My review comes from two viewpoints: first, there is me—ten years old, watching The Texas Chain Saw Massacre for the first time, and then there’s me—thirty-something years old, re-watching with a fresh pair of modern, adult eyes. I have no problem remembering the first time I saw this movie, even though it was a long time ago. If you waited until almost 2am then tiptoed upstairs, you could adjust the rabbit ears on my parents’ awesome 32-inch box TV, flip it to channel 6, and get a fuzzy view of the Showtime channel. The best part about sneaking TV at 2am on an “adult” channel, was that you never knew what you were going to get, like a prize at the bottom of a cereal box (only much, much better). At 3am (on a school night, mind you), following a bizarre clown movie called Blood Harvest, I was just drifting off to sleep when I heard and saw these words: “The film which you are about to see is an account of the tragedy which befell a group of five youths…”
Immediately, I was glued to the screen, watching a movie called the Texas Chain Saw Massacre, and I wholeheartedly believed what I was watching was true. It didn’t help that the opening credits had these creepy flashes of what appeared to be crime scene photos, either. I watched the movie from beginning to end, not moving from my spot, and hiding my eyes at least a dozen times. I was HORRIFIED by it. Permanently scarred. And for the record, I don’t advocate watching this movie until you are at least a teen.
After my first viewing of it, I secretly checked the TV guide in the newspaper every single Sunday to see if, and when, it was coming on again.
Anytime it was on, I would write down the time and date in my diary, then stay up as late as I had to on the designated day in order to watch it, even if it meant not sleeping at all before I caught the bus the next morning. And each time I watched it, I dared myself not to close my eyes. And here’s a funny side note—one day on the school bus I overheard some older kids talking about how it was “banned”, and for a while, I wondered if the police would bust in and steal my TV set. But I digress…
Now, fast forward twenty years…I’ve seen bits and pieces of the original Texas Chainsaw Massacre since my childhood obsession, and I’ve seen the sequel and most of the modern reboot versions of it. But now I’m watching it with a critical eye, because I knew I had to write this, and just like old times, I’m sneaking around in the dark at 2am to do it, only, this time, I’m trying to hide my movie choice from my own kids.
I expected to be unimpressed this time. I expected to fall asleep. I expected to have some bad stuff to say about it…
Instead, I’m shocked by how fabulous this movie still is. Unlike modern horror films with tons of bad language, impressive stunts, special effects, nudity, known actors, and lots of gore—this one is simply brilliant because all it does is scare the bejesus out of you. No tricks, no flashy stars…just pure terror.
The fact that it’s low budget and gritty lends to the scare factor and the whole “true story” facade, in my opinion. No wonder I believed it was real as a kid—some of the filming looks like a jerky, homemade movie. And the sound effects—random camera shutter sounds (you know what I’m talking about—that bizarre flash bulb sound that has been recreated in haunted houses everywhere) and the amateurish banging of cymbals or drums in a serene, calm section of the movie, are ridiculously effective, for some reason.
The Texas Chainsaw Massacre is loosely based on Ed Gein, who did, in fact, wear human skin on his face like Leatherface did in the movie. But that’s where most of the similarities end. The people were just actors, the details filled in…but the effect is still the same.
If you haven’t seen it (first of all: what’s wrong with you?) here is the general gist:
Five hippie teens are driving in rural Texas in the seventies. They like to smoke pot and talk about astrology. Their goal? To check on some family property after Sally and her disabled brother, Franklin, find out that their grandfather’s gravesite may have been desecrated. The whole purpose of the trip is a little vague and turns out to be of little importance once they get there, honestly. Things get creepy when they pass by a slaughterhouse, have a discussion about the delectability of “head cheese”, and then pick up a psycho hitchhiker. The guy has a knife and is bat shit crazy, and they finally throw him out of the van. Sally, Franklin, and three of Sally’s friends (I say SALLY’s friends because although they seem to tolerate Franklin, they don’t seem to like him much), make their way to the family’s homestead, low on gas and supplies. The relationship between Sally and Franklin is strange. When she’s around her boyfriend or friends, she’s a total jerk to him. But she seems to soften when they are alone, and it’s obvious that he thinks of her as a mother figure.
I can remember the first time I watched this movie, thinking that Franklin was whiny and obnoxious, but I felt sorry for him this time. The property isn’t wheelchair friendly, and while all the attractive, self-absorbed teens race up and down the stairs, and talk about going for a midday swim, he’s stuck downstairs all alone, panting as he tries to finagle his wheelchair around. This time around, I was totally rooting for the guy to be the sole survivor of what’s to come.
Franklin also seems to be the only one with any sense—while the other teens treat the visit as a fun retreat, he’s the only one still worried about the psycho hitchhiker and what happened near his grandfather’s gravesite.
Now enter a family of cannibals next door, and a creepy guy with jacked up teeth and a creepy skin mask, and oh yeah—he’s wielding a chainsaw. And beauty is made!
The sheer sound of the chainsaw and the first scene when Leatherface comes running out of the room in that initially quiet scene was just as shocking as the first time I saw it.
I didn’t know it the first time I saw this, but this film cost almost nothing to make and these actors were inexperienced. Maybe it is for that exact reason that the movie seems so terrifying. It looks and feels like something that could happen in your own backyard to everyday-looking people. Plus, living in a small town myself…crazy killers in a seemingly quiet, rural setting using everyday power tools to kill people makes it that much more shocking. And the kids on the bus were right about one thing—the movie was initially banned in countless theaters.
Surprisingly, the acting is pretty good, in my opinion. Their fear and shock seemed genuine, the scenes unrehearsed and random.
This movie is brilliant and the things that happen to the teens are so unexpected and horrifying that this movie will never lose its horror appeal in my opinion. If anything, its age just makes it that much creepier now.
This movie is a cult classic and inspired a new breed of slasher films, and horror as a genre in general. Let’s face it—everybody knows that the haunted houses without chainsaws in them suck. And most bad guys in books and movies will always be second best to the chainsaw wielding psycho we know and love.
To this day, I run in the house when I hear a neighbor start up a chainsaw. The sound itself triggers an uncontrollable fear reaction from me, and I don’t think I’m alone in this.
Unfortunately, seeing it at a young age sort of dulled my senses and ruined subsequent movies that I normally would have found frightening. While I’m at it, I also blame the movie for my crazy horror obsessions AND my chronic insomnia that started at an early age.
But one thing is certain…it was all worth it. And watching it again just confirmed what I already knew—this movie is the gold standard of horror and slasher flicks. And critics can say all they want about it—it’s untouchable in terms of criticism, in my book.
Carissa Ann Lynch is the author of the Flocksdale Files trilogy, Horror High series, Grayson’s Ridge, This Is Not About Love, 13: An Anthology of Horror and Dark Fiction, and Dark Legends: A Collection of 20 Paranormal and Urban Fantasy Novels. She resides in Floyds Knobs, Indiana with her husband and three children. Besides her family, her greatest love in life is books. Reading them, writing them, smelling them…well, you get the idea.
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October 19, 2016 | Categories: Horror, Reviews | Tags: 1974, Carissa Ann Lynch, chain saw, dark, depression, film, Fright Fest, fright fest 2016, gritty, Guest author, Halloween, Halloween Movie Marathon, Horror, horror reviews, indie, indie film, movie reviews, realism, Reviews, Savage Cinema, The Texas Chain Saw Massacre, Tobe Hopper | 3 Comments
Straight from the outset, you just know this movie is gonna be good. Opening with a victim in the hospital, recalling the encounter her family endured, it skips to a harrowing and savage ‘found footage’ scene of her husband being slaughtered and her son being eaten alive. The incident takes place in Lyon, France, and the police arrest a suspect in the killing. A stooping giant of a man named Talan Gwynek is taken into custody and is represented by Defense Attorney Kate Moore and her partners, Eric and Gavin.
Here’s a quick synopsis from the always impressive IMDb:
“A defense attorney begins to suspect that there might be more to her client, who is charged with the murders of a vacationing family than meets the eye.”
There are not many werewolf movies which explore the condition known as porphyria, an affliction with some symptoms similar to lycanthropy – Excessive hair on the head and body, receding gums which give the appearance of larger teeth or even fangs, violent outbursts. Other, more debilitating symptoms such as joint pain, muscle weakness, nerve damage and even seizures correspond with Talan’s condition, placing doubt on whether he’d even be physically capable of committing this crime. Talan agrees to undergo tests.
The tests prove disastrous to their case. It’s my favourite scene in the whole movie. Talan escapes and the hunt is on.
Brian Scott O’Connor, who plays the role of Talan Gwynek is a riveting actor. His sheer size looks menacing, but his demeanour seems so passive and gentle, which just adds to his imposing presence on the screen. In the beginning, you’ll think, yeah, he did it. At several points in the film, though, they convincingly present a strong case in favour of Talan, and you really grow to like the bloke; like and pity him. Solid performances from all the actors, brilliant film work, and an intriguing and well thought out plotline, this really struck a chord in my werewolf heart. The transformation scenes and the beast which emerges are ingeniously kept within the realms of possibility, while at the same time, gets your blood racing and the adrenaline flowing. Nothing as spectacular as say, the iconic transformation scene from the classic, American Werewolf In London, or a lot of these more recent movies which engulf their effects in CGI, but there is something more realistic, more organic in the way it is portrayed.
Out of the several dozen werewolf movies eye own, Wer is among my favourite top five werewolf movies of all time (that’s counting the Ginger Snaps trilogy as one movie haha). Released in 2013, it is one of the freshest takes on the werewolf theme and stands out amongst the many werewolf movies that have been coming out in recent years. There are two definite camps in the debate over whether or not werewolves, vampires, zombies etc. have been done to death. Wer is one werewolf movie which will appeal to both sides of that debate. It’ll satisfy the avid werewolf aficionado as well as the ones who think they’ve seen about as much of werewolves as they care to handle. That’s five howls from me! Aaaarrrrooooooooooooooooooyeah!
Toneye Eyenot writes tales of horror and dark fantasy which have appeared in numerous anthologies over the past two years. He is the author of a clown/werewolf novella titled BLOOD MOON BIG TOP just released with JEA Press, plus the ongoing SACRED BLADE OF PROFANITY series with two books, THE SCARLETT CURSE and JOSHUA’S FOLLY, published through J. Ellington Ashton Press and a third currently in the works. He is the editor of the soon to be unleashed FULL MOON SLAUGHTER werewolf anthology, also with JEA. Toneye lurks in the Blue Mountains in NSW Australia, with the myriad voices who tear the horrors from his mind and splatter them onto the page. You can most easily connect with Toneye through his Facebook page – https://www.facebook.com/Toneye-Eyenot-Dark-Author-Musician-1128293857187537/?ref=bookmarks Or website – http://toneyeeyenot.weebly.com/ Find his books here – https://www.amazon.com/Toneye-Eyenot/e/B00NVVMHVA/ref=sr_tc_2_0?qid=1473283520&sr=1-2-ent
October 12, 2016 | Categories: Horror, Reviews | Tags: 2013, film, Fright Fest, fright fest 2016, full moon, Guest author, Halloween, Halloween Movie Marathon, Horror, horror reviews, indie, indie film, low budget, movie reviews, realism, Reviews, Toneye Eyenot, Wer, werewolf, werewolves | Leave a comment