You know, I’m fairly certain I’ve been a member of Netflix since the beginning, or at the very least since 2008, BEFORE the big streaming push and the demise of the video store. It happened slowly, I think. The takeover of streaming from home. There wasn’t much available to start. At the time, I still had the 2 DVD rental membership. Maybe it was around 2010 when we, the wife and I, did away with the DVDs. Why? Well…we didn’t need them. In fact, streaming became so much more convenient and affordable that we ultimately dropped cable television. My wife enjoys newer shows, but the ones she likes she streams from apps or catches up on Hulu. And for viewers like me, well…I’m more of a movie kinda guy to be honest, but the shows I do watch the most are typically…how do say…off the air. I watch old shows that have long since been canceled. There are a few newer ones that sometimes makes me wish we still had cable, shows like AHS and maybe a few others. However, if I’m patient enough, those very shows will eventually find their way onto Netflix’s monster cache of streaming availability.
But while newer shows have the glamour, I still indulge in older programming. We’re talking X-Files, MASH, Kolchak: The Night Stalker, Star Trek, and yes even The Gilmore Girls (don’t judge!). But my number one favorite oldie to watch is without a doubt Rod Serling epic sci fi thriller The Twilight Zone. If you’ve never seen an episode…jeez…think black and white science fiction, but not just about space and rocket-ships, but also weird tales, time travel, magic even, or death itself. They’re also all moral stories, more or less, warnings and questions of our humanity, not to mention the consequences we could face given certain destinations. The other night I screened for the first time one of these consequence driven episodes, from season 5 episode 14, titled “You Drive.” And let me say, this was one of the more creepier episodes of the show with the most simplistic plot-lines.
It goes like this:
“After involved with a hit-and-run killing a child, Mr. Oliver Pope is haunted by his car.”
Now I can see where King and Straub and everyone else got their ideas from. Perhaps not as deranged as Christine, but no doubt the genius of those darker works of haunted cars that would eventually come out in the 70s and 80s. In “You Drive” businessman Oliver Pope is on his way home. He’s driven this route for years. He knows every turn. Every bump in the road. As it happens on this particular day, its raining, and maybe Oliver has had a long day at work, stressed over a new client or something. He’s distracted and as fate would have it accidentally runs over a young boy delivering newspapers on his bicycle. Now at this point, what Pope has done is nothing more than an accident, tragic certainly, but an accident all the same. He didn’t intentionally run down the boy. However, as Mr. Pope jumps out to check on him (the boy doesn’t look good) and notices no one around, he makes a choice.
Stay and face the consequences of his actions…
Consequences is what Mr. Oliver Pope is afraid of. Afraid of what people will think of him after they discover what he’d done. Not just running over and killing the boy (which we later discover died from his wounds), but running away, his cowardliness. This is perhaps the whimsical side of watching shows like The Twilight Zone, they show you an era in which people still gave a damn about character. And character is what Mr. Pope desperately clings to protect. He doesn’t want people to think less of him. Sure, we can get that, right? But what Oliver fails to understand is that it is our actions that define our characters, not what people perceive us to be.
Well, as par for The Twilight Zone, because of Mr. Pope’s horrible choice to runaway the natural order of things begins to bend. There’s something not right…with his car, the very one he killed the boy with. Pope wants to forget, to put the matter away, what’s done is done, etc etc. But the car will not let him forget. His car haunts him and everyone around him. It honks in the middle of the night. It stalls out when his wife attempts to drive it to the store. It appears back at home seemingly to have driven itself. Blaring its horn over and over. And when Mr. Pope refuses to drive it, the car follows him on his way to work. The car makes a show to run him down. It wont stop. It cant, not until…
Oliver Pope must decide.
Face the consequences of his actions.
Or be continuously haunted by his car.
“You Drive” is certainly a chilling allegorical story to be sure. Haunted by our mistakes, our poor choices in life, especially those that have or could have dramatic effects on the lives of others. And how the consequences of those mistakes cannot be forgotten, never completely. And there’s even a lesson about character here, if we care about such a thing anymore. Our character isn’t (or at least shouldn’t be) defined by how people think of us, it is defined by our actions and our deeds, and it is by those deeds we will be judged.
My rating: 5/5
With a face only a mother could love, Thomas S. Flowers hides away to create character-driven stories of dark fiction. Residing in the swamps of Houston, Texas, with his wife and daughter, his debut novel, Reinheit, was soon published with Shadow Work Publishing, along with The Incredible Zilch Von Whitstein, Apocalypse Meow, Lanmò, The Hobbsburg Horror, and FEAST. His military/paranormal thriller series, The Subdue Series, including Dwelling, Emerging, Conceiving, and Converging, are published with Limitless Publishing, LLC. In 2008, he was honorably discharged from the U.S. Army where he served for seven years, with three tours serving in Operation Iraqi Freedom. In 2014, Thomas graduated from University of Houston Clear Lake with a Bachelors in History. He blogs at machinemean[dot]org, where he reviews movies and books on a wide range of strange yet oddly related topics. You can hide from Thomas by joining his author newsletter at http://goo.gl/2CozdE.
My debut collection of horror shorts is now just $0.99!!!