As I look out my window, the view is an obstruction of what looks like a white sandstorm in the trees. Barren forest, ominous setting, and a perfect time to write a horror film review of the gothic, supernatural variety. Warm, indoors writing of it, I mean! Pull up a chair by the fireplace and join me.
As most people know by now, my sense of humor often carries over into my writing and reviews, so fair warning since I’m reviewing the 1999 horror film, “Sleepy Hollow.” And really, what can one expect with a movie like this starring the king of dramatic over-emphasis, Johnny Depp? However, I will try to be humorous as well as critical, so let’s start over.
“Sleepy Hollow” is a film directed by Tim Burton and I am a huge fan of this director. Consider he’s using the source material of one of my favorite classic horror authors Washington Irving, and one of my favorite short stories “The Legend of Sleepy Hollow,” what’s not to like? I really enjoyed the show that was on television a few years back as well, but in 1999, just having my first baby, I wasn’t really getting out to the theaters. Somehow, though I always wanted to watch it, I just never did. Now, almost twenty years later, the movie didn’t feel old at all, due to the cinematography, decent special effects, and cast of stellar supporting actors (not to mention how young Depp looks). I’m sure the time period the movie is set in (the 1800s) also helps with that. At any rate, I mean I didn’t feel I was watching a cheesy ‘80s or ‘90s movie of my youth. Continue Reading
When folks talk about the original haunted house story, most people are referring to Shirley Jackson’s 1959 classic The Haunting of Hill House. This book has been adapted more times than any other haunted house story. From Salem’s Lot (yes, King alludes to Hill House as a comparison to the Marsten House) to even Hell House (though Richard Matheson took his 1973 book deeper into the paranormal investigative niche and spawned his own adaptions) to the most recent Netflix mini series, simply titled The Haunting of Hill House, which has spurred a resurgent interest into the old gothic tale. There are two other adaptations, of course. One we will not discuss because it is a horrible heap of garbage. The other is as close to the perfection that Miss Jackson composed within her 246 page as a movie can get. Continue Reading
Director: Tim Burton
Writers: Michael McDowell (story), Larry Wilson (story)
Stars: Alec Baldwin, Geena Davis, Michael Keaton, & Winona Ryder, et. al.
Release Date: 30 March 1988 (USA)
Review “Living Through the Black Death and Having a Good time Through It” by: J.G. Clay
Every now and again, a film slithers its way from the screen into the Geek Cloud, that weird consciousness shared by folks of a certain demeanor, character and temperament. From Star Wars to the umpteen Offerings from the Universe of Stan Lee (RIP), the tired and huddled masses absorb a dearth of quotable lines and drunken discussion worthy scenes. With this wealth of filmic foolery to play with, its little wonder that a few noteworthy works fall through the cracks to lay undiscovered for years or even centuries. I should know. Many a time I’ve mentioned the shotgun spinning skeletal bat from ‘House’ or the neon lit ‘one fingered salute rising from the rear of car in ‘My Science Project’ only to be met with stony glances and the occasional ‘shut the fuck up. That never happened. I know it did, I know these films exist and I recommend you check them out. Continue Reading
Starring: Jeffrey Dean Morgan, Kyra Sedgwick, Natasha Calis, Grant Show, Madison Davenport, and Matisyahu.
Written By: Juliet Snowden and Stiles White
Directed By: Ole Bornedal
Synopsis: A young girl buys an antique box at a yard sale, unaware that inside the antique box lives a malicious and ancient spirit. The girls father teams with his ex-wife to find a way to end the curse upon their child.
