Bordello of Blood
Staring: Angie Everhart, Erika Eleniak, Dennis Miller, Corey Feldman, Chris Sarandon, and Phil Fondacaro
Directed by: Gilbert Adler
Review By: Pembroke Sinclair
I’ve watched this movie several times, and each time I do, I hope that I’m going to like it. It hasn’t happened yet. The older I get, however, the more I recognize the not-so-subtle choices made throughout the film.
The first of these is casting. There are a variety of actors in this film that have been in vampire movies before, including Corey Feldman (The Lost Boys) and Chris Sarandon (Fright Night). The irony for Bordello of Blood is that these characters play opposite roles. For example, Corey’s character doesn’t defeat the vampires in Bordello like he does in The Lost Boys, he becomes one. Chris’ character isn’t a vampire, but an incredibly religious televangelist. For anyone who is versed in their vampire films, these changes can be viewed as amusing. Continue Reading
Release year: 1979
Starring: Frank Langella; Laurence Olivier; Donald Pleasance and Kate Nelligan.
Directed by: John Badham
Review by: D.S. Ullery
Whether or not an adaptation of Dracula succeeds – and there have been many – comes down to the actor playing Bram Stoker’s legendary Count. Bela Lugosi and Christopher Lee each put their own, definitive stamp on the character, as did Gary Oldman in later years. Even Jack Palance delivered a memorable turn as the vampire in a terrific 70’s- era television movie. Continue Reading
Fright Night (1985)
Written & Directed by Tom Holland
Starring: Chris Sarandon, William Ragsdale, Amanda Bearse, Stephen Geoffreys and Roddy McDowall
The Gist: A horror-obsessed teenager discovers that his next door neighbor is a murderous vampire. He attempts to convince the police, his family and friends to no avail. Seeing no other option, he takes matters into his own hands.
The Review (ish):
It was 1985. I was twelve going on thirteen, finally I was about to be taken seriously as a teenager! If you believe that I also have a vampire living next to me. In 1985 when Fright Night was originally released I would still consider myself a fledgling horror fan well on my way to a lifetime trudging through the wonderful world of blood and guts. It was a time when many local stations all over the country had some sort of Horror Host on late night usually on a Friday or Saturday night who did goofy gags, related movie trivia and usually showed low budget, B Horror movies. Horror Hosts kind of died out for a while though they’ve made a nice resurgence in recent years thanks to the internet where any horror fan can get a show started provided they have a camera or hell, just a phone these days. Why bring this up? Have you seen Fright Night? If you answered no and consider yourself a horror fan then you may want to just stop here and go correct that. Seriously, stop reading dimwit! Go watch Fright Night! Then grab some coffee and we’ll talk. Go on… I’ll wait. Continue Reading
Starring: Sheila Vand, Arash Marandi, Mozhan Marno, Marshall Manesh, & Dominic Rains
Written By: Ana Lily Amirpour
Directed By: Ana Lily Amirpour
Synopsis: In the Iranian ghost-town Bad City, a place that reeks of death and loneliness, the townspeople are unaware that they are being stalked by a lonesome vampire.
