Directed By: Tommy Lee Wallace (Fright Night Part 2, Vampires: Los Muertos)
Starring: Tom Atkins (Night of the Creeps, The Fog), Stacey Nelkin (Yellowbeard, Get Crazy), and Dan O’Herlihy (The Last Star Fighter, Twin Peaks)
Written: Tommy Lee Wallace (Amityville 2: The Possession, It), John Carpenter (Escape from New York, The Fog), Nigel Kneale (Quatermass and the Pit, The Abominable Snowman)
Release Year: 1982
Review By: Andy Taylor
Halloween has always been my favorite time of year, and one of my favorite aspects of the holiday are the costumes, specifically the masks. Every year on November 2nd, I go to whatever Halloween superstore is in the area and purchase a discount mask because I am far too cheap to pay full price. This strategy has netted me a great collection of creepy, humorous, or disgusting Halloween masks. I’ve got cinematic favorites, scary monsters, and twisted psychos galore, and yet my creepiest mask by far is a large, rubber judge mask that seems to scare everyone who has seen it, judges being terrifying enough without having warped, elongated faces. One mask I’ve never been able to get, and one I would love to own, is the pumpkin mask they put out as promotion for the release of Halloween 3: Season of the Witch. They do have recreations you can get for around a hundred dollars, but if I’m paying that much for a pumpkin mask, it better have a real piece of Stonehenge in it like the ones in the film. My face might get melted off and some nasty creepy-crawlies might come pouring out of my head, but at least I’ll die a horrifyingly memorable death. Though I’m not sure Doctor Challis or the victims of Silver Shamrock would agree with the sentiment. Continue Reading
Directed by: John Carpenter
Written by: John Carpenter, Debra Hill
Starring: Adrenne Barbeau, Jamie Lee Curtis, Hal Holbrook, Tom Atkins, Janet Leigh, Et al.
Release date: 8 February 1980
Review by: Thomas S. Flowers
For me, the intrinsic appeal of ghost stories is the tale. Sitting around a campfire, sharing a ditty about life, death, and the thereafter typically involving some crime, something that went wrong, some singular cataclysmic event in which something horrible happened that over the years formed into the story. Said story exists both to scare (entertain) and to give warning. Beware the house on Redwood Street, inside its dilapidated walls a horror awaits those foolish enough to enter its haunted halls, etc. etc. In the macabre 1980 masterpiece The Fog, John Carpenter does just that. Using a traditional Gothic atmosphere, he creates a tale, campfire and all, warning the younger generation of the sins the past. Greed. Hate. Betrayal. And murder have stained the lineage of the small California coastal town of Antonio Bay. But as the idealistic community prepares to celebrate their centenary strange things begin to occur and a foreboding blue fog spreads toward the shores. Continue Reading
Directed By: John Carpenter (Halloween, Escape from New York)
Starring: Donald Pleasence (Halloween Franchise, Phenomena), Victor Wong (Tremors, Big Trouble in Little China), Dennis Dun (Big Trouble in Little China, The Last Emperor), Lisa Blount (Chrystal, An Officer and a Gentleman), and Jameson Parker (The Bell Jar, Jackals)
Written By: John Carpenter (They Live, The Fog)
Release Year: 1987
Review By: Andy Taylor
As the son of a preacher-man, it should surprise no one that I’ve always had a strong interest in religion. Christianity, Islam, Hinduism, Buddhism, and so many others have long fascinated me, ever since I found reading the Bible, the only reading material available during church, to be more interesting than listening to the sermons. I might not prescribe to any particular one, though what my beliefs are remain immaterial to this review, but I’ve read most of the different religion’s main holy books to sate my curiosity, finding each one to be a fascinating look at how early humans tried to explain the world around them. Another big interest of mine is science. I might not understand a lot of it, but I love how science continues to delve the depths of our universe for answers we’ve been asking as a species for thousands of years. In some cases, both science and religion can be blended together, though many times the two are diametrically opposed, and this can make blending them effectively a difficult task. Thankfully, John Carpenter seems to have those same interests, and being the talented writer that he is, did a good job mixing the two into a strange, but fascinating tale, even if it does suffer from a couple of issues. Before we get to that, let’s look at the weird tale of Liquid Satan. Continue Reading
Village of the Damned (1995)
A Review by: Feind Gottes
Directed by: John Carpenter
Written by: David Himmelstein (adapted from the book by John Wyndham and the 1960 screenplay by Sterling Silliphant, Wolf Rilla and Ronald “George Barclay” Kinnoch)
Starring: Christopher Reeve, Kirstie Alley, Linda Kozlowski, Michael Paré and Mark Hamill
The Gist: All the women in a small town become pregnant at the same time (YIKES!) giving birth to children who turn out to be as weird as the pregnancies themselves.
Feind’s Review (ish): Spoilers Ahead, DUH! This review is going to be difficult to get through without making too many Christopher Reeve jokes but I’ll try to let it stand on its own two feet… shit… so it begins! Thankfully there isn’t a horse riding scene or I’d never be able to get through it! So this review is on the 1995 remake by living legend John Carpenter but I would highly recommend you check out the 1960 original film since, while dated, is an excellent film. I would say check out the book by John Wyndham also but that would be advice to myself since I haven’t read it either. Speaking of ‘50s & ‘60s sci-fi horror I also highly recommend the 1953 film Invaders From Mars (there was a remake in 1986 but I like the original better) which is in a similar vein as Village of the Damned but I suppose I should get on with it. Continue Reading
One thing horror fans love to do is debate which film marked what is historically known as The Decline of John Carpenter. Some believe it began with the final chapter of Carpenter’s Apocalypse Trilogy, In the Mouth of Madness. Others waggle disdainful fingers at his comedy misstep, Memoirs of an Invisible Man. There’s never a right answer to speculation such as this, but one thing practically everyone agrees on is that Vampires does not belong in the conversation when discussing John Carpenter’s classics.
To a certain extent, it’s a salient point. Carpenter’s latter-day career has often been considered inferior by hardcore fans of the director, preferring to focus on his output during the 1980s. The 1990s were a time when Carpenter could have used a monster hit. Vampires wasn’t it, only recouping its $20 million production budget by a few hundred thousand dollars. General audiences were less than impressed, giving the film a Cinemascore grade of D+.
There’s a reason for this, but it may not be the one you’re expecting. That’s because Vampires isn’t a horror movie. Continue Reading
Imitation is often seen as a tribute to an artist; other times it is seen as a mockery and a laughable attempt to establish, oneself, in a world of other artists. A question that should be asked, what separates the good imitations from the worst?
The answer is a little more underlying.
A work of imitation can branch off and become something different, something appreciated by others. The difference is—Appreciation for the original work and artist—nothing more.
In 1978, John Carpenter set out and defined the slasher genre. Many fans were introduced to their first masked serial killers: Michael Myers. The original story was enough to send millions of fans into a terror filled adventure, murder and mayhem a-plenty. Man escapes mental institution after murdering his sister twenty years prior and begins slashing and stabbing his way through Haddonfield, IL. Continue Reading
Starring: Donald Pleasence, Jamie Lee Curtis, P.J. Soles, and Nancy Loomis. With Nick Castle and Tony Moran portraying Michael Myers.
Written By: Debra Hill and John Carpenter
Directed By: John Carpenter
Synopsis: On Halloween night of 1963, six year old Michael Myers brutally murders his seventeen year old sister, Judith. He was sentenced to a mental hospital but on October 30, 1978 he escapes and a string of murders begin in his hometown of Haddonfield, Illinois.
