The Entity is a 1982 supernatural horror film based on the 1978 novel of the same name by Frank De Felitta, which in turn was based on the Doris Bither case. Bither claimed to have been repeatedly raped by a trio of spirits–two holding her down while the third raped her–over a period of many years, the assaults eventually becoming less and less frequent until, apparently, they finally stopped altogether.
The film stars Barbara Hershey as Carla Moran, who is based on Doris Bither. It also starred Ron Silver as psychiatrist Dr. Phil Sneiderman; Alex Rocco played Carla’s boyfriend, Jerry Anderson, David Labiosa plays her son, Billy, Jacqueline Brookesplayed parapsychologist Dr. Elizabeth Cooley, and George Coe played psychiatrist Dr. Weber. Continue Reading
[PRAAAAWBABLY SOME SPOILERS IN THIS ONE]
I actually just had to go through my now-double-digits past write-ups for Machine Mean to see if I was right on this…but HHLLC will be the first found footage film I’ve actually reviewed. And by found footage, I mean the shot-on-video incarnation, and not earlier films with an in-progress-documentary-film conceit like Cannibal Holocaust, Man Bites Dog, etc..
Coincidentally, I think I was supposed to review The Houses October Built but maybe didn’t for scheduling reasons or something. I say ‘coincidentally’ because that was another found footage film about the “Haunt” industry—commercial haunted house attractions run by professionals during the fall season, especially around Halloween. HHLLC goes a very different way with its scares, mostly due to revealing itself as a different subgenre of horror to THOB, which was something more like The Blair Witch Project meets The Strangers. Continue Reading
The Grudge (2004) seems to be one of those films it’s cool to hate. The only thing cooler is preferring the Japanese original. I’m going to be uncool (not a stretch) and play a little devil’s advocate (assuming my proposed generality is accurate). I’m going to try to focus on what I think is the film’s greatest virtue. It may even be the case that The Grudge (2004), Takashi Shimizu’s English language reworking of Ju-on, has a great deal to teach us about how to make an effective horror film, even if it ultimately fell flat for you.
What is the virtue in question? The Grudge is played straight. Its premise is held up to the light to live or die by its own merit. The film doesn’t lean on homage the way many horror films have done. Recent successful horror installments like Hereditary and A Quiet Place share this quality with The Grudge. All of these films owe something to the catalog of horror films that preceded them, but they are the clear result of careful digestion and organic integration of classic tropes, not so much ham-fisted nods to their predecessors. There’s a sense that the creators were excited about the stories they were telling. They felt they had something unique in hand, and the general consensus seems to be that they were right. Continue Reading
The Omen: 1976
Starring Gregory Peck, Lee Remick and David Warner.
Directed by Richard Donner
Review By: D.S. Ullery
For a great many people, the peace and love movement launched in earnest in 1967 with the Summer of Love – and, in a larger, ideological sense, the innocence of the 1960’s – came to an ugly end on an eerily silent August night in 1969, when Charles Manson sent his followers into the Hollywood hills on a mission of murder. Even the success of the Woodstock festival several weeks later couldn’t quell the tide of rising tensions.
This may seem an odd note on which to launch a review of what’s essentially a mainstream occult horror flick about the Antichrist, but bear with me.
Between 1967 and 1974, the mood in the United States had undergone a dramatic shift away from the sensibilities distinguishing the early days of the Hippie movement. There was the assassination of Robert Kennedy, the aforementioned Manson cult crimes, the Kent State shootings, Watergate and the eventual resignation of Richard Nixon. Continue Reading
Starring: Vera Farmiga, Patrick Wilson, Frances O’Conner, Madison Wolfe, Simon McBurney, and Franka Potente
Written By: Chad Hayes, Carey W. Hayes, James Wan, and David Leslie Johnson
Directed By: James Wan
Review By: Joshua Macmillan
Synopsis: A single mother and her four children are being attacked by a malicious force that is determined to possess one of her young daughters. After attempting to get help from local authorities, the Catholic church appoints Ed and Lorraine Warren to visit the family and try to figure out exactly what is going on.
If you read my previous review for James Wan’s The Conjuring (2013), you would know that I was grasped by that film. It engaged me on levels that I didn’t think it would at all. After I watched it, I immediately wanted to pop in the disk to The Conjuring 2 (2016) but I held off until after I had written my review for the original. Continue Reading
Directed by Scott Derrickson
Written by Paul Harris Boardman, Scott Derrickson
Starring: Jennifer Carpenter, Laura Linney, Tom Wilkinson
This review contains spoilers.
