The history of pinball games is an interesting subject. The 1930s, the same as the Universal Monster era, is ultimately when the game began, though an argument could be made for the development of the machine since the 1700s in the form of Bagatelle, a billiard indoor table game. Starting in the 1930s, there were Payout Pins, in which coins would drop out of the game, and Flippers, a Penny Arcade game where the players used a “bat” to launch balls into a scoring mechanism and even an early era pinball game called TILT! The exclamation point was to further the excitement one ought to feel when playing the game. By 1936, the invention of pinball bumper came about, consisting of coiled springs that allowed the ball to rapidly bounce around the playfield, forever changing the modus operandi of pinball. Pinball was also not without its enemies. In a 1957 article published by Better Homes and Gardens, advocates called for the ban of pinball games. Some American cities had already fallen suit, in January of 1942, New York mayor LaGuardia banned the game throughout his city, which wouldn’t be overturned until the 1970s. The issue advocates and lawmakers were having was a failure to distinguish slot machines from pinball machines and the fact that many just wanted to play pinball for the sheer enjoyment of the game. Starting in the 1980s and running through the 90s is when horror themed pinball machines really took off. Some of the most popular ones included Freddy: A Nightmare, The Addams Family, Gorgar, Scared Stiff, Elvira: Party Monster, Twilight Zone, and Monster Bash, just to name a few. These games gave players another way of experiencing the universe of their favorite monsters, including those of the 1930s-1940s Universal variety. Here to talk to us some more regarding Universal Monsters most infamous pinball game, Monster Bash, is our guest author, Kit Power.
By: Kit Power
Because I know what y’all were really thinking as you slogged through my four thousand word essay on ‘The Bride Of Frankenstein’, back in March – ‘Yeah, yeah, Kit, all well and good, but can’t you tell me more about this pinball table?”
Your wish is my command.
Before I start, though, in the interests of honesty, I have to confess something important: I haven’t played the physical table. I love pinball but was born about ten years too late for the heyday. One of the very, very few positive things about growing up in the ass end of North Devon was that there were two local pubs that still had machines. So I got to play Star Trek: The Next Generation, Judge Dredd, and later the Tommy table (based on the musical). ST and JD just ate my money, for the most part, but Tommy I absolutely owned – I remember one afternoon going in there with a single pound coin (which back then got you 3 credits) and playing for over 3 hours.
But that was ‘98 or ‘99, and the art of pinball was already dying. Seeing a table in the wild is a rarity these days, and the time when any arcade of a decent size had a whole rack of them is long gone.
Luckily for shut-ins like me, there is, at least, Farsight Studios and The Pinball Arcade.
The press release version is, they buy real tables, take them apart, photograph each bit, then render them in 3D software, emulating the actual ROM used in the original machine to simulate the experience with as much fidelity as possible. Now, I only have one data point for this, because the Star Trek table is so far the only one they’ve digitized that I’d previously spent any time with, but I can say with some confidence that they have absolutely nailed the physics and feel of that table, so I have no reason to suppose that their talents are not similarly in evidence on the other tables in the collection. So, what follows is based on the experience of playing a simulation of the table rather than the thing itself. That bucket list moment will have to wait for when Tarantino comes knocking for the film rights for GodBomb! Hey, I can dream. 🙂
So, Monster Bash – as previously noted, a 1997 table by Williams, of which 3361 units were manufactured, according to Farsight Studios. The plot of the table (no, really) is that six of the iconic Universal Monster crew – The Creature from The Black Lagoon (hereafter Gil), The Bride, Frankenstein’s Monster, The Mummy, Dracula, and The Wolfman – are putting a band together, with the end goal of playing a gig in ‘Transylvania Square Gardens’.
To achieve this – well, it’s pinball. Keep the ball in play, and hit a lot of shots.
Or, in more detail…
So there’s six creature games, each of which has ‘win’ states, which award the instrument for that creature (Gil plays Sax, The Bride is on vocals so claims a microphone, The Monster has an organ(!), Dracula is on lead guitar, with The Mummy on Bass and The Wolfman, of course, on drums). Playing all six games, win or lose, sets up the ‘Monster Bash’, which is the table’s wizard mode. Wizard mode is basically the ‘win’ state of a pinball game. Typically a multiball with a generous ball saver period (meaning 30 – 45 seconds where any balls you lose are replaced) and huge jackpots on all targets. If you’ve ever looked at the mind-boggling high scores on a pinball table and wondered how they were achieved – wizard mode is how. It’s always tough to achieve, and aside from Tommy, something I’ve never managed in real life (brag – though for Tommy, I managed it three times in one game).
There is a fun wrinkle with Monster Bash, which is this: If you manage to ‘win’ each of the monster missions and claim the instruments, you enter a kind of super wizard mode called ‘Monsters Of Rock’, where the targets are worth even more, and the ball saver stays active for longer. If you can get that done before activating the Monster Bash, there’s a substantial bonus, but I’ve never managed that.