“Halloween isn’t just a good story; it’s a film that demonstrates an unprecedented understanding of it’s very media. It’s a story that could only be told cinematically, a true folktale for the 20th century and beyond. Light, shadow, silence and good sound form into an experience both tangible and transcendent. It’s a wholly immersive work of art, a rare instance of pure cinema. Like it’s antagonist, it will never die.” -Stef Hutchinson, taken from the 35th anniversary Blu-Ray. Continue Reading
Among the horror community, there are certain names that can go unnoticed. New directors and cult indies that simply do not get enough limelight. And there are others in which one ought to know regularly. If there was a quiz, you should know the names of Wes Craven, David Cronenberg, George A. Romero, Alfred Hitchcock, James Whale, Guillermo del Toro, Sam Raimi, and Tobe Hooper as the most easily recognizable of horror directors. Wes Craven gave us (among so much more) Freddy Krueger. Cronenberg gave us Videodrome (among his other visceral work). Romero created an entirely new monster subgenre, zombies. Hitchcock paved the way for most of everyone on this list, starting, I think, with Shadow of a Doubt (1943), but most people probably know him best for Psycho. James Whale, another original pavemaker, gave us Frankenstein. del Toro brought horror into the depths of imagination. Sam Raimi locked us away in the cabin in The Evil Dead. And Tobe Hooper chased us into the sunset with a chainsaw. All these names of known for certain achievements. And in all transparency, even while you’re reading this article, there are probably differing movies you remember or associate with each director best. One director, obviously unnamed in my little list here, if we dug deeper in the cesspool of horror fandom, we’d probably wallow in some pretty nasty disagreement on which of his movies he is best known for. Personally, as a fan of his work, our still yet unnamed director (can you guess?), I’d be amiss not to do a “favorites list” on this the day of his birth. To keep things not too lengthy, this will be limited to my top five favorites (which will NOT be easy) ending on THE movie I think he is best known by. So, hold on to your butts, from least to best, the following are my five favorite movies by none other than John Carpenter.
5. The Fog (1980)
If we’re talking personal favorites, The Fog would certainly go to the top of the pile. But if we’re talking which of Carpenter’s movies he is best known for, well…I have my doubts, even within the horror community, of those who associate Carpenter with The Fog. For starters, The Fog isn’t as over-the-top as some of his later projects. It is simple. Banal. And contained. Yet, in that simplicity, there is a wonderfully fantastic film built on classic gothic themes. A weather-beaten old fisherman tells an ancient tale of betrayal and death to fascinated children as they huddle together by their campfire. An eerie fog envelops Antonio Bay, and from the mist emerge dripping demonic phantoms of a century old shipwreck…seeking revenge.
4. Escape From New York (1981)
Now we’re getting into the nitty-gritty. However, much like The Fog, I’m unconvinced how well known Escape from New York is a John Carpenter flick. I think most would be able to tell you Kurt Russell is in it, but other than that…? Regardless, Escape From New York is definitely on my top five list for Carpenter pictures. Here, Carpenter introduces us to some rather complex characters without having to spend too much time on them. Instead, Carpenter focuses on the action as he bravely takes us into the future, a not so far fetched future where crime is out of control and New York City is converted into a maximum security prison. When the President’s plane crashes in old Gotham, the powers that be recruit tough as nails Snake Plissken, a one-eyed former war hero now turned outlaw, into bringing the President, and his cargo (nuke codes), out of this land of confusion.
3. Big Trouble in Little China (1986)
Without a doubt, not only do moviegoers in the horror community know and can easily associate Big Trouble in Little China with John Carpenter, but so can those who do not frequent horror movies, and that’s mostly because Big Trouble in Little China is not technically a horror movie. I think it could be labeled mostly as sci-fi fantasy and comedy action. And as ole Jack Burton says, this flick is one of the most quotable of all of Carpenter’s work. The film is an unexpected classic following a tough-talking, wisecracking truck driver named Jack Burton whose life on the road takes a sudden supernatural tailspin when his friend’s fiancee is kidnapped. Speeding to the rescue, Jack finds himself deep beneath San Francisco’s Chinatown, in a murky, creature-filled world ruled by Lo Pan, a 2000-year-old magician who mercilessly presides over an empire of spirits. Dodging demons and facing baffling terrors, Jack battles his way through Lo Pan’s dark domain in a full-throttle, action-riddled ride to rescue the girl.
