Thank goodness for Goodreads. Seriously. I don’t know how else i would keep track of my year long books read without it. Plus, there’s the progress goals that helps you keep on track with reading. There were more than a few times that I had gotten so bogged down in my own work that I needed that reminder to take a breath and read other peoples books. And I have found some good suggested reads on there too. This year, my goal was 12 books, one per month. Kinda wimpy when compared to others, I know. I saw one person with like a 500 book reading goal. Freaking crazy! I guess i’m just a slow reader. I am setting 2019 goals a little higher with plans to read more small press indie books. There year is, though, what it is. Can’t complain. I’ve read some really great titles. So, without further babbling on my part, here are my 2018 reads! Continue Reading
Directed by: Tobe Hooper
Written by: Dan O’ Bannon and Don Jakoby
Starring: Steve Railsback; Peter Firth; Aubrey Morris; Mathilda May; Patrick Stewart
After Poltergeist was released to critical and box office success in 1982, director Tobe Hooper was a hot commodity.* Having already established himself as a genre master with his debut film The Texas Chainsaw Massacre, the twisted backwoods horror Eaten Alive (which featured an early appearance by a very young Robert Englund), a superb television miniseries adaptation of Stephen King’s Salem’s Lot and the underappreciated (and unnervingly creepy) classic The Funhouse, his collaboration with Steven Spielberg seemed to set Hooper on a much deserved and long overdue transition into the mainstream spotlight. Continue Reading
There seems to be a reoccurring joke among horror fans. When a franchise goes to die, it goes to die in space. I’m not sure which franchise started it. Maybe when Critters went into outer space in Critters 4 (1991), or maybe it was Leprechaun 4 (1997)…but to be fair, this series died waaaaay before then. Hellraiser: Bloodline (1996) went into space, however brief. And truth be told, that movie was pretty darn good. However the joke started it would seem a fan favorite amongst the slasher sub-genre ALSO decided to venture out into space. Friday the 13th part X upon their 10th film explored where no slasher had gone before. Now, to be clear, the movie was titled Jason X, just like with Jason Goes to Hell (as apposed to Friday the 13th part 9), due to a lack of property rights with Paramount. They were able to snag the characters, or character, but not the franchised title as a true Friday the 13th. Despite that, fans have pretty much just grouped them all together. Not caring for all the boring legality. With all that settled, lets get back to what we’re really here for. Was Jason X good? Or did the franchise die in space? Heaven help us, we’re going to find out together. Continue Reading
What is the chance of a once-in-a-lifetime love worth? Is it worth the embrace of a monster, or death? SPRING is not just any monster movie, no typical vampires or werewolves here. What remains is the inescapable drive for connection that goes beyond emotional need.
SPRING, directed by Justin Benson and Aaron Morehead and written by Benson, is the story of Evan (Lou Taylor Pucci,) a young man who has just lost his mother and his job. His life has been on hold, taking care of his dying mother and his father who has also passed. He is an adult orphan, alone in the world with no direction. He makes an impulsive decision to head to Italy, a trip he and his father always talked about. He arrives with no clear idea of what he is looking to find. Continue Reading
From another planet comes the Invisible Invaders!
How can you stop what you don’t see?
The dead will destroy all the living!
The living dead threaten all life on earth!
I know, Invisible Invaders? you say. Aliens, you must be joking. Certainly, Tommy, anything Romero-esque would be post 1968 and here you have a review for Fright Fest: Zombies with a film released back in 1959. What gives? Well, I’ll tell you. Yes, the rules still apply, though truth be told this one does kinda skirt the line a bit. The reason I wanted to include Invisible Invaders is due to the ambiance of the film and how obscure it has become in recent years despite its obviously forgotten importance to the history of zombie lore. As per the “rules” and as per the formula of Romero films, the zombies or ghouls or walking dead are not living persons controlled through magic or voodoo, though I do enjoy that variation, it doesn’t quite fit within the spectrum of Romeroism. The rule is simple enough, a person dies, they get up and attack the living, that living person dies and they get up and attack the living, etc. etc. Continue Reading
Okay, seriously…have you seen the new Kong? For starters though, i’ll admit it is kinda strange taking on a creature feature review outside of the Creature Features in Review series. However, as I had the gumption to finally watch the latest of Kong movies, Kong: Skull Island, I felt compelled to write down some of my thoughts regarding said movie. There are no spoilers here, per say. Kong holds not mystery that hasn’t already been shown in the many previews and trailers that came out prior to the movie’s release. So, I don’t feel bad talking about it. Continue Reading
You know, I’m fairly certain I’ve been a member of Netflix since the beginning, or at the very least since 2008, BEFORE the big streaming push and the demise of the video store. It happened slowly, I think. The takeover of streaming from home. There wasn’t much available to start. At the time, I still had the 2 DVD rental membership. Maybe it was around 2010 when we, the wife and I, did away with the DVDs. Why? Well…we didn’t need them. In fact, streaming became so much more convenient and affordable that we ultimately dropped cable television. My wife enjoys newer shows, but the ones she likes she streams from apps or catches up on Hulu. And for viewers like me, well…I’m more of a movie kinda guy to be honest, but the shows I do watch the most are typically…how do say…off the air. I watch old shows that have long since been canceled. There are a few newer ones that sometimes makes me wish we still had cable, shows like AHS and maybe a few others. However, if I’m patient enough, those very shows will eventually find their way onto Netflix’s monster cache of streaming availability.
