And that’s a wrap. The end of Universal Monsters in Review has come. Much as I said during last week’s review on the silent era of horror, I will certainly miss my weekend screening of these horrible yet awesome classic black and white pictures from the vault of Universal. I’d like to actually start making this a thing, something set aside for my weekend leisure, putting in ole Frankenstein or his Bride or The Wolf Man or The Mummy or Dracula, or even some of the lesser-known flicks, like Invisible Agent or any of the A&C ones. To think of the impact these movies had on future movie makers, and not just those dark producers and directors, but also the writers, both on screen and on print, is mind boggling. Personally speaking, the Universal classics have impacted some of my own creature/monster creations. And still do. The underlying mythos is nearly too much to avoid. These are the pillars for a reason. Certainly the same could be said of this up and coming generation of young writers and even the guest authors we’ve had during this series, tackling the movies that inspired them in some way. So, on this very last Universal Monsters in Review review, I’d like to shout out to all my guest authors that participated, the movie(s) they reviewed and a little bit about them and where you can buy their work.
(in order of appearance)
Daniel Marc Chant – Reviewed for us both The Mummy (1932) and The Creature Walks Among Us (1956). Mr. Chant is the published author of several terrifying tales, including Maldicion, Burning House, and his newest venture, Mr. Robespierre. Daniel is also one of the founders of The Sinister Horror Company, the publishing team that brought us such frights as, The Black Room Manuscripts and God Bomb!. You can follow Daniel on his blog, here. And you can read his review on Mummy here.
Jeffery X. Martin – Reviewed for us The Wolf Man (1941) and The Invisible Man’s Revenge (1944) and Revenge of the Creature (1955). Mr. X is the published author of several stories that are sure to shock, including those in the Elder’s Keep universe and Tarotsphere. He also published a fantastic tale in The Black Room Manuscripts. His latest novel, Hunting Witches, is now available on Amazon’s blood-soaked altar. You can find his work on Amazon. When Mr. X is not writing creep mind-benders, he’s the host and/or contributor to several podcasts and blogs, including, but not limited to, Pop Shiftier and Kiss the Goat. You can read his review on Wolf Man here.
Duncan Ralston– Reviewed for us The Invisible Man (1933). Mr. Ralston is not just a wonderful human being, but also the author of gruesome tales like Salvage: A Ghost Story, and the horror collection, Gristle & Bone. He’s been published in a various of anthologies, including The Black Room Manuscripts and The Animal, and the anthology,Easter Eggs and Bunny Boilers. His latest book will sure to knock your socks off, Woom. You can follow and chat with him atwww.facebook.com/duncanralstonfiction and www.duncanralston.com. You can read his review on Invisible Man here.
Dawn Cano – Reviewed for us legendary Frankenstein (1931). Miss Cano has always been a fan of horror, she loves everything about the genre and has just begun her journey into the world of horror writing. When not pounding away at the keyboard, she can be found reviewing books and movies for The Ginger Nuts of Horror and wasting time on Facebook. Dawn has also started what will no doubt be a fantastic career as a storyteller. You can find her books, including Sleep Deprived and Bucket List, *Warning: Some Scenes May Disturb for both of these wonderfully gruesome tales. And you can check out her review of Frankenstein here.
Kit Power – Reviewed for us both The Bride of Frankenstein (1935) and Monster Mash Pinball Game. Mr. Power lives in the UK and writes fiction that lurks at the boundaries of the horror, fantasy, and thriller genres, trying to bum a smoke or hitch a ride from the unwary. In his secret alter ego of Kit Gonzo, he also performs as front man (and occasionally blogs) for death cult and popular beat combo The Disciples Of Gonzo. He is the published author of such works as, GodBomb!, Lifeline, and has contributed to numerous anthologies, including The Black Room Manuscripts, Widowmakers, and upcoming Easter Eggs and Bunny Boilers. You can read Kit’s review of Bride here.
