I’ve often written or talked about the first ever zombie film I saw, the eponymous Dawn of the Dead, by the legend that was, George A. Romero. The second was Return of the Living Dead II, the line, “His brains, they smell so spicy,” still sticks firmly in my head. The third, though unknown to me at the time, would probably have as big an impact as the first. It was Night of the Comet.
The film is basically a 50s/60s B-Movie, made in the eighties. It has a cheesy voice-over at the beginning which would not be out of place in Invasion of the Bodysnatchers or War of the Worlds. The setup is remarkably similar to Day of the Triffids. A once in a lifetime meteor shower promises an amazing light display, so the entire world and their dog hold street parties to have a few beers and take in the sights. Unfortunately, thanks to the heavy handed introduction, we learn that this very comet also made an appearance just as the dinosaurs disappeared. Continue Reading
The first time I saw the trailer for Dead Snow, I knew I wanted to watch the movie. It looked fun, exciting, and familiar. When I finally watched the movie, I wasn’t disappointed. By the end, I was giddy. Dead Snow had all the horror elements in it that I enjoy: carnage, blood and guts, and a super cool villain. As an added bonus, it also had humor. Continue Reading
The most brutal lawn mower ever filmed: Deal Alive.
When I was a child I watched the original Night of the Living Dead one Fourth of July and totally regretted it. We parked out in the desert to watch the fireworks show taking place over at a local high school, something I usually enjoyed, but I couldn’t help but cower in fear wondering if a pack of flesh eating zombies were going to come eat my entire family. For years after that I shied away from watching zombie flicks because they scared the shit out of me. When I became a teenager I decided to stop being a wussy and began educating myself in the world of the walking dead. Continue Reading
Okay, seriously…have you seen the new Kong? For starters though, i’ll admit it is kinda strange taking on a creature feature review outside of the Creature Features in Review series. However, as I had the gumption to finally watch the latest of Kong movies, Kong: Skull Island, I felt compelled to write down some of my thoughts regarding said movie. There are no spoilers here, per say. Kong holds not mystery that hasn’t already been shown in the many previews and trailers that came out prior to the movie’s release. So, I don’t feel bad talking about it. Continue Reading
WARNING: SPOILERS AHEAD.
If you’re still reading this than I can safely assume you’ve taken some time to go see the latest of Stephen King novel to movie adaptations, It. This week on Machine Mean has been an It-palooza. With our very own Chad Clark bringing you a review of the novel in a three part series, including that very scandalous scene from the book, you know the one. And Chad and I both tackled a review of the original made-for-TV film from 1990. What better way to end the week than with a review on the new addition? Continue Reading
Chad’s take on It.
In 1990, the world of Stephen King expanded even more as ABC aired a miniseries adaptation of his legendary book, IT. The movie would span across two parts and feature a large ensemble cast, the same group of characters, both as children and as adults. The success or failure of the film aside, Tim Curry’s performance as Pennywise has gone down as one of the more brilliant portrayals of a Stephen King character, alongside Jack Nicholson as Jack Torrence and Kathy Bates as Annie Wilkes.
We find ourselves now in the year 2017, on the brink of a new film adaptation, this time set for a theatrical release as opposed to television. And while the original miniseries continues to have legs in terms of the fans, as the years go on, it seems to take more of a turn towards being mocked and criticized as a joke and a failure, a betrayal of source material which I concede is likely King’s greatest book. Continue Reading
[ BIG SPOILERS—like, skip-to-the-number-score-if-you’re-actually-worried level spoilers ]
Okay, two things right out of the gate: this movie is terrible… but I’m going to explain to you why I feel (if you enjoy a certain level of badbad = goodgood) you should still watch it.
Also, it’s basically about mutant fish people raping women (when they aren’t killing everyone else to get to that) but seeing as how I highly doubt there are going to be humanoid fish people waddling out of the sea and actually raping anyone anytime soon, I’m not going to address that further in any serious way after this intro. I also won’t make a joke out of it, though, and you can call me what you like for that. Continue Reading
Run Time: 91 minutes
Director/Writer: Frank Henelotter
Main Cast: Kevin Van Hentenryck, Terri Susan Smith, Beverly Bonner, and Robert Vogel
A young boy and his basket creature travel to New York City in hopes to start their life anew, but not without seeking a bit of revenge first. Will the unexpected pair make it out alive? To find out, watch Frank Henelotter’s Basket Case.
