Directed by Scott Derrickson
Written by Paul Harris Boardman, Scott Derrickson
Starring: Jennifer Carpenter, Laura Linney, Tom Wilkinson
This review contains spoilers.
Review by: Kayleigh Marie Edwards
I love horror films but as an atheist, possession movies don’t normally tickle the terror nerve for me. I don’t believe in Satan or spirits or the possibility of being possessed, so as much as I am entertained by the idea of it, it doesn’t scare me as much as, say, Mikey standing in the corner facing into the wall (you know, because forest witches are definitely real). However, The Exorcism of Emily Rose is not just another run-of-the-mill possession movie about a teenage girl in a dirty white nightdress spouting Latin in dual voices. Well… I mean… it is actually, but it’s also so much more. Continue Reading
Village of the Damned (1995)
A Review by: Feind Gottes
Directed by: John Carpenter
Written by: David Himmelstein (adapted from the book by John Wyndham and the 1960 screenplay by Sterling Silliphant, Wolf Rilla and Ronald “George Barclay” Kinnoch)
Starring: Christopher Reeve, Kirstie Alley, Linda Kozlowski, Michael Paré and Mark Hamill
The Gist: All the women in a small town become pregnant at the same time (YIKES!) giving birth to children who turn out to be as weird as the pregnancies themselves.
Feind’s Review (ish): Spoilers Ahead, DUH! This review is going to be difficult to get through without making too many Christopher Reeve jokes but I’ll try to let it stand on its own two feet… shit… so it begins! Thankfully there isn’t a horse riding scene or I’d never be able to get through it! So this review is on the 1995 remake by living legend John Carpenter but I would highly recommend you check out the 1960 original film since, while dated, is an excellent film. I would say check out the book by John Wyndham also but that would be advice to myself since I haven’t read it either. Speaking of ‘50s & ‘60s sci-fi horror I also highly recommend the 1953 film Invaders From Mars (there was a remake in 1986 but I like the original better) which is in a similar vein as Village of the Damned but I suppose I should get on with it. Continue Reading
Starring: Vera Farmiga, Patrick Wilson, Ron Livingston, and Lili Taylor
Written By: Chad Hayes and Carey W. Hayes
Directed By: James Wan
Synopsis: Shortly after moving into a new house, a family becomes terrorized by demonic forces. After learning of the world renowned paranormal investigating team of Ed and Lorraine Warren, the family asks for their help. Upon visiting the family in their home, the Warrens find themselves confronting a powerful demonic entity determined to continue its reign of horror.
Review By: Joshua Macmillan
When I think of modern horror, James Wan is one of the first directors that come to mind. I would say it is a fair assumption that Wan comes to mind for a lot of us genre fans. From his initial dive into horror with the Saw franchise, his Insidious films, to what I am writing about now with The Conjuring, James Wan has become a horror icon in the realm of creatives. Continue Reading
I had no idea what to expect going into this one, other than hearing some vague things about it being pretty good. I’m glad I came in fresh this time. I usually at least have a vague idea of what I’m getting into but it’s nice to have no preconceived notions of any kind once in a while. I had also heard Barbara Crampton was in it, which was a plus as I’ve been a fan since growing up with Re-Animator and From Beyond, and seeing her more recently in Beyond the Gates.
So, I’m gonna admit right out of the gate that I didn’t pick up on this being a period piece at all when I watched it the first time. Once I found that out, it made sense when I was scanning back over some scenes. I either missed a year tag or just how period specific all the cars and clothes were. Although, in my defense, a lot of what was popular in the late 1970s in those realms is still popular or popular again. Continue Reading
Directed by John Irvin
Written by Lawrence D Cohen adapted from the novel by Peter Straub
Starring: Fred Astaire, Melvyn Douglas, Douglas Fairbanks Jr, John Houseman, Craig Wasson and Alice Krige
Review by: Feind Gottes
The Gist: Four elderly men are haunted by a terrible deed in their youth. The ghost of their past returns to take vengeance on the next generation who stumbles upon the deep dark secret they’ve kept hidden for decades.
