There are only three rules.
Any time a character is told something like that in the movie, it’s pretty much always a recipe for disaster. It’s right up there along with, here take this ancient book but don’t ever read anything out of it. It’s pretty much a guarantee that no matter what, something is going to go wrong and it’s going to be because somebody didn’t follow the rules.
This isn’t exactly a new narrative device. We are all pretty familiar with it, but I identify one movie as being the original, the best and shining example of this type of story. Continue Reading
The Seventies were packed to the brim with animal attack movies. Name your critter. Snakes, bears, earthworms; all creatures, great and small, had their own chance at cinematic revenge against the human race for mucking up the environment. Film lovers had a tendency to root for the animals, which was justified. We were destroying the planet with Aqua Net fumes and pollution. We were killing ourselves, never mind the woodland creatures around us. Hell, the Cuyahoga River caught fire and the response from those responsible was a resounding, “Well, that’s weird.” The eco-horror genre was always meant to hammer out a warning about the dangers of botching the biosphere. However, using just one kind of animal wasn’t hitting a wide enough audience. If you lived in a high-rise, then you weren’t going to be too worried about chemically imbalanced grizzly bears mauling you on the eightieth floor on your way home after work. Continue Reading
What is the chance of a once-in-a-lifetime love worth? Is it worth the embrace of a monster, or death? SPRING is not just any monster movie, no typical vampires or werewolves here. What remains is the inescapable drive for connection that goes beyond emotional need.
SPRING, directed by Justin Benson and Aaron Morehead and written by Benson, is the story of Evan (Lou Taylor Pucci,) a young man who has just lost his mother and his job. His life has been on hold, taking care of his dying mother and his father who has also passed. He is an adult orphan, alone in the world with no direction. He makes an impulsive decision to head to Italy, a trip he and his father always talked about. He arrives with no clear idea of what he is looking to find. Continue Reading
Starring: Ray Wise; Adrienne Barbeau;
Louis Jordan; Dick Durock
Written and Directed by Wes Craven
One of the great joys of being a cinephile is that moment when an entertaining film quietly emerges as a great one. In Wes Craven’s 1982 cinematic adaptation of the classic DC comic Swamp Thing, that moment occurs about a half an hour into the proceedings. More on that in a moment. Continue Reading
The Blob, but with clowns. That will get you close to understanding what this film has in store if you haven’t seen it yet, but it doesn’t quite cover it. In fact, despite the Chiodo brothers’ stated intent to pay homage to The Blob, as well as the 50s alien invasion film in general, chalking it up to a simple homage would be a disservice. Killer Klowns from Outer Space is such a great movie in so many ways, but one of its most important features is its originality. Continue Reading
Today’s offering borderlines what we’d define as a “creature feature.” The monster isn’t some radiated beast nor is it (he) cosmic or multidimensional. Castle Freak is without a shadow of a doubt human. Not subhuman nor extraordinary. He’s not unkillable (such as Jason or Freddy) or super strong. But I wouldn’t categorize Castle Freak as a slasher or serial killer or mass murderer either. In fact, when researching some info on Castle Freak I was shocked to find that it was labeled as a mystery slasher film. I think perhaps that’s because the people doing the “labeling” didn’t understand what it was they were looking at. The “monster” in Castle Freak isn’t out for revenge or to score a high kill count, in fact, there’s not a heck of a lot of death in this movie, not if it were indeed a slasher flick. No. Castle Freak isn’t a slasher, its a creature feature, and I’ll tell you why… Continue Reading
We’re back with a brand new review for our soon to be concluded “In Review” series, Creature Features. We put the monsters on hold last month for Fright Fest as the zombie horde took center stage. But as the saying goes, the show must go on. And what an odd 90s movie to begin our trek. Species as I an recall was among those last great VHS rentals at Blockbuster. I remember really liking it back then because of…well…the nudity. Seriously, come on, its a super hot alien hybrid looking for a man to mate with. Of course, this was teenager me thinking about few things other than boobs. As a great disappointment (I’m sure) few things have changed. Still…as an adult now enjoying the boobs is honestly highly important, but perhaps there’s something else going on behind the film. We all know what hormones does to a teenage boy, but what about the ladies? Species makes me wonder, the way it was written, is it perhaps allegory for femininity gone wild? Continue Reading
Francine Parker: They’re still here.
Stephen: They’re after us. They know we’re still in here.
Peter: They’re after the place. They don’t know why; they just remember. Remember that they want to be in here.
Francine Parker: What the hell are they?
Peter: They’re us, that’s all, when there’s no more room in hell.
Peter: Something my granddad used to tell us. You know Macumba? Vodou. My granddad was a priest in Trinidad. He used to tell us, “When there’s no more room in hell, the dead will walk the Earth.”
Dawn of the Dead is among many things a very quotable movie. The scene above is probably everyone’s favorite, and for some there are more selective scenes to nibble on. Scientists arguing on what remains of the news broadcast. The SWAT incursion of the Philadelphia apartment building. The refueling scene, the dock scene, the shopping montage. The raiders and ensuing firefight. There are plenty. And if you were to ask me, I can’t really say if I personally have an all-time favorite scene, I mean let’s be honest here, there are so many to choose from. From the very beginning, Dawn of the Dead lures you in and keeps your attention rooted into the story. The pacing couldn’t be more perfect. Continue Reading
Directors: Jaume Balagueró, Paco Plaza
Writers: Jaume Balagueró (screenplay), Luiso Berdejo
Release Date: 23 November 2007 (Spain)
Since its release back in 2007, REC has since become something of a modern horror classic, and is no doubt destined to be in the pantheon of greats in the many years to come. Like it’s found footage forebear The Blair Witch Project it elevates its limitations to enormous strengths – creating a building and palpable tension throughout that will have you creeping closer, and closer to the edge of your seat as it reaches its horrifying conclusion.
Co-written and directed by Jaume Balagueró and Paco Plaza, REC presents itself as ‘real’ footage recorded when a local TV reporter Angela Vidal (Manuela Velasco) and her cameraman Pablo (Pablo Rosso) cover a fire crew about their day-to-day lives, and join them when they respond to a vague emergency call about an elderly lady in a local apartment building. Continue Reading
Let me start off by saying that the film cover for “Train to Busan” is so eye-catching that it made me want to watch it, even if it is a zombie movie. I wanted it NOT to be a zombie movie, because frankly, I hate zombie movies. I love trains though, and couple that with a thriller or horror movie, you’ve enticed me right there. I was happy to sign up for another year of this October Fright Fest and review a film, but silly me, I thought it would be something classic. I freaked out after I signed up, when Thomas, the host, said the theme was zombies. CRAP! What kind of zombie movie am I going to be able to watch? The only one I had seen before was “World War Z,” which wasn’t bad, but it may have been the eye candy. Continue Reading