I really enjoyed the opening scene and it was an excellent way to foreshadow what this film has in store: just enough suspense, just enough creature, just enough silliness, and just enough gore! The special effects were certainly not lacking during this scene at all; as a matter of fact, the entire film had pretty decent special effects — that is, aside from the most important part: the monster itself — but with a film like this, I can forgive it. (I probably shouldn’t, but when you see it for yourself you’ll understand why.)
Another subject that I find important to mention to those who are interested in watching this film is the music. It is to DIE for! It reminds me a lot of the music that you often hear while watching an Italian horror film, or, to be more specific, a giallo mixed in with a few short spurts of music that could only be described as something you would expect to hear on Seinfeld. Quite a strange but beautiful combination, but it somehow works!
Every character that you encounter during this wild and crazy adventure is so over-the-top and hilarious in their own way, with one of my favourites being the secretary for the doctor near the beginning of the film. The writing in Basket Case is campy and fun, but you really have to be in the mood to watch a film like this; it’s not campy in an Evil Dead sort of way, it’s campy in a way that’s almost too much. Perhaps I’m looking at this film with too much of a critical eye, but for me to analyze this film this much in depth it almost makes it a bit less enjoyable.
For the most part, the acting isn’t terrible and is about on par with what I would expect for a film like this. It doesn’t take away from the film, nor does it distract me, and if anything it adds to what makes this film so enjoyable for a horror fan. In most films, this kind of over the top acting would be frowned upon, but it honestly works for this movie. As for the cinematography — it is what it is. I feel like the scenes were well-filmed and that they weren’t just filmed once and thrown into the film. (Yes, I’m looking at you, Microwave Massacre.) The director obviously came into this film with the intent for it to be over-the-top, and he succeeded in that manner, but, to be honest with you, there are scenes that just went too far. I will let you know: you do unnecessarily see a man’s willy in this film, and, like any other mature, adult lady, it totally gave me the giggles. All in all, I rate this film five-and-a-half deformed monster sex scenes out of ten, and I recommend you to rent this movie!
Hi! I’m Chantel, also known as Channy Dreadful (the headmistress of dreadfulreviews.com), and I am one creepy ghoul hailing from a small city in Saskatchewan, Canada. I am a semi-regular podcast voice, making guest appearances on several podcasts — with the first being Dead as Hell Horror Podcast, and as well on the likes of The Resurrection of Zombie 7, Land of the Creeps, Streaming Horror Society, Horror Movie Podcast and Whedonverse Podcast. Horror-movie-wise, I prefer movies that dabble in the paranormal as well as demonic possession films. These ones get under my skin the most and if done correctly they can also linger in the back of my mind for several days. I also enjoy slashers — the classics, mostly — with killers such as Michael Myers, Freddy Krueger, Jason Voorhees and my personal favourite Ghostface. I spend most of my free time (aside from watching horror films) reading and collecting comic books, which has been one of my favourite pastimes since I was just a little batling. I have also been a professional paranormal investigator with several groups for the past seven or so years locally, with roots stemming from my childhood. Horror and the paranormal have always been a passion of mine, and have part of my life since I can remember. If you’re interested in getting to know me further you can follow me on Twitter @channydreadful! Keep it creepy! xxx
Be sure to stop by DREADFUL REVIEWS to catch all the latest in horror movie news and reviews from none other than Channy Dreadful!!!
Tonight’s showing has to be one of the strangest selections within the sub-genre Creature Features. And it because it technically is very much a creature feature, its makes the very in your face metaphor all the more brilliant. Of course, I’m talking about The Stuff. Filmed with a 50’s sci fi B-movie in mind and with voice-overs worse than a Kung movie, we’re guided through a fairly simply story structure with a much complex core. Its a creature flick that begs the question, if we are consumers of the creature are we not in fact monsters ourselves? The Stuff, for all purposes, has lasted the test of time and remains one of the best 1980’s anti-consumerist flick. If you haven’t seen the movie, check out a trailer on YouTube and give it a chance. I’m not promising you’ll like it, The Stuff will require some patience, but if you’re a fan of horrible 80’s horror, or horrible horror in general, you might just enjoy yourself.
