Review by: Carissa Ann Lynch
In order to fully appreciate The Blair Witch Project, you have to rewind the tape twenty years. Go on—I’ll wait.
It’s 1999—I’m fifteen years old, piled in the back of some goober’s pickup, watching the film on a grungy, old drive-in movie screen. I’m pretty sure it was after midnight.
Here’s the thing—back then, there was a lot of secrecy surrounding this film. Whoever did the marketing—or lack of marketing, I should say—really set the tone for viewers like me. The actors were unknown; their names in the credits were the same as their characters’ names. And in the very beginning of the film, the viewer learns that this film is “recovered footage” of three film students who went into the hills of Burkittsville, Maryland to film a documentary about a local legend—the Blair Witch—and never returned. So, right from the start, we know they’re doomed. The people in the film aren’t actors—they’re dead people. And now we’re going to watch this footage of what happened leading up to the moment of their deaths… Continue Reading
Starring: Jack Nicholson, Shelly Duvall, Danny Lloyd, and Scatman Crothers.
Written By: Stanley Kubrick and Diane Johnson
Directed By: Stanley Kubrick
Review By: Joshua Macmillan
Synopsis: Jack Torrance is in recovery, now that he is clean and sober, he is on his last legs. Needing to provide for his family, Jack takes a job as the winter caretaker of The Overlook hotel. For the winter, he will move his family in the hotel and he will maintain the building and grounds. Jack doesn’t know that the hotel has its own plans, that the hotel has more than a few dirty secrets of its own. Jack’s son, Danny, has a secret of his own. Danny has the ability to read minds- a trick he learns is called The Shine. Through the shine, Danny learns that his father is deteriorating mentally and the hotel has its own evil agenda.
The shining, arguably one of the most beloved films from director Stanley Kubrick, is a film that has been discussed and dissected by so many people that the task of writing a review for it is rather daunting. Honestly, I put off writing this review as long as possible because the film has become something more than just an adaptation of a Stephen King novel. I am not the type of movie-goer that goes into a movie looking for hidden messages. I want to be entertained and taken on the ride that the story wants to tell me, taking me out of my world and thrusting me into the world of the characters. When looking at writing about The Shining, I find that you can enjoy the film whether you want to dig in deep and search out those hidden themes or if you just want to watch a movie that will take you into its world. Continue Reading
[PRAAAAWBABLY SOME SPOILERS IN THIS ONE]
I actually just had to go through my now-double-digits past write-ups for Machine Mean to see if I was right on this…but HHLLC will be the first found footage film I’ve actually reviewed. And by found footage, I mean the shot-on-video incarnation, and not earlier films with an in-progress-documentary-film conceit like Cannibal Holocaust, Man Bites Dog, etc..
Coincidentally, I think I was supposed to review The Houses October Built but maybe didn’t for scheduling reasons or something. I say ‘coincidentally’ because that was another found footage film about the “Haunt” industry—commercial haunted house attractions run by professionals during the fall season, especially around Halloween. HHLLC goes a very different way with its scares, mostly due to revealing itself as a different subgenre of horror to THOB, which was something more like The Blair Witch Project meets The Strangers. Continue Reading
Starring: Vera Farmiga, Patrick Wilson, Frances O’Conner, Madison Wolfe, Simon McBurney, and Franka Potente
Written By: Chad Hayes, Carey W. Hayes, James Wan, and David Leslie Johnson
Directed By: James Wan
Review By: Joshua Macmillan
Synopsis: A single mother and her four children are being attacked by a malicious force that is determined to possess one of her young daughters. After attempting to get help from local authorities, the Catholic church appoints Ed and Lorraine Warren to visit the family and try to figure out exactly what is going on.
If you read my previous review for James Wan’s The Conjuring (2013), you would know that I was grasped by that film. It engaged me on levels that I didn’t think it would at all. After I watched it, I immediately wanted to pop in the disk to The Conjuring 2 (2016) but I held off until after I had written my review for the original. Continue Reading
Directed by Scott Derrickson
Written by Paul Harris Boardman, Scott Derrickson
Starring: Jennifer Carpenter, Laura Linney, Tom Wilkinson
This review contains spoilers.
Review by: Kayleigh Marie Edwards
I love horror films but as an atheist, possession movies don’t normally tickle the terror nerve for me. I don’t believe in Satan or spirits or the possibility of being possessed, so as much as I am entertained by the idea of it, it doesn’t scare me as much as, say, Mikey standing in the corner facing into the wall (you know, because forest witches are definitely real). However, The Exorcism of Emily Rose is not just another run-of-the-mill possession movie about a teenage girl in a dirty white nightdress spouting Latin in dual voices. Well… I mean… it is actually, but it’s also so much more. Continue Reading
Village of the Damned (1995)
A Review by: Feind Gottes
Directed by: John Carpenter
Written by: David Himmelstein (adapted from the book by John Wyndham and the 1960 screenplay by Sterling Silliphant, Wolf Rilla and Ronald “George Barclay” Kinnoch)
Starring: Christopher Reeve, Kirstie Alley, Linda Kozlowski, Michael Paré and Mark Hamill
The Gist: All the women in a small town become pregnant at the same time (YIKES!) giving birth to children who turn out to be as weird as the pregnancies themselves.