Here’s a quick breakdown of each of the monster missions:
FULL MOON FEVER: Shoot the left and/or right orbit 4 times to light a full moon and start the mode. You then have 45 seconds to shoot the orbits as many times as you can, scoring the full moon fever jackpot each time you do so. Score 4 full moon jackpots to claim the drum kit for ‘Wolfie’.
- MUMMY MAYHEM: Hit the jets 45 times to uncover the sarcophagus and light mummy mania in the drop target. Once the drop target is hit to start the mode, shoot the orbits, ramps, and central spinner to score mummy mania jackpots. Score 7.5 million points to win the game and light the bass guitar.
- BALL AND CHAIN: Shoot both ramps 3 times each to start the ball and chain game. Shoot both ramps a further 3 times each in 40 seconds to win the game and light the microphone.
- DRAC ATTACK: Shoot the Dracula target on the right-hand side to spell the word DRACULA (the first time through you only need to do this 4 times, as the first three letters are lit for you). This lights Drac Attack in the drop target. Once you shoot that, a model Dracula will pop out of a coffin on the right-hand side of the play area and move slowly back and forth. Hit him five times with the ball to win the mode and light up his guitar.
- CREATURE FEATURE: Shoot the far left target gully 4 times. On the fourth time, Creature Feature mode begins. Shoot each of the lit targets (both ramps, both orbits and the central spinner (though you can also shoot the left gully as a substitute) to win the mode and light the saxophone.
- IT’S ALIVE MULTIBALL: To start this mode, shoot The Monster target in the center left of the playing field 7 times to build the monster. The target will then lift up, revealing a ramp. Shoot the ramp to start the multiball. Score jackpots by shooting the flashing targets, and score 6 super jackpots (by hitting the monster) to light the organ.
With me so far? Excellent. Now, let’s talk strategy…
Because beyond ‘keep the ball in play’, there are some useful tips. For example, if you complete three monster modes, an extra ball is lit, and if you go through to the Monster Bash mode and ‘loop’ the table, this chance is restored the second time through as well. Also, the monster game modes are stackable – as in more than one can be running at the same time. Even better – if you start the ‘It’s Alive!’ multiball the timer on the other games stops, which is really handy with games like Ball and Chain, where hitting 6 ramps in 40 seconds can often be a bit of an ask.
Also, if you complete the skill shot by using the flippers to make sure the ball falls through the lit target post launch, you’ll get an item, such as a garlic clove or spear gun, that can be used to reduce the difficulty of the monster mission by one (A silver bullet, for example, scores you a free ‘full moon fever’ jackpot once that game mode has started). You use the items by pressing the launch button – pleasingly, there’s nothing in-game to tell you this, it’s just a neat little thing you discover through play – or, I guess, not.
And really, it’s a game of neat little touches. The sound is great throughout, with the side comments by the cast (“I hope he’s tall and handsome like you, doctor!” from The Bride, for instance, or “Somebody fetch me a razor!” from The Wolfman) amusing enough that they don’t grate on repeated playing. Similarly, while the table is relatively fast and the ramp entrances not over generous, it’s far from impossible to play, with a little practice. The single toughest shot is The Monster, not because he’s hard to hit but because the rebound tends to send the ball down the center gully with depressing frequency, but on the other hand, if you are anything like as bad as me at pinball, you’ll hit it with glancing blows enough times while aiming elsewhere to unlock the mode organically after a while.
And sure, it is both shlocky and goofy – they’re none of the horrors of the original tales here, this is strictly played for laughs, and if the idea of that offends you, this is probably not the pinball table you’re looking for. That said, there’s also an unmistakable ring of affection to the whole thing, if not outright love.
And if nothing else, it led me, by and unlikely and circuitous route involving the author of this blog, to finally actually watch The Bride Of Frankenstein on Blu-ray. For that alone, this pinball table will always hold a special place in my heart.
Kit Power lives in the UK and writes fiction that lurks at the boundaries of the horror, fantasy, and thriller genres, trying to bum a smoke or hitch a ride from the unwary. In his secret alter ego of Kit Gonzo, he also performs as front man (and occasionally blogs) for death cult and popular beat combo The Disciples Of Gonzo. He is the published author of such works as, GodBomb!, Lifeline, and has contributed to numerous anthologies, including The Black Room Manuscripts, Widowmakers, and upcoming Easter Eggs and Bunny Boilers.
Did you like what you read here? Be sure to subscribe to our SPAM FREE newsletter. Keep in the loop with new book releases, sales, giveaways, future articles, guest posts, and of course…a free eBook copy of Strange Authors, an anthology that includes some of the weirdest and vilest writers in the horror community. (click below).
September 7, 2016 | Categories: History, Horror, Reviews, Video Games | Tags: 1930s, 1970's, 1980's, 1990's, 1997, 1998, Bride of Frankenstein, Dracula, Frankenstein, Gillman, Guest author, Horror, horror reviews, Kit Power, Monster Bash, movie reviews, pinball, pinball games, pinball machines, pinball review, review, The Mummy, Universal Classics, Universal Monsters, Universal Monsters in Review, Universal Studios, Universal Studios Classics, video game reviews, video games, Wolfman | Leave a comment