And that’s a wrap. The end of Universal Monsters in Review has come. Much as I said during last week’s review on the silent era of horror, I will certainly miss my weekend screening of these horrible yet awesome classic black and white pictures from the vault of Universal. I’d like to actually start making this a thing, something set aside for my weekend leisure, putting in ole Frankenstein or his Bride or The Wolf Man or The Mummy or Dracula, or even some of the lesser-known flicks, like Invisible Agent or any of the A&C ones. To think of the impact these movies had on future movie makers, and not just those dark producers and directors, but also the writers, both on screen and on print, is mind boggling. Personally speaking, the Universal classics have impacted some of my own creature/monster creations. And still do. The underlying mythos is nearly too much to avoid. These are the pillars for a reason. Certainly the same could be said of this up and coming generation of young writers and even the guest authors we’ve had during this series, tackling the movies that inspired them in some way. So, on this very last Universal Monsters in Review review, I’d like to shout out to all my guest authors that participated, the movie(s) they reviewed and a little bit about them and where you can buy their work.
(in order of appearance)
Daniel Marc Chant – Reviewed for us both The Mummy (1932) and The Creature Walks Among Us (1956). Mr. Chant is the published author of several terrifying tales, including Maldicion, Burning House, and his newest venture, Mr. Robespierre. Daniel is also one of the founders of The Sinister Horror Company, the publishing team that brought us such frights as, The Black Room Manuscripts and God Bomb!. You can follow Daniel on his blog, here. And you can read his review on Mummy here.
Jeffery X. Martin – Reviewed for us The Wolf Man (1941) and The Invisible Man’s Revenge (1944) and Revenge of the Creature (1955). Mr. X is the published author of several stories that are sure to shock, including those in the Elder’s Keep universe and Tarotsphere. He also published a fantastic tale in The Black Room Manuscripts. His latest novel, Hunting Witches, is now available on Amazon’s blood-soaked altar. You can find his work on Amazon. When Mr. X is not writing creep mind-benders, he’s the host and/or contributor to several podcasts and blogs, including, but not limited to, Pop Shiftier and Kiss the Goat. You can read his review on Wolf Man here.
Duncan Ralston– Reviewed for us The Invisible Man (1933). Mr. Ralston is not just a wonderful human being, but also the author of gruesome tales like Salvage: A Ghost Story, and the horror collection, Gristle & Bone. He’s been published in a various of anthologies, including The Black Room Manuscripts and The Animal, and the anthology,Easter Eggs and Bunny Boilers. His latest book will sure to knock your socks off, Woom. You can follow and chat with him atwww.facebook.com/duncanralstonfiction and www.duncanralston.com. You can read his review on Invisible Man here.
Dawn Cano – Reviewed for us legendary Frankenstein (1931). Miss Cano has always been a fan of horror, she loves everything about the genre and has just begun her journey into the world of horror writing. When not pounding away at the keyboard, she can be found reviewing books and movies for The Ginger Nuts of Horror and wasting time on Facebook. Dawn has also started what will no doubt be a fantastic career as a storyteller. You can find her books, including Sleep Deprived and Bucket List, *Warning: Some Scenes May Disturb for both of these wonderfully gruesome tales. And you can check out her review of Frankenstein here.
Kit Power – Reviewed for us both The Bride of Frankenstein (1935) and Monster Mash Pinball Game. Mr. Power lives in the UK and writes fiction that lurks at the boundaries of the horror, fantasy, and thriller genres, trying to bum a smoke or hitch a ride from the unwary. In his secret alter ego of Kit Gonzo, he also performs as front man (and occasionally blogs) for death cult and popular beat combo The Disciples Of Gonzo. He is the published author of such works as, GodBomb!, Lifeline, and has contributed to numerous anthologies, including The Black Room Manuscripts, Widowmakers, and upcoming Easter Eggs and Bunny Boilers. You can read Kit’s review of Bride here.
Justin Park – Reviewed for us both Abbott and Costello Meet Frankenstein (1948) and Werewolf in London (1935). Mr. Park draws from the crazy worlds of exploitation cinema and pulp literature for his literary inspiration. His family are both equally proud and disturbed by his literary output dragged from a mind they helped to cultivate. He resides on the outskirts of Bristol in the UK and hopes one day they’ll let him in. Mr. Park is the author of several twisted tales of morbid doom, including Upon Waking and Terror Byte and Punch. He was also featured with a horrifyingly wonderful short in the horror anthology The Black Room Manuscripts. Besides giving his readers terrifying nightmares, Mr. Park is also one of the founding members of the up and coming UK Publishing team, The Sinister Horror Company, active in promoting other writers and attending numerous conventions. You can read his review on A&C Meet Frank here.