Justin Park – Reviewed for us both Abbott and Costello Meet Frankenstein (1948) and Werewolf in London (1935). Mr. Park draws from the crazy worlds of exploitation cinema and pulp literature for his literary inspiration. His family are both equally proud and disturbed by his literary output dragged from a mind they helped to cultivate. He resides on the outskirts of Bristol in the UK and hopes one day they’ll let him in. Mr. Park is the author of several twisted tales of morbid doom, including Upon Waking and Terror Byte and Punch. He was also featured with a horrifyingly wonderful short in the horror anthology The Black Room Manuscripts. Besides giving his readers terrifying nightmares, Mr. Park is also one of the founding members of the up and coming UK Publishing team, The Sinister Horror Company, active in promoting other writers and attending numerous conventions. You can read his review on A&C Meet Frank here.
William D. Prystuak – Reviewed for us Dracula’s Daughter (1936). Professor Prystuak is an award-winning screenwriter, film producer, and teacher in higher education, as well as a published poet, and essayist. His crime thriller, BLOODLETTING, has been adapted from his script of the same name, and he is currently working on a horror series. William also co-hosts THE LAST KNOCK podcast as Billy Crash with his good buddy, Jonny Numb, and currently, has thousands of listeners in 120 countries. You can find more about horror and William on his Crash Palace Productions site. As an Assistant Professor of English at Kutztown University of Pennsylvania, William teaches business writing and public relations. You can find more about William at any of these fantastic sites: Amazon: http://amzn.to/1Fu9PHS Barnes and Noble: http://bit.ly/1GhclaJ Goodreads: https://www.goodreads.com/book/show/23365977-bloodletting BLOODLETTING Book Trailer One: https://www.youtube.com/watch?v=TVNji_G-tSI BLOODLETTING Book Trailer Two: https://www.youtube.com/watch?v=glK9DiVIHT8 IMDB: http://www.imdb.com/name/nm5464477/?ref_=fn_al_nm_1 Linked In: https://www.linkedin.com/pub/william-d-prystauk/10/9a1/a55 Horror Podcast: THE LAST KNOCK on iTunes Twitter: @crashpalace. You can read Professor Prystuak’s review of Drac’s Daughter here.
Michelle Garza – Reviewed for us She Wolf of London (1946). Michelle Garza, one-half of the writing team based out of Arizona. Her sister, Melissa Lason, and Miss. Garza have been dubbed The Sisters of Slaughter by the editors at Fireside Press. Since a young age, they have enjoyed crafting tales of the dark and macabre. Their work has been included in anthologies such as WIDOWMAKERS a benefit anthology of dark fiction, WISHFUL THINKING by Fireside press and soon to be published REJECTED FOR CONTENT 3 by JEA. To be included in FRESH MEAT 2015 is an incredible honor for the sisters. Their debut novel, Mayan Blue, released with Sinister Grin Press. You can keep track of Michelle and the Sisters of Slaughter’s budding writing career by following them on Twitter and Facebook. You can read her review of She Wolf here.
Duncan P. Bradshaw – Reviewed for us Invisible Agent (1942). Mr. Bradshaw lives in MIGHTY Wiltshire, with his wife Debbie and their two cats, Rafa and Pepe. Their barbershop quartet days may be behind them now, but they can still belt out a mean version of ‘Deepy Dippy’ by Right Said Fred when the mood catches them right. Duncan’s debut novel, zom-com, “Class Three,” was released in November 2014. The first book in the follow-up trilogy, “Class Four: Those Who Survive,” shambled into life in July 2015. Both have received glowing reviews. In early 2016, he released his debut Bizarro novella, “Celebrity Culture”, which has been well received, despite its oddness. Not content with resting on his laurels, Prime Directive blasts off in May 2016, a sci-fi/horror novella which pleased fellow founder J.R. Park. Before the main attraction…Duncan finished writing “Hexagram” in late 2015, a novel set over five hundred years, which follows an ancient ritual and how people throughout the years twist the original purpose to their own end. You can find all of Mr. Bradshaw’s work on the bloodied altar of Amazon. And you can read his review of Invisible 007 here.
Chantel Feszczyn (aka Chaney Dreadful) – Reviewed for us House of Frankenstein (1944). Miss Dreadful — is one creepy ghoul hailing from a small city in Saskatchewan, Canada. She is a regular podcast voice frequenting on the podcasts, with the first being Dead as Hell Horror Podcast, and as well the likes of The Resurrection of Zombie 7, Land of the Creeps andWhedonverse Podcast. For the last three years she has brought her focus towards written reviews, posting occasionally on her Tumblr blog and recently moving to her new website dreadfulreviews.com — where she posts weekly reviews discussing movies, comic books and horror-themed merchandise. You can read her review of Frank’s House here.