Every now and then, a film comes out that manages to fly under the radar a bit. A Girl Walks Home Alone At Night is one of these movies. It made its waves upon its initial release but unfortunately, many people have yet to hear of this one. The film is writer/director Ana Lily Amirpour’s first feature film and it is one hell of a way break out! Continue Reading
Since its inception, American Horror Story has subsisted on pulling from decades’ worth of great genre fare for inspiration. The results run the gamut from highly entertaining to desperate and cynical. Take, for instance, the show’s worst season – Hotel – in which Lady Gaga plays an eternal Countess presiding over the titular Los Angeles establishment. Despite bright spots from ensemble regulars like Sarah Paulson and Denis O’Hare, Hotel had a meandering, improvised quality that led to a plodding narrative. The creative team miscalculated by leaning on the stunt casting of Gaga more heavily than the quality of the writing. In the end, one gets the impression that series creators Ryan Murphy and Brad Falchuk passed Gaga a copy of Harry Kümel’s masterful vampire film, Daughters of Darkness, and instructed her to do a campy impersonation of Countess Bathory (Delphine Seyrig). Continue Reading
Director: Timur Bekmambetov
Starring: Benjamin Walker, Dominic Cooper, Anthony Mackie
Supporting actors: Mary Elizabeth Winstead, Rufus Sewell
Movie review: Erin Lee
Step into a Twisted Legend with “Abraham Lincoln: Vampire Hunter”
If “history prefers legends to men,” this movie hit the mark. Dark and packed with action and predictable blood-thirsty violence, this movie might at first come across as your average vamp hunt flick. Quickly, though, this complicated historical fictional tale’s plot begins to thicken – making it a movie for both vamp gurus and those who aren’t as vamp-savvy alike. Frankly, this is one of those movies where you just know it had to have been based off a book because its plot is so well-developed. (In this case, by Seth Grahame-Smith and one I may pick up just to get more of the back story I suspect was left out). Continue Reading
Until recently, Stephen King movie adaptations were dreadful. And not in a good way. His first adaptation was good, the 1976’s depiction of Carrie, which may have had more to do with Brian De Palma’s version and not the journal styled storytelling from King. Some adaptations, mostly spanning through the 90s, where just down right embarrassing. Both made for TV movies IT and The Stand were nauseating to watch. In fact, it was only through a sheer force of will that i was able to finally watch the entire 90s IT movie. Without Tim Curry I wouldn’t have made it. But nowadays, King movies seem to be doing alright. The new IT is actually creepy and fun to watch. Adaptions of his newer work such as 11.22.63 was great. And i’ve heard nothing but good things surrounding the new Castle Rock show. But before all these newfound home runs, solid adaptions were slim pickenings. However, there was one that was and still is arguably the best Stephen King inspired movie, and that would be Tobe Hooper’s take on Salem’s Lot. Continue Reading
Martin is a 1978 psychological horror film written and directed by George A. Romero. While Romero is best known for his Dead movies (of which the first, Night of the Living Dead, I wrote up an analysis), Martin was his avowed favourite.
Martin Mathias (John Amplas) is a vampire…or is he? He lacks the fangs, using razor blades to cut the wounds from which he drinks the blood. Sunlight bothers his eyes a little, and neither crucifixes nor garlic have any effect on him.
Still, he insists that he needs to drink blood; he also maintains that he’s eighty-four years old, though he looks like a teen, or at the oldest, a man in his mid-to-late twenties (i.e., Amplas’s age at the time of shooting the film). Finally, his “cousin”?/great-uncle, Tateh Cuda (Lincoln Maazel), following the superstitions of the family, is as convinced that Martin is a vampire as he is. Continue Reading
Directed By: Fred Decker (Night of the Creeps, Robocop 3)
Starring: Duncan Regehr (V, 1988’s The Last Samuri, Zorro Television Show), Tom Noonan (The House of the Devil, Late Phases, The Alphabet Killer), Jon Gries (Skinwalker Rancher, Napoleon Dynamite, Fright Night Part 2), Tom Woodruff Jr. (Pumpkinhead, Tremors, Mortal Kombat), Michael Reid Mackay (Highway to Hell, Sleepwalkers, X-Men 2), and Stephen Macht (Graveyard Shift, Trancers film series, The Legend of Galgameth)
Written By: Shane Black (Lethal Weapon, The Last Boy Scout, Last Action Hero) and Fred Dekker (House, Night of the Creep, Robocop 3)
Release Year: 1987 Continue Reading
Directors: Ubaldo Ragona (as Ubaldo B. Ragona), Sidney Salkow
Writers: William F. Leicester (screenplay), Richard Matheson (screenplay) (as Logan Swanson)
Stars: Vincent Price, Franca Bettoia, Emma Danieli
You can credit Richard Matheson’s 1954 novel, I am Legend, for many things. George A. Romero’s Night of the Living Dead borrowed heavily from I am Legend. In tone and visuals, mostly. But it’s interesting to note that Romero changed the landscape of his tale to reflect the mindless eating machine known as the zombie (a monster he completely retooled that many have appropriated) while Matheson choose a primitive form of vampiric new breed of civilization. One with a secreted illuminati who were also at war with the savage cattle that obeyed only its bloodlust. Continue Reading
Starring: George Clooney, Harvey Keitel, Quentin Tarantino, & Juliette Lewis
Written By: Quentin Tarantino
Directed By: Robert Rodriguez
Synopsis: On the run from a bank robbery that left several police officers dead, Seth Gecko (George Clooney) and his paranoid, loose-cannon brother, Richard (Quentin Tarantino), hightail it to the Mexican border. Kidnapping preacher Jacob Fuller (Harvey Keitel) and his kids, the criminals sneak across the border in the family’s RV and hole up in a topless bar. Unfortunately, the bar also happens to be home base for a gang of vampires, and the brothers and their hostages have to fight their way out. Continue Reading
I have fond memories of watching the original Dracula as a child. I wasn’t actually supposed to watch it, but I crawled out of bed and slithered down the hall like a creep, so that I could see the living room TV and catch bits and pieces of the strangely sexy, strangely funny film.