Review by: Kayleigh Marie Edwards
I love horror films but as an atheist, possession movies don’t normally tickle the terror nerve for me. I don’t believe in Satan or spirits or the possibility of being possessed, so as much as I am entertained by the idea of it, it doesn’t scare me as much as, say, Mikey standing in the corner facing into the wall (you know, because forest witches are definitely real). However, The Exorcism of Emily Rose is not just another run-of-the-mill possession movie about a teenage girl in a dirty white nightdress spouting Latin in dual voices. Well… I mean… it is actually, but it’s also so much more. Continue Reading
I had no idea what to expect going into this one, other than hearing some vague things about it being pretty good. I’m glad I came in fresh this time. I usually at least have a vague idea of what I’m getting into but it’s nice to have no preconceived notions of any kind once in a while. I had also heard Barbara Crampton was in it, which was a plus as I’ve been a fan since growing up with Re-Animator and From Beyond, and seeing her more recently in Beyond the Gates.
So, I’m gonna admit right out of the gate that I didn’t pick up on this being a period piece at all when I watched it the first time. Once I found that out, it made sense when I was scanning back over some scenes. I either missed a year tag or just how period specific all the cars and clothes were. Although, in my defense, a lot of what was popular in the late 1970s in those realms is still popular or popular again. Continue Reading
Directed by John Irvin
Written by Lawrence D Cohen adapted from the novel by Peter Straub
Starring: Fred Astaire, Melvyn Douglas, Douglas Fairbanks Jr, John Houseman, Craig Wasson and Alice Krige
Review by: Feind Gottes
The Gist: Four elderly men are haunted by a terrible deed in their youth. The ghost of their past returns to take vengeance on the next generation who stumbles upon the deep dark secret they’ve kept hidden for decades.
The Review (ish): Before I begin I have a couple of confessions to make much like the elderly gentleman who starred in this film. First, I have read many Peter Straub books but I have never read Ghost Story (which released in 1979) which this film is based on. Based on the books of Straub’s I have read I can tell you there are few writers who do horror mystery better than him, I highly recommend his novel simply titled Mystery. Second, this movie is difficult to find without running out to buy the recently released Blu-ray edition which I did not. I saw this film initially sometime in the early to mid-80s and most of this review will be based on that recollection with a little help from videos I’ve used to jog my memory though I will likely pick up the Blu-ray when I have the opportunity. Also, I personally do not believe in ghosts and rarely find movies involving ghosts scary with Poltergeist (1982) being the main exception. That’s my confession so now you’re all priests – STOP TOUCHING LITTLE BOYS!!! Continue Reading
There is something about horror movies of the 1970s that I love. Maybe it’s the pre-social media age. There’re no cell phones, no cable TV, no internet, not even compact discs or home computers. The time is one of simplicity. Or so it would seem. I imagine without all our modern distractions, there is more focus on what lies beneath. It was also a time of mystery. Putting a man on the moon was only something, at the time, that we’d just been able to accomplish. We simply knew less. Religion was much more accepted and widespread. Science was growing but it was still looked at as part fantasy. Less knowledge about how the world and the universe worked meant there was more room for our imaginations to wander in the dark void.
Burnt Offerings is based off a novel with the same name published in 1973 by Robert Marasco. Director/producer Dan Curtis co-wrote the screenplay with author William F. Nolan. Curtis was mostly a TV movie guy but does a wonderful job taking up the big chair for Burnt Offerings. Continue Reading
“You can bury the past… but sometimes the past won’t stay buried.”
“The Marsh” (2006) opens with the main character, Claire Holloway (Gabrielle Anwar), who is a stressed children’s book writer, reading to children in a book store, but quickly follows with a more ominous and action-oriented beginning. Images and sounds from an eerie marsh, followed by screaming, are taken in by our senses as the front credits roll. Soon, we realize we are in Claire’s nightmare from which she awakes in a doctor’s office. It seems she isn’t taking her medication and the doctor tells her “something” is evolving. This makes us wonder if she has anxiety, mental health disorder, trouble sleeping, or what? She seems stressed so in the beginning I was going with anxiety. Continue Reading