The Eighties are often thought of as the Golden Age of Slasher movies. And why not? We had Jason and Freddy and Michael roaming around movie screens, dispatching hormone-addled teenagers in creative ways. It all became a bit formulaic, but with pretty naked people and bucketfuls of the red, red kroovy, who cared? The horror algorithm was simple back then, and anybody who could get funding from family or a cabal of local medical professionals could follow the formula, shoot a movie in a couple weeks, and potentially get a lucrative distribution deal.
With an audience hankering for knives and nubiles, other horror movies got lost in the shuffle. That’s why most people have probably never heard of Alone in the Dark, a terrific movie from 1982 with no nudity, little bloodshed, and no young’uns traipsing through the forest, tripping over tree roots in the dark. Continue Reading
If a friend asked me, “Hey, Tommy, can you recommend a good slasher movie?” Off the cuff, I’d typically guide said friend to one of the many wondrous titles under the Friday the 13th franchise or Nightmare on Elm Street. If they wanted obscure but tasteful, I’d most likely say The Prowler or The Burning. Those looking for something for date night, I’d recommend Scream or perhaps Silence of the Lambs. If I wanted to sound like an intellectual or one of those real classic film guys, I’d suggest Psycho. But if I were really brave…if i wanted to take the risk, if not in losing a friend and all credibility in recommending slasher movies, but also risk being looked at (at worse) like some weirdo pervert, well…if i didn’t care about that, then I would totally recommend THE LAST HOUSE ON THE LEFT (1972).
This isn’t to say that THE LAST HOUSE ON THE LEFT (TLHOTL) is a horrid movie. Its not. Its actually quite amazing. Raw. Brutal. Shocking. And truth be told, not entirely that fun of a film. Just how slasher flicks really ought to aspire. TLHOTL doesn’t wear a mask to scare you, it removes the mask, and in so doing is utterly terrifying. There is no pleasure in the depravity, except for perhaps towards the end when the protagonists’ parents exact revenge (more on that later). In Friday the 13th or Nightmare on Elm Street or even Halloween, we’re (mostly) rooting for the killer, “Yeah! Murder those dumb stupid teenagers!” But in TLHOTL, those very scenes are sickening and uncomfortable to watch. Continue Reading
American Psycho is a satirical novel written by Bret Easton Ellis and published in 1991. It is an unreliable first person narrative, in the present tense, given by the main character, Patrick Bateman, who is a yuppieliving in 1980s New York City. It is an extremely controversial novel, given its depiction of increasingly brutal violence against women; this issue led many feminists to protest the novel.
A movie version was made in 2000, the screenplay written by Guinevere Turner and Mary Harron (the latter also being the director), and starring Christian Bale in the lead role. The movie removed or mitigated the novel’s violence, and rearranged much of the material: apart from that, the film was reasonably faithful. Continue Reading
Starring: Donald Pleasence, Jamie Lee Curtis, P.J. Soles, and Nancy Loomis. With Nick Castle and Tony Moran portraying Michael Myers.
Written By: Debra Hill and John Carpenter
Directed By: John Carpenter
Synopsis: On Halloween night of 1963, six year old Michael Myers brutally murders his seventeen year old sister, Judith. He was sentenced to a mental hospital but on October 30, 1978 he escapes and a string of murders begin in his hometown of Haddonfield, Illinois.
“Halloween isn’t just a good story; it’s a film that demonstrates an unprecedented understanding of it’s very media. It’s a story that could only be told cinematically, a true folktale for the 20th century and beyond. Light, shadow, silence and good sound form into an experience both tangible and transcendent. It’s a wholly immersive work of art, a rare instance of pure cinema. Like it’s antagonist, it will never die.” -Stef Hutchinson, taken from the 35th anniversary Blu-Ray. Continue Reading
WELCOME friends to a new year of “In Review.” As you no doubt have guessed, this year we’re running the gauntlet with Slashers & Serial Killers. To say we’ve got our work cut out for us would be an understatement. Thus far the review count looks to be well over 150 different movie reviews all spread throughout 2018 with our usual break in observance of the holiest of horror holidays, Freight Fest. Why such a high review count? There’s the love of course…the utter romanticism of this particular horror sub-genre–knowing the killer in us all by living vicariously through onscreen murderers and villains. Beginning as early as Psycho in 1960 and continuing on all the way into 2018, slasher and serial killer movies are alive then as they are today with hundreds of different movies to choice from. To kick things off, my movie of choice may seem a bit odd…allow me to explain. Continue Reading