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Posts tagged “lycanthropy

Book Featurette: Blood Moon Big Top

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When Kendrick the drifter joins a circus and becomes Marbles the Clown, he discovers the art of transformation; an escape from the woes of his everyday life. An unfortunate encounter with a feral child in the woods, as the Full Moon prepares to meet the approaching dawn, sets off a gradual transformation beyond anything Marbles could imagine. His deterioration over the following two weeks leads to his apparent death and the circus moves on. Waking up in the morgue a few days later, the slow transformation of Marbles the Clown begins. In a desperate bid to catch up with the circus as it travels from town to town, city to city, Marbles embarks on a two-week journey of nightmare carnage and unconquerable insanity, finally reaching his destination in time for the real and terrifying transformation to take hold.

Blood Moon Big Top, according to reviewers:

“…a fast-paced, engaging werewolf novella recounting the story of Marbles the Clown, a loner who finally finds a place for himself performing in a family circus. One of the fascinations of the book is the emphasis on the transformation itself and the sensations that Marbles undergoes. It is not at all a smooth ride, involving both physical suffering and psychological trauma. Marbles tries to resist the increasingly compelling drive to hunt, kill and eat human victims, even trying to limit his diet to creatures of the forest. Slowly his resistance is overwhelmed as he evolves from a human afflicted with lycanthropic urges to a soulless ravening beast. Another intriguing element is the care and attention provided to him by the members of his circus family. Marbles himself was a loner before he joined the circus and he stuck to himself, but he still gained the friendship and allegiance of the circus fraternity. Even in the depths of his transformation into a werewolf, there are touching scenes of support and camaraderie. The one human instinct that remains with Marbles is his desire to rejoin the circus that left him behind during the depths of his illness. And that, in fact, is where the book’s tumultuous climax occurs – inside the Big Top. Don’t get me wrong, Blood Moon Big Top is a rip-roaring page-turner, but it also finds time to explore the human side of the horrific transformation from a man into a beast. The writing is rich and lush, with just the right amount of description to establish atmosphere. Toneye Eyenot possesses strong narrative storytelling skills, which are very much in evidence in this classic werewolf tale. Highly recommended!”

“What a bloody good read, I received this book for an honest review. And I gotta say Toneye does not disappoint, it had everything , clowns, werewolves , murder , and cannibalism, I recommend to all fan’s of modern horror”

“Eyenot weaves a brutal lycanthropic tale about a man who becomes a beast. The mingling of clown horror with some truly epic werewolf savagery makes this a unique horror read. I read this in one sitting because I couldn’t put it down. This writer is one of my favorites.”

“Most people are terrified of clowns, and werewolves is old legends. This was a very interesting twist on the 2 combined.”

You can purchase YOUR copy of Blood Moon Big Top…………..

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Toneye Eyenot hails from The Blue Mountains in Australia. Although writing horrible tales for the better part of 25 years, 2014 has seen his first published work in REJECTED For Content – Splattergore, through J. Ellington Ashton Press, an anthology showcasing alongside many other esteemed authors of the bloodsoaked word. BLOOD MOON BIG TOP is his latest release (Oct. 7, 2016) from J. Ellington Ashton Press. A werewolf/clown Horror novella. His first extended story, in the form of a Dark Fantasy/Horror novella, THE SCARLETT CURSE is book one in the Sacred Blade Of Profanity series, released through J. Ellington Ashton Press and available now in print and on Kindle. Book II in the series- JOSHUA’S FOLLY has also just been released through JEA Mar.13, 2016. Book III in the Sacred Blade Of Profanity series is currently being conjured. With more anthology appearances in both, REJECTED FOR CONTENT 2-Aberrant Menagerie and REJECTED FOR CONTENT 3-Vicious Vengeance, also Doorway To Death, Jeapers Creepers and Lost Gods And Forgotten Cities, and more in Cellar Door III – Animals/Hell II – Citizens by James Ward Kirk Fiction, as well as The Grays by James Ward Kirk fiction and more anthologies awaiting publication. Eyenot is also the editor for a werewolf themed anthology-FULL MOON SLAUGHTER.

Visit Toneye at his website: http://toneyeeyenot.weebly.com/

Connect with Toneye on Facebook: https://www.facebook.com/Toneye-Eyenot-Dark-Author-Musician-1128293857187537/

 


Get Knocked Up!