Feind’s Review (ish): Spoilers Ahead, DUH! This review is going to be difficult to get through without making too many Christopher Reeve jokes but I’ll try to let it stand on its own two feet… shit… so it begins! Thankfully there isn’t a horse riding scene or I’d never be able to get through it! So this review is on the 1995 remake by living legend John Carpenter but I would highly recommend you check out the 1960 original film since, while dated, is an excellent film. I would say check out the book by John Wyndham also but that would be advice to myself since I haven’t read it either. Speaking of ‘50s & ‘60s sci-fi horror I also highly recommend the 1953 film Invaders From Mars (there was a remake in 1986 but I like the original better) which is in a similar vein as Village of the Damned but I suppose I should get on with it. Continue Reading
Starring: Vera Farmiga, Patrick Wilson, Ron Livingston, and Lili Taylor
Written By: Chad Hayes and Carey W. Hayes
Directed By: James Wan
Synopsis: Shortly after moving into a new house, a family becomes terrorized by demonic forces. After learning of the world renowned paranormal investigating team of Ed and Lorraine Warren, the family asks for their help. Upon visiting the family in their home, the Warrens find themselves confronting a powerful demonic entity determined to continue its reign of horror.
Review By: Joshua Macmillan
When I think of modern horror, James Wan is one of the first directors that come to mind. I would say it is a fair assumption that Wan comes to mind for a lot of us genre fans. From his initial dive into horror with the Saw franchise, his Insidious films, to what I am writing about now with The Conjuring, James Wan has become a horror icon in the realm of creatives. Continue Reading
I had no idea what to expect going into this one, other than hearing some vague things about it being pretty good. I’m glad I came in fresh this time. I usually at least have a vague idea of what I’m getting into but it’s nice to have no preconceived notions of any kind once in a while. I had also heard Barbara Crampton was in it, which was a plus as I’ve been a fan since growing up with Re-Animator and From Beyond, and seeing her more recently in Beyond the Gates.
So, I’m gonna admit right out of the gate that I didn’t pick up on this being a period piece at all when I watched it the first time. Once I found that out, it made sense when I was scanning back over some scenes. I either missed a year tag or just how period specific all the cars and clothes were. Although, in my defense, a lot of what was popular in the late 1970s in those realms is still popular or popular again. Continue Reading
Directed by John Irvin
Written by Lawrence D Cohen adapted from the novel by Peter Straub
Starring: Fred Astaire, Melvyn Douglas, Douglas Fairbanks Jr, John Houseman, Craig Wasson and Alice Krige
Review by: Feind Gottes
The Gist: Four elderly men are haunted by a terrible deed in their youth. The ghost of their past returns to take vengeance on the next generation who stumbles upon the deep dark secret they’ve kept hidden for decades.
The Review (ish): Before I begin I have a couple of confessions to make much like the elderly gentleman who starred in this film. First, I have read many Peter Straub books but I have never read Ghost Story (which released in 1979) which this film is based on. Based on the books of Straub’s I have read I can tell you there are few writers who do horror mystery better than him, I highly recommend his novel simply titled Mystery. Second, this movie is difficult to find without running out to buy the recently released Blu-ray edition which I did not. I saw this film initially sometime in the early to mid-80s and most of this review will be based on that recollection with a little help from videos I’ve used to jog my memory though I will likely pick up the Blu-ray when I have the opportunity. Also, I personally do not believe in ghosts and rarely find movies involving ghosts scary with Poltergeist (1982) being the main exception. That’s my confession so now you’re all priests – STOP TOUCHING LITTLE BOYS!!! Continue Reading
There is something about horror movies of the 1970s that I love. Maybe it’s the pre-social media age. There’re no cell phones, no cable TV, no internet, not even compact discs or home computers. The time is one of simplicity. Or so it would seem. I imagine without all our modern distractions, there is more focus on what lies beneath. It was also a time of mystery. Putting a man on the moon was only something, at the time, that we’d just been able to accomplish. We simply knew less. Religion was much more accepted and widespread. Science was growing but it was still looked at as part fantasy. Less knowledge about how the world and the universe worked meant there was more room for our imaginations to wander in the dark void.
Burnt Offerings is based off a novel with the same name published in 1973 by Robert Marasco. Director/producer Dan Curtis co-wrote the screenplay with author William F. Nolan. Curtis was mostly a TV movie guy but does a wonderful job taking up the big chair for Burnt Offerings. Continue Reading