William D. Prystuak – Reviewed for us Dracula’s Daughter (1936). Professor Prystuak is an award-winning screenwriter, film producer, and teacher in higher education, as well as a published poet, and essayist. His crime thriller, BLOODLETTING, has been adapted from his script of the same name, and he is currently working on a horror series. William also co-hosts THE LAST KNOCK podcast as Billy Crash with his good buddy, Jonny Numb, and currently, has thousands of listeners in 120 countries. You can find more about horror and William on his Crash Palace Productions site. As an Assistant Professor of English at Kutztown University of Pennsylvania, William teaches business writing and public relations. You can find more about William at any of these fantastic sites: Amazon: http://amzn.to/1Fu9PHS Barnes and Noble: http://bit.ly/1GhclaJ Goodreads: https://www.goodreads.com/book/show/23365977-bloodletting BLOODLETTING Book Trailer One: https://www.youtube.com/watch?v=TVNji_G-tSI BLOODLETTING Book Trailer Two: https://www.youtube.com/watch?v=glK9DiVIHT8 IMDB: http://www.imdb.com/name/nm5464477/?ref_=fn_al_nm_1 Linked In: https://www.linkedin.com/pub/william-d-prystauk/10/9a1/a55 Horror Podcast: THE LAST KNOCK on iTunes Twitter: @crashpalace. You can read Professor Prystuak’s review of Drac’s Daughter here.
Michelle Garza – Reviewed for us She Wolf of London (1946). Michelle Garza, one-half of the writing team based out of Arizona. Her sister, Melissa Lason, and Miss. Garza have been dubbed The Sisters of Slaughter by the editors at Fireside Press. Since a young age, they have enjoyed crafting tales of the dark and macabre. Their work has been included in anthologies such as WIDOWMAKERS a benefit anthology of dark fiction, WISHFUL THINKING by Fireside press and soon to be published REJECTED FOR CONTENT 3 by JEA. To be included in FRESH MEAT 2015 is an incredible honor for the sisters. Their debut novel, Mayan Blue, released with Sinister Grin Press. You can keep track of Michelle and the Sisters of Slaughter’s budding writing career by following them on Twitter and Facebook. You can read her review of She Wolf here.
Duncan P. Bradshaw – Reviewed for us Invisible Agent (1942). Mr. Bradshaw lives in MIGHTY Wiltshire, with his wife Debbie and their two cats, Rafa and Pepe. Their barbershop quartet days may be behind them now, but they can still belt out a mean version of ‘Deepy Dippy’ by Right Said Fred when the mood catches them right. Duncan’s debut novel, zom-com, “Class Three,” was released in November 2014. The first book in the follow-up trilogy, “Class Four: Those Who Survive,” shambled into life in July 2015. Both have received glowing reviews. In early 2016, he released his debut Bizarro novella, “Celebrity Culture”, which has been well received, despite its oddness. Not content with resting on his laurels, Prime Directive blasts off in May 2016, a sci-fi/horror novella which pleased fellow founder J.R. Park. Before the main attraction…Duncan finished writing “Hexagram” in late 2015, a novel set over five hundred years, which follows an ancient ritual and how people throughout the years twist the original purpose to their own end. You can find all of Mr. Bradshaw’s work on the bloodied altar of Amazon. And you can read his review of Invisible 007 here.
Chantel Feszczyn (aka Chaney Dreadful) – Reviewed for us House of Frankenstein (1944). Miss Dreadful — is one creepy ghoul hailing from a small city in Saskatchewan, Canada. She is a regular podcast voice frequenting on the podcasts, with the first being Dead as Hell Horror Podcast, and as well the likes of The Resurrection of Zombie 7, Land of the Creeps andWhedonverse Podcast. For the last three years she has brought her focus towards written reviews, posting occasionally on her Tumblr blog and recently moving to her new website dreadfulreviews.com — where she posts weekly reviews discussing movies, comic books and horror-themed merchandise. You can read her review of Frank’s House here.
