Director: Julius Onah
Writers: Oren Uziel
Starring: Gugu Mbatha-Raw, David Oyelowo, Daniel Bruhl, John Ortiz, et. al.
Released: Feb 2018 (Netflix)
Review by: Duncan Bradshaw
There’s one thing you can say with certainty about the (current) trilogy of Cloverfield films; they aren’t trying to copy each other. So far, we’ve had found footage and monsters in Cloverfield, with human ‘monsters’ and the claustrophobia of 10 Cloverfield Lane. I’m not going into my thoughts in those films, because people have beaten me to them already! Read the last couple of days reviews right here and here if you missed them. I will say this though, I enjoyed both of them. Continue Reading…if you dare!
Directed by: Justin Benson, Aaron Moorhead
Writers: Justin Benson
Starring: Aaron Moorhead, Justin Benson, Callie Hernandez, et. al.
Released: April 2017 (Tribeca Film Festival)
Review By: Erin Sweet Al-Mehairi
Synopsis: “As kids, they escaped a UFO death cult. Now, two adult brothers seek answers after an old videotape surfaces and brings them back to where they began” -IMDb.
“The Endless” (2017) has been a movie I’ve heard great things about since its availability, so it had been on my list for a while now to check out. It’s fast become a classic watch with many people recommending it on social media. I love horror and sci-fi and fantasy meshed together, and I think you get a taste of all three here, primarily because you can’t tangibly see the entity that creates the tension in the film. However, it’s categorized as an American science fiction film. Another reason the idea of this movie appealed to me is of course the cult aspect. And I am all for a good cult. Continue Reading…if you dare!
Starring: Kristen Connolly, Chris Hemsworth, Anna Hutchison, Fran Kranz, Jesse Williams, Richard Jenkins, and Bradley Whitford.
Written By: Joss Whedon and Drew Goddard
Directed By: Drew Goddard
Review by: Joshua Macmillan
Synopsis: A group of five friends head out for a weekend trip to a remote cabin in the woods. Once there, the group begins to act strangely, taking on the tropes of modern slasher teens. One by one, the friends begin to die, leading to the discovery of the truth behind the remote cabin.
At first glance, The Cabin in the Woods appears to be a generic slasher. The trailer, from my initial memories of seeing the film marketed seemed to focus on just about every horror film cliche you could possibly think of. I pegged this film as a flop and only went to see it in the theaters for something to do. I had just moved to the area I currently live in and didn’t know the area or people all that well. Needless to say, my first impulse for something fun to do was to go check out one of the local theaters. The Cabin in the Woods was playing so I figured, “What the hell?” I was taken by surprise. The film is filled to the brim, overflowing in all honesty with every cliche but the spin that Goddard and Whedon put on it sunk it’s claws into me and dragged me along for a truly fun and entertaining celebration and deconstruction of the genre we are all so fond of! Continue Reading…if you dare!
Directed by: Barry Levinson
Writers: Michael Crichton (novel), Kurt Wimmer (screenplay), et. al.
Starring: Dustin Hoffman, Sharon Stone, Samuel L. Jackson, Peter Coyote, Liev Schreiber, Queen Latifah, Huey Lewis (as the helicopter pilot), et. al.
Released: February 1998
Article: “SPHERE, MOTHAFUCKA!” by Michelle Garza
Sphere was released on February 13, 1998, which happens to be my birthday, and for a large budgeted flick it didn’t too well in the box office which is slightly baffling to me because upon watching it I thought it was a good movie. It had definite horror elements to it which pleased me and a cast of well-known stars such as Dustin Hoffman, Sharon Stone, and Samuel L. Jackson for me to berate while they proceeded to make typical horror movie mistakes. The plot was criticized for not being original but I dug it, it certainly wasn’t new territory to tread but they did a good job bringing it to life. Imagine an alien craft being discovered on the sea floor, and a group is assembled to investigate its origins and reason as to why it is there, shit goes terribly wrong and all hell breaks loose. Continue Reading…if you dare!
Directed By: John Carpenter (Halloween, The Thing, Prince of Darkness)
Starring: Sam Neill (Event Horizon, Jurassic Park), Jurgen Prochnow (Dune, Das Boot), and Julie Carmen (Fright Night Part 2, Kiss Me a Killer)
Written By: Michael De Luca (Freddy’s Dead: The Final Nightmare, Judge Dredd)
Release Year: 1994
Review by: Andy Taylor
I’ve always loved the title In the Mouth of the Madness. In fact, I loved it so much, I adopted the name for family get togethers years ago because if anything will bring you to the brink of madness, family will be that thing. With that being the case, it’s no wonder I’ve watched the tale of Sutter Cane’s madness inducing stories several times, but it wasn’t until deciding to review it that I learned something new, and I love learning new things. Looking into the film’s production, I discovered that In the Mouth of Madness is part of a trilogy of sorts that includes The Thing and Prince of Darkness. John Carpenter called these three films his “Apocalypse Trilogy”. My apologies if I’m just learning something that most people already know, but discovering this little factoid actually added an extra level of enjoyment for me, and that enjoyment extended to re-watching the other two as well. I’ve always thought they had a similar theme, so it made for a nice surprise to know they were meant that way. So how does this film stack up against its thematic brothers? Let’s find out. Continue Reading…if you dare!