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Okay, maybe the title of this post is a little what kids call”clickbaity,” but hey…I make no excuses. The world is what it is. Filled with click baits…and fake news sites…and paranoia…and silent conversations over Thanksgiving dinner… (sighs) Well, now that I have you here, assuming you fell for my ingenious trap, I’m more than ecstatic to announce the release of my new book, Conceiving. Now available on Amazon, B&N, and iTunes. This book really does feel like a long time coming, especially when considering that Dwelling and Emerging released back in December 2015, almost a full year ago.  Anyhow, if you’re new to the series and don’t want to spend time catching up by reading the first two books, no worries. Information regarding the first two books is included in this new one without being drab, but only generally. So you know what happens and are not lost in this new book. If you’ve read both Dwelling and Emerging and have been waiting for this new book to release, I bid you welcome home. The real benefit of reading the entire series is the intimacy of getting to know the characters and experiencing why and/or what they are in Conceiving.

Conceiving is a supernatural thriller of which I would humbly compare to the likes of a mashup between Rosemary’s Baby, The Omen, and Frankenstein Meets the Wolf Man. Old and new readers will follow the somber adventures of Bobby Weeks, one of the major carry overs from the series, and Luna and Ronna Blanche, minor characters in the series that now have larger roles. New characters include Boris and Neville Petry, and yes Neville is a girl.

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The Petry’s are my new favorite. A young couple wanting what most young couples want, a family, a dream home, and dream jobs. I imagined Boris like this “cool” history professor if such a thing can exist. He loves his area of expertise and wants to move up the ranks of his profession and among his peers. Like most academics, he wants to be respected and revered for his work. Neville, on the other hand, I saw as this young college educated woman who doesn’t really believe women need to be  “stay at home” moms or wives, but choices to take on that role. She often compares herself to her mother, but not always positively.

In the fashion of how I typically tell stories, these individuals and groups begin separated, facing their own troubles alone, but there are forces at work pulling them together, inching them toward some cataclysmic event that will shatter their perception of reality and perhaps take more than just their sanity.

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Conceiving is available on Amazon kindle or kindle app. You can get your copy here for the low price of $3.99……..https://goo.gl/4EWzSU

Or if you’re a traditionalist and prefer paperback, you can get your copy here for $15.99…….https://goo.gl/5pTAQ4


Fright Fest: The Curse of the Werewolf (1961)

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We were introduced to the beast in the form of the original The Wolf Man. Lon Chaney Jr. captured our attention at the age of five. We were intrigued by this seemingly average man who by a stroke of bad luck is cursed to become a wolf when the wolfbane blooms and the autumn moon is bright. After watching the stop-motion magic of his transformation there was no going back, we became lifelong werewolf fans. This article, however, is a tribute to another beast that reached out through our television screen to grip our hearts. We don’t hold back on this one, we absolutely love The Curse of the werewolf starring Oliver Reed. It has become a staple of our horror viewing, especially around Halloween. We sat back to enjoy it again with a few drinks, so here it is, our completely biased review and a rundown of a classic werewolf flick.

It’s a hammer horror classic, which should indicate that it’s going to be super amazing. It begins by opening on a view of beastly eyes as credits roll over them, tears fall from them signifying the torment in the monster’s heart. The story is set in Spain, telling the tale of a beggar in times long ago, over two hundred years ago in fact. The wanderer comes upon a village and is not well received. The beggar is refused food and drink and is sent to the castle to see if the Marques was in a charitable mood…of course, he’s not, that powdered wig wearing asshole!

The Beggar is humiliated before everyone at the Marque’s wedding feast. The Marque’s new bride isn’t impressed by his dickery as her new husband proceeds to get the poor homeless guy drunk and make him sing and act the fool for food. The beggar says some offhanded comments and is then thrown in the dungeon and time passes.

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The only people who look after the poor bastard is the jailor and his daughter, who grows up to be a total babe. She fends off the Marques who tries to get touchy feely by biting the old turd but gets thrown in the dungeon. They force her into the same cell with the old beggar who by this time is animalistic from years of being on lock down. The ungrateful old shit-ass repays her years of feeding him by forcing himself on her. At this point we don’t feel sorry for him, it doesn’t matter how he was treated by the Marques it’s no excuse for attacking the poor girl. So when he dies right after violating her it actually makes us cheer on the grim reaper. She is then forced to “Apologize” to the Marques. He thinks it’s his lucky day until she stabs him to death! YEEESSSSSS!!