Brides of Dracula, although released nearly 60 years ago, is completely new to me. I didn’t even realize that it was technically “Dracula 2” until I did a little research before watching.
I chose this as my movie to review because I MISS VAMPIRES, there I said it! As a writer in the thriller and horror genres, I feel like vampires have gotten a bad rap over the last few years and I really want more vampire books and movies in my life. I also liked the word “Brides” in the title – anything that contains female villains is my jam. Is this film a feminist’s dream come true? I don’t know, probably not. But there were some fabulous females in this film and they truly made the movie, in my opinion. Continue Reading
Silence is terrifying. Sure, screams and loud sounds will make you jump; there is something eerie about the silence. When moving pictures were first introduced in the late 19th and early 20th century: sound was absent.
For most movies this added little benefit and a lot to the imagination, what did the character sound like, were birds singing in the background? Sound is important for the very survival of creatures of all kinds; it allows for prey to hear the predators approaching from the distance. The lack of silence allows the predator to kill, unnoticed.
Vampires in all accounts are the perfect predator, they blend in among us, hunt from the shadows and use the noise of the metropolis to stay silent. At least, the modern interpretations, but what if we take a look back in cinematic history, where sound was absent and the darkness could only be cured by the grace of light. Continue Reading
Vampire in Brooklyn wasn’t the vampire movie we wanted, but as far as 1995 goes, it was the vampire movie we needed. Nor is Vampire in Brooklyn the most notorious on our vampire movie lineup everyone loves to trash–that honor has been reserved for another movie you’ll see in the weeks to come. While not the most hated, Vampire in Brooklyn certainly doesn’t doesn’t deserve the hate it does get. 10% rating on Rotten Tomatoes, 2 stars on IMDb, and 1 star from Roger Ebert, I’m not feeling much love out there. 1995 produced some really great movies, Se7en for one. Braveheart also came out that year, as well as Apollo 13, HEAT, and Batman: Forever (yes, I included Batman Forever, get over it). Those are some heavy hitters. But as far as horror (Se7en should be in that category), the pickings were slim. We had maybe four or five good ones, including Lord of Illusion, Tales from the Hood, Demon Knight, The Prophecy, and Candyman: Farewell to the Flesh. All great. All super dark in material and context. Horror is by nature dark and heavy and somber, but between real life horrors, the Oklahoma City Bombing and OJ being found innocent, we needed a break from reality. For me, Vampire in Brooklyn was a welcomed break from the real world. Continue Reading
The vampire has been a popular recurring theme since movies began. Even before the most iconic bloodsucker, Bela Lugosi, appeared in DRACULA (1931), there was NOSFERATU (1922). Every generation has created its own image of the monster, either as a new adaptation of Stoker’s novel, or, more interesting, as some new twist on the theme. The vampire seems to be unique among the classic monsters in that it is simultaneously feared and desired. The vampire can be seen as some existential romantic figure who promises victory over death, or as a parasite spreading eternal damnation. In one figure is wrapped all our obsessions with love, sex, death and disease. Each subsequent vampire movie ends up being a reflection of the current generation’s phobias and desires. Continue Reading
I don’t expect you to understand.
