Okay, maybe the title of this post is a little what kids call”clickbaity,” but hey…I make no excuses. The world is what it is. Filled with click baits…and fake news sites…and paranoia…and silent conversations over Thanksgiving dinner… (sighs) Well, now that I have you here, assuming you fell for my ingenious trap, I’m more than ecstatic to announce the release of my new book, Conceiving. Now available on Amazon, B&N, and iTunes. This book really does feel like a long time coming, especially when considering that Dwelling and Emerging released back in December 2015, almost a full year ago. Anyhow, if you’re new to the series and don’t want to spend time catching up by reading the first two books, no worries. Information regarding the first two books is included in this new one without being drab, but only generally. So you know what happens and are not lost in this new book. If you’ve read both Dwelling and Emerging and have been waiting for this new book to release, I bid you welcome home. The real benefit of reading the entire series is the intimacy of getting to know the characters and experiencing why and/or what they are in Conceiving.
Conceiving is a supernatural thriller of which I would humbly compare to the likes of a mashup between Rosemary’s Baby, The Omen, and Frankenstein Meets the Wolf Man. Old and new readers will follow the somber adventures of Bobby Weeks, one of the major carry overs from the series, and Luna and Ronna Blanche, minor characters in the series that now have larger roles. New characters include Boris and Neville Petry, and yes Neville is a girl.
The Petry’s are my new favorite. A young couple wanting what most young couples want, a family, a dream home, and dream jobs. I imagined Boris like this “cool” history professor if such a thing can exist. He loves his area of expertise and wants to move up the ranks of his profession and among his peers. Like most academics, he wants to be respected and revered for his work. Neville, on the other hand, I saw as this young college educated woman who doesn’t really believe women need to be “stay at home” moms or wives, but choices to take on that role. She often compares herself to her mother, but not always positively.
In the fashion of how I typically tell stories, these individuals and groups begin separated, facing their own troubles alone, but there are forces at work pulling them together, inching them toward some cataclysmic event that will shatter their perception of reality and perhaps take more than just their sanity.
Conceiving is available on Amazon kindle or kindle app. You can get your copy here for the low price of $3.99……..https://goo.gl/4EWzSU
Or if you’re a traditionalist and prefer paperback, you can get your copy here for $15.99…….https://goo.gl/5pTAQ4
In the spirit of Halloween, as I, and I’m assuming most of you do as well, love this particular season of fright, I wanted to do something special and offer an excerpt from my recently published book, Reinheit. The following excerpt is from the very beginning, so it does not give anything away, but hopefully it does instill the mood and tone of the books entirety. Others have reviewed and have called Reinheit a dark thriller, heavy, and full of difficult conversions. Inspiration for Reinheit came from several different facets. Here are a few.
1. Reality. While ghosts and goblins and witches and werewolf’s and aliens and vampires are fantastic stables of horror, sometimes reality can be even more terrifying. Reinheit draws its heavy dark energy from the norms of the world. The story follows two time lines: 1940’s and present day 2014. The bulk comes from present day, while the 1940’s segment highlights the power the armchair has over particular people. It also showcases the historical context of the reality in this story, as well. The reality used in the context of this book include: The Holocaust, Einsatzgruppen, Nazis, hate, abuse, fear of the other, us verses them, immigration, and school shootings. Intrigued yet?
2. My Horror Modus Operandi: When I first started writing horror, or I should say, when I first starting taking writing horror seriously, I read up on what master horror authors had to say on the craft. I forget who actually wrote this, and this is probably terrible paraphrased, but the jest of some of the best advice I read was: “Write what scares you. If you are terrified, freighted, and find writing the story difficult because its so damn spooky, it’ll come across to your readers, and even though they may not fear the same things you do, they’ll understand your fear and feel it. By reading your story, they will become terrified as well.” This is the best advice I’ve ever read and I can’t even reminded who wrote it! But anyways, it makes sense, doesn’t it? If your not afraid, why should your readers be? The subject and context of Reinheit terrifies me, the conclusion of a “us verses them” world is troublesome and, speaking from my own personal experiences, and experiences read from history, can lead to horrible things.