She flees into the night and lives in the forest until the narrator, Don Alfredo, finds her and takes her home so he and his housekeeper, Teresa, can care for her. They discover she’s pregnant and that she can’t speak. The baby is born on Christmas day; many who follow the mythology of werewolves will tell you that is a bad omen. The poor young woman dies soon after giving birth, leaving the child in the care of Don Alfredo and his housekeeper. When they try to baptize the baby, the bath of holy water gets all crazy…some serious foreshadowing as to the child’s future.

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It flashes forward to a slaughtered goat, its throat was torn open. Young Leon has grown into a boy, who gets squeamish at the sight of blood and oddly doesn’t seem hungry though his adoptive aunt tries to coax him into eating. That night the watchman, Pepe, waits beneath a full moon hoping to kill the wolves or wolf that has been plaguing the village. A howl makes him jumpy and he shoots at something. The audience finds out that mysteriously the boy has been seriously injured. His aunt and uncle care for him and discover he was shot which seems impossible since they never saw the boy leave his bedroom the night before. They both know then that there is something strange about the boy. His uncle doesn’t want to believe he could be a werewolf so he questions the boy who swears he was in bed and had a bad dream. He tells his uncle he’s had many bad dreams after going hunting with Pepe and seeing a poor squirrel get shot. Leon admits to Alfredo he picked the dead animal up and kissed it, he could taste its blood and after that, he dreams of being a wolf and drinking blood. Alfredo is desperate and seeks advice from a holy man. The priest tells Leon’s uncle that sometimes people are possessed by evil at birth and that the boy may be a werewolf. The priest says they need to love the boy, their love could keep the beast at bay while he’s young and when he is older once he falls in love with a young woman that her love could save his soul if she truly loved him in return.

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Pepe and many of the town folk are freaked out over what seems to be more than an ordinary wolf killing their livestock after a drunkard rambles on about how evil is afoot. Leon’s uncle puts iron bars on the boy’s bedroom window to keep him from killing and getting killed himself as well. Pepe makes a silver bullet and waits for the beast once more. He sits beneath the light of the moon and watches over his flock and kills a dog that he suspected in the first place. Young Leon tries to break through the bars on his window in a scene most might find creepy or cheesy but to us, the kid looks cute with his little wolf fangs bared. His uncle and aunt calm him and he goes back to sleep. Flash forward now to many years later. This is when Oliver Reed first appears in the movie, just before the forty-nine-minute mark. Their love seemed to cure him of his lycanthropy and now as a young man, Leon is ready to go out into the world. Oliver Reed is dashing as usual as he makes his way begin work at a vineyard.

Of course, poor Leon falls in love with a girl who’s wealthy father already has her betrothed to a stuck up douche bag. Leon asks his love, Christina, to run away and marry him but she says she can’t because her father would catch them and send Leon away forever.

Leon is talked into partying one night, why not, its payday. The place is a rowdy bordello, raucous and full of drinking and beautiful women…but it’s also a full moon and he’s in a terrible mood because Christina refused to run away with him. He begins to feel sick and goes outside for fresh air, a lady follows him and tries to talk him into banging but the beast he unleashes is one she didn’t expect even being a hooker. Unfortunately, she’s not the only causality of Leon’s wolf out, he also murders his friend and coworker that took him to party and that’s fucked up. Leon is soon after accused of the murders and is put in jail. He begs to be executed, not wanting to go on letting the beast take control but is denied. He gets all twitchy and sweaty and you know things are gonna get ugly again. He wolfs out, becoming in our opinions, one of the coolest looking werewolves ever to rampage across the silver screen. He then escapes running amok, causing a panic. Don Alfredo is forced to shoot his adopted child with a bullet made from a silver crucifix that was blessed by the archbishop.

