There seems to be a reoccurring joke among horror fans. When a franchise goes to die, it goes to die in space. I’m not sure which franchise started it. Maybe when Critters went into outer space in Critters 4 (1991), or maybe it was Leprechaun 4 (1997)…but to be fair, this series died waaaaay before then. Hellraiser: Bloodline (1996) went into space, however brief. And truth be told, that movie was pretty darn good. However the joke started it would seem a fan favorite amongst the slasher sub-genre ALSO decided to venture out into space. Friday the 13th part X upon their 10th film explored where no slasher had gone before. Now, to be clear, the movie was titled Jason X, just like with Jason Goes to Hell (as apposed to Friday the 13th part 9), due to a lack of property rights with Paramount. They were able to snag the characters, or character, but not the franchised title as a true Friday the 13th. Despite that, fans have pretty much just grouped them all together. Not caring for all the boring legality. With all that settled, lets get back to what we’re really here for. Was Jason X good? Or did the franchise die in space? Heaven help us, we’re going to find out together. Continue Reading
[Probably some spoilers—like you give a fuck, bitch (Freddy voice)]
Okay, when this came out, I’d seen every film in the two series this was a crossover of. It would be hard to say which of the two had held up the most, and neither would qualify as serious horror properties by the time this came about. But by then that wasn’t really the point. Not for myself or most fans I knew, at least.
The first few films in each series (well, probably first one or two for Freddy) were pretty serious, dark horror films that happened to be about teenagers frolicking and getting horribly slaughtered. They both became somewhat tongue-in-cheek affairs the further they went on, then eventually each had a remake of some sort, and just before this crossover, Nightmare had what I felt was a very well done return to serious territory that was also “meta”-rrific and a step outside the canon. Craven himself directed that one, and it showed. Actually to this day the only one of these films I haven’t seen is the remake of Nightmare, but I’ve heard I really haven’t missed much. I personally even enjoyed the Friday the 13th sort-of remake reboot-ening, but only saw it once and wasn’t exactly sober, so be gentle.
So, Full Disclosure™—while I have love for both of these characters and properties, I personally would own up to landing pretty squarely in the Team Jason camp—Get It? ‘Camp’? We try to have fun here…
The real question, though, is: does this crossover live up to what people enjoy about each franchise and character and make for an enjoyable film on its own?
Well, heck-a-doodle-doo-doo-muh-bob-a-reeni—let’s find out what I thought, shall we? Continue Reading
What do you get when you take a ghost mask, a voice-changer, and a knife — and then multiply it by three? Scream 3, of course!
This film opens with a scene somewhat mirroring the original opening scene from the very first Scream movie, but with a twist — the whole “Wanna play a game?” scenario with everything starting off somewhat flirty and harmless. This time, though, the killer calls Cotton Weary (Liev Schreiber) saying that he’s outside of his girlfriend’s bathroom. Of course, when Cotton hears this he rushes home to his girlfriend’s rescue… only to find her hiding, and, unknowingly, with the killer still in the house. Shortly after, they are both attacked, and neither make it out alive. Continue Reading
While slasher films can be gritty they mostly stay within the realm of hokey, not in a bad way, but in a fun and enduring way. Slashers are those movies we watch when we want to turn our brains off for a while and watch some masked burnt mysterious whatever maniac do horrible things to teenagers. Serial killer movies however, while can be equally hokey, normally tend to lean towards the more serious of the two. Most serial killer movies that I’ve seen are dark and intrinsically layered films that force me to keep my brain working, to watch out for the clues, and to digest whatever metaphor or symbolism packed in bloody imagery that the director is intending for me to swallow. We’re talking Silence of the Lambs, Zodiac, Identity, American Psycho, Henry, and the list goes on. Se7en is no different. Continue Reading
A quick warning: this article spoils Friday the 13th Part 2 from hell to breakfast. If you’ve not seen this movie, maybe give this a miss.
“Jason was dead to begin with… this must be distinctly understood, or else nothing wonderful can come of the story I am going to relate” — Charles Dickens.
