Okay, seriously…have you seen the new Kong? For starters though, i’ll admit it is kinda strange taking on a creature feature review outside of the Creature Features in Review series. However, as I had the gumption to finally watch the latest of Kong movies, Kong: Skull Island, I felt compelled to write down some of my thoughts regarding said movie. There are no spoilers here, per say. Kong holds not mystery that hasn’t already been shown in the many previews and trailers that came out prior to the movie’s release. So, I don’t feel bad talking about it. Continue Reading
I think we all have our list of movies that affected us in some way as a child. Both positive and I’m sure there are plenty of negative feelings towards movies out there too, either because they were horrible or horriful, depends on the person watching. Honestly, my bar is so low its hard to watch a movie, even a really cheesy one, and walk away hating it. There are plenty of other people more critical, and I’ll leave it to them to right the ship on movie reviews. There’s also a degree of separation we need to consider. The movies we 80s kids watched in either the late 80s or 90s that were totally awesome back in the day but watching them now almost feels embarrassing. 1997’s SPAWN is probably one of the best examples of that degree of separation. Back in the 90s, us fans of the demonic hero comic were more than ecstatic to watch the live-action version, but I challenge you to watch SPAWN (fan or no) now and not feel at least a smidge bit embarrassed that you at one point in your life thought this flick was the bee’s knees. However, there are some movies that surpass and shatter the nostalgic lens and are just great movies. Jurassic Park is one of those movies, for me at least. I have fond memories of seeing this movie as a 90s young teen. This was, in fact, the LAST movie I had gone to the theaters with my entire family (mom, dad, & sister) to see. So there’s that, a very nostalgic feeling, but Jurassic Park is also just a great movie all around, a classic Spielberg at the end of an era in which Spielberg actually made classics instead of rehashing old ones and ruining them. But, I’ll leave the review for this movie in more capable hands as our guest writer takes a swing at Jurassic Park.
Jurassic Park
By: Kurt Thingvold
Dinosaurs have long captured the imagination of the world. Titans of the prehistoric era. In 1912, Sir Arthur Conan Doyle wrote: “The Lost World” as the story a group of explorers led by Prof. Challenger who encounter a prehistoric world. Seventy-Eight years later Michael Crichton wrote of a similar premise where a group of scientists are invited to a prehistoric park where Dinosaurs are brought back to life by genetic engineering in the hopes of garnering a profit. The book was a huge success! And it dealt with issues of animal rights, genetics, and the repercussions of not paying attention to detail, and having constraints when it came to new advances in science. While the book was seen as a huge success, studios were bidding for the rights to make a movie. Universal ended up winning the bid and picked Steven Spielberg to direct, and Michael Crichton to draft the screenplay, which would later be co-written with David Koep. The film was in pre-production for 24 months before filming in August of 1992 and filming ended in November of 1992. A grueling 98 days of filming, from Hawaii to soundstages in Hollywood. With special effects taking over a year to develop. The movie launched in June of 1993. Critics praised the movie for its action sequences, music, and most importantly the special effects. The plot of the movie followed, somewhat, closely to the book. A few characters were mixed around, and some of the more important characters from the novel had their screen time reduced to a mere minute and a half. Parts of the story did remain untouched, with the exception of an awesome raft chase scene with the T-rex.
The story for the movie goes something like this:
A worker is killed on Isla Nublar, an island that holds a secret resort attraction. Three scientists and a lawyer are sent to investigate the attraction, Dr. Alan Grant (played by Sam Neil), Dr. Ellie Sattler (Laura Dern), Dr. Ian Malcom (Jeff Goldblum), and Donald Genaro (The money hungry and corrupt lawyer played by Martin Ferraro). Shortly after arriving, they find that the park is inhabited by creatures from another era: dinosaurs. A greedy computer programmer sabotages the park, and the dinosaurs start to run loose, now everyone must survive until rescue arrives.