2. Halloween (1978)
His one movie that sparked a franchise, I’d be really shocked to discover anyone who didn’t know this flick was one of John Carpenter’s. And I swear to all that is holy, if I ever asked someone, “Hey, have you seen Halloween?” And they told me, “Oh, you mean that Rob Zombie movie?” I’d slap them silly. Halloween is a classic to be sure. The score alone is probably more recognizable than the directorial name. And a movie that typically makes it onto everyone’s Halloween holiday movie lineups, a movie that started on a cold Halloween night in 1963 when six year old Michael Myers brutally murdered his 17-year-old sister, Judith. He was sentenced and locked away for 15 years. But on October 30, 1978, during the night before being transferred for a court hearing, a now 21-year-old Michael Myers steals a car and escapes Smith’s Grove. He returns home to his quiet hometown of Haddonfield, Illinois, where he searches for his sister.
1. The Thing (1982)
Was there really any surprise The Thing is my number one pick here? Yes, there could be some debate on whether The Thing is an easily associated film of Carpenter’s. And there are two sides to this coin. While I do admit, I have some serious doubts people outside of horror fandom would even recognize the movie title let alone the director, but within the horror fandom world, The Thing has become an inescapable cult classic of behemoth proportions. I do not think I’ve seen another movie that has gardened such a fanbase as The Thing. And for good reason, too. The Thing, besides The Fog, has one of the most simple sets imaginable, the kicker really being how isolated the characters are and how audiences can feel that itch of madness, being cooped up too long, stir crazy, etc. etc. The paranoia drips from the screen. And much like Escape from New York, we’re given rich complex characters without the need of some unnecessary backstory for any of them, even Kurt Russel’s characters MacReady is really only known by his actions. Nearly 35 years later, the practical effects in this movie are still considered high quality. If that doesn’t say something, I don’t know what will. The story is grounded and easy to follow. After the destruction of a Norwegian chopper that buzzes their base, the members of the US team fly to the Norwegian base hoping to find survivors, only to discover them all dead or missing. What they do find among the carnage are the remains of a strange creature burned and haphazardly buried in the ice. The Americans take their find back to their base and deduce that it is not human, not entirely, but an alien life form. Soon, it becomes apparent that the alien lifeform is not dead, and to make matters worse, it can take over and assimilate other life forms, including humans, spreading much like a virus does. Anyone at the base could be inhabited by the Thing, tensions soon escalate.
0. They Live (1988)
I’d be amiss not to include at least one honorable mention. Originally, I really wanted to include Carpenter’s They Live, starring late great Roddy Piper, on this list of top films. Call me lazy, but I didn’t want to spend all morning writing about which of Carpenter’s movies are the best or most recognizable as being his, I’d be here all day if I did that. I gave myself a five movie limit and stuck with it. That said, I think They Live, at least within the horror community, is a really recognizable Carpenter flick, and probably one of his most (sadly) relevant films to date. The action is def. cheesy, and the concept is bizarre, but the message is a real punch to the gut, one that I’m sure many a film student as spent dissecting and discussing.
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Thomas S. Flowers is the published author of several character driven stories of dark fiction. He resides in Houston, Texas, with his wife and daughter. He is published with The Sinister Horror Company’s horror anthology The Black Room Manuscripts. His debut novel, Reinheit, is published with Shadow Work Publishing, along with The Incredible Zilch Von Whitstein and Apocalypse Meow. His military/paranormal thriller series, The Subdue Series, both Dwelling and Emerging and Conceiving (coming soon), are published with Limitless Publishing, LLC. In 2008, he was honorably discharged from the U.S. Army where he served for seven years, with three tours serving in Operation Iraqi Freedom. In 2014, Thomas graduated from University of Houston Clear Lake with a BA in History. He blogs at machinemean[dot]org, where he does author interviews and reviews on a wide range of strange yet oddly related topics. You can keep up with Thomas and all his strange books by joining his author newsletter, at http://goo.gl/2CozdE.
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