I’ve discussed Shadow of the Vampire – at some length – with some excellent podcasters, all of whom have considerably better insight into this movie than I. To find that full conversation, please click here. What follows truncates some of what you’ll hear there, along with some additional thoughts of my own. Standing on the shoulders of giants, etc. Thanks to James, Jack, and Daniel.
What follows contains spoilers. Go watch the movie.
Shadow of the Vampire is a seriously strange movie.
Made in 2000, directed by E. Elias Merhige and written by Steven Katz, Shadow of the Vampire is a fictionalized account of the filming of 1922’s Nosferatu. It stars John Malkovich as Friedrich Wilhelm Murnau, the driven director determined to create his masterpiece vampire movie at any cost, and Willem Defoe as Max Shreck, the theatre actor Murnau has discovered to play the titular vampire. Continue Reading
Starring: Nick Damici, Connor Paolo, Michael Cerveris, Sean Nelson, Kelly McGillis, and Danielle Harris
Written By: Nick Damici & Jim Mickle
Directed By: Jim Mickle
Synopsis: After a plague turns America into a realm of vampires, a hunter (Nick Damici) of the depraved creatures travels cross-country with an orphan (Connor Paolo) he rescued, searching for a safe haven.
So, I thought for Fright Fest we were taking a look at vampire movies? I watched this film for the first time specifically for this review. I had heard amazing things about this movie, most of which I completely agree with. However, in my opinion, this IS NOT a vampire movie. This is a zombie apocalypse film. Yes, the creatures have fangs and are called vamps. Yes, this is a gruesome, tear you limb from limb kind of take on one of the most famous horror creatures that we know of. However, to me this isn’t about vampires. The creatures barely resemble anything like what we know. This could be good for some, but for me, it didn’t work. Continue Reading
Directed by Len Wiseman
Written by Len Wiseman, Kevin Grevioux & Danny McBride
Starring: Kate Beckinsale, Scott Speedman, Shane Brolly, Michael Sheen and Bill Nighy
The Gist: A war has been raging between vampires and lycans for centuries though there has been peace for many years until lycans come out of hiding once more. Selene, a vampire warrior, and daughter of one of the most powerful vampire lords, Viktor, finds herself in the middle of the war and a mystery when she meets Michael who is wanted by both sides. Continue Reading
One thing horror fans love to do is debate which film marked what is historically known as The Decline of John Carpenter. Some believe it began with the final chapter of Carpenter’s Apocalypse Trilogy, In the Mouth of Madness. Others waggle disdainful fingers at his comedy misstep, Memoirs of an Invisible Man. There’s never a right answer to speculation such as this, but one thing practically everyone agrees on is that Vampires does not belong in the conversation when discussing John Carpenter’s classics.
To a certain extent, it’s a salient point. Carpenter’s latter-day career has often been considered inferior by hardcore fans of the director, preferring to focus on his output during the 1980s. The 1990s were a time when Carpenter could have used a monster hit. Vampires wasn’t it, only recouping its $20 million production budget by a few hundred thousand dollars. General audiences were less than impressed, giving the film a Cinemascore grade of D+.
There’s a reason for this, but it may not be the one you’re expecting. That’s because Vampires isn’t a horror movie. Continue Reading
(This review contains SPOILERS.)
In most bloodsucking horror fare, narcissism and vampirism make for logical bedfellows – after all, how wouldn’t immortality place a chip on the inheritor’s shoulder? Even characters as ingratiating as those in Daughters of Darkness hint at an egotism stemming from their ability to live life on their own terms. Whether narcissism is conveyed through a guise of modesty or grandiosity, it all boils down to one unified sentiment: “fuck you – I can do whatever I want.”
