In 2002, horror was figuring out the next step in its evolution. The ’90s had ended on a high note, with The Sixth Sense re-establishing slow-burn ghost stories as financially viable, and The Blair Witch Project bringing found footage to the masses in a way the then-cult stomach-churner Cannibal Holocaust never could. At that point, Dark Castle had brought a few inventive re-imaginings of William Castle films to a new generation of horror viewer, while the remake floodgates wouldn’t be kicked open proper until 2003’s The Texas Chainsaw Massacre. It was also two years before Saw (allegedly) captured the zeitgeist of the George W. Bush era, turning notions of torture into a financially lucrative extension of the genre.
2002 did show inklings, however, of where mainstream horror might go. In a nod to the relative subtlety and simplicity of The Sixth Sense, and the “something’s out there” (but not necessarily seen) notion of The Blair Witch Project, Dreamworks mined a hit from Gore Verbinski’s The Ring (itself a remake of Japan’s Ringu). Continue Reading
As I look out my window, the view is an obstruction of what looks like a white sandstorm in the trees. Barren forest, ominous setting, and a perfect time to write a horror film review of the gothic, supernatural variety. Warm, indoors writing of it, I mean! Pull up a chair by the fireplace and join me.
As most people know by now, my sense of humor often carries over into my writing and reviews, so fair warning since I’m reviewing the 1999 horror film, “Sleepy Hollow.” And really, what can one expect with a movie like this starring the king of dramatic over-emphasis, Johnny Depp? However, I will try to be humorous as well as critical, so let’s start over.
“Sleepy Hollow” is a film directed by Tim Burton and I am a huge fan of this director. Consider he’s using the source material of one of my favorite classic horror authors Washington Irving, and one of my favorite short stories “The Legend of Sleepy Hollow,” what’s not to like? I really enjoyed the show that was on television a few years back as well, but in 1999, just having my first baby, I wasn’t really getting out to the theaters. Somehow, though I always wanted to watch it, I just never did. Now, almost twenty years later, the movie didn’t feel old at all, due to the cinematography, decent special effects, and cast of stellar supporting actors (not to mention how young Depp looks). I’m sure the time period the movie is set in (the 1800s) also helps with that. At any rate, I mean I didn’t feel I was watching a cheesy ‘80s or ‘90s movie of my youth. Continue Reading
When folks talk about the original haunted house story, most people are referring to Shirley Jackson’s 1959 classic The Haunting of Hill House. This book has been adapted more times than any other haunted house story. From Salem’s Lot (yes, King alludes to Hill House as a comparison to the Marsten House) to even Hell House (though Richard Matheson took his 1973 book deeper into the paranormal investigative niche and spawned his own adaptions) to the most recent Netflix mini series, simply titled The Haunting of Hill House, which has spurred a resurgent interest into the old gothic tale. There are two other adaptations, of course. One we will not discuss because it is a horrible heap of garbage. The other is as close to the perfection that Miss Jackson composed within her 246 page as a movie can get. Continue Reading
Starring: Jeffrey Dean Morgan, Kyra Sedgwick, Natasha Calis, Grant Show, Madison Davenport, and Matisyahu.
Written By: Juliet Snowden and Stiles White
Directed By: Ole Bornedal
Synopsis: A young girl buys an antique box at a yard sale, unaware that inside the antique box lives a malicious and ancient spirit. The girls father teams with his ex-wife to find a way to end the curse upon their child.
Review By: Joshua Macmillan
Jeffrey Dean Morgan stars in The Possession, a horror film that focuses more on drama than on straight-up scares. The film is labeled as a horror film but at the end of the day, this feels more like a dramatic character study about a father trying to be the best dad that he can be during the limited time he gets to spend with his two daughters. Continue Reading
Thank goodness for Goodreads. Seriously. I don’t know how else i would keep track of my year long books read without it. Plus, there’s the progress goals that helps you keep on track with reading. There were more than a few times that I had gotten so bogged down in my own work that I needed that reminder to take a breath and read other peoples books. And I have found some good suggested reads on there too. This year, my goal was 12 books, one per month. Kinda wimpy when compared to others, I know. I saw one person with like a 500 book reading goal. Freaking crazy! I guess i’m just a slow reader. I am setting 2019 goals a little higher with plans to read more small press indie books. There year is, though, what it is. Can’t complain. I’ve read some really great titles. So, without further babbling on my part, here are my 2018 reads! Continue Reading
We close out this years Slashers & Serial Killers in Review with not the best slasher serial killer movie. Not the corniest. Not the goriest either. Stay with me. What made Silent Night, Deadly Night one of the most memorable slashers of the 1980s and how it cemented in our final review of slasher and serial killer movies was the outrage from PTA type super-moms (think Kyle’s mom from South Park) that would shadow over the slasher horror sub-genre for the rest of its days. And yes, i do consider the slasher era to be over. We may get strays in every now and again, but its fundamentally over. Just like the Universal Monsters. Yeah, that 2010 remake of The Wolfman was alright but we need to face the hard truth, the newer Hollywood attempts to recreate the Golden Era feel like a drunk uncle trying to be cool in front of his nephews and nieces with a box of Pop-Its. Continue Reading
All right, this is kind of funny (to me if no one else): I’d originally planned to review Halloween: Resurrection for this—the one with the fake Myers found footage house thing with Busta Rhymes—because I’d only seen a chunk of it and it was pleasantly terrible. I went to put the used disc I’d purchased for three dollars at a local record/tape/cd/dvd type of shop for the express purpose of doing this review into my PS4 to give it a full watch before reviewing…and it wouldn’t read it. Cleaned it off, dried it, tried it again. No go. Never had an issue with the many discs I’d purchased there and the disc looked good, so…oh well.