I know. You’re a horror fan. You love the old school stuff, especially those great iconic slashers from the Eighties. There’s that Halloween Blu-Ray collection on your shelf, complete with the sound-corrected Producer’s Cut of Halloween 6. You’ve got a Freddy Kreuger glove. You use it to scare your little niece on holidays. And you absolutely love Jason. He’s Jiminy Cricket with a machete, the bloody enforcer of all the morals you rebelled against as a teenager. Don’t do drugs. Don’t have pre-marital sex. Don’t be fat or offensive in any way. Conform or be cast out. Jason Fucking Voorhees. He is the physical embodiment of the entire Reagan Administration, and he’s the best, right? Continue Reading
“The Legend of Lizzie Borden” from 1975, directed by Paul Wendkos, was a movie I had been dying to watch, both because I like to stomach anything Lizzie Borden-related and due to actress Elizabeth Montgomery. I’ve always been a fan of hers from growing up watching re-runs of “Bewitched” and she starred in the lead role as Lizzie Borden. “The Legend of Lizzie Borden” came out when I was just one-year-old, so I wasn’t one of those crowded around the TV watching it on ABC Movie of the Week when it aired, but I had read just how much it would have been controversial at the time for how much violence it showed. Violence, by the way, that doesn’t hold a candle to what we watch now, or would back then as the ‘80s approached, in terms of slasher films. If I had a been a bit older, we would have never been allowed to watch it in my house anyway. Continue Reading
Horror fans can be divided on a lot of different things. The works of Master of Macabre Stephen King comes to mind. Remakes and reboots of beloved classics such as A Nightmare of Elm Street, The Omen, or the upcoming release of another take on Dario Argento’s masterpiece Suspiria can conjure quick debate. We all have our tastes on what is good and what we think is not good. Be that as it may, there are also flicks in which bring instant rejoicing or equally jovial disdain. Take for instance, I believe a majority of horror fans would agree collectively that John Carpenter’s The Thing (1982) is a treasured cult classic. Or that The Exorcist is one of the scariest movies ever made (sure, there’s always that one jerk who denies the truth). And the same goes for the ones we agree we don’t like, such as Nine Lives starring…Paris Hilton (ugh), Shyamalan’s The Happening, or even Exorcist II: The Heretic. This also applies among fans of the Friday the 13th series, while the best ones are hotly debated, the worst is widely agreed upon. And so on this Friday the 13th I thought I’d talk about the one everyone loves to hate, Part 5: A New Beginning. Continue Reading
[YEAH, I’M SPOILING THE BEST PART… ‘CAUSE WHAT ELSE IS THERE IN THIS ONE?]
Okay, being totally honest—I had only seen the very last scene from this film before watching the whole thing a few nights ago. I’d stumbled onto it in some list of shocking horror moments or something and wasn’t worried about it being spoiled, so I watched it. That scene stuck with me, and also made me (mistakenly!) assume this was a disturbing, dark film throughout. Hahahaha… No. Not at all. That’s not to say it’s bad… but I think the backwards way I experienced it actually says a lot about this film and its legend, if you can call it that. This is more like a Troma film for the most part with a few decent kills and one very effective, weird scene. Continue Reading
Now THIS is my kind of film. It’s 124 minutes of the stupidest, most offensive garbage I’ve ever seen – and, trust me, I’ve seen a LOT. As a taster, the top-rated IMDB review ends with the line: “How many ‘eating faeces’ scenes can a normal person watch before going insane?”
Cheap, nasty, and utterly repellent, this Tro-masterpiece is for fans of early John Waters, early Peter Jackson, and general trash aficionados.
Terror Firmer is a film made by the infamously tasteless Troma studio. It’s also the Troma film to end all Troma films, and piles atrocity upon puerile atrocity, packages it in a box of provocation, and decorates that box with a bow made of congealed bodily fluids. It’s as silly and outrageously violent as you’d expect, and tells the tale of how a Troma film production is thwarted by the antics of a deranged sexual sadist who keeps slaughtering cast members and crew. Continue Reading
Psycho is a psychological suspense/horror film produced and directed by Alfred Hitchcock in 1960. It is based on the Robert Bloch novel of the same name, published the year before; the novel, in turn, was based on the Ed Gein murders.
Ed Gein was a serial killer in Wisconsin in the 1950s. A ‘mama’s boy,’ Gein was devastated by the death of his mother in 1945, and felt all alone in the world; when she was alive, she was a domineering, prudish woman, teaching him that all women were sexually promiscuous instruments of the devil.
Soon after her death, Ed began making a “woman suit” so he could “be” his mother by crawling into a woman’s skin. For this purpose, he tanned the skins of women. He also admitted to robbing nine graves. Body parts were found all over his house as ghoulish works of art. These macabre crimes were the inspiration not only for Psycho, but also The Texas Chainsaw Massacre, the Buffalo Bill character in Silence of the Lambs, and numerous other horror movies. Continue Reading