Are you eating it…or is it eating you? During the summer of 1985, director Larry Cohen introduced America to the discovery of a mysterious, yet delicious, white gooey treat. Found by a group of miners bubbling up from the earth, the Stuff quickly sweeps across the nation. Soon after, conglomerates pick up the Stuff and break record sales. Former FBI agent Mo Rutherford remarks, with some disbelief, that folks are willing to stand in line at two in the morning, just to buy some Stuff. Another protagonist, a young boy named Jason, refuses to eat the Stuff as he watches his family become addicted, turning into mindless drones– craving nothing to eat but the Stuff. In one of the oddest scenes (yes, there are a few) Jason is forced to watch his family slowly slip away from rationality and into…something else entirely. When an attempt to fool his folks into thinking he’s eaten some of the Stuff fails, Jason scarcely escapes, his father yelling out in the middle of the street, chasing after him, “It’s good for us, Jason…it kills the bad things inside us.”
What…you’ve never heard of this movie, The Stuff? I’m not shocked; unless you’re a connoisseur (see what I did there?) of obscure horror, The Stuff is by far one of the most obscure-ee horror movies I’ve ever seen. This very low-budget does take on, as other classic horror flicks such as Dawn of the Dead (78), American consumerism and consumption during the 1980’s. Some of the other films during this era, and some of my personal favorites of glorified 80’s consumerism, include Evil Dead 2, Friday the 13th part 8, and Videodrome.
Film critic Brian Dillard had this to say regarding The Stuff:
“…another 1980’s horror flick… mixed wit and gore with anti-consumerist ideology. On the surface, The Stuff is just an exploitation flick — a jumble of The Blob [and] Invasion of the Body Snatchers… full of amateurish special effects and hammy performances.”
If that’s what’s on the surface of the movie, cheesy effects and a hammy attempt at saying something, is there anything beneath? I’d point out all the random commercials that pop up during the movie which I think are brilliant parodies to everyday life. It almost calls out the audience (we) and asks if we can tell the difference. Are we that conformed to commercials that even fake ones seem real to us? This aspect really reminds of the appeal in Invasion of the Body Snatches, more especially the 1978 version as it focused more on the characters and their doppelgangers. Its about paranoia, almost, and The Stuff really brings that paranoia into focus. Can we trust anyone to be objective regarding a product that they are bought into? Can we trust a representative or legislator to be unbiased toward a private sector entity when (s)he get’s campaign donations from private corporations? Not to get political, but…have we become like Jason, being told to “eat it” because its good for us?
As the movie comes to an end, following the efforts of a few good men and women, and a boy, the public becomes aware of the vile intentions of the conglomerates pushing the fluffy white alien goo. People “wake up” and see how The Stuff is actually a living thing. Yet, as the credits roll, we (the audience) are left with the feeling that the profligate has been set back up as the company executives comment that “the Stuff seeps out from many places in the ground.” We are given a true nihilistic ending as anyone can get, that there will always be more Stuff.
If you’re screening The Stuff for the first time, it will time some getting used to the low quality in which the film was shot, unless you are already a member of the 80s splatter zombie corp and uber-obscure VHS demon flick rentals from Italy club. If that’s the case, then the low budget shouldn’t throw you off. The story is there if you’re willing to follow it. Low budget doesn’t necessarily mean low quality. Just look at Sam Raimi’s Evil Dead as an example of how low budget films can become The Stuff of legend (oh man, I kill myself).
My Rating: 4 out of 5
Thomas S. Flowers creates character-driven stories of dark fiction ranging from Shakespearean gore feasts to paranormal thrillers. Residing in the swamps of Houston, Texas, with his wife and daughter, his debut novel, Reinheit, was published with Shadow Work Publishing, along with The Incredible Zilch Von Whitstein, Apocalypse Meow, Lanmò, The Hobbsburg Horror, and FEAST. His veteran focused paranormal thriller series, The Subdue Series, including Dwelling, Emerging, Conceiving, and Converging, are published with Limitless Publishing, LLC. In 2008, he was honorably discharged from the U.S. Army where he served three tours in Operation Iraqi Freedom. In 2014, Thomas graduated from University of Houston-Clear Lake with a Bachelors in History. He blogs at machinemean[dot]org, where he reviews movies and books and hosts a gambit of guest writers who discuss a wide range of strange yet oddly related topics. You can follow Thomas at a safe distance by joining his author newsletter at http://goo.gl/2CozdE.