Daryl Lewis Duncan – Reviewed for us Abbott and Costello Meet The Invisible Man (1951). Mr. Duncan is an up and coming writer and graphic artist and one smashing guitarist. You can find his work on numerous book covers recently released this year, including books by Dawn Cano, Duncan Ralston, and myself (Thomas S. Flowers). He also has upcoming projects with the likes of Kit Power and Rich Hawkins. Some of Mr. Duncan’s publishing work includes Violent Delights, in which he co-wrote with Dawn Cano. He is an avid reader and supporter of fellow indie writers. His artwork is stylized in a retro, space-age grunge, 70s grindhouse. Yup, it is that awesome! You can read his review on A&C Meet Invisible Man here.
Jon Weidler – Reviewed for us Abbott and Costello Meet The Mummy (1955). Mr. Weidler works for the Commonwealth of Pennsylvania by day but is a podcast superhero by night. He co-hosts THE LAST KNOCK horror podcast under the moniker “Jonny Numb,” and is a regular contributor to the Crash Palace Productions and Loud Green Bird websites. His archived movie reviews can be found at numbviews.livejournal.com, and his social media handle is @JonnyNumb (Twitter & Letterboxd). You can read his review of A&C Meet Mummy here.
Tim Busbey – Reviewed for us The Mummy’s Ghost (1942). Mr. Busbey is an award-winning editor and journalist who currently is the Assistant Editor at Richland Source (www.RichlandSource.com) and Ashland Source (www.AshlandSource.com). Tim also does freelance book editing and is a partner with Erin Al-Mehairi in Hook of A Book Media and Publicity. When he’s not editing other people’s stories or reporting on all the happenings in Ashland, Ohio, Tim writes sci-fi, thrillers and horror. You can read his review of Mummy’s Ghost here.
Pembroke Sinclair – Reviewed for us The Mummy’s Curse (1944). Miss. Sinclair is a literary jack of all trades, playing her hand at multiple genres. She has written an eclectic mix of fiction ranging from horror to sci-fi and even some westerns. Born in Rock Springs, Wyoming–the home of 56 nationalities–it is no wonder Pembroke ended up so creatively diverse. Her fascination with the notions of good and evil, demons and angels, and how the lines blur have inspired her writing. Pembroke lives in Laramie, Wyoming, with her husband, two spirited boys, a black lab named Ryder, and a rescue kitty named Alia, who happens to be the sweetest, most adorable kitty in the world! She cannot say no to dessert, orange soda, or cinnamon. She loves rats and tatts and rock and roll and wants to be an alien queen when she grows up. You can learn more about Pembroke Sinclair by visiting her at pembrokesinclair.blogspot.com. You can follow the very talented Pembroke on Facebook Amazon Twitter Or at her blog. You can read her review on Mummy’s Curse here.
David Sgalambro – Reviewed for us The Ghost of Frankenstein (1942). MR. SGALAMBRO is a horror writer at J. Ellington Ashton Press and a contributing Writer at Resident Rock Star Magazine. He was born in New York, but spent the majority of his life sweltering down in Florida. Growing up, he was obsessed with every 1960’s Monster magazine on the newsstand (He still has hundreds of them that he can’t bear to part with ….ever) and any Horror movie his eyes could watch (He blames some of his lunacy upon seeing the original Night of the Living Dead at the age of nine). His continuous love for the genre has kept him in movie theaters throughout his life indulging in all of the decade’s bloodiest moments, but not up until recently has he tapped into his own dark inner voice as a writer, and brought forth his compelling debut novel published by J. Ellington Ashton Press titled NED. It’s his first attempt at the literary game and he credits his love of Horror for its terrifying content. David is currently working on his second novel which once again explores the darkest depths of his maniacal mind for inspiration and creativity. David’s other current literary escape is as a contributing writer for a music publication called Resident Rock Star magazine out of Colorado. With them he gets the freedom to write about what’s happening in the current music scene pertaining to his own personal taste, Heavy Metal. You can read his review on Ghost of Frank here.
Patrick Loveland – Reviewed for us The Invisible Man Returns (1940). MR. LOVELAND writes screenplays, novels, and shorter prose fiction. He also draws somewhat disturbing imagery on Post-its. By day, he schedules classes, helps instructors get set up for class sessions, possibly draws said weird Post-its, and moves many a furniture at a state college in Southern California where he lives with his wife and young daughter. His stories have appeared in anthologies published by April Moon Books, Bold Venture Press, and the award-winning Crime Factory zine. Mr. Loveland’s first novel, A TEAR IN THE VEIL, will be published in late 2016 by April Moon Books. You can connect with Patrick on Twitter:https://twitter.com/pmloveland Facebook: https://www.facebook.com/pmloveland/ Amazon: http://www.amazon.com/-/e/B00S78LF9M Or Blog [under construction]:https://patrickloveland.wordpress.com/ You can read his review on Invisible Man’s Return here.