But while newer shows have the glamour, I still indulge in older programming. We’re talking X-Files, MASH, Kolchak: The Night Stalker, Star Trek, and yes even The Gilmore Girls (don’t judge!). But my number one favorite oldie to watch is without a doubt Rod Serling epic sci fi thriller The Twilight Zone. If you’ve never seen an episode…jeez…think black and white science fiction, but not just about space and rocket-ships, but also weird tales, time travel, magic even, or death itself. They’re also all moral stories, more or less, warnings and questions of our humanity, not to mention the consequences we could face given certain destinations. The other night I screened for the first time one of these consequence driven episodes, from season 5 episode 14, titled “You Drive.” And let me say, this was one of the more creepier episodes of the show with the most simplistic plot-lines.
It goes like this:
“After involved with a hit-and-run killing a child, Mr. Oliver Pope is haunted by his car.”
Now I can see where King and Straub and everyone else got their ideas from. Perhaps not as deranged as Christine, but no doubt the genius of those darker works of haunted cars that would eventually come out in the 70s and 80s. In “You Drive” businessman Oliver Pope is on his way home. He’s driven this route for years. He knows every turn. Every bump in the road. As it happens on this particular day, its raining, and maybe Oliver has had a long day at work, stressed over a new client or something. He’s distracted and as fate would have it accidentally runs over a young boy delivering newspapers on his bicycle. Now at this point, what Pope has done is nothing more than an accident, tragic certainly, but an accident all the same. He didn’t intentionally run down the boy. However, as Mr. Pope jumps out to check on him (the boy doesn’t look good) and notices no one around, he makes a choice.
Stay and face the consequences of his actions…
Consequences is what Mr. Oliver Pope is afraid of. Afraid of what people will think of him after they discover what he’d done. Not just running over and killing the boy (which we later discover died from his wounds), but running away, his cowardliness. This is perhaps the whimsical side of watching shows like The Twilight Zone, they show you an era in which people still gave a damn about character. And character is what Mr. Pope desperately clings to protect. He doesn’t want people to think less of him. Sure, we can get that, right? But what Oliver fails to understand is that it is our actions that define our characters, not what people perceive us to be.
Well, as par for The Twilight Zone, because of Mr. Pope’s horrible choice to runaway the natural order of things begins to bend. There’s something not right…with his car, the very one he killed the boy with. Pope wants to forget, to put the matter away, what’s done is done, etc etc. But the car will not let him forget. His car haunts him and everyone around him. It honks in the middle of the night. It stalls out when his wife attempts to drive it to the store. It appears back at home seemingly to have driven itself. Blaring its horn over and over. And when Mr. Pope refuses to drive it, the car follows him on his way to work. The car makes a show to run him down. It wont stop. It cant, not until…
Oliver Pope must decide.
Face the consequences of his actions.
Or be continuously haunted by his car.
“You Drive” is certainly a chilling allegorical story to be sure. Haunted by our mistakes, our poor choices in life, especially those that have or could have dramatic effects on the lives of others. And how the consequences of those mistakes cannot be forgotten, never completely. And there’s even a lesson about character here, if we care about such a thing anymore. Our character isn’t (or at least shouldn’t be) defined by how people think of us, it is defined by our actions and our deeds, and it is by those deeds we will be judged.