Daryl Lewis Duncan – Reviewed for us Abbott and Costello Meet The Invisible Man (1951). Mr. Duncan is an up and coming writer and graphic artist and one smashing guitarist. You can find his work on numerous book covers recently released this year, including books by Dawn Cano, Duncan Ralston, and myself (Thomas S. Flowers). He also has upcoming projects with the likes of Kit Power and Rich Hawkins. Some of Mr. Duncan’s publishing work includes Violent Delights, in which he co-wrote with Dawn Cano. He is an avid reader and supporter of fellow indie writers. His artwork is stylized in a retro, space-age grunge, 70s grindhouse. Yup, it is that awesome! You can read his review on A&C Meet Invisible Man here.
Jon Weidler – Reviewed for us Abbott and Costello Meet The Mummy (1955). Mr. Weidler works for the Commonwealth of Pennsylvania by day but is a podcast superhero by night. He co-hosts THE LAST KNOCK horror podcast under the moniker “Jonny Numb,” and is a regular contributor to the Crash Palace Productions and Loud Green Bird websites. His archived movie reviews can be found at numbviews.livejournal.com, and his social media handle is @JonnyNumb (Twitter & Letterboxd). You can read his review of A&C Meet Mummy here.
Tim Busbey – Reviewed for us The Mummy’s Ghost (1942). Mr. Busbey is an award-winning editor and journalist who currently is the Assistant Editor at Richland Source (www.RichlandSource.com) and Ashland Source (www.AshlandSource.com). Tim also does freelance book editing and is a partner with Erin Al-Mehairi in Hook of A Book Media and Publicity. When he’s not editing other people’s stories or reporting on all the happenings in Ashland, Ohio, Tim writes sci-fi, thrillers and horror. You can read his review of Mummy’s Ghost here.
Pembroke Sinclair – Reviewed for us The Mummy’s Curse (1944). Miss. Sinclair is a literary jack of all trades, playing her hand at multiple genres. She has written an eclectic mix of fiction ranging from horror to sci-fi and even some westerns. Born in Rock Springs, Wyoming–the home of 56 nationalities–it is no wonder Pembroke ended up so creatively diverse. Her fascination with the notions of good and evil, demons and angels, and how the lines blur have inspired her writing. Pembroke lives in Laramie, Wyoming, with her husband, two spirited boys, a black lab named Ryder, and a rescue kitty named Alia, who happens to be the sweetest, most adorable kitty in the world! She cannot say no to dessert, orange soda, or cinnamon. She loves rats and tatts and rock and roll and wants to be an alien queen when she grows up. You can learn more about Pembroke Sinclair by visiting her at pembrokesinclair.blogspot.com. You can follow the very talented Pembroke on Facebook Amazon Twitter Or at her blog. You can read her review on Mummy’s Curse here.
David Sgalambro – Reviewed for us The Ghost of Frankenstein (1942). MR. SGALAMBRO is a horror writer at J. Ellington Ashton Press and a contributing Writer at Resident Rock Star Magazine. He was born in New York, but spent the majority of his life sweltering down in Florida. Growing up, he was obsessed with every 1960’s Monster magazine on the newsstand (He still has hundreds of them that he can’t bear to part with ….ever) and any Horror movie his eyes could watch (He blames some of his lunacy upon seeing the original Night of the Living Dead at the age of nine). His continuous love for the genre has kept him in movie theaters throughout his life indulging in all of the decade’s bloodiest moments, but not up until recently has he tapped into his own dark inner voice as a writer, and brought forth his compelling debut novel published by J. Ellington Ashton Press titled NED. It’s his first attempt at the literary game and he credits his love of Horror for its terrifying content. David is currently working on his second novel which once again explores the darkest depths of his maniacal mind for inspiration and creativity. David’s other current literary escape is as a contributing writer for a music publication called Resident Rock Star magazine out of Colorado. With them he gets the freedom to write about what’s happening in the current music scene pertaining to his own personal taste, Heavy Metal. You can read his review on Ghost of Frank here.
