The Nightmare Before Christmas is a Tim Burton musical that debuted back in 1993. The movie begins with Jack Skellington and the rest of Halloweentown performing their yearly masterpiece, This is Halloween (“This is Halloween! Everybody, make them scream!”)—but Jack has gotten bored with performing the same old shtick year after year. One thing that could definitely shake Jack out of the doldrums is Sally, a rag doll kept locked up by a mad scientist (that’s not creepy) who’s crushing on him, but he’s so self-absorbed he doesn’t notice her.
Jack and his ghost dog, Zero, go for a walk and end up in a remote part of the woods, where different trees correspond to different holidays. Jack goes to Christmastown and is amazed at the inherent magic of the holiday. So what does he do? He hatches a plot to take over Christmas. He recruits some creepy kids to kidnap Santa (Sandy Claws), enlists the townsfolk to whip up decorations…and proceeds to ruin Christmas as best he can. What else would you expect from an animated semi-demonic skeleton?
All in all, The Nightmare Before Christmas is ninety minutes of fun and very singable songs. It does get a bit hairy when the kids turn Santa over to the Boogeyman, but it’s all in good fun. Or gore. Either way, you’ll be singing about feet all rotten and covered in gook for weeks, and who doesn’t want that around the holidays?
Jennifer Allis Provost writes books about faeries, orcs and elves. Zombies too. She grew up in the wilds of Western Massachusetts and had read every book in the local library by age twelve. (It was a small library). An early love of mythology and folklore led to her epic fantasy series, The Chronicles of Parthalan, and her day job as a cubicle monkey helped shape her urban fantasy, Copper Girl. When she’s not writing about things that go bump in the night (and sometimes during the day) she’s working on her MFA in Creative Nonfiction. Connect with her online at http://authorjenniferallisprovost.com