Instead, I looked at the others I’d purchased back when I was going to do like seven or eight reviews this year for Machine Mean—still would have, but some personal issues caused me to scale it back and also skip the Vampire-oriented MM Fright Fest October event, sadly—and I’d already watched PIECES (and loved it) and my former-Troma-employee wife had already seen Graduation Day because they distributed it at some point or just because she’s always been a horror fan. I had Wolf Creek too, and neither of us had ever seen it…so here we are.
I’d heard a lot about this over the years and it seemed to have a bit of a reputation. Was it earned? Let’s unpack it, shall we?
[THERE WILL BE SOME SPOILERS BUT WILL NOT BE NEEDLESS AUSTRALIA JOKES] Continue Reading
The Collection follows the normal path of horror sequels. There’s a lot more gore than there was in the original. New characters are introduced, usually to be killed off quickly. But there is something bizarre and exhilarating about The Collection; it feels like a last-ditch effort, but without the fetid air of desperation that normally surrounds such second slashers. It is as if writer/director Marcus Dunstan realized he wasn’t going to be able to create a franchise based on his masked killer. He was lucky to get the sequel made. What if he just crammed every blood-drenched set-piece he could think of into one movie?
Beginning not long after the conclusion of the first film in the duology, The Collection follows Arkin (Josh Stewart). He was the final boy in The Collector, and he’s healing from his physical wounds in the hospital. After he learns that a girl, Elena (Emma Fitzpatrick), has been kidnapped by the mysterious murderer known as The Collector, Arkin is pressed into service by Elena’s rich family. A group of paramilitary specialists, led by enforcer Lucello (Lee Tergeson), is out to rescue Elena from the black-gloved clutches of The Collector, and only Arkin can lead them to the killer’s lair. Continue Reading
Happy Birthday to Me
Release year: 1981
Starring: Melissa Sue Anderson; Tracey E. Bregman; Glenn Ford; Matt Craven; Lisa Langlois and Lawrence Dane.
Directed by: J. Lee Thompson
Review by: Kim McDonald
Lee Thompson’s film, HAPPY BIRTHDAY TO ME, is one of many slasher flicks that came out of the 80’s. However, screenwriters John Saxton and Peter Jobin manage to create some interesting twists through misdirection. The film also has some of the most gruesome deaths of the slasher sub genre. It’s a fun movie that seems largely overlooked, despite 80’s horror nostalgia. Continue Reading
Released Date: Oct 2001
Director: The Hughes Brothers (Albert & Allen)
Starring: Johnny Depp, Heather Graham, Ian Holm & Robbie Coltrane
Brief Synopsis: Based on the graphic novel by Alan Moore & Eddie Campbell. A clairvoyant detective investigates the Jack the Ripper murders in turn of the century England. The investigation leads him to an unspeakable conclusion.
Review by: Feind Gottes
I have to start out by telling you From Hell is one of my favorite movies. It’s right up there with Se7en when it comes to crime thrillers that dip a toe or two in the horror waters. If somehow you have not seen this movie you need to correct that mistake immediately! So to start, everyone should know about Jack the Ripper, at least, in a general sense – a serial killer who stalked the streets of London from August 1888 to November 1888 credited with killing five known prostitutes in the Whitechapel district of London. The case stands as the most famous unsolved murder case in history. That may change soon but I’ll touch on that at the end. The film From Hell explores a conspiracy theory that is interesting to explore though has about as much chance of being correct as I have of being Bigfoot in disguise but it is fun to think about. The film makes this theory seem far more plausible than it is but then it comes from a graphic novel written by one of the most brilliant writers of our time, Alan Moore (if you don’t know who Alan Moore is go look it up! NOW!) Continue Reading