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The Curse of the Werewolf was released in 1961; its story was based on the novel The Werewolf of Paris by Guy Endore. It was the first big role for Oliver Reed. The cast in this Hammer film production is a fine group of actors, including Yvonne Romaine and Catherine Feller, as well as Clifford Evans a Don Alfredo Corledo. The werewolf makeup was spectacular and looked very real, a true art form especially when practiced in those times when they were still pioneering makeup and special effects techniques. The Curse of the Werewolf was also adapted into a fifteen-page comic strip for the January 1978 issue of The house of hammer, that’s something we’d like to get our paws on.

From the moment that sweat began to bead on Oliver Reed’s brow and he got all twitchy and had that paranoid look in his eyes, you knew shit was about to get crazy. In our minds Oliver Reed was the perfect man to play the role of a werewolf, he was ruggedly handsome with a dangerous air about him yet seemed to guard a passionate side that would attract any woman, a true big bad wolf. Fangirling and wolf crushing aside, we are confident that anyone who hasn’t seen this will definitely enjoy it. It is a classic and holds the same quality of old school horror as any of the other Hammer films and truly stands the test of time.

 

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Sisters of Slaughter are no strangers to Machine Mean, having reviewed for us She Wolf of London (1946) during our Universal Monsters in Review series. Michelle Garza, one-half of the writing team based out of Arizona, and her sister, Melissa Lason, have been dubbed The Sisters of Slaughter by the editors at Fireside Press. Since a young age, they have enjoyed crafting tales of the dark and macabre. Their work has been included in anthologies such as WIDOWMAKERS a benefit anthology of dark fiction, WISHFUL THINKING by Fireside press and soon to be published REJECTED FOR CONTENT 3 by JEA. To be included in FRESH MEAT 2015 is an incredible honor for the sisters. Their debut novel, Mayan Blue, released with Sinister Grin Press. You can keep track of the Sisters of Slaughter’s budding writing career by following them on Twitter and Facebook. You can read their review of She Wolf here.

And as always, if you enjoyed what you’ve read here on Machine Mean, please subscribe to our author mailing list by clicking on the FREE BOOKimage below to not only receive updates on sales and new releases, but also a free anthology of dark fiction.

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Late Phases: in review

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Have you seen Late Phases? Finally! A new werewolf movie to keep my strange fascination were the lycanthrope myth sated, or for at least the time being. Hopefully maybe soon we’ll see some quality Mummy movies grace the silver screen…doubtful at that one. But we can always hope. Its no secret, I’ve got a special place in my heart for the classic Universal Monsters. I’m not at the age to have grown up watching the films. I found them in my adult years, and its probably better that I did. I don’t think most of the kids in my late phased (pun intended) Gen-X generation would have appreciated the classics…not as much as an adult would. Maybe I’m wrong, I’m sure there are a few out there that could, but overall, it is my opinion that the classics are appreciated more by a more mature audience. My appreciation stems from my studies in history thru film. Looking back at society thru the looking glass of cinema is a fascinating way of deciphering prevalent thoughts and themes and attitudes of the day in which the movie was made. The original Universal classics, as such, can be both an entertaining as hell movie and a look into the concerns of the past. Werewolf movies are one of my favorite forms of metaphor. Much how I gravitate toward Romero-esk zombie tales, likewise, I gravitate toward the tradition of werewolf created by Curt Siodmak. Curt wrote the original Universal tale, The Wolf Man (1941) and portrayed the bipedal beast as more of a Greek tragedy, where the monster is also the victim, having no control over his inner demon, per say. Late Phases seems to keep to this tradition whilst also moving the mythos a step farther.

Quick fire synopsis:

Ambrose McKinley; a fiercely independent, yet blind Vietnam War veteran and his seeing eye dog are moved into a retirement community at the edge of a forest. Willful and adamant that he can live on his own, he and his son Will are clearly not on the best of terms. He meets three neighbor women; Gloria, Anna and Victoria, who; while at first admiring Ambrose, are quickly put off by his rough attitude toward them. He meets his neighbor Delores, who shares the duplex with him. That night, during a full moon, something breaks into Delores’ kitchen and brutally slashes her to death. Ambrose hears the commotion and is also attacked by a massive werewolf. His dog comes to his defense as Ambrose struggles to find his gun, he manages to deter the creature, but his dog is mortally wounded. The next day, the police find him cradling his dog, and despite the destruction and his claims of the attack, it is shrugged off as a home invasion. With no one to believe his tale, Ambrose quickly works at preparing for the next full moon and soon discovers the threat is not from outside, but rather from inside this seemingly quiet retiree community.