Park Chan-wook’s Thirst takes vampiric narcissism to unpredictable places. Three-quarters of the way through my most recent viewing, I jotted down “no likeable characters” in my notes – surprised that it had taken me that long to consciously notice. Perhaps it’s the clever metaphor of vampirism as a stand-in for human relationships – and the ecstasy and pain contained within – that, despite all the gory and surrealistic imagery on display, grounds the plot in a sense of reality. Continue Reading
Starring: Kare Hedebrant, Lina Leandersson, Per Ragnar, Ika Nord, & Peter Carlberg
Written By: John Ajvide Lindqvist
Directed By: Tomas Alfredson
Synopsis: When Oskar (Kåre Hedebrant), a sensitive, bullied 12-year-old boy living with his mother in suburban Sweden, meets his new neighbor, the mysterious and moody Eli (Lina Leandersson), they strike up a friendship. Initially reserved with each other, Oskar and Eli slowly form a close bond, but it soon becomes apparent that she is no ordinary young girl. Eventually, Eli shares her dark, macabre secret with Oskar, revealing her connection to a string of bloody local murders.
I first saw Let The Right One In a little over a year ago. I had heard about it of course, the film received TONS of critical and audience acclaim from its festival runs and initial opening. It was kind of hard to not hear about this new vampire romance film that was (and in my opinion still is) generating quite a following. Unfortunately for the timing of this film’s release, another vampire romance story had been making waves with a much, much wider audience. Yes, I am referring to Twilight (2008). However, we are not here to discuss sparkling vampires. Continue Reading
Starring: Taika Waititi, Jemaine Clement, Jonny Brugh, Ben Fransham, Cori Gonzalez-Macuer, and Stu Rutherford
Written and Directed by: Taika Waititi and Jemaine Clement
What We Do In The Shadows is a mocumentary about four vampires who live in a “flatting situation” in New Zealand, and it’s quite possibly the best vampire film in existence. It’s a comedy that mostly centres around friendship and the various bizarre issues experienced through life as a vampire. Each of the main characters is ingeniously based on familiar ‘vampire types’ in popular culture, and are styled and dressed according to the time period in which they were transformed. We have Petyr, an 8000 year-old ‘Nosferatu’ type, resembling Count Orlok. Viago is an 18th century dandy, similar to Louis and Lestat from Interview with the Vampire. Deacon was a Nazi vampire. Vladislav is based on Dracula (the Francis Ford Coppola version). Then we have Nick, who is turned into a vampire during ‘filming’, and is the self-professed ‘Twilight type’. The story centres on the group in their everyday life and leads up to ‘The Unholy Masquerade’, an exclusive supernatural ball. Along the way, we meet side characters such as other vampires, werewolves (“not swear wolves!”), familiars, victims, and Stu, Nick’s human friend. Continue Reading
The blood is the life….
The movie starts with a tragedy. A suicide and the damning of a soul. How can a church whom the count fights for damn the soul of the woman he loves? Feeding from the blood of God’s precious child he becomes immortal, but at what cost? He lives centuries waiting to reclaim his love which it turns out is Wilhelmina Harker. Is this a love story or a horror story? Blood and wine and evil create a story that isn’t by the book of the same name. It is in my opinion more along the lines of Anne Rice with the love story. Is this saying that the movie isn’t good? No! Not at all! This is the movie that sealed my love for gothic horror and horror in general. Sadie Frost was possibly my first horror movie crush. Continue Reading
Directed by: Tobe Hooper
Written by: Dan O’ Bannon and Don Jakoby
Starring: Steve Railsback; Peter Firth; Aubrey Morris; Mathilda May; Patrick Stewart
After Poltergeist was released to critical and box office success in 1982, director Tobe Hooper was a hot commodity.* Having already established himself as a genre master with his debut film The Texas Chainsaw Massacre, the twisted backwoods horror Eaten Alive (which featured an early appearance by a very young Robert Englund), a superb television miniseries adaptation of Stephen King’s Salem’s Lot and the underappreciated (and unnervingly creepy) classic The Funhouse, his collaboration with Steven Spielberg seemed to set Hooper on a much deserved and long overdue transition into the mainstream spotlight. Continue Reading