You Owe Me Awe!
Manhunter (1986) – essay by Kit Power
Expect spoilers. If you don’t want to be spoiled, go watch the damn movie. I’d recommend it.
As soon as the list of movie titles went up for this project, I knew I wanted to cover Natural Born Killers. And I had initially promised myself that’d do – there’s a lot of talented writers in the machine mean pool these days, and it’s not like I don’t have the odd other project to be getting on with.
And then I saw that Manhunter was on the list.
So here we are.
And it’s impossible for me to talk about the movie without talking about it’s more famous cousin, Silence Of The Lambs – covered on this site with admirable enthusiasm by Chad A Clarke. I don’t have much to add to his piece, but I do want to note that like many, if not most people, I saw …Lambs first, and discovered Manhunter later – my memory is as part of a late night film season on Channel 4. Continue Reading
When I was asked to do this review I was initially reluctant, as it would mean re-watching a movie I remember fondly from my childhood. And rather than viewing it with a sense of nostalgia I was being asked to be analytical, and I was concerned that it would be found wanting. Often the passage of time can be unkind to treasured memories, especially when they are examined in the cold light of day. Luckily my fears were unfounded, I watched it – and loved it.
Over the years, the popularity of Hammer Horror Movies has ebbed and flowed with the fashions of the times. Horror has become more realistic and often sadistic, consequently the theatrical, and somewhat simplistic morals of the Hammer Horrors seemed antiquated and naïve. Although after watching this movie, I can recommend it to anyone who enjoys entertainment more than prolonged scenes of torture and mutilation. Continue Reading
Absence makes the heart grow fonder: a quote that always reign true when it comes to issues of the heart and mind. We miss what makes us comfortable.
In 1984, Paramount killed off Jason Voorhees—they wanted to take Friday the 13th in a new direction; after four films, the studio decided to take a chance and introduce a new killer, it didn’t sit right with fans. What did they want? What did they need? Jason, of course.
Jason made his mighty screen come back on August, 1st 1986. Continue Reading
This was a first time watch for me, and I have to say, while very formulaic, it is a fun watch. Tobe Hooper was a master of using atmosphere, lighting and soundscapes over gore and jump scares. This little gem is sandwiched between two of Hooper’s bigger known films, the made-for-t.v. Salem’s Lot in 1979 and Poltergeist in 1982. Of course, his Texas Chainsaw Massacre in 1974 broke massive ground in the history of horror cinema. While Funhouse is not in my eyes a true slasher, it seems that there were, in the history of this fun house, other “accidents and incidents,” which I suppose makes Frank and his dad serial killers?
The story is a tried and true trope of teenagers sneaking around where they ought not be. Amy (Elizabeth Berridge), Buzz (Cooper Huckabee), Liz (Largo Woodruff) and Ritchie (Miles Chapin) go to the carnival together…instead of the movie. Wait, I’m getting ahead of myself. Continue Reading
As a horror fan I feel rather fortunate that so many of my favorite thrillers released on the year of my birth. A quick Google re-search will reveal a VHS candy store of goody gore and lovable murderers, from The Thing to Poltergeist to Halloween III (the one without Myers) to Amityville II: The Possession (the one that was like The Exorcist but with incest) to The New York Ripper to Pieces, Parasite, The Slumber Party Massacre, and…Friday the 13th…PART 3 (cue groovy disco music). And among the other entries in the franchise, PART 3 is I would say my second favorite. There are many factors that play into my rating but unless you’ve seen it you probably won’t understand. So do me a solid and go pop this flayed VHS cause this review will be chopped full of SPOILERS. Readers…you have been warned! Continue Reading
This is not a slasher film. And technically it’s less about the serial killer than the people trying to catch him. Zodiac (2007) is an obsessively created film about an obsessive hunt for the obsessive Zodiac Killer, by the director of one of the most successful serial killer films of all time. So how does David Fincher’s first “horror” movie since Se7en stack up?
Zodiac is a personal favorite of mine. I’d say it’s in my top ten films of all time. I’ve seen it at least five times and it’s almost three hours long. That’s a good chunk time for someone who won’t give mediocre movies more than ten minutes. Continue Reading
Let’s get right to the point. Candyman (based on the story The Forbidden by the timeless Clive Barker) scared the shit out of me when I first watched it. I’m not sure if it was the Deep baritone voice of Tony Todd as the terrifying title character which is the first dialogue we hear as we see an army of bees crawl over each other, or the delicate musical score by Phillip Glass which was subtle and really got under the skin. I remember my sister had been to the cinema to watch it and was said it was the most frightening thing she had seen at the time. I was, of course, too young to go and watch it so when I saw the VHS pop up at our local video shop I couldn’t wait to watch it. Thankfully, due to the lax attitude of the owner of our shop and such things as certification being less of an issue at the time, I sat down to watch the film as a young kid who didn’t know any better. When it was done, I agreed with my sister. It was horrifying and stayed with me for some time.
As it happens, I haven’t watched it again since and so in doing this review decided to pick it up in super shiny Blu ray so I could see if it was still as scary the second time around. Continue Reading
Starring: Marilyn Burns, Allen Danziger, Paul A. Partain, William Vail, Teri McMinn, Edwin Neal, Jim Siedow, John Dugan, and Gunnar Hansen as Leatherface.
Written By: Kim Henkel and Tobe Hooper
Directed By: Tobe Hooper
Synopsis: A brother and sister set out with their friends to check on the grave of their grandfather after hearing about instances of grave robbing and vandalism. After taking a detour to their family’s old farmhouse, they discover and soon become victims to a family of crazed, murderous cannibals. Continue Reading
After making a splash with their major studio debut, Feast, and shouldering the burden of continuing the formidable Saw series from the third entry on, screenwriters Marcus Dunstan and Patrick Melton came into their own with the release of The Collector in 2009. Dunstan directed the film from a script co-written with Melton that was originally pitched as a Saw prequel. The end result was a horror movie similar to the Saw films in its levels and methods of violence and gore, but with a chillingly different breed of killer.
And in the annals of horror, he and the film he dominantes are barely a footnote. Continue Reading
These holidays (F13) are so few and far between, I couldn’t resist saying a few words about one of my all time favorite horror movie franchises. As a younger fan of the slasher genre, I watched more of Nightmare on Elm Street. In a way, i think that’s because Freddy is more “kid stuff,” especially the flicks starting with part 3, aka Dream Warriors. It became more and more of a build up to those sweet one-liners, such as: “Wanna suck face?” or “How’s this for a wet dream?” or “Welcome to prime time bitch!” and then breaking into that cackling laughter whilst the soon to be dispatched teen flees for however many seconds of life they have left. Good times. But i think it was around 1994-95 when my allegiances changed when Jason Goes to Hell released to VHS. Somehow, one of my buddies (Matt) was able to get his hands on a copy. Fangoria was still really popular back then too and they had done a full spread on the movie. Needless to say, from that moment forward, my slasher heart belonged to Jason Voorhees. Continue Reading