The Meaning of it All…

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And there you go. Plenty of symbolism to keep even the most jaded film graduate student satisfied, while also giving us horror nerds another allegorical tale to place on the shelf of werewolf lore. Ambrose verses the werewolf is an obvious story about how old bones can find purpose and keeps to the Curt Siodmak tradition…with one step farther. The monster here, while struggling at first, in the end accepts his plight and goes about turning other would-be victims into beasts themselves. Religion and faith find their way into the story too, as the priest, Father Roger is summed and cast way and ultimately killed (oops, SPOILERS!). There is also a redemption story between Ambrose and his son, Will. The movie has plenty of heart and even some humor to balance the drama and terror. But is it entertaining?

Where’s the Popcorn…?

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Late Phases was very entertaining. There are certainly some bumps in the road. While the use of practical effects should be applauded, there were a few moments where the effects came across as silly. And I’m mostly talking about the werewolf costume. The transformation scenes are respectable, though does not overshadow Rick Baker’s fantastic work in An American Werewolf in London. I’d say, the transformation effects here were more close to Rob Bottin’s work in The Howling. Other then the effects, the pace was steady. There was an absence of exposition, which I found refreshing. Ambrose, played by Nick Damici, was fantastic. I love seeing crusty veteran movies, especially in horror flicks as it is something I tend to gravitate toward in my own writings. If you haven’t seen Late Phases yet, it’s still on Netflix. Make it a night. Pop some popcorn and enjoy a rather fury tale of a blind Vietnam veteran verses the monotony of retirement.

My Review: 3.5/5 


DWELLING …coming soon!

Following months of mentions and hints and little morsels of information, I finally have some news I can share! AS you may or may not know, my current foray into the writing world (Subdue) was picked up by Limitless Publishing LLC. After some careful courtship, we both agreed that Subdue was just too long for a book all its own. We decided the best course of action (because not only of the size of the book, but also my desire to continue the story) was to create an entire book series based on the characters and events. The series is called Subdue, keeping to the original title of the project. Book one, will be titled Dwelling. Book two, Emerging. Book three is currently under construction (wink wink). But, as you can tell by the titles, there is a implied theme for each book. Let me stop here and give a little shout out and big thank you to Lori Whitwam, the managing editor, and Jennifer O’Neill, the CEO of Limitless Publishing, for their collective genius. In the spirit of transparency, I’m horrible at creating titles. I love storytelling, but I suck at the marketing aspect of writing. So, needless to say, I’m very thankful for my Limitless home.

Okay, so without further ado. Today, I’d like to share a little it of the premise of Dwelling, book one in The Subdue Series.

DWELLING…coming soon!

A group of inseparable childhood friends are now adults, physically and psychologically devastated by war…

A horrifying creature emerges from a sandstorm just before Ricky Smith dies in battle. Forced to leave base housing, his widow Maggie buys a home on Oak Lee Road in the town of Jotham. Maggie is isolated in the historic house…and disconcerted by strange clicking sounds inside the walls.

Jonathan Steele attempts to drink the painful past away…

Jonathan was wounded in that fateful battle and now suffers from PTSD. He wants to put the nightmare behind him, but when Ricky’s ghost appears with cryptic warnings about Maggie’s house, he begins to question his sanity.

Bobby Weeks is a homeless veteran struggling with a lycanthropic curse…

Afraid of bringing harm, Bobby stays far away from those he loves. But after a full moon, a mysterious woman approaches him and reveals a vision about a house with a sinister presence, and he realizes staying away might no longer be an option.

Minister Jake Williams lost his faith on the battlefield…

While Jake will do anything to reconnect with God, he turns to vices to fill the religious void. But a church elder urges him to take a sabbatical, and a ghost tells him to quit the ministry, and his life is more out of control than ever.

When Maggie wakes in a strange subterranean cavern, she can’t deny her home harbors dark secrets. Desperate, she sends letters to her old friends to reunite in Jotham, and events conspire to draw them all to the house…unaware of the danger awaiting them.

The friends have already been through hell, but can any of them survive the evil dwelling beneath the House on Oak Lee?