My rating: 5/5
With a face only a mother could love, Thomas S. Flowers hides away to create character-driven stories of dark fiction. Residing in the swamps of Houston, Texas, with his wife and daughter, his debut novel, Reinheit, was soon published with Shadow Work Publishing, along with The Incredible Zilch Von Whitstein, Apocalypse Meow, Lanmò, The Hobbsburg Horror, and FEAST. His military/paranormal thriller series, The Subdue Series, including Dwelling, Emerging, Conceiving, and Converging, are published with Limitless Publishing, LLC. In 2008, he was honorably discharged from the U.S. Army where he served for seven years, with three tours serving in Operation Iraqi Freedom. In 2014, Thomas graduated from University of Houston Clear Lake with a Bachelors in History. He blogs at machinemean[dot]org, where he reviews movies and books on a wide range of strange yet oddly related topics. You can hide from Thomas by joining his author newsletter at http://goo.gl/2CozdE.
My debut collection of horror shorts is now just $0.99!!!
The most foreboding title among the horror and science fiction lexicon, besides perhaps IT or They (which is just a cheap knockoff of the more impressive film we’re about to discuss), is the 1954 masterpiece known as Them! Among the many different creature features, be it swamp critters or critters from space or super mutant hybrids, bugs freak me out the most. As defined by the omnipotent Wikipedia, “Entomophobia (also known as insectophobia) is a specific phobia characterized by an excessive or unrealistic fear of one or more classes of insect, and classified as a phobia by the DSM-5. More specific cases included apiphobia (fear of bees) and myrmecophobia (fear of ants).” Now, that being said…I think my “fear” can be measured by mass. The smaller the insect, the less I get “freaked out.” Hence, small little pests like flies and mosquitoes are simply put…pests, easily swatted or shooed away. But on the other spectrum, the bigger they get, the more I’m apted to run away screaming. If someone were to make a monster movie with the intention of provoking the mass amount of fear from yours truly, Them! would be the quintessential experience.
But it cannot be done in a silly way. If you want a serious reaction, the movie will need to have a serious undertone. Them! is a perfect example of this. As a fan of most dubbed “classics,” basically timeless pieces of cinematic history, be it 1930s or 40s or 50s or 60s or even those in the Silent Era, I took double pleasure in the fact that this now 63 year old movie can still capture that tension, that wonderful feeling of dread so fantastically. Them!, not too sound too fan-girlish, is utterly amazing. By modern standards, Them! easily tops what producers consider to be blockbusters in not just storytelling and characterization, but also special effects. It makes me curious what original audiences thought when they first sat in their parked fin-tailed red and chrome Chrysler’s at the local drive-in, WITHOUT having been desensitized by years of modern computer generated graphics.
Alas, those day’s are gone forever.
All we can do now is cherish the time we had.
For those who have not had the pleasure, here is a quick synopsis of Them!
“The earliest atomic tests in New Mexico cause common ants to mutate into giant man-eating monsters that threaten civilization.”
Boom. You don’t really need anything more than that, do you? Needless to say, IMDb isn’t wrong. In a nut shell, those are the stakes. A mutated strain of ants are multiplying in the New Mexico desert and could very well threaten civilization. And not just any mutated ant species, but a mutation of the Cataglyphis genus, better known as Desert Ants. These sand dwellers are among the most aggressive of ant. The perfect bugs to supersize for a horror/science fiction movie, right?
One of the fun aspects of Them! is how the movie starts off and is treated more or less throughout the entirety as a “detective” story. The movie opens with a patrol car doing their normal patrol and pickup a little girl, no more than six years old, strolling through the desert alone dressed in a nightgown and cradling a broken doll. They try talking to her but she is catatonic, speechless, staring blankly out at the brown sand. That feeling of dread we talked about begins to weave slowly into the movie and as the policemen investigate a nearby trailer, finding it mostly destroyed, pulled apart from the outside (they deduce) the tension builds even further.
The next scene certainly adds to not only the mystery but also the horror when police sergeant Ben Peterson’s (played by the very awesome James Whitmore) partner “disappears” off screen investigating a strange sound. He get’s off a couple of shots and then screams, that kind of scream that sends chills down your spine. The sound the officer investigates permeates throughout the entire movie. A familiar nature melody for anyone living in suburbia or out in the country. The sound of cicada or crickets singing in trees or in tall grass. Come summer, that sound is still quite pleasant to me, despite this film’s attempt to ruin it. Though, there is a lingering feeling of “what’s really making that sound? Are they, Them! watching me?”