What made the movie different from the book? What made this movie a cultural success? It wasn’t an exact carbon copy of the novel, but it could stand on its own. (Spielberg isn’t known for being true to the source material. Peter Benchley was kicked off the set of Jaws after he found out that the shark was going to explode, instead of dying from its wounds, and dragging Quint down to his watery grave). A few things, actually, could be counted toward the movie’s success: dinosaurs and children. Dinosaurs have always had popularity with the youth. The movie also addressed a certain form of science that was growing in popularity at the time: Genetics. The novel went into great detail about genetics and genetic manipulation. The movie did address a few key points. The lunch scene, where Hammond addressed the scientists after viewing the velociraptors being fed. And the incubator scene where Malcolm berates Dr. Wu with questions about natural breeding. Wu states: “The dinosaurs could not be bred in the wild due to them all being female.”
(The following quotes are spoken during the lunch scene and address the lack of discipline involving the cloning process to bring the ancient species back.)
“I’ll tell you the problem with the scientific power that you’re using here, it didn’t require any discipline to attain it. You read what others had done and you took the next step. You didn’t earn the knowledge for yourselves, so you don’t take any responsibility for it. You stood on the shoulders of geniuses to accomplish something as fast as you could, and before you even knew what you had, you patented it, and packaged it, and slapped it on a plastic lunchbox, and now you’re selling it.”
(Another addition to Malcolm’s lines during the scene.)
“Don’t you see the danger, John, inherent in what you’re doing here? Genetic power is the most awesome force the planet’s ever seen, but you wield it like a kid that’s found his dad’s gun.”
They resonate a serious tone about scientific power at the time, where, we tried to create what we could as fast as we could, without thinking of the danger of what we were doing; and it could be taken to another level without consulting with the public. It also portrays that uncontrolled science and technology could be a terrible thing. It also goes to show that just because you have obtained the knowledge and knew how to do it—doesn’t mean you should. The main theme of this scene and the incubator scene are about control—which—the park lacked and that it is why it had its problems. Yet, the theme is downplayed in the movie compared to the book—Malcolm would and does rant about conservation, discipline, and taking what could happen into consideration. While, novel Malcolm, is almost the complete opposite of movie Malcolm.
Spielberg, also, combined and changed characters from the novel. In the film: Grant can’t stand to be around kids and the movie follows his coming to understand and love children (classic Spielberg, coming into fatherhood after reluctance). Genaro is another example of a character swap—in the novel, he is portrayed and somewhat timid and very cautious, and not so much caring about the money. While, the film version, he is cowardly, greedy and not much into anything else. He was also mixed with another character from the novel: Ed Regis, a PR rep who takes the group on the tour of the park and causes the T-rex to escape its enclosure. While in the film—Genaro runs from the vehicle setting off the infamous T-rex attack scene. And promptly, devoured on a toilet. Genaro in the novel isn’t killed at all—In fact he comes around to be a hero—fighting off a velociraptor and calling a ship back and saving Costa Rica from a dinosaur invasion. Robert Muldoon (Bob Peck) is another character who survives the book and dies in the film. In the book, Muldoon is a badass—he has his demons of being an alcoholic but makes up for it in his heroics. Also, Alan Grant and Ellie Sattler are an item. In the novel, she is a student and his assistant. They also give a little backstory about her fiancé and how she plans to marry him after she graduates. Again, a lot of subtle differences between the book and the film.
So, what makes the book good, what makes it a good movie? The answer is simple: It’s different. While the novel is mentally stimulating and fascinating to think about. The movie creates an atmosphere—it shows you the wonder and awe of seeing what you’ve always wanted to lay your eyes upon, a dinosaur, and the movie treats the creatures as actual animals. When the scientists first come to the park they are in awe. They become fascinated with their childhood dreams. You see the creatures breathing, eating, and suffering from disease.
