Vampire in Brooklyn wasn’t the vampire movie we wanted, but as far as 1995 goes, it was the vampire movie we needed. Nor is Vampire in Brooklyn the most notorious on our vampