, such as, A Day of Fury and The Man from Bitter Ridge, to name a few. Teresa is thrown from her white horse and as one might expect, Hank comes to her rescue. The two seem to fall in love at first sight (barf) and are invited back to her ranch for…well, more than tea I imagine. Before venturing off, Dr. Artur discovers a strange volcanic rock and takes it back with them to the ranch.

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At this point, if you’re watching the film, you might be wondering, where are the giant bugs? And I would agree with you because this is what I was gripping about when I screened the movie late last night. Everything thus far has been “setup, setup, setup,” with little to no release. We’re given a little tease at the beginning, an eerie ringing off screen, but nothing satiable. Don’t worry. The movie is about to pick up the pace.

At the ranch, while Hank and Teresa nauseously flirt, Dr. Artur, after splitting open the rock, discovers what he originally thought to be a fossilized scorpion, is actually alive and scurrying about on the pool table. Here we can almost feel the mood of the film change, slightly. How can a scorpion survive being encapsulated in a rock inside a volcano? It doesn’t make sense. It breaks the laws of nature as we know it. Soon after, Teresa makes contact with her phone repair men who are suddenly attacked by the true villains of all these bizarre disappearances of people and cattle. Giant black scorpions strike and kill the repair men. Special effects guru Willis O’Brien, who created the stop-motion effects for the original King Kong, gave his talents to the creature of these creatures. And let me say, here and now, without his work, this movie would have absolutely flopped.

Why?

Well, for many reasons actually. The script was the oddest mod podge of traditional ‘50s sci-fi (think Atomic-age, mad science), western, horror, and a mix (rip off) of Them! and The Creature from the Black Lagoon.  Most of the acting was great, but there were cringe worthy moments when you’re going, “Did they really just say that?” Case in point, when Hank and Artur are with a local laboratory scientist, Dr. Velazco, the very “mad” looking fellow asks his assistant for alcohol, distilled water, salt solution, and tequila before conducting his experiment on the poison he found in the blood system of one of the found victims of the scorpions. Hank asks, “Well, the alcohol, the distilled water, the salt solution – I can understand that, but what’s the tequila for?” And, right on cue, the good doctor says, “Well, in your country I believe they call it a coffee break” (enter drum roll here).

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The mood of the movie is hard to place. Something strange is going on in the story. People are being horrifyingly eaten alive by giant freaking scorpions. Whole towns are vanishing. Cattle are being devoured. And when you see the scorpions on screen, it is insanely terrifying. O’Brien really did a phenomenal job. Stop-motion has a certain qualia about it that get under my skin, especially when used with horror. But the cast seem nonchalant about it all. Hank and Artur venture into the subterranean realm of these beasts, discovering a variety of forgotten species, a very Jules Verne Journey to the Center of the Earth type place, made up mostly of only insects, making it even creepier. But still, these scientists don’t seem all that scared. They’re cool. Too cool.

The ending was even more scandalous. After discovering that the all the creatures were not destroyed with the cave-in, they watch as the “granddaddy” scorpion straight up murders the smaller scorpions, making him king scorpion, as if he wasn’t already. The witty humans lure the uber-giant scorpion into an arena, away from civilians. While the Mexican army batters the beast with tanks and gunfire, Hank manages to finish it off by using an electric cable attached to a spear, of which he somehow was able to thrust into the scorpion’s throat, it’s only vulnerable spot. Finally, electrocuted, the monster is slain.

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As the scorpion lays there, smoldering, Hank begins to walk away. Artur and Velasco beacons him to stop so that they can conduct research on the creature. And, I shit you not, in more or less words, Hank takes the voluptuous Teresa across her hips and smiles, “I’ve got my own research to do,” or something like that, and the two rush away for what we assume to be…well…you know, while the remaining cast and crew grin in that stupid way people did back in the day when something funny was said.

Ugh!

Okay, my tone is probably giving away more of my feeling of the film then needs warranting. And yes, mentioning again the fantastic work of special effects master Willis O’Brien, and how the scorpions on screen really were disturbing, especially that scene with the phone repair men, truly horrifying. The rest of the movie though seemed short on talent. I’m not saying it was the fault of the actors, most were really good, despite laughing to myself as it seems a habit of Hollywood to cast Anglo-American in roles that ought to belong to someone else. Also, the use of the ringing effect with the scorpions was (lets no dance around it) a total rip off of Them! Not to mention the whole idea of a prehistoric species surviving and returning to present day is very reminiscent of The Gillman movies.

The upside to all these failings eventually lead the movie to being featured on Mystery Science Theater 3000 back in the early 1990s. So…there’s that. Overall, The Black Scorpion is mildly entertaining. Not the best of what the ‘50s had to offer in sci-fi; not the worst either.

My Rating: 3/5  

Tommy_Bride

Thomas S. Flowers is the published author of several character driven stories of dark fiction. He resides in Houston, Texas, with his wife and daughter. He is published with The Sinister Horror Company’s horror anthology The Black Room Manuscripts. His debut novel, Reinheit, is published with Shadow Work Publishing, along with The Incredible Zilch Von Whitstein. His new series, The Subdue Series, both Dwelling and Emerging, are published with Limitless Publishing, LLC. In 2008, he was honorably discharged from the U.S. Army where he served for seven years, with three tours serving in Operation Iraqi Freedom. In 2014, Thomas graduated from University of Houston Clear Lake with a BA in History. He blogs at machinemean[dot]org, where he does author interviews and reviews on a wide range of strange yet oddly related topics.