Review By: Joshua Macmillan
Jeffrey Dean Morgan stars in The Possession, a horror film that focuses more on drama than on straight-up scares. The film is labeled as a horror film but at the end of the day, this feels more like a dramatic character study about a father trying to be the best dad that he can be during the limited time he gets to spend with his two daughters. Continue Reading
As you no doubt have noticed from the fancy title above, we’re kicking off 2019 with a brand new “In Review” series focusing on both the paranormal and supernatural within the horror genre. Obviously there are a lot of paranormal and supernatural themed movies out there, so to keep things as unison as possible, we’re going to walk that fine gray line of all things ghostly and demonicly. Believe it or not, Amityville II: The Possession is the perfect movie to start with as it too walks the line between paranormal hauntings and supernatural possessions. Plus its pretty twisted and stars Burt “Paulie” Young. So sit back and hang on as we explore one of the most insidiously fun movies 1982 ever spawned. Continue Reading
We close out this years Slashers & Serial Killers in Review with not the best slasher serial killer movie. Not the corniest. Not the goriest either. Stay with me. What made Silent Night, Deadly Night one of the most memorable slashers of the 1980s and how it cemented in our final review of slasher and serial killer movies was the outrage from PTA type super-moms (think Kyle’s mom from South Park) that would shadow over the slasher horror sub-genre for the rest of its days. And yes, i do consider the slasher era to be over. We may get strays in every now and again, but its fundamentally over. Just like the Universal Monsters. Yeah, that 2010 remake of The Wolfman was alright but we need to face the hard truth, the newer Hollywood attempts to recreate the Golden Era feel like a drunk uncle trying to be cool in front of his nephews and nieces with a box of Pop-Its. Continue Reading
Directed By: Jee-woon Kim (A Tale of Two Sisters, The Good the Bad and the Weird)
Starring: Byung-hun Lee (G.I. Joe: The Rise of Cobra, Three…Extremes) and Min-sik Choi (Oldboy, Lady Vengeance)
Released By: Softbank Ventures and Siz Entertainment
Release Year: 2010
MPAA Rating: Rated R
Review By: Andy Taylor
Every now and again you come across a movie that embodies everything a horror film should be, even if it doesn’t fit entirely into the mold of what someone considers a horror film. A movie that is extremely uncomfortable without having to resort to cheap shock tactics, brutal without becoming silly, and full of extremely realistic gore that doesn’t go so overboard as to become cartoonish. A movie that’s populated with fantastic actors, has a wonderful score, beautiful cinematography, and if it goes a step beyond, a message that doesn’t seem contrived or forced. A horror movie so amazing that both film snob and regular joe can agree is fantastic. Personally, I subsist on a steady diet of cheesy films from the 1970s and 80s, so cheesy is kind of my thing, but it’s nice to run into a horror film that’s as close to perfection as a film can get, and for me, that film is I Saw the Devil. Continue Reading
All right, this is kind of funny (to me if no one else): I’d originally planned to review Halloween: Resurrection for this—the one with the fake Myers found footage house thing with Busta Rhymes—because I’d only seen a chunk of it and it was pleasantly terrible. I went to put the used disc I’d purchased for three dollars at a local record/tape/cd/dvd type of shop for the express purpose of doing this review into my PS4 to give it a full watch before reviewing…and it wouldn’t read it. Cleaned it off, dried it, tried it again. No go. Never had an issue with the many discs I’d purchased there and the disc looked good, so…oh well.
Instead, I looked at the others I’d purchased back when I was going to do like seven or eight reviews this year for Machine Mean—still would have, but some personal issues caused me to scale it back and also skip the Vampire-oriented MM Fright Fest October event, sadly—and I’d already watched PIECES (and loved it) and my former-Troma-employee wife had already seen Graduation Day because they distributed it at some point or just because she’s always been a horror fan. I had Wolf Creek too, and neither of us had ever seen it…so here we are.
I’d heard a lot about this over the years and it seemed to have a bit of a reputation. Was it earned? Let’s unpack it, shall we?
[THERE WILL BE SOME SPOILERS BUT WILL NOT BE NEEDLESS AUSTRALIA JOKES] Continue Reading
The Collection follows the normal path of horror sequels. There’s a lot more gore than there was in the original. New characters are introduced, usually to be killed off quickly. But there is something bizarre and exhilarating about The Collection; it feels like a last-ditch effort, but without the fetid air of desperation that normally surrounds such second slashers. It is as if writer/director Marcus Dunstan realized he wasn’t going to be able to create a franchise based on his masked killer. He was lucky to get the sequel made. What if he just crammed every blood-drenched set-piece he could think of into one movie?
Beginning not long after the conclusion of the first film in the duology, The Collection follows Arkin (Josh Stewart). He was the final boy in The Collector, and he’s healing from his physical wounds in the hospital. After he learns that a girl, Elena (Emma Fitzpatrick), has been kidnapped by the mysterious murderer known as The Collector, Arkin is pressed into service by Elena’s rich family. A group of paramilitary specialists, led by enforcer Lucello (Lee Tergeson), is out to rescue Elena from the black-gloved clutches of The Collector, and only Arkin can lead them to the killer’s lair. Continue Reading
Happy Birthday to Me
Release year: 1981
Starring: Melissa Sue Anderson; Tracey E. Bregman; Glenn Ford; Matt Craven; Lisa Langlois and Lawrence Dane.
Directed by: J. Lee Thompson
Review by: Kim McDonald
Lee Thompson’s film, HAPPY BIRTHDAY TO ME, is one of many slasher flicks that came out of the 80’s. However, screenwriters John Saxton and Peter Jobin manage to create some interesting twists through misdirection. The film also has some of the most gruesome deaths of the slasher sub genre. It’s a fun movie that seems largely overlooked, despite 80’s horror nostalgia. Continue Reading