Fans of Bava’s films know they are more about style than plot. The revolutionary use of color and framing create mood and atmosphere that leave a deep impression. A BAY OF BLOOD is loose and sometimes confusing, but it set the tone for many important films to come after it. The main film is, of course, Sean Cunningham’s FRIDAY THE 13th.
A BAY OF BLOOD centers around the inhabitants of a small bay. Countess Frida, (Isa Miranda,) is murdered by her husband, who is then himself murdered. The murders set off a chaotic chain of events as neighbors and family members fight and back stab each other for control of the bay. Among them is Simon, (Claudio Camaso,) the Countess’s illegitimate son; Renata (Claudine Auger), his step sister, and her husband Albert (Luigi Pistilli); Frank (Chris Avram,) a greedy businessman and his secretary Laura (Anna Maria Rosati), and card reader Anna (Laura Betti), spreading doom and gloom with her insect loving husband. There is also a side story of two young couples camping out in one of the empty houses and falling prey to the killer. The ending involving Renata and Albert’s children also makes no real sense. Continue Reading
What is the chance of a once-in-a-lifetime love worth? Is it worth the embrace of a monster, or death? SPRING is not just any monster movie, no typical vampires or werewolves here. What remains is the inescapable drive for connection that goes beyond emotional need.
SPRING, directed by Justin Benson and Aaron Morehead and written by Benson, is the story of Evan (Lou Taylor Pucci,) a young man who has just lost his mother and his job. His life has been on hold, taking care of his dying mother and his father who has also passed. He is an adult orphan, alone in the world with no direction. He makes an impulsive decision to head to Italy, a trip he and his father always talked about. He arrives with no clear idea of what he is looking to find. Continue Reading
George Romero is the father of the zombie movie, but Fulci’s ZOMBI takes the monster to it’s most gruesome level. ZOMBI is glorious with scene after scene of rotting, putrid flesh being ripped off, and pumping blood geysers. And, of course, there’s the shark vs. zombie scene. This film is all about imagery.
ZOMBI is also known as ZOMBI 2, without Fulci’s consent. It was called that not because it’s a sequel, but to cash in on Romero’s DAWN OF THE DEAD, released a year earlier. The closing scenes filmed in New York, with the radio voice over, were added because of the earlier film. It was originally released with an X rating, and later labeled “a video nasty” in 1984 by the Video Recording Act. Continue Reading
Kim McDonald is no stranger to Machine Mean, having reviewed for us during our Fright Fest series back in October, The Thing (1982). Kim will also be with us during our Creature Features series coming up in 2017. Kim lives in Charleston and loves all things horror. especially foreign horror. Kim also publishes reviews for LOUD GREEN BIRD, tackling some of horror’s greatest treasures, giving readers a deeper retrospective and often introspective on films like “The Iron Rose,” “Baskin,” “The Conjuring 2,” “The Witch,” and much more. As you can see, she is no stranger to the art of movie reviews. You can follow Kim @dixiefairy on Twitter and you can follow her blog, Fairy Musings, here.