In 2002, horror was figuring out the next step in its evolution. The ’90s had ended on a high note, with The Sixth Sense re-establishing slow-burn ghost stories as financially viable, and The Blair Witch Project bringing found footage to the masses in a way the then-cult stomach-churner Cannibal Holocaust never could. At that point, Dark Castle had brought a few inventive re-imaginings of William Castle films to a new generation of horror viewer, while the remake floodgates wouldn’t be kicked open proper until 2003’s The Texas Chainsaw Massacre. It was also two years before Saw (allegedly) captured the zeitgeist of the George W. Bush era, turning notions of torture into a financially lucrative extension of the genre.
2002 did show inklings, however, of where mainstream horror might go. In a nod to the relative subtlety and simplicity of The Sixth Sense, and the “something’s out there” (but not necessarily seen) notion of The Blair Witch Project, Dreamworks mined a hit from Gore Verbinski’s The Ring (itself a remake of Japan’s Ringu). Continue Reading
As I look out my window, the view is an obstruction of what looks like a white sandstorm in the trees. Barren forest, ominous setting, and a perfect time to write a horror film review of the gothic, supernatural variety. Warm, indoors writing of it, I mean! Pull up a chair by the fireplace and join me.
As most people know by now, my sense of humor often carries over into my writing and reviews, so fair warning since I’m reviewing the 1999 horror film, “Sleepy Hollow.” And really, what can one expect with a movie like this starring the king of dramatic over-emphasis, Johnny Depp? However, I will try to be humorous as well as critical, so let’s start over.
“Sleepy Hollow” is a film directed by Tim Burton and I am a huge fan of this director. Consider he’s using the source material of one of my favorite classic horror authors Washington Irving, and one of my favorite short stories “The Legend of Sleepy Hollow,” what’s not to like? I really enjoyed the show that was on television a few years back as well, but in 1999, just having my first baby, I wasn’t really getting out to the theaters. Somehow, though I always wanted to watch it, I just never did. Now, almost twenty years later, the movie didn’t feel old at all, due to the cinematography, decent special effects, and cast of stellar supporting actors (not to mention how young Depp looks). I’m sure the time period the movie is set in (the 1800s) also helps with that. At any rate, I mean I didn’t feel I was watching a cheesy ‘80s or ‘90s movie of my youth. Continue Reading
When folks talk about the original haunted house story, most people are referring to Shirley Jackson’s 1959 classic The Haunting of Hill House. This book has been adapted more times than any other haunted house story. From Salem’s Lot (yes, King alludes to Hill House as a comparison to the Marsten House) to even Hell House (though Richard Matheson took his 1973 book deeper into the paranormal investigative niche and spawned his own adaptions) to the most recent Netflix mini series, simply titled The Haunting of Hill House, which has spurred a resurgent interest into the old gothic tale. There are two other adaptations, of course. One we will not discuss because it is a horrible heap of garbage. The other is as close to the perfection that Miss Jackson composed within her 246 page as a movie can get. Continue Reading
Director: Tim Burton
Writers: Michael McDowell (story), Larry Wilson (story)
Stars: Alec Baldwin, Geena Davis, Michael Keaton, & Winona Ryder, et. al.
Release Date: 30 March 1988 (USA)
Review “Living Through the Black Death and Having a Good time Through It” by: J.G. Clay
Every now and again, a film slithers its way from the screen into the Geek Cloud, that weird consciousness shared by folks of a certain demeanor, character and temperament. From Star Wars to the umpteen Offerings from the Universe of Stan Lee (RIP), the tired and huddled masses absorb a dearth of quotable lines and drunken discussion worthy scenes. With this wealth of filmic foolery to play with, its little wonder that a few noteworthy works fall through the cracks to lay undiscovered for years or even centuries. I should know. Many a time I’ve mentioned the shotgun spinning skeletal bat from ‘House’ or the neon lit ‘one fingered salute rising from the rear of car in ‘My Science Project’ only to be met with stony glances and the occasional ‘shut the fuck up. That never happened. I know it did, I know these films exist and I recommend you check them out. Continue Reading
Starring: Jeffrey Dean Morgan, Kyra Sedgwick, Natasha Calis, Grant Show, Madison Davenport, and Matisyahu.
Written By: Juliet Snowden and Stiles White
Directed By: Ole Bornedal
Synopsis: A young girl buys an antique box at a yard sale, unaware that inside the antique box lives a malicious and ancient spirit. The girls father teams with his ex-wife to find a way to end the curse upon their child.
Review By: Joshua Macmillan
Jeffrey Dean Morgan stars in The Possession, a horror film that focuses more on drama than on straight-up scares. The film is labeled as a horror film but at the end of the day, this feels more like a dramatic character study about a father trying to be the best dad that he can be during the limited time he gets to spend with his two daughters. Continue Reading
It’s a normal phenomenon in our culture. I see it all the time so it was no surprise to me that in the wake of the massive success of The Blair Witch Project, the time would come that after many repeated iterations and knock-offs that the genre and narrative device would become a target for mocking and satire. So much so that I think even Blair Witch isn’t taken that seriously anymore.
Still, I’ve got to be honest and admit my love for found footage films. I know they’re silly and stretch all reasonable bounds of logic. I can’t help myself. I’m old enough to have seen Blair Witch in the theaters and I still love it.
In the modern era there have been two found footage films that I have particularly loved. The first would be Cloverfield, a fantastic monster movie told from the perspective of the panicked crowd.
