“First came the man: a young wanderer in a fatigue coat and long hair. Then came the legend, as John Rambo sprang from the pages of FIRST BLOOD to take his place in the American cultural landscape. This remarkable novel pits a young Vietnam veteran against a small-town cop who doesn’t know whom he’s dealing with — or how far Rambo will take him into a life-and-death struggle through the woods, hills, and caves of rural Kentucky.
Millions saw the Rambo movies, but those who haven’t read the book that started it all are in for a surprise — a critically acclaimed story of character, action, and compassion.”
FIRST BLOOD: published in 1972 by David Morrell
I’m ashamed to say that I had no idea First Blood was a book before it was made into a movie. Not a single clue. But, I’m glad to finally have this error corrected and was even more glad to have gotten the chance to read this amazing book. Now, there were some definite drastic changes from film to print or print to film more like. And that’s okay. I never expect the movie to be just like the film. There have to be differences, so long as the essence remains intact. For example, I had read Stephen King’s IT before attempting to watch the made-for-TV movie starring Tim Curry. I made it maybe 30 mins into the film before turning it off. TV movie IT was too far removed from the source material to be enjoyable. Whereas, as another example, Hellraiser was based on The Hellbound Heart by Clive Barker, and it not only expands the story, it diverges from it regarding Cenobite leadership and other details. However, the difference between why IT as a movie failed and Hellraiser succeeded is that Hellraiser kept the essence of the original source material.
And for the most part, the essence of First Blood, be it Sylvester Stallone or just the imaginative projection from hearing how David Morrell describes John Rambo, is beautifully captured, more so I would say in the book because we are given the characters internal thoughts. The director and Stallone for his part did a great job conveying through action and struggle Rambo’s internal conflicts, but in the book, it becomes, even more, clearer. Did you know that when Rambo arrived in that pinewoods mountain town (called Hope in the movie), he had been kicked out, or “pushed,” as he calls it, at least a dozen times before? That is where the “pushed” thing comes from during the movie that doesn’t make much sense, but in the book it does.
No spoilers here, but the end is veeerrryyy different, and I’m not sure which one I like the most. I feel for Rambo in both scenarios, and I love that end scene monolog he has with his old unit commander in the movie. But in the book…dang…it’s just… I’ve said enough.
As far as veteran issues go, both film and book appealed to me and wrung the gauntlet of emotions. More so in the movie than the book, despite the benefit of reading Rambo’s internal thoughts. The movie seems to focus more on Rambo as a veteran, whereas in the book he’s more often referred to as “The Kid.” The book did, however, add a level of polarity to the conflict between the sheriff, a Korean War veteran, and Rambo, a Vietnam veteran, and how each of them refuses to surrender to the other, way more than what the movie offered. In the movie, the sheriff is more of a chump and doesn’t know what he’s walking into, and just seems to be a dick for no reason. In the book, he is more clearly defined. Especially with what happens during the first hunting party. DAMN is all I can say about that!
Overall, if you’re a fan of the movie, you may want to check out the book. I have few doubts you’ll be disappointed.
My rating: 4/5
Following months of mentions and hints and little morsels of information, I finally have some news I can share! AS you may or may not know, my current foray into the writing world (Subdue) was picked up by Limitless Publishing LLC. After some careful courtship, we both agreed that Subdue was just too long for a book all its own. We decided the best course of action (because not only of the size of the book, but also my desire to continue the story) was to create an entire book series based on the characters and events. The series is called Subdue, keeping to the original title of the project. Book one, will be titled Dwelling. Book two, Emerging. Book three is currently under construction (wink wink). But, as you can tell by the titles, there is a implied theme for each book. Let me stop here and give a little shout out and big thank you to Lori Whitwam, the managing editor, and Jennifer O’Neill, the CEO of Limitless Publishing, for their collective genius. In the spirit of transparency, I’m horrible at creating titles. I love storytelling, but I suck at the marketing aspect of writing. So, needless to say, I’m very thankful for my Limitless home.
Okay, so without further ado. Today, I’d like to share a little it of the premise of Dwelling, book one in The Subdue Series.
A group of inseparable childhood friends are now adults, physically and psychologically devastated by war…
A horrifying creature emerges from a sandstorm just before Ricky Smith dies in battle. Forced to leave base housing, his widow Maggie buys a home on Oak Lee Road in the town of Jotham. Maggie is isolated in the historic house…and disconcerted by strange clicking sounds inside the walls.
Jonathan Steele attempts to drink the painful past away…
Jonathan was wounded in that fateful battle and now suffers from PTSD. He wants to put the nightmare behind him, but when Ricky’s ghost appears with cryptic warnings about Maggie’s house, he begins to question his sanity.
Bobby Weeks is a homeless veteran struggling with a lycanthropic curse…
Afraid of bringing harm, Bobby stays far away from those he loves. But after a full moon, a mysterious woman approaches him and reveals a vision about a house with a sinister presence, and he realizes staying away might no longer be an option.
Minister Jake Williams lost his faith on the battlefield…
While Jake will do anything to reconnect with God, he turns to vices to fill the religious void. But a church elder urges him to take a sabbatical, and a ghost tells him to quit the ministry, and his life is more out of control than ever.
When Maggie wakes in a strange subterranean cavern, she can’t deny her home harbors dark secrets. Desperate, she sends letters to her old friends to reunite in Jotham, and events conspire to draw them all to the house…unaware of the danger awaiting them.
The friends have already been through hell, but can any of them survive the evil dwelling beneath the House on Oak Lee?