Chad Clark – Reviewed for us House of Dracula (1945). Mr. Clark is a midwestern author of horror and science fiction. His artistic roots can be traced back to the golden era of horror literature, Stephen King, and Robert McCammon being large influences. His love for horror began as well in the classic horror franchises of the eighties. He resides in Iowa with his wife and two sons. Clark’s debut novel, Borrowed Time, was published in 2014. His second novel, A Shade for Every Season was released in 2015, and in 2016 Clark published Behind Our Walls, a dark look at the human condition set in a post-apocalyptic world. His latest book, Down the Beaten Path, released in September 2016. You can keep up with all of Mr. Clark’s works by following him on Amazon here. And you can read his review of House of Drac here.
Matt Shaw – Reviewed for us The Invisible Woman (1940). Mr. Shaw is the published author of over 100 titles – all readily available on AMAZON. He is one of the United Kingdom’s leading – and most prolific – horror authors, regularly breaking the top ten in the chart for Amazon’s Most Popular Horror Authors. With work sometimes compared to Stephen King, Richard Laymon, and Edward Lee, Shaw is best known for his extreme horror novels (The infamous Black Cover Range), Shaw has also dabbled in other genres with much success; including romance, thrillers, erotica, and dramas. Despite primarily being a horror author, Shaw is a huge fan of Roald Dahl – even having a tattoo of the man on his arm; something he looks to whenever he needs a kick up the bum or inspiration to continue working! As well as pushing to release a book a month, Shaw’s work is currently being translated for the Korean market and he is currently working hard to produce his own feature length film. And speaking of films… Several film options have been sold with features in the very early stages of development. Watch this space. Matt Shaw lives in Southampton (United Kingdom) with his wife Marie, his bastard cat Nellie and three rats – Roland, Splinter, and Spike. He used to live with Joey the Chinchilla and Larry the Bearded Dragon but they died. At least he hoped they did because he buried them. You can follow Mr. Shaw and delve into his work by following his site at www.mattshawpublications.co.uk AND on Facebook at www.facebook.com/mattshawpublications.co.uk. You can read his review of the infamous Invisible Woman here.
And there you have them. Please join me in giving them a huge round of applause and thanks for agreeing to participate in this new endeavor here on Machine Mean. And be sure to check out all their awesome work by following the links provided under each bio. Now, what? Well, keep your socks on, October is just around the bend and we’ve got an awesome event in store for you. Machine Mean’s Freight Fest 2016, featuring 21 guest authors reviewing 21 dark fiction movies of their own choosing running from October day 1 thru day 31. That’s right, I let 21 weirdos pick their own movies to review and they’ve selected some rather awesome flicks, ranging from the 1960s to released just last month. You can follow news and updates regarding Freight Fest by following our Facebook page here. And as always, if you enjoyed what you’ve read here on Machine Mean, please subscribe to our author mailing list by clicking on the FREE BOOK image below to not only receive updates on sales and new releases, but also a free anthology of dark fiction.
