[ STARTS WITH A SPOILER AND NEVER LOOKS BACK *THE CROWD REJOICES* ]
Have you ever seen that episode of Cowboy Bebop in which Spike leaves a lobster in the Bebop’s backup refrigerator for a super long time, birthing a small, amorphous creature that hunts the crew of bounty hunters (or “cowboys” in the show, shucks howdy!), spearing them with something from its body that knocks them out and incapacitates them? Yeah, this movie is like an expensive, pretty, gorier, and over-serious version of that. I have a feeling I’m not the first to make this comparison, but either way it fits. Something about the way the creature is handled and how it moves and hides and the camerawork when it’s near.
It could also be said that the Cowboy Bebop episode I’m referring to is itself an homage to Alien (ha! I’m only two paragraphs in and I found a way to bring up Alien—my obsession is nearing its final, truest form….), which itself was a transcendent evolution of earlier Sci-Fi/Horror film tropes and themes. So, at this point, all SF/H films (especially those set in a ship in space, on other planets, etc.) could be said to lead back to Alien as being a major influence. Or at least the general framework and approach set up by that film. And as I’ve said before in earlier ramblings and quoting others, the biomech humanoid creature in Alien that hunts the crew could just as easily be a vampire in a castle or Dracula specifically on his trip to London on the Demeter (as I quoted Valaquen of the Strange Shapes Alien franchise blog stating earlier in my Planet of the Vampires review), when boiled down to asymmetrical survival horror by an unknowable creature. Everything old is new again. Continue Reading…if you dare!
Directed by: Alex Garland
Adapted for the Screen by: Alex Garland, based on the novel by: Jeff VanderMeer
Starring: Natalie Portman, Jennifer Jason Leigh, Oscar Isaac and Tessa Thompson
Released: February 2018 (USA)
A Review-ish by: Feind Gottes
The Gist: A biologist’s husband returns one year after leaving on a Top Secret mission but is not the same man who left. Government officials take the couple into custody where the biologist learns of a mysterious zone her husband was sent to explore and returned as the sole survivor. In order to find out what happened to her husband the biologist enters the zone with a team of her own where no one knows what they will find. Continue Reading…if you dare!
Director: Stanley Kubrick
Writers: Stanley Kubrick, Arthur C. Clarke
Starring: Keir Dullea, Gary Lockwood, William Sylvester, et. al.
Released: May 1968
Article “Analysis of ‘2001: A Space Odyssey’ written by: Mawr Gorshin. Originally published on MawrGorshin.com.
2001: A Space Odyssey is a 1968 science fiction movie produced and directed by Stanley Kubrick and written by him and Arthur C. Clarke. The film is often said to be based on Clarke’s short story, “The Sentinel,” but this is a gross oversimplification, as only a small moment in the film parallels the story, and even that part is radically rewritten. The actual literary equivalent of the film is the novel credited only to Clarke, but cowritten by Kubrick. Continue Reading
Thank goodness for Goodreads. Seriously. I don’t know how else i would keep track of my year long books read without it. Plus, there’s the progress goals that helps you keep on track with reading. There were more than a few times that I had gotten so bogged down in my own work that I needed that reminder to take a breath and read other peoples books. And I have found some good suggested reads on there too. This year, my goal was 12 books, one per month. Kinda wimpy when compared to others, I know. I saw one person with like a 500 book reading goal. Freaking crazy! I guess i’m just a slow reader. I am setting 2019 goals a little higher with plans to read more small press indie books. There year is, though, what it is. Can’t complain. I’ve read some really great titles. So, without further babbling on my part, here are my 2018 reads! Continue Reading
Directed by: Tobe Hooper
Written by: Dan O’ Bannon and Don Jakoby
Starring: Steve Railsback; Peter Firth; Aubrey Morris; Mathilda May; Patrick Stewart
After Poltergeist was released to critical and box office success in 1982, director Tobe Hooper was a hot commodity.* Having already established himself as a genre master with his debut film The Texas Chainsaw Massacre, the twisted backwoods horror Eaten Alive (which featured an early appearance by a very young Robert Englund), a superb television miniseries adaptation of Stephen King’s Salem’s Lot and the underappreciated (and unnervingly creepy) classic The Funhouse, his collaboration with Steven Spielberg seemed to set Hooper on a much deserved and long overdue transition into the mainstream spotlight. Continue Reading
There seems to be a reoccurring joke among horror fans. When a franchise goes to die, it goes to die in space. I’m not sure which franchise started it. Maybe when Critters went into outer space in Critters 4 (1991), or maybe it was Leprechaun 4 (1997)…but to be fair, this series died waaaaay before then. Hellraiser: Bloodline (1996) went into space, however brief. And truth be told, that movie was pretty darn good. However the joke started it would seem a fan favorite amongst the slasher sub-genre ALSO decided to venture out into space. Friday the 13th part X upon their 10th film explored where no slasher had gone before. Now, to be clear, the movie was titled Jason X, just like with Jason Goes to Hell (as apposed to Friday the 13th part 9), due to a lack of property rights with Paramount. They were able to snag the characters, or character, but not the franchised title as a true Friday the 13th. Despite that, fans have pretty much just grouped them all together. Not caring for all the boring legality. With all that settled, lets get back to what we’re really here for. Was Jason X good? Or did the franchise die in space? Heaven help us, we’re going to find out together. Continue Reading
What is the chance of a once-in-a-lifetime love worth? Is it worth the embrace of a monster, or death? SPRING is not just any monster movie, no typical vampires or werewolves here. What remains is the inescapable drive for connection that goes beyond emotional need.
SPRING, directed by Justin Benson and Aaron Morehead and written by Benson, is the story of Evan (Lou Taylor Pucci,) a young man who has just lost his mother and his job. His life has been on hold, taking care of his dying mother and his father who has also passed. He is an adult orphan, alone in the world with no direction. He makes an impulsive decision to head to Italy, a trip he and his father always talked about. He arrives with no clear idea of what he is looking to find. Continue Reading
From another planet comes the Invisible Invaders!
How can you stop what you don’t see?
The dead will destroy all the living!
The living dead threaten all life on earth!
I know, Invisible Invaders? you say. Aliens, you must be joking. Certainly, Tommy, anything Romero-esque would be post 1968 and here you have a review for Fright Fest: Zombies with a film released back in 1959. What gives? Well, I’ll tell you. Yes, the rules still apply, though truth be told this one does kinda skirt the line a bit. The reason I wanted to include Invisible Invaders is due to the ambiance of the film and how obscure it has become in recent years despite its obviously forgotten importance to the history of zombie lore. As per the “rules” and as per the formula of Romero films, the zombies or ghouls or walking dead are not living persons controlled through magic or voodoo, though I do enjoy that variation, it doesn’t quite fit within the spectrum of Romeroism. The rule is simple enough, a person dies, they get up and attack the living, that living person dies and they get up and attack the living, etc. etc. Continue Reading
Okay, seriously…have you seen the new Kong? For starters though, i’ll admit it is kinda strange taking on a creature feature review outside of the Creature Features in Review series. However, as I had the gumption to finally watch the latest of Kong movies, Kong: Skull Island, I felt compelled to write down some of my thoughts regarding said movie. There are no spoilers here, per say. Kong holds not mystery that hasn’t already been shown in the many previews and trailers that came out prior to the movie’s release. So, I don’t feel bad talking about it. Continue Reading