Patrick Loveland – Reviewed for us The Invisible Man Returns (1940). MR. LOVELAND writes screenplays, novels, and shorter prose fiction. He also draws somewhat disturbing imagery on Post-its. By day, he schedules classes, helps instructors get set up for class sessions, possibly draws said weird Post-its, and moves many a furniture at a state college in Southern California where he lives with his wife and young daughter. His stories have appeared in anthologies published by April Moon Books, Bold Venture Press, and the award-winning Crime Factory zine. Mr. Loveland’s first novel, A TEAR IN THE VEIL, will be published in late 2016 by April Moon Books. You can connect with Patrick on Twitter:https://twitter.com/pmloveland Facebook: https://www.facebook.com/pmloveland/ Amazon: http://www.amazon.com/-/e/B00S78LF9M Or Blog [under construction]:https://patrickloveland.wordpress.com/ You can read his review on Invisible Man’s Return here.
Chad Clark – Reviewed for us House of Dracula (1945). Mr. Clark is a midwestern author of horror and science fiction. His artistic roots can be traced back to the golden era of horror literature, Stephen King, and Robert McCammon being large influences. His love for horror began as well in the classic horror franchises of the eighties. He resides in Iowa with his wife and two sons. Clark’s debut novel, Borrowed Time, was published in 2014. His second novel, A Shade for Every Season was released in 2015, and in 2016 Clark published Behind Our Walls, a dark look at the human condition set in a post-apocalyptic world. His latest book, Down the Beaten Path, released in September 2016. You can keep up with all of Mr. Clark’s works by following him on Amazon here. And you can read his review of House of Drac here.
Matt Shaw – Reviewed for us The Invisible Woman (1940). Mr. Shaw is the published author of over 100 titles – all readily available on AMAZON. He is one of the United Kingdom’s leading – and most prolific – horror authors, regularly breaking the top ten in the chart for Amazon’s Most Popular Horror Authors. With work sometimes compared to Stephen King, Richard Laymon, and Edward Lee, Shaw is best known for his extreme horror novels (The infamous Black Cover Range), Shaw has also dabbled in other genres with much success; including romance, thrillers, erotica, and dramas. Despite primarily being a horror author, Shaw is a huge fan of Roald Dahl – even having a tattoo of the man on his arm; something he looks to whenever he needs a kick up the bum or inspiration to continue working! As well as pushing to release a book a month, Shaw’s work is currently being translated for the Korean market and he is currently working hard to produce his own feature length film. And speaking of films… Several film options have been sold with features in the very early stages of development. Watch this space. Matt Shaw lives in Southampton (United Kingdom) with his wife Marie, his bastard cat Nellie and three rats – Roland, Splinter, and Spike. He used to live with Joey the Chinchilla and Larry the Bearded Dragon but they died. At least he hoped they did because he buried them. You can follow Mr. Shaw and delve into his work by following his site at www.mattshawpublications.co.uk AND on Facebook at www.facebook.com/mattshawpublications.co.uk. You can read his review of the infamous Invisible Woman here.
And there you have them. Please join me in giving them a huge round of applause and thanks for agreeing to participate in this new endeavor here on Machine Mean. And be sure to check out all their awesome work by following the links provided under each bio. Now, what? Well, keep your socks on, October is just around the bend and we’ve got an awesome event in store for you. Machine Mean’s Freight Fest 2016, featuring 21 guest authors reviewing 21 dark fiction movies of their own choosing running from October day 1 thru day 31. That’s right, I let 21 weirdos pick their own movies to review and they’ve selected some rather awesome flicks, ranging from the 1960s to released just last month. You can follow news and updates regarding Freight Fest by following our Facebook page here. And as always, if you enjoyed what you’ve read here on Machine Mean, please subscribe to our author mailing list by clicking on the FREE BOOK image below to not only receive updates on sales and new releases, but also a free anthology of dark fiction.