September 28, 2016 | Categories: History, Horror, Reviews | Tags: 1930s, 1940's, 1950's, Bride of Frankenstein, Chad Clark, Chaney Dreadful, Daniel Marc Chant, Daryl Lewis Duncan, David Sgalambro, Dawn Cano, Dracula, Dracula's Daughter, Duncan Bradshaw, Duncan Ralston, Frankenstein, guest authors, Guest Reviewers, Guest Writers, Horror, horror reviews, House of Dracula, House of Frankenstein, Jeffery X Martin, Jon Weidler, Justin Park, Kit Power, Matt Shaw, Michelle Garza, movie reviews, Patrick Lovelland, Pembroke Sinclair, Reviews, Sisters of Slaughter, The Invisible Man, The Invisible Woman, The Mummy, The Wolf Man, Tim Busbey, Universal Classics, Universal Monsters, Universal Monsters in Review, Universal Studios, Universal Studios Classics, William D. Prystauk | 3 Comments
Have you ever had one of those moments when you question precisely what it is you’re watching? I had one of those during the screening for The Invisible Woman. Now, to be fair, the “Invisible” films have had a rather rough go at it as far as quality, in fact, the only movies from the “Invisible” production line I like are the original, The Invisible Man, and Invisible Agent, and you can thank Peter Lorre for that one. And I guess that gives you a bit of a spoiler on my thoughts for this rendition. While watching, I was really wanting to like the movie, I really did try. The major problem with The Invisible Woman, for me at least, was that it was trying to do one thing while simultaneously circumventing those attempts. The Invisible Woman started out as a comedy, Shemp Howard from The Three Stooges was in the film for Christ’s sake, and the movie was, at first, calling attention, through comedy, certain discriminations/sexism against women. The volunteer for the “invisible” project was after all a working gal whose boss was a certifiable pig. And I feel, at the beginning, the film achieved its goal of making light of a rather dark subject. But as the film progresses, the plot unspools into a heap of intangible wool. It made no sense…the woman was strong and could save the day, but couldn’t control herself and needed a man to save her? The message the movie is presenting is confusing. Does making a movie that semi resembles some sort of pro- women’s right as a comedy mean the subject is laughable? Then again, we need to remember the era in which the film was made and not interpret past events in terms of modern values and concepts. Anyhow, that’s the beans on how I feel regarding the movie, let’s see what our honored guest has to say about The Invisible Woman.
The Invisible Woman
By: Matt Shaw
‘I was just wondering if you fancied doing a film review for me?’
‘Hey? What do you mean – I mean, I know what you mean but… What do you need?’
‘I’m doing a series of blogs about Universal Monsters and just wondered if you wanted to review one of the films…’
‘Erm. Can do. Not really my strength but – sure. Which one?’
‘You can choose from these.’ <List given>
‘Oh, I’ll have The Invisible Woman.’
And then I forget about the conversation only to be reminded months later. Panicked, with the review due shortly, I go off to download the film Bride of Frankenstein. Not sure how my brain went from one to the other but – meh – a lucky conversation on Facebook and I realized my mistake and soon found myself watching the correct film on YouTube. And – you know what – I wish I hadn’t bothered. Still… I did bother so I might as well review the turd. I mean “film”. Try and guess what I thought about it before you get to my verdict at the end of this review and – remember – I’m a horror author, not a film critic.
The Invisible Woman was released in the 1940s. It has that “old film” charm with the black and white footage and grainy specks here and there which normally trick you into thinking you’re watching an intelligent movie classic – you know, the type of pretentious shite you were forced to endure at school as part of life lessons. Unfortunately there is nothing intelligent about this film, nor – in fact – are there any lessons to be learned. It is also lacking any charm. In fact, how the studio survived with the release of this festering cesspit is beyond me, but – there you go.
Starring Virginia Bruce (The Wicked Witch no less) as the Invisible Woman (Kitty Carroll) and John Barrymore (as the eccentric Professor Gibbs), it also stars John Howard as Richard Russell, the millionaire playboy character on the verge of bankruptcy after years of living life to the full and paying towards Gibbs’ inventions. But none of these characters, or performances, will stand out compared to one of the other characters and – no – I’m not referring to Shemp Howard (one of the Three Stooges). I’m referring to Charlie Ruggles who played George, the butler to Richard Russell – a character who stands out for the wrong reasons. In fact – Charlie Ruggles deserved to never work again and – quite frankly – I am too irritated to check to see if he even did. The character was a bumbling idiot, given most of the “slapstick” scenes and delivering them a bull in a china shop. No… Not a bull. What’s bigger than a bull? Ah. An elephant. His oafish “acting” and over the top mannerisms doing nothing more than to fuel my hatred for the film and all involved.
‘George! Call for an airport!’
‘No, George… Call for an airport on the telephone.’
Oh, how I rolled around the living room laughing my quite frankly massive bollocks off.
George and Richard are in heated debate. Richard goes up the stairs and George goes up the ladder next to the stairs, only to do a somersault when he reaches the top, landing in a heap on the floor.
Someone call 999! I’m dying from laughter.
Now I know what a farce when I see one. I studied it at school with the likes of Dario Fo. I enjoy a good farce when they are done correctly but – here – there are so few scenes of comedy that when it does happen (poorly) it does nothing to serve the film and just feels painfully out of place. Anyway, fuck off, I’m watching Universal Monsters. I want horror. I’ve been duped. I don’t want some piss poor attempt at comedy. If I wanted something funny – I’d watch something by Seth Rogen…
Oh, the irony.