Okay. Well, without further ado, I give you the excerpt from Reinheit. Enjoy!
Copyright © Thomas Flowers. October 02 2014. All Rights Reserved.
It was cold. The room was cold. His body was cold. Schröder buried his icy fingers into his armpit. It was no use, his entire being shivered. He sat, staring into nothing, into the cold dark pit of a fireplace. The coals had longed burned out. Pillars of white grey smoke slithered up into the chute. Where am I? He wondered, but could not yet recall. The room was — familiar. And so was the armchair he was sitting. His mind tittered on a sea of confusion. He felt nauseated. Getting up on numb legs, Schröder peered out the adjacent window and down into an open courtyard. There was a single road made up of loose dirt and pebbles that lead –somewhere, he could not be for certain. The path was swallowed by the same pitiful darkness that seemed to consume everything around him. The moon above was fat, perched upon hazy grey clouds. Its color was an eerie shade of emerald green, casting strange slender shadows on the pine trees that lined the perimeter of the grounds below. The unnatural green light came in through the window, painting the flower print wallpaper, the floor, the door, the fireplace and the armchair. This is all wrong…
Schröder looked back over at the armchair thinking he’d heard a soft moan. It was a terrible yawn, both sad and haunting. He turned and saw – something, a shape in the emerald green, peeking just over the edge of the high backrest of the chair. Is someone sitting there?
“Hello?” he called.
Whispers grew from the armchair, the sound of a thousand mumbling and hissing voices talking all at once. The whispers crawled over everything. It penetrated the walls, along the floor boards, slithering up his frozen body, scratching, clawing into his ears. The voices became screams, louder and louder. Schröder crept closer to the shape.
“Excuse me?” he called again, sounding weak. His teeth clinched. This isn’t right…wasn’t I just sitting there? Who is this? Who is this? How did I miss them?
Still no answer.
Schröder began to gag. He smelt the putrid and nauseating stink of rot – of some dead thing, bacteria, perhaps, blooming in hideous black and purple-green flowers, evaporating into the air in sulfuric fumes. His eyes watered. He could not breathe. Yet, despite this sudden lurching in his gut, he was compelled toward the decomposing muck, compelled to discover who it was, what it was, and why it was sitting in the armchair.
Do I know you?
Schröder approached the armchair. He gazed down at the body of — a man. He was young, slim, and not unattractive. He wore a black uniform and a red armband with a swastika at the center. His boots were polished to a high shine. His hair was blonde and unkempt. He was not shaven. Blonde stubble grew on the chin. The man’s eyes were wide and opaque as milk. His skin smooth and chalky.
“You…” Schröder started but trailed off. He was dumbstruck by those blank lifeless eyes glaring into some unknown place and time. My God! Slowly, the face came into focus. The corpse was petrified in a horrifying scream, distorted beyond imagination. Once red lips, now chalky white, pulled back and stretched beyond human limit. Schröder stepped back. He knocked over an empty bottle of schnapps on the floor. It rolled and pinged against the stone frame of the fireplace. With wide eyes, Schröder examined the man’s face. On his forehead there was a gapping black hole of mangled flesh and tissue and splintered bone. You? He thought. What happened here?
Schröder moved away from the armchair, unable to look at the dead man and the blood spattered against the tall backrest of the armchair, and those awful cloudy eyes. A growing feeling of unease began to take over. The whispers that seemed to come from every crevasse of the armchair continued its pursuit. The deafening moans scratched at the center of his brain. Schröder felt a trickle of warmth flow slowly down his face. He jerked from the sudden sensation. With a trembling hand he reached up and touched his head and pulled back. His fingers were black and simmering green from the moon. With soiled fingers, Schröder traced the path and felt parts of his skull were missing. He pushed his fingers deeper to see how far the damage went. At the center, he touched something grotesque, wet, and malleable.
Schröder snatched his hand back. He screamed. He tasted smoke and ash. There was a dry itch at the back of his throat. He was shivering harder now, struggling to deny something too horrible to be true.
“It can’t be,” he hissed, turning back to the dead man in the armchair. It’s not me! It can’t be me. This is impossible. I am not dead.
The armchair stopped whispering. The room was still. Cold. Dark.