If anything, Jurassic Park is known for two things: The music and special effects. The special effects of the nineties were limited—computers had not been used too much for creatures, with the exception of the glass creature in Young Sherlock Holmes, and the main villain of Terminator 2: Judgement Day. Spielberg hadn’t a clue which method he would take for full body shots of the dinosaurs—he was leaning towards the use of Stop Motion animation, and once he saw the tests for the stop—motion, he was not impressed. However, he was blown away from the CGI tests and decided he would go with computer images for most of the full-bodied animals. For the close-up shots, the film would use animatronic heads and partial bodies. What really made this work is how the CGI and the animatronics were blended together to create the illusion of a real life creature. It brought the illusion of amazement and belief that an ancient creature could be brought back from the dead.
Music is another aspect that brought life into Jurassic Park. John Williams, the composer created a masterpiece with his score; a score that can transport you to an ancient world. What makes the soundtrack work is that the music, in itself, promotes power and wonder. One of the few soundtracks to a movie that isn’t a piece of music but an addition to the scene, the music acts as a special effect; giving the scene the power to captivate. When you listen closely to the soundtrack. Scenes from the movie will come rushing back into your head, a rare feat. Williams didn’t compose music for the movie, he created the breath of the movie. Of course, what ties the whole movie together is the direction of, Steven Spielberg. There are rumors floating around that he didn’t want to make the movie and that if he didn’t make it Schindlers’ List would have never seen the light of day.
Regardless, he created a family film and one that everyone could enjoy. He worked with some of the top experts to make sure that the movie could stand the test of time and it did. Spielberg chose actors who weren’t top billed, he wanted to create characters that people would remember. He didn’t just shoot at a movie studio. He wanted a location that looked prehistoric and a place people could visit. Jurassic Park may not be one his best films, but it is one that is enjoyable. Spielberg took the chance to show us that a movie can bring a family together and a little journey to the past could be a wondrous thing. Even after twenty-four years, with the release of Jurassic World, people still flock to the theater with their children to share in a magical memory and to be blown away by special effects and the simple pleasure of seeing a dinosaur on the big screen. Jurassic Park will be a movie that our kids will share with their kids and so-on. It captures a piece of us, a time when we were all so innocent and could be captivated by a little make believe and a little science.
Jurassic Park will always be a part of my heart and will always be what got me to start writing at a young age. The film, the novel, it all represents a dream of someone wanting something bigger, someone wanting something they could feel and touch. Life will always find a way, and so will Jurassic Park.
Kurt Thingvold is no stranger to Machine Mean, having reviewed for us on several occasions, including his previous review on Godzilla (1954). Kurt was born and raised in IL. He finds passion in writing, that helps calm his demons. He grew up in a tough household that encouraged reading and studying. He spends his time writing in multiple of genres. His published short story, Roulette, can be found on Amazon. When not writing he can be found playing games, reading, or attempting to slay the beast known as “Customer Service”, which, he fails at almost every day. As mentioned, Kurt is a frequent flyer here on Machine Mean, you can also check out his previous review on Ridley Scott’s legacy movie Alien here.
Lets take a ride on the wagon wheel to Minnie’s Haberdashery. And before we pick up any strangers along the way, let me forewarn you, though I plan on keeping this review as spoiler free as possible, don’t get mad if I let a few things slip from here to there. Okay? Okay. You’ve been warned. THE HATEFUL EIGHT is as you may have guessed, if you’re a fan of this particular type of movie, and this type being very much a Quentin Tarantino movie, is his eighth film, with Django Unchained and Inglourious Basterds before that. With this new adventure behind the pen of Mr. Tarantino, we’re brought into the western/frontier world of a very recent post-Civil War America. After watching his last film, Django, I suspected Mr. Tarantino would be making a return to frontier/western film-esk America. If you’ve seen that film, then you may agree, with the story and the characters, he seemed to have a lot of fun with his screenplay and directorial duties. This new film runs nearly 3 hours, and the pace is one of the more interesting or “telling” aspects, pointing to an otherworldly reference, mentioned in other reviews by more talented reviewers than myself. Our eyes first witness a white landscape with a very large snow capped mountain. From there, we then get to spend, about an hour or so, inside the wagon with one John Ruth (Kurt Russel), Maj. Marquis Warren (Samuel L. Jackson), Sheriff Chris Mannix (with a running jag how no one believes he’s really the sheriff of this town everyone’s trying to get to), and imprisoned outlaw, Daisy Domergue (Jennifer Jason Leigh) before finally arriving at the Haberdashery. The conversations are what you may have come to expect from a Tarantino film, filled with plenty of adult language, the use of the N-word, and exposition. If you can stomach all this, well…as the saying goes, you’re in for one hell of a ride.