The plot of the film itself is fairly bog standard. An inventor who invents a machine that turns people invisible. The investor gets excited because he thinks it will solve his money problems. After putting an advert in the paper – a woman (Kitty) gets in touch to be the test subject. But – wait for it – three crooks also hear of the machine and want to steal it for their boss! So – Kitty goes invisible and seeks revenge on her boss (she works as a model) who learns the error of his ways after getting literally spanked by Kitty. She then goes with Gibbs to Russell’s lodge to prove the machine works (and hear we discover how sexist films were back then) and they end up falling for each other and – boom – the crooks show up and kidnap the professor and the girl having already stolen the machine from back at the lab. Everything is wrapped up nicely with the Invisible Woman teaching them lessons in the space of about four minutes and the credits roll. That’s all there is to it and I’m sorry for the spoilers but – seriously – you’ll thank me. This film is a crock of shit with it’s dire “comedy”, flat acting, so-so music and… Fuck me… I’ve got something good to say… Hold your pants, this is big…
The effects, given this, was made in the 40s are actually pretty good. With regards to the invisible effects anyway. Don’t mention the lightening towards the end of the movie. So – yeah – there you go – a positive in this shit pie. Good effects. But, if you’ve read my books, you’ll know I don’t like happy endings so… Remember when I said was sexist? Sexist and degrading to women. Check out these lines, babycakes:
‘It’s me, Mrs. Jackson.’
‘You can’t possibly be Mrs. Jackson! She’s in the kitchen where she belongs!’
‘Any girl insisting on becoming invisible can’t be easy on the eyes!’
‘Hiding your stout figure…’
It’s okay, though. The rumor is Hollywood is remaking the film and casting an all-female cast with the exception of the invisible man.
‘Of course, you chose to go invisible… With a penis that small, why wouldn’t you?’
‘He didn’t need the machine for us to not be able to see that!’
Anyway, I’m not sorry for this negative review. The film portrayed women to be either thick or deranged. This isn’t a hero piece. The male characters – with the exception of the Playboy – don’t fare any better on the stupidity scale and, quite frankly, the screenwriters should have been blacklisted just to fuck them off from the scene before they could do any more damage to the brains of those foolish enough to try their work out.
This is not a good film and it’s no surprise I struggled to find a torrent with which to view it…
Thanks for reading now, if you’ll forgive me, I’m off to pour bleach in my eyes and drill a hole in my head – into which I shall be pouring sulphuric acid.
Peace out, homies.
Matt Shaw is the published author of over 100 titles – all readily available on AMAZON. He is one of the United Kingdom’s leading – and most prolific – horror authors, regularly breaking the top ten in the chart for Amazon’s Most Popular Horror Authors. With work sometimes compared to Stephen King, Richard Laymon, and Edward Lee, Shaw is best known for his extreme horror novels (The infamous Black Cover Range), Shaw has also dabbled in other genres with much success; including romance, thrillers, erotica and dramas. Despite primarily being a horror author, Shaw is a huge fan of Roald Dahl – even having a tattoo of the man on his arm; something he looks to whenever he needs a kick up the bum or inspiration to continue working! As well as pushing to release a book a month, Shaw’s work is currently being translated for the Korean market and he is currently working hard to produce his own feature length film. And speaking of films… Several film options have been sold with features in the very early stages of development. Watch this space. Matt Shaw lives in Southampton (United Kingdom) with his wife Marie, his bastard cat Nellie and three rats – Roland, Splinter and Spike. He used to live with Joey the Chinchilla and Larry the Bearded Dragon but they died. At least he hoped they did because he buried them. You can follow Matt and delve into his work by following his site at www.mattshawpublications.co.uk AND on the altar of Facebook at www.facebook.com/mattshawpublications.co.uk
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August 31, 2016 | Categories: Horror, Reviews | Tags: 1940, authors, Comedy, guest authors, Horror, horror reviews, John Barrymore, Matt Shaw, monsters, movie reviews, Reviews, sexist, Shemp Howard, slap stick, The Invisible Man, The Invisible Woman, Universal Classics, Universal Monsters, Universal Monsters in Review, Universal Studios, Universal Studios Classics, Virginia Bruce, women in horror, women's rights, worst movie | 5 Comments