Director: Stuart Gordon
Writers: H.P. Lovecraft (short story), Brian Yuzna (screenplay), Dennis Paoli, Stuart Gordon
Starring: Jeffery Combs, Barbara Crampton, Ted Sorel, Ken Foree, et. al.
Release date: October 1986
Article: “Is that a Pineal Gland in Your Head, or Are You Just Happy to See Me?” by William D. Prystauk (aka Billy Crash)
Beginning of Beyond
Following his breakthrough film Re-Animator, which also thrust stars Jeffrey Combs and Barbara Crampton into the horror slimelight, director Stuart Gordon unleashed From Beyond to the big screen in 1986.
Based on HP Lovecraft’s short story of the same name, From Beyond explores another mad scientist venture. Dr. Pretorius (Ted Sorel), named after the egomaniacal lunatic scientist from Bride of Frankenstein, has developed the “Resonator” with his assistant, Crawford Tillinghast (Combs). This time, the desire is not to re-animate the dead, but to dive deeper into human consciousness and stimulate one’s sixth sense. Continue Reading…if you dare!
Directed by: Frank Darabont
Writers: Frank Darabont (screenplay), Stephen King (novel_
Starring: Thomas Jane, Marcia Gay Harden, Laurie Holden, Andre Braugher, Toby Jones, William Sadler, Jeffery DeMunn, et. al.
Release date: November 2007
Article: The Mist (2007) – a meditation on a prophecy, by Kit Power.
This conversation assumes you’ve seen the movie, and indeed read the King novella, The Mist. Also, The Dead Zone. Here be spoilers.
So, I’ve already written about this movie. A couple of years back, on the occasion of King’s 70th birthday, the British Film Institute (BFI) ran a King season, screening adaptations both celebrated (The Shining, Carrie) and obscure (The Night Flyer). Whilst finances prohibited me from going to see everything I wanted (in particular, a chance to see Maximum Overdrive on the big screen – I love it but, let’s face it, it’s pretty bad) I did, after some deliberation, decide to add tickets to the black and white screening of The Mist to my purchase of Carrie/The Shining double bill on Imax. I could just afford it, and I wanted to see something I hadn’t seen. Continue Reading…if you dare!
[House on Haunted Hill, release 1999; 93 minutes. R. Director: William Malone; Review by: Jon Weidler]
Remember the early days of the Internet, when most websites were primitive displays of text punctuated by the occasional jpeg? And then, how someone had the ingenious idea of message boards, which took the conversation out of the privacy of IM windows and into a virtual town square, where the opinions of others could be lauded or flogged by the majority? (Hey, all trolls emerge from some birth canal.)
Anyway: I was an active participant in the anonymous hate-fests that swirled around Amazon and IMDb. The only equivalent to commiserating with some virtual person on something you loved, was dragging something you hated for all online eyes to see. Continue Reading
When is comes to paranormal and supernatural flicks, and among those foreign in origin, there are few selections better than Ju-On: The Grudge. This movie became a kind of renaissance for me. I’ve dabbled in foreign horror films before, such as the likes of Amando de Ossorio, Dario Argento, and Lucio Fulci to name a few. Mostly all European horror. Those were the classics though. End of the world zombish supernatural and entertainingly dubbed in English. And then came my experience with the Ju-on series. It was around 2004. I was in the Army and on my second deployment to Iraq. And to help pass the time when we weren’t out on mission, a bunch of us would buy bootleg DVDs from a local Hajji on base. One of us (I can’t recall who) bought a DVD with the entire series of Ju-On movies on it. One day we watch them all. And let me tell you, even on that tiny screen, huddled together with a bunch of badass fellow soldiers, I still got freaked out. I was instantly sold on Japanese horror. Continue Reading
Director: James Wan
Writer: Leigh Whannell
Stars: Patrick Wilson, Rose Byrne, Ty Simpkins, et. al.
Synopsis: “A family looks to prevent evil spirits from trapping their comatose child in a realm called The Further.”
Release date: April 2011
Review by: Jonathan Butcher
Throughout its first half, Insidious is a wonderfully unnerving tale about a peculiar type of haunting. Then at some point along the way it becomes a goofy, balls-to-the-wall ghost train ride, complete with wacky gas-mask set pieces and a villain who is basically Darth Maul on hooves.
After the appearance of a menacing hag in the first 30 seconds, the opening credits prime you for watching scenes a little more closely than you might have otherwise. The credits roll to the sound of tense, minimalist strings played over disorienting pans of a large house. In some – or perhaps all – of the brief camera shots, something unsettling is taking place. A ghoulish face appears in a mirror. A chair is moved by an unseen force. A picture frame shifts of its own volition. And with that, the scene is set for a genuinely masterful build-up of tension, caused on some level by the creeping suspicion that unsettling things are taking place right under your, and the characters’, noses. Continue Reading