This essay contains spoilers for, and assumes prior knowledge of, Gremlins and Gremlins 2. If you don’t want to be spoiled, go watch the films first. So, I’ve written about Gremlins < http://gingernutsofhorror.com/my-life-in-horror/someday-you-may-be-ready > elsewhere. It’s one of the most popular things I’ve ever written online, at least in terms of number of views, which is both gratifying and mystifying. And I feel like I should start by stating the obvious – it doesn’t need a sequel. There’s nothing significant left hanging in terms of plot or character resolution that needed another movie to explore. The movie is, in Aristotelian terms, a complete action. The most you can say in defense of any proposed sequel is that the first movie leaves the door open, what with Gizmo still being alive at the end, but that’s a long way from having a sequel be either needed or, necessarily, desirable. Continue Reading
In all my posturing. In my proclamation for love of all things horror (or, mostly all things) there are certain films I have not had the honor of screening. I know, its striking. Almost unbelievable. Say it isn’t so. But it is. Terribly so. There are actually lots of horror films I have not yet seen. And there are some in which I have only seen bits and pieces. Such as: I have not seen any of the Phantasm films. Nor have I watched any of the Val Lewton pictures, including (but not limited to): Cat People, I Walked with a Zombie, The Body Snatcher, Isle of the Dead, & The Curse of the Cat People and many many more. But we’re not here to discuss my horror deficiency. We’re here to discuss my first screening of Joe Dante’s 1981 werewolf flick, The Howling.
Wow. Well, for starters, not what I was expecting. Not sure what I was expecting, but it sure wasn’t that! Maybe it was just the hipe. Horror nerds claiming The Howling to be one of the great werewolf pictures. If that’s the case, it only proves that there are actually very few good werewolf movies, which is sad, because the world is sorely lacking good werewolf pictures and unfortunately The Howling isn’t one of those. Okay. Okay. All kidding aside, its true, I didn’t like the movie. I’ll wait here while the shock wears off. Feeling better? Listen. I didn’t hate the movie, I just didn’t get the movie. Sure, there was some postmodernism there. Yup, got it. The whole sexuality and pop psychology regarding duality and personality and desire were very prevalent, especially at the beginning. But come on. If you’re going to send a message you gotta have a good story or at least one that makes sense. If you watch some of the old trailers for it, one of them states: “Somewhere in this urban jungle…” which gives one the impression the story will unfold in an urban setting, not some backwoods retreat known as The Colony. The movie starts out in the city, which gave me high hope, but once it moved to the country disappointment ensued.
Some of the highlights: good (decent special effects). While yes, good, not Rob Bottin’s best work. If you want a taste of what Mr. Bottin can do, watch Carpenter’s The Thing. Those practical effects where out of this world (no pun intended)!! The Howling…? Ugh, not bad. You may disagree with me there, but I think we can all agree at least that as far as werewolf transformations, American Werewolf in London takes the cake! And perhaps, that’s partly to blame for my quasi-dislike for The Howling. I was excepting something like American Werewolf in London. And not just in effects, but also in mythology. In The Howling the werewolf’s are shapeshifters and not subject, or I should say limited to, the appearance of a full moon. Sorry. Don’t like it. I’m a traditionalist when it comes to werewolf movies. The appeal of lycanism for me is the loss of control. Its a curse and the victim has no control over it, just how Curt Siodmak wrote it as a Greek tragedy when he penned the screenplay for The Wolfman in 1941. Man…if we could somehow take the lore and classicism (is that even a word?) from The Wolfman and add in solid practical effects and gory transformation scenes on par with American Werewolf in London…holy jeez, that would be a legendary film!!!
Or maybe I’ve got it backwards and Joe Dante’s postmodernist story was simply about the fact that we do have control over our impulses and second natures and ought to come out of the closest (so to speak). To show the world, just as Karen White (played by the oh so innocent Dee Wallace) does at the end of the film by transforming into a werewolf live on television and then systematically having herself shot in the brain bucket. Either way, the movie wasn’t very entertaining for me. I actually dozed off a couple of times. But then again, I’m also not a huge Joe Dante fan. His latest picture, The Hole, left me hating the characters. And Gremlins was a big to do, but to be honest, I’m not a huge Gremlins fan either (Da-Da-DAAAAA). Sorry.
So there you have it folks. My review of 1981’s The Howling. What’s your favorite werewolf movie? Let us know in the comments section below!