The door began to move. Behind the vibration came a chorus of sorrow, pain, agony, and despair. The sounds grew in the waves emanating from the hallway, just beyond the door. It was the shrill of women and men calling out, and other softer voices, frightening sounds of infants wailing, and children crying, and the infirm pleading – they all bellowed in despair and in thrashing fits of anger. The oak door quaked violently. The wood exploded in a deafening boom. Schröder shielded himself in a protective cradle. He fell back toward the armchair.
He peered over the top of the armchair. He watched in horror as dozens, hundreds, thousands of shambling dead things came in through the broken door. The cream of their eyes locked with his. The dead quickened their pace. The bodies shimmered in the emerald green of the moon, which seemed closer now, just outside the window, as if it were peaking in and laughing at his misfortune. The dead bore no clothing, except for the mud and moss and earth that clung to ruined flesh. The worst of them were the mothers – carrying bruised blue and purple babies still suckling at the tit. The dead reached with bone chewed fingers, grasping for some bit of flesh to call their own. Schröder could not move. He stood petrified as these – things – people (perhaps once) came for him. The corpses pulled and heaved him up into the air. Schröder looked down into the armchair. His dead body was smiling up at him. He screamed and was carried through the door. Schröder desperately wanted to kick and throw himself off, but his legs and arms would no longer work to his will. He was silenced. His muscles congealed in the sack of his skin.
Outside, Schröder watched as the building he was carried off from ignited in a brilliant blaze. The red of the fire grouped together with the emerald green in a queer sundry. He watched from on top the dead mob as the fire quickly spread. Glass shattered. Flames licked from the windows. He could hear men screaming from inside. Are there people in there? He wondered. I don’t remember seeing anyone… Schröder was hauled down the dark pebble path and then the scene faded and dissolved and he found himself in a dark forest, lush with spruce and pine. The dead things with dirt caked nails scratched and bit his flesh. Voices howled in low roar from below.
“Spare my children…”
“Spare us, please…”
Schröder wanted to scream. His heart felt burdened. His body shivered against the frigid grasp of the desolate things hauling him along the way. The march continued along a path through a maze of cold damp mist that hovered waist deep from the ground. Some of the haze dissolved into something oddly familiar. I know this place, he thought. I’ve been here before. Schröder clutched at his clothing from a gust of distant memory, as if a ghost had walked over his grave.
The parade of corpses halted. Schröder peered down and saw a large wide mound of earth, swollen over the foliage. The shambling things tossed him upon the ground. The dead stared in terrible silence. Thousands of soupy eyes looking at him, judging him. Why are they judging me? He wondered. Schröder laid there on the ground, unable to move. And then the mound began to quake – shifting – shuddering – dirt peeled and rolled off the makeshift hill. Blue-grey rotting hands came up from beneath. Reaching, they took hold of Schröder before he could crawl away. Rotting hands pinched his wrists and ankles, grabbing at his uniform. One tore off his swastika armband while the other ridged fingers began to pull him under.
“What is going on!” he screamed. “Why are you doing this to me? What have I done? What have I done? Answer me, I demand you answer.”
Schröder watched in terror as the dead hands became arms, and then torsos, and finally heads with white hideous eyes that burst like grapes. The teeth were broken, bodies naked and covered in puss, grabbing onto him, taking him further beneath the earth and mound. The dead smelled yellow. He wanted to scream. He had no voice. Schröder watched powerless as the dead things pulled him into the grave. His legs sunk under. Then his hips. Then his soft belly and arms, till only his head remained above the surface. In a shrill muffled cry that echoed across the cold misty forest Schröder disappeared with the dead into the pit.
If you like what you read and what to check out the rest, you can get the full version of Reinheit here.
And if you’ve got a few more moments, I’d like to ask you a favor. All writers thrive on reviews from awesome readers such as yourself, but especially for indie writers like me. If you could, leave a review with Amazon or even here on this blog so other folks can see what you thought of the story. What was good? What wasn’t? And, also, so I can see what you thought of my work. If there is anything else a storyteller wants in the world, it’s a way in which they can improve their craft. The best way for writers to improve is by hearing from their readers!