But don’t come expecting high octane action. You’re not going to get that. Instead, you’ll get a colorful mix of exposition told without the need of repetitive flashbacks. In a somewhat risky move, especially with today’s attention-deficit-disorder generation, Mr. Tarantino allows the characters to interact as naturally as conversation. Conversation, imagine that! And while some of the interaction seemed awkward and forced, we have to be somewhat honest here, isn’t most conversation forced and awkward? Or am I such a recluse that natural conversation seems wholly unnatural? Hmm… MOVING ON! After spending a lengthy, what I found to be quite comfortable, amount of time in the wagon, shooting the breeze and sharing stories of past bounties, nicknames, Lincoln letters, and Civil War exploits, we finally arrive at the crux and final stage of our play…oops, I mean movie. That’s right. We get the wagon. And we get the Haberdashery. No exotic local, no trip around the world, not even a walk downtown. Nope. And why? Django at least trotted across the rural south. And Basterds carved swastikas throughout Germany and France. Well, THE HATEFUL EIGHT is not a wide-birth story, its a story about suspension as well as vengeance. Its a classic “who-done-it” with the added benefit of being a western paranoia story. And one of the best ways to invoke the dread of paranoia is to isolate the cast…and the audience. And there’s another reason too…
My “otherworldly” reference before was a nod at what a few other reviewers have claimed regarding this eighth film by Mr. Quentin Tarantino. And I’ll flat out say it here, people are claiming that THE HATEFUL EIGHT is a homage to John Carpenter’s 1982 masterpiece, THE THING. When I heard this floating around the web, it pretty much sealed the deal. I was going to watch this movie. And I’m so glad I did because they were absolutely right. Besides the obvious markers, the opening sequence with the white landscape and snow capped mountain, isolated “cabin” with a male dominate cast, the only woman technically being Daisy Domergue, and I’m not sure if she is really counts as a lady, there are other THE THING identifiers. The biggest and best is the musical score. As advertised in certain cycles, Ennio Morricone gave his all in the fantastic musical score for THE HATEFUL EIGHT, even including unused music from, you may have guessed, THE THING. And its very very noticeable and awesomely chilling, invoking the very essence of paranoia, and filling the audience with the same dread and distrust the characters are struggling with.
Here is a mere sample of the overture:
From here, there’s not much I can reveal without giving away too much. There is a certain level of dark humor to the movie. I found myself laughing several times…though admittedly, looking around in the movie theater, I was the only one. And there was some gore, which I thought played wonderfully with the whole THE THING nod. All the characters were fantastic, all but for one…and he wasn’t entirely terrible either, just didn’t really need to be in there. Michael Madsen makes an appearance through the second half of the movie. He plays the role of John Gage, a rough but silent “cowboy” archetype. And yes, much like in all the roles Madsen plays in Tarantino pictures, he’s a man of few words. And perhaps that’s fitting for a “western” type movie, but I just didn’t see that great of a performance from him…its hard to describe without ruining it. He acts as he always does, its not bad or all that great, I guess…maybe he wasn’t really used as much as he could have been. He seemed pretty much in the background for most of the movie while all the others were for the most part front in center. I had the vibe Madsen was just there because he’s buds with the director…and its sad, because as we know from previous Tarantino films (Reservoir Dogs), he can play a really sinister “man of few words” guy.
Well…in summary, THE HATEFUL EIGHT is a fantastic show, well worth the price of admission. For fans of THE THING, this movie needs to be on your “must watch” list. The musical score alone with make you giddy. And if that don’t, then a certain scene involving Kurt Russel, when he says, “One of them fellas is not what he says he is…,” will.