And I love how, despite the excellent movie art on the poster, knowing there will be giant ants in this movie, the story stalls the BIG reveal, forgive the pun, until the absolute right moment. And that moment, much how the newly brought on character, FBI agent, Robert Graham (played by man’s man James Arness), to its frustrating conclusion through the “comic relief” of sorts Professor Harold Medford (played by Santa himself Edmund Gwenn) and his “if a boy can do it a girl can do it too” daughter Dr. Patrica Medford (Joan Weldon). The Dr. Medord’s are not really that comedic, the old man is sort of how we might think brilliant old men are, a tad absent minded to every day tasks, but a genius in their preferred fields of study. And the female Dr. Medford, despite her strong grace of femininity, wasn’t overpowering or preachy. She was meek but smart and willing to go places most men wouldn’t dare go. In a decade before feminism really took off in America, it’s hard to place the purpose of her character. Regardless, I was and am very pleased with her performance, second to her father perhaps, how she was not the ditsy romance how most other movies place actresses. Harold may have been love struck, but everyone else called her Pat, a genderless name, and I prefer it that way.
The reveal was perfect, as I said. A sandstorm kicks up and everyone’s goggled and stumbling around for clues. Somehow Pat get’s separated from the group. That chilling buzzing, ringing, clicking cicada sound starts again, getting louder and louder, and everyone is looking around wondering what that noice is and where it’s coming from. Above Pat on a dune, emerges a large black head with giant orb eyes long furry antenna and large sharp looking mandibles. She screams, alerting the others who begin opening fire, destroying the ant’s antenna (to the suggestion of Dr. Medford). The ant is killed and while the others are staring at this impossible horror, Dr. Medford makes a statement, the inspiration and message of the entire movie, I think. He says, “We may be witnesses to a Biblical prophecy come true – ‘And there shall be destruction and darkness come upon creation, and the beasts shall reign over the earth.'” He says something very similar towards the end of the movie, stating, “When Man entered the atomic age, he opened a door into a new world. What we’ll eventually find in that new world, nobody can predict.”
The Atomic Age…
Full of sparking large logos and flashy gadgets and a new generation of fast food and drive-in theaters and modern jazz and rock-in-roll, but this was also an era of uncertainty. Hiroshima and Nagasaki awakened something in humanity. Something more than just awe and dread. Something darker and more pious than religion. The Atomic Age was this new fear of the bomb. Uncertainty over world powers, the growth of the Cold War, and a horizon in modern science to which many did not understand. Not knowing is the greatest fear of all, at least according to H.P. Lovecraft. The Atomic Age also gave birth to this very feature we find ourselves enjoying (hopefully), the birth of unnatural monsters such as Godzilla and Them! Better known as Creature Features.
Them! acts as a cautionary tale. Be warned, what will await us on the other side of the door. Will science bring upon us destruction and darkness? Will man’s ignorance? Them! isn’t about the dangers of real giant bugs, its about consequences. That in everything we do or strive to bring about, for every action there is an equal and opposite reaction, as Newton had once said. Its a message every new generation hears, right? Cautionary warnings from the old folks rocking on the porch, talking about how things used to be.
The rest of Them! takes on that similar detective story we were introduced to in the beginning. They hunt down the hive and destroy the giant ants with poison, only to discover a few queens had escaped prior. Now the once localized investigation turns into a global event. Hush hush, of course, to avoid widespread panic, the team with the added benefit of the military and select government officials quickly work to destroy Them! But the movie doesn’t end like some monster movies with the creatures being destroyed…there is a feeling of uncertainty, astute given the era, and we are left wondering if perhaps there are more giant mutated ants out in the desert thanks to atomic weaponry. And as Dr. Wedford said, “nobody can predict.”
My rating: 5 out of 5
Who doesn’t love a good story? From great works such as, All Quiet on the Western Front and Salem’s Lot, Thomas S. Flowers has a passion to create similar character-driven stories of dark fiction ranging from Shakespearean gore fests to paranormal thrillers. Residing in the swamps of Houston, Texas, with his wife and daughter, Thomas has published several novels, including, Reinheit, The Incredible Zilch Von Whitstein, Apocalypse Meow, Lanmò, The Hobbsburg Horror, Beautiful Ugly and other Weirdness, Feast, and PLANET OF THE DEAD. In 2008, Thomas was honorably discharged from the U.S. Army where he served 3 tours in Operation Iraqi Freedom as a Military Police Officer. In 2014, Thomas graduated from University of Houston-Clear Lake with a Bachelors in History. He blogs at http://www.machinemean.org, where he contributes reviews on movies and books along with a gambit of guest writers who discuss a wide range of strange yet oddly related topics. Follow Thomas on his website www.ThomasSFlowers.com.