The other is Paranormal Activity. Continue Reading
As you no doubt have noticed from the fancy title above, we’re kicking off 2019 with a brand new “In Review” series focusing on both the paranormal and supernatural within the horror genre. Obviously there are a lot of paranormal and supernatural themed movies out there, so to keep things as unison as possible, we’re going to walk that fine gray line of all things ghostly and demonicly. Believe it or not, Amityville II: The Possession is the perfect movie to start with as it too walks the line between paranormal hauntings and supernatural possessions. Plus its pretty twisted and stars Burt “Paulie” Young. So sit back and hang on as we explore one of the most insidiously fun movies 1982 ever spawned. Continue Reading
With the recent release of Emerging, book 2 in The Subdue Series, I thought it would be a nifty idea to talk a little bit about what the book is about. Nearly a year ago, I dreamed up this magnum opus of sorts for what I deemed to be a telling of “my war experience.” But not just my own experience, my inference of war and what it can do to people, how war changes people as traumatic experiences typically do. When I had finished, I ended up with a massive 150,000 or so manuscript. Initially, I wanted to keep the series together as one book. I had shopped the book around to several publishers. Without turning this into some long publishing story, suffice to say I had stumbled upon Limitless Publishing, LLC, through a writer resource page. I heard back from LP about a month after submitting my book. And…not to brag or anything; they loved the story. The only problem was that it was too long. Most publishing houses, if not all, try to keep books to a 100K maximum. This has nothing really to do with the author in so much as it has to do with marketing/publication costs. If you’re a big time writer, like Stephen King, you can write whatever or however long you want! For me, I had to go smaller. Instead of deleting parts in the book, I agreed to turn Subdue into a series, thus Dwelling (book 1) and Emerging (book 2) were born. As luck would have it, Subdue had a natural split in the middle of the story. Book 1 (Dwelling) was a character focus book, where I spent most of my time letting my readers get to know the characters and their wounds and motivation, if any. And because there are four central protagonists, I pretty much needed to take up an entire book just to talk about them! So, if Dwelling is a character focused story, what’s Emerging about?
Emerging is a situational focused story. With Dwelling you were able to get to know the cast; with Emerging you’ll get to see what happens to them. Characterization is still key. With anything I write, I focus on characters. I believe, as I was brought up reading the likes of King and Barker and Bradbury, if you can create believable characters and make people care about them, you’ll create one hell of a book. Even if what happens is totally implausible. So long as the characters are human being, as in real humanity motivational type stuff, everything else is fair game. The Subdue Series is fictional, paranormal, perhaps maybe even a little horrific, or dear me, do I even suggest…literary? I’d like to think so. But I’ll let me readers be the judge of that! Because book 2 is situationally driven, the pace I think is faster. The book is longer, but I doubt it feel that way. Or at least not in my own head.
As Dwelling ends with a bit of a cliffhanger, Emerging picks up a few months after the events at the end in book 1. Without spoiling anything, I can say that a majority of the focus is with the house in Jotham and the characters interaction with the house that drive the plot in this second Subdue book. I’ve received some positive comments regarding some of the “flashback” characters. Don’t worry, Augustus and the Fetcher family make a minor appearance in the continuation. Questions about the house are answered, to a degree. Some mysteries are better left unsaid. You might also catch a Lovecraftian vibe in book 2. As with situation, I delved a bit more in mythology creation and mood. For those readers who’ve read Dwelling and have commented on how much you have come to love those characters, I cannot promise not to break your heart. As with life and war, some damages are unchangeable. There is an apparent theme about suicide, and I hope as you read you find some of those motivations or justifications. I’ll say nothing more on the subject.
Yes. Emerging was equally hard to write. Both books were. But aren’t the best stories worth sharing difficult to write? Consider H.P. Lovecraft’s short story, “The Outsider,” as a superb self-examination of personal fears and anxieties of how the “outside” world sees us. Or consider up and coming author Duncan Ralston’s debut novel, “Salvage,” a classic ghost story that doubles as an examination of depression and overcoming fears of not only our place in society, but of our past. Or even Clive Barker’s excellent novella, “Cabal,” where he talked thru mythos, his fears of how society views and too often mistreats homosexuality as some monstrous thing. I’m not saying mine is as good as these, but I think it fits within the same category. Below you’ll find some more info about Emerging, including Synopsis and purchase (wink wink) links.
EMERGING by Thomas S. Flowers | @machinemeannow
Publisher: Limitless Publishing | @limitlessbooks
Subdue Series, Book #2
Release Date: Dec. 15, 2015
= = SYNOPSIS = =
Traumatized by war, friends gather for a reluctant reunion…
A historic house in Jotham, Texas harbors a malevolent force, and as her fear grows, widow Maggie Smith pleads with three lifelong friends to gather in her home. But will their presence combat the darkness…or feed it?
Minister Jake Williams fears Maggie has had a breakdown…
Feeling he has no choice, Jake locates the other intended guest, Bobby Weeks, who agrees to go with him but struggles with keeping his lycanthropic curse hidden.
Jonathan Steele, a wounded veteran battling PTSD, arrives with his disgruntled wife. After drinking too much at dinner, Jonathan insults the homeless Bobby, and Bobby is missing from the house the next morning.
The dark past of Maggie’s home awakens in the present…
Jake, whose faith is in doubt, confides in a local priest while he and Jonathan search for Bobby, and Ricky’s ghost makes another visit to Jonathan, causing him to become fixated on saving Maggie from the evil that surrounds her.
As the danger intensifies, trust is elusive, and betrayal is certain…
Maggie might be lost, Bobby confronts a terrible choice, and Jake and Jonathan fight to save them all—before they become more victims of the horror emerging beneath the deadly house in Jotham.
= = #OneClick = =
Check out book 1 in the Subdue Series, DWELLING: http://amzn.to/1Ov68Ld