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Posts tagged “Jonathan Butcher

Paranormal & Supernatural in Review: Insidious (2011)

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Director: James Wan

Writer: Leigh Whannell

Stars: Patrick Wilson, Rose Byrne, Ty Simpkins, et. al.

Synopsis: “A family looks to prevent evil spirits from trapping their comatose child in a realm called The Further.”

Release date: April 2011

Review by: Jonathan Butcher

Throughout its first half, Insidious is a wonderfully unnerving tale about a peculiar type of haunting. Then at some point along the way it becomes a goofy, balls-to-the-wall ghost train ride, complete with wacky gas-mask set pieces and a villain who is basically Darth Maul on hooves.

After the appearance of a menacing hag in the first 30 seconds, the opening credits prime you for watching scenes a little more closely than you might have otherwise. The credits roll to the sound of tense, minimalist strings played over disorienting pans of a large house. In some – or perhaps all – of the brief camera shots, something unsettling is taking place. A ghoulish face appears in a mirror. A chair is moved by an unseen force. A picture frame shifts of its own volition. And with that, the scene is set for a genuinely masterful build-up of tension, caused on some level by the creeping suspicion that unsettling things are taking place right under your, and the characters’, noses. Continue Reading

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Slashers & Serial Killers in Review: Terror Firmer (1999)

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Now THIS is my kind of film. It’s 124 minutes of the stupidest, most offensive garbage I’ve ever seen – and, trust me, I’ve seen a LOT. As a taster, the top-rated IMDB review ends with the line: “How many ‘eating faeces’ scenes can a normal person watch before going insane?”

Cheap, nasty, and utterly repellent, this Tro-masterpiece is for fans of early John Waters, early Peter Jackson, and general trash aficionados.

Terror Firmer is a film made by the infamously tasteless Troma studio. It’s also the Troma film to end all Troma films, and piles atrocity upon puerile atrocity, packages it in a box of provocation, and decorates that box with a bow made of congealed bodily fluids. It’s as silly and outrageously violent as you’d expect, and tells the tale of how a Troma film production is thwarted by the antics of a deranged sexual sadist who keeps slaughtering cast members and crew. Continue Reading