September 28, 2016 | Categories: History, Horror, Reviews | Tags: 1930s, 1940's, 1950's, Bride of Frankenstein, Chad Clark, Chaney Dreadful, Daniel Marc Chant, Daryl Lewis Duncan, David Sgalambro, Dawn Cano, Dracula, Dracula's Daughter, Duncan Bradshaw, Duncan Ralston, Frankenstein, guest authors, Guest Reviewers, Guest Writers, Horror, horror reviews, House of Dracula, House of Frankenstein, Jeffery X Martin, Jon Weidler, Justin Park, Kit Power, Matt Shaw, Michelle Garza, movie reviews, Patrick Lovelland, Pembroke Sinclair, Reviews, Sisters of Slaughter, The Invisible Man, The Invisible Woman, The Mummy, The Wolf Man, Tim Busbey, Universal Classics, Universal Monsters, Universal Monsters in Review, Universal Studios, Universal Studios Classics, William D. Prystauk | 3 Comments
Was there a change in atmosphere with House of Dracula? Maybe this feeling is just me; maybe not, but while screening this latest in Univeral monsters, there seemed to be a different quality of theatrics going on. Both good and bad, perhaps. Mostly good, if you ask me. In its place in history, House of Dracula was released in December of 1945, a little over three months following the end of WWII. As we’ve noted in previous reviews during this series, Universal was not immune to Hollywood’s propaganda, pro-war influence. Many of these classic monster films, starting in 1941 and running thru 1944, there’ve been subtle hints of “invaders,” and an almost puritanical rule of “killing the monster.” Some movies were not so subtle, Invisible Agent (1942) was the most painfully obvious of American propaganda films during this era. Now, with House of Dracula, I had started watching with this expectation of similarity with the other films. And there were some, but what really struck me as different was a major focus on duality and the understanding of the identity of the monster. Take Dr. Franz Edelmann, a respected member of the community in the setting of House of Dracula. In his attempt to “cure” Dracula, and The Wolfman, he himself turned outwardly monstrous. It begs the question, who is the enemy? The roles for the characters in House of Dracula were equally magnificent, even with the absence of Bela Lugosi as Count Dracula, replaced in this film by John Carradine. My favorite character by far, I thought, was the hunchbacked nurse, Nina (played by the lovely and native Texan Jane Adams). I felt that her role was pivotal to the sticky plot carried throughout the Hollywood prescribed hour long movie. As it is, I’ve probably chatted long enough. Let’s see what our esteemed guest has to say about House of Dracula.
House of Dracula
By: Chad Clark
House of Dracula was released in 1945 and stands as a sort of swan song for the fabled Universal monster franchise. The film is a direct sequel to House of Frankenstein and would be the last time (with the exception of the later Abbot & Costello Meet Frankenstein) that these iconic monsters would appear together on film.
First of, I would say that the inherent nostalgia of these movies make it hard to not enjoy them on at least some level, even if the film itself might be somewhat flawed. I have always been a big fan of the orchestral scoring used in this era, giving the movies much more of a feel of the theater than I think we get in modern film. And of course, I think that while my modernistic makeup gives me an almost unconscious urge to resist it, movies shot in black and white really have a forlorn beauty to them that I think is absent from our modern .
To start with what I like about the film, I love the feel of physical spaces, the weight of props and the use of practical special effects. This is not to disparage the art of digital effects but I think that there was a special passion in movies like this where, if you wanted to do something, you had to figure out how to do it. The essential spirit of invention out of necessity I think gives a unique feel to a movie. I think everyone involved becomes very invested in making sure the product is as good as it can be. In modern movies, I often feel like the actor spends the entire film miming movement in front of a green screen so it is refreshing to see actual sets, with real physical objects.
The effects of this film are actually quite good. The effect of Dracula transforming into a bat and vise-versa was done extremely well. Ironically, I found the fairly simple effect of the bat flying to be more awkward and cheesy than the effect of a human transforming into the bat itself. I’m sure that a younger viewer, spoiled by the digital effects of our age would find many of the effects silly but I think that they are used exactly as effects should. Regardless of how seamless and realistic they look, they are simply one tool used to move the story forward. This was a time when movies were about the magic and the story. Sometimes, I think that the movie-making process has been so de-constructed anymore that we have lost sight of that.
The acting for the most part is decent, with a few stand-out performances. I thought that Onslow Stevens as Dr. Franz Edelmann and Jane Adams as Nina were both very good, with performances that were maybe a little more nuanced and heart-felt than the rest of the cast. Otherwise, this was a movie that felt very safe. I suspect that by this point, everyone knew that this was more about the franchise and that no one’s individual performances were going to make or break the show. You show up and slap on the makeup.
If you love the monsters, there’s a little bit of everything for you here. You’ve got Dracula and the Wolfman. You’ve got some Frankenstein and a mad scientist. There’s even a hunchback, although not quite in the context you might be expecting. And since it’s a Universal Studios driven monster flick, of course there is a huge mob of villagers, poised to chase after someone with torches if they are needed.
The thing for me and ultimately what I think fails about this movie is that there isn’t really any cohesive or organic reason for all of these monsters to be in the same story. Ostensibly, the premise is built on the notion that both Dracula and the Wolfman are seeking out this scientist for a “cure” for their conditions but that itself is never really explored or explained. To me, it just seemed like a half-hearted attempt to provide a justification for having them both in the movie. And as for the rest of the monsters, it literally feels like we just trip over them on the road down the narrative of the movie.
And for those who love to harp on Hollywood for lacking originality and going back to retread old ideas and lean on old franchises, this ain’t nothing new. Watching House of Dracula, frankly, felt like I was watching two completely separate films. You have the story centered around Dracula and then the story centered around the Wolfman. Because both stories end up sort of competing with one another, I’m left not really caring about either. Ironically, the one character I seem to feel the most invested in is the nurse played by Jane Adams and she probably has the least amount of screen time out of all of them.
Another irony in placing so many disparate monsters within the film is that, despite the title of the movie, I wouldn’t even categorize this as a Dracula movie. John Carradine is certainly passable as Dracula, but there is no confusing him with the dark, menacing presence of Lugosi.
But that by itself can be taken in stride. What I find more of a letdown is that while Dracula has a few big scenes, ultimately his story is wrapped up so anti-climatically that we are left kind of scratching our heads and wondering why he was there in the first place. It seems to me like we are supposed to be more emotionally invested in Lon Chaney Jr’s Wolfman than anything else. At the very end of the Dracula sub-plot, something does happen which ultimately drives the rest of the movie to its tragic conclusion, but if that was his only purpose for being in the story, it seems like they could have accomplished the same thing without arbitrarily shoe-horning Dracula into the film. Had this been a movie about just trying to “fix” the Wolfman, I think the film would have had much more emotional depth and focus.
I don’t hate this movie, I just don’t really love it either. As I hinted at before, this just felt like a safe movie to me. It’s entertaining, but it’s also kind of bland. To me, it seemed like Universal was couching on the spectacle of bringing all these monsters together in one film being enough of a draw that they didn’t really need to focus on the rest. Nobody is really going out on a limb with the story or trying to break new ground with anything. This is not a movie that will blow you away or amaze you.
It is, however, a great film to throw into the DVD player, order some pizzas and invite your friends over for movie night.
Chad A. Clark is a Midwestern author of horror and science fiction. His artistic roots can be traced back to the golden era of horror literature, Stephen King, and Robert McCammon being large influences. His love for horror began as well in the classic horror franchises of the eighties. He resides in Iowa with his wife and two sons. Clark’s debut novel, Borrowed Time, was published in 2014. His second novel, A Shade for Every Season was released in 2015, and in 2016 Clark published Behind Our Walls, a dark look at the human condition set in a post-apocalyptic world. His latest book, Down the Beaten Path, releases in September 2016. You can keep up with all of Chad Clark’s works by following him on Amazon here.
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August 24, 2016 | Categories: History, Horror, Reviews | Tags: 1945, Chad Clark, Dracula, Frankenstein, Frankenstein monster, Guest author, Horror, horror reviews, House of Dracula, Hunchback, Jane Adams, John Carradine, Lon Chaney, Lon Chaney Jr., mad scientist, movie reviews, Onslow Stevens, Reviews, The Wolfman, Universal Classics, Universal Monsters, Universal Monsters in Review, Universal Studios, Universal Studios Classics, WWII | 1 Comment