The Review (ish): Before I begin I have a couple of confessions to make much like the elderly gentleman who starred in this film. First, I have read many Peter Straub books but I have never read Ghost Story (which released in 1979) which this film is based on. Based on the books of Straub’s I have read I can tell you there are few writers who do horror mystery better than him, I highly recommend his novel simply titled Mystery. Second, this movie is difficult to find without running out to buy the recently released Blu-ray edition which I did not. I saw this film initially sometime in the early to mid-80s and most of this review will be based on that recollection with a little help from videos I’ve used to jog my memory though I will likely pick up the Blu-ray when I have the opportunity. Also, I personally do not believe in ghosts and rarely find movies involving ghosts scary with Poltergeist (1982) being the main exception. That’s my confession so now you’re all priests – STOP TOUCHING LITTLE BOYS!!! Continue Reading
There is something about horror movies of the 1970s that I love. Maybe it’s the pre-social media age. There’re no cell phones, no cable TV, no internet, not even compact discs or home computers. The time is one of simplicity. Or so it would seem. I imagine without all our modern distractions, there is more focus on what lies beneath. It was also a time of mystery. Putting a man on the moon was only something, at the time, that we’d just been able to accomplish. We simply knew less. Religion was much more accepted and widespread. Science was growing but it was still looked at as part fantasy. Less knowledge about how the world and the universe worked meant there was more room for our imaginations to wander in the dark void.
Burnt Offerings is based off a novel with the same name published in 1973 by Robert Marasco. Director/producer Dan Curtis co-wrote the screenplay with author William F. Nolan. Curtis was mostly a TV movie guy but does a wonderful job taking up the big chair for Burnt Offerings. Continue Reading
“You can bury the past… but sometimes the past won’t stay buried.”
“The Marsh” (2006) opens with the main character, Claire Holloway (Gabrielle Anwar), who is a stressed children’s book writer, reading to children in a book store, but quickly follows with a more ominous and action-oriented beginning. Images and sounds from an eerie marsh, followed by screaming, are taken in by our senses as the front credits roll. Soon, we realize we are in Claire’s nightmare from which she awakes in a doctor’s office. It seems she isn’t taking her medication and the doctor tells her “something” is evolving. This makes us wonder if she has anxiety, mental health disorder, trouble sleeping, or what? She seems stressed so in the beginning I was going with anxiety. Continue Reading
One of my buddies on Facebook had been pestering me for years to give Supernatural (1933) a watch. Seeing how we’re in the thralls of March Madness, I thought what better time than now. I am after all a fan of classic cinema, especially classic horror. While produced by Paramount Productions, Universal Studios had been sold the rights in 1958. Directed by Victor Halperin, who just one year prior directed White Zombie (1932), a mildly successful release with audiences of the Great Depression, Supernatural was not as revered and today has become a somewhat obscure and hard to find film. In fact, if you Google Supernatural you’ll only find images of Jensen Ackles and Jared Padaleski in the hit CW show of the same title. Needless to say, Supernatural, the 1933 movie, was hard to track down for screening. But by some miracle of modern streaming devices, I was able to procure a copy. Continue Reading
Starring: Callie Hernandez, James Allen McCune, Valorie Curry, Wes Robinson, Corbin Reid, and Brandon Scott
Written By: Simon Barrett
Directed By: Adam Wingard
Synopsis: After what appears to be leaked footage dating back to when his sister went missing, James and a few of his friends enter the Black Hills Forest in Maryland to uncover the truth surrounding her disappearance.
At least once per decade, a film comes out that redefines the genre, sending it in a new direction. In the 90’s, we had a renaissance with meta horror found in the late Wes Craven’s 1996 classic- Scream. A mere three years later the genre would change yet again with 1999’s The Blair Witch Project. Co-Directors Eduardo Sanchez and Daniel Myrick helped the genre shift and their little indie film became one of the pioneers of the found-footage sub-genre. Continue Reading
Released in June, 1973, The Legend of Hell House hit unsuspecting theatergoers with a blast. Based on the Richard Matheson novel, Hell House, (and adapted to the screen by Matheson himself) Legend of Hell House was helmed by John Hough. Hough’s credits after Hell House include a slew of notable horror films (The Incubus, Watcher in the Woods, American Gothic) as well as the Disney Witch Mountain franchise.
The story: Physicist Lionel Barrett (Clive Revill) and his wife, Gayle (An Barrett) lead two mediums into the Belasco House, which is supposedly haunted by the victims of its late owner, Emeric Belasco, a 6’ 5”serial killer dubbed the “Roaring Giant”. This is done at the direction of eccentric millionaire, Mr. Deutch (Roland Culver). Deutch is terminally-ill and obsessed with discovering survival after death. The Belasco House, the “Mountain Everest of haunted houses”, has yet to be refuted. Continue Reading