Starring: Kristen Connolly, Chris Hemsworth, Anna Hutchison, Fran Kranz, Jesse Williams, Richard Jenkins, and Bradley Whitford.
Written By: Joss Whedon and Drew Goddard
Directed By: Drew Goddard
Review by: Joshua Macmillan
Synopsis: A group of five friends head out for a weekend trip to a remote cabin in the woods. Once there, the group begins to act strangely, taking on the tropes of modern slasher teens. One by one, the friends begin to die, leading to the discovery of the truth behind the remote cabin.
At first glance, The Cabin in the Woods appears to be a generic slasher. The trailer, from my initial memories of seeing the film marketed seemed to focus on just about every horror film cliche you could possibly think of. I pegged this film as a flop and only went to see it in the theaters for something to do. I had just moved to the area I currently live in and didn’t know the area or people all that well. Needless to say, my first impulse for something fun to do was to go check out one of the local theaters. The Cabin in the Woods was playing so I figured, “What the hell?” I was taken by surprise. The film is filled to the brim, overflowing in all honesty with every cliche but the spin that Goddard and Whedon put on it sunk it’s claws into me and dragged me along for a truly fun and entertaining celebration and deconstruction of the genre we are all so fond of! Continue Reading…if you dare!
Directed by: Barry Levinson
Writers: Michael Crichton (novel), Kurt Wimmer (screenplay), et. al.
Starring: Dustin Hoffman, Sharon Stone, Samuel L. Jackson, Peter Coyote, Liev Schreiber, Queen Latifah, Huey Lewis (as the helicopter pilot), et. al.
Released: February 1998
Article: “SPHERE, MOTHAFUCKA!” by Michelle Garza
Sphere was released on February 13, 1998, which happens to be my birthday, and for a large budgeted flick it didn’t too well in the box office which is slightly baffling to me because upon watching it I thought it was a good movie. It had definite horror elements to it which pleased me and a cast of well-known stars such as Dustin Hoffman, Sharon Stone, and Samuel L. Jackson for me to berate while they proceeded to make typical horror movie mistakes. The plot was criticized for not being original but I dug it, it certainly wasn’t new territory to tread but they did a good job bringing it to life. Imagine an alien craft being discovered on the sea floor, and a group is assembled to investigate its origins and reason as to why it is there, shit goes terribly wrong and all hell breaks loose. Continue Reading…if you dare!
Directed By: John Carpenter (Halloween, The Thing, Prince of Darkness)
Starring: Sam Neill (Event Horizon, Jurassic Park), Jurgen Prochnow (Dune, Das Boot), and Julie Carmen (Fright Night Part 2, Kiss Me a Killer)
Written By: Michael De Luca (Freddy’s Dead: The Final Nightmare, Judge Dredd)
Release Year: 1994
Review by: Andy Taylor
I’ve always loved the title In the Mouth of the Madness. In fact, I loved it so much, I adopted the name for family get togethers years ago because if anything will bring you to the brink of madness, family will be that thing. With that being the case, it’s no wonder I’ve watched the tale of Sutter Cane’s madness inducing stories several times, but it wasn’t until deciding to review it that I learned something new, and I love learning new things. Looking into the film’s production, I discovered that In the Mouth of Madness is part of a trilogy of sorts that includes The Thing and Prince of Darkness. John Carpenter called these three films his “Apocalypse Trilogy”. My apologies if I’m just learning something that most people already know, but discovering this little factoid actually added an extra level of enjoyment for me, and that enjoyment extended to re-watching the other two as well. I’ve always thought they had a similar theme, so it made for a nice surprise to know they were meant that way. So how does this film stack up against its thematic brothers? Let’s find out. Continue Reading…if you dare!
Director: Stuart Gordon
Writers: H.P. Lovecraft (short story), Brian Yuzna (screenplay), Dennis Paoli, Stuart Gordon
Starring: Jeffery Combs, Barbara Crampton, Ted Sorel, Ken Foree, et. al.
Release date: October 1986
Article: “Is that a Pineal Gland in Your Head, or Are You Just Happy to See Me?” by William D. Prystauk (aka Billy Crash)
Beginning of Beyond
Following his breakthrough film Re-Animator, which also thrust stars Jeffrey Combs and Barbara Crampton into the horror slimelight, director Stuart Gordon unleashed From Beyond to the big screen in 1986.
Based on HP Lovecraft’s short story of the same name, From Beyond explores another mad scientist venture. Dr. Pretorius (Ted Sorel), named after the egomaniacal lunatic scientist from Bride of Frankenstein, has developed the “Resonator” with his assistant, Crawford Tillinghast (Combs). This time, the desire is not to re-animate the dead, but to dive deeper into human consciousness and stimulate one’s sixth sense. Continue Reading…if you dare!
Directed by: Frank Darabont
Writers: Frank Darabont (screenplay), Stephen King (novel_
Starring: Thomas Jane, Marcia Gay Harden, Laurie Holden, Andre Braugher, Toby Jones, William Sadler, Jeffery DeMunn, et. al.
Release date: November 2007
Article: The Mist (2007) – a meditation on a prophecy, by Kit Power.
This conversation assumes you’ve seen the movie, and indeed read the King novella, The Mist. Also, The Dead Zone. Here be spoilers.
So, I’ve already written about this movie. A couple of years back, on the occasion of King’s 70th birthday, the British Film Institute (BFI) ran a King season, screening adaptations both celebrated (The Shining, Carrie) and obscure (The Night Flyer). Whilst finances prohibited me from going to see everything I wanted (in particular, a chance to see Maximum Overdrive on the big screen – I love it but, let’s face it, it’s pretty bad) I did, after some deliberation, decide to add tickets to the black and white screening of The Mist to my purchase of Carrie/The Shining double bill on Imax. I could just afford it, and I wanted to see something I hadn’t seen. Continue Reading…if you dare!
Starring: Maika Monroe, Keir Gilchrist, Daniel Zovatto, Jake Weary, Olivia Luccardi, Lili Sepe, and Bailey Spry.
Written & Directed By: David Robert Mitchell
Synopsis: After a sexual encounter, a young woman learns that she is being pursued by a supernatural entity.
Review by: Joshua Macmillan
One of the most discussed films of the past decade is It Follows. A low-budget independent feature that took the Cannes Film Festival by storm. After it’s premier, the film had everyone talking and from the word of mouth alone, my interest was piqued. I do want to say now though that the film is WAY over-hyped. Not in a bad way or anything, I feel like the reputation of the film may hurt it as the film ages, much like the aging of The Exorcist has unfortunately lessened the horrific impact that the film initially had on its audiences. This film isn’t The Exorcist, nor is it anything we have really seen before. Continue Reading
Genuinely, how the hell can you review a film like Ghostbusters? It would be akin to asking me to review the original Star Wars trilogy. *Spoiler alert* – I’m a fan. Anyway, I was seven years old when Ghostbusters was released, and with three television channels, and no regular paper being delivered to our home, it was bordering on a miracle how we found out about any film de jour. But when me and my brother saw the trailer for it on telly, we were agog. When it came out in the cinema, we badgered our parents for weeks until they finally relented.
Our dad had taken us to see Return of the Jedi at the cinema the year before, but nothing could prepare us for what we saw when we turned the corner to the cinema. The queue went round the building. How long it took to get in, I have no idea, but we did, despite my mum having to gain some patience. Continue Reading
Director: Alejandro Amenabar
Writer: Alejandro Amenabar
Starring: Nicole Kidman, Christopher Eccleston, Fionnula Flanagan
Released: August 2001
Film Review By: Erin Sweet Al-Mehairi
“Sometimes the world of the living gets mixed up with the world of the dead.” – Mrs. Mills
The Others (2001) is a more mainstream gothic film that was popular most likely at the time it released because 1) Nicole Kidman 2) because films like this were popular at the time (The Sixth Sense came out with a splash in 1999). It debuted at number four at the box office and climbed to number two. However, it’s lasting popularity I think is that it’s also actually an incredible movie and has a shocking twist. It being good is validated by its twenty-nine award wins and fifty-two nominations, including Kidman for a Golden Globe. Continue Reading
[House on Haunted Hill, release 1999; 93 minutes. R. Director: William Malone; Review by: Jon Weidler]
Remember the early days of the Internet, when most websites were primitive displays of text punctuated by the occasional jpeg? And then, how someone had the ingenious idea of message boards, which took the conversation out of the privacy of IM windows and into a virtual town square, where the opinions of others could be lauded or flogged by the majority? (Hey, all trolls emerge from some birth canal.)
Anyway: I was an active participant in the anonymous hate-fests that swirled around Amazon and IMDb. The only equivalent to commiserating with some virtual person on something you loved, was dragging something you hated for all online eyes to see. Continue Reading
Director: James Wan
Writer: Leigh Whannell
Stars: Patrick Wilson, Rose Byrne, Ty Simpkins, et. al.
Synopsis: “A family looks to prevent evil spirits from trapping their comatose child in a realm called The Further.”
Release date: April 2011
Review by: Jonathan Butcher
Throughout its first half, Insidious is a wonderfully unnerving tale about a peculiar type of haunting. Then at some point along the way it becomes a goofy, balls-to-the-wall ghost train ride, complete with wacky gas-mask set pieces and a villain who is basically Darth Maul on hooves.
After the appearance of a menacing hag in the first 30 seconds, the opening credits prime you for watching scenes a little more closely than you might have otherwise. The credits roll to the sound of tense, minimalist strings played over disorienting pans of a large house. In some – or perhaps all – of the brief camera shots, something unsettling is taking place. A ghoulish face appears in a mirror. A chair is moved by an unseen force. A picture frame shifts of its own volition. And with that, the scene is set for a genuinely masterful build-up of tension, caused on some level by the creeping suspicion that unsettling things are taking place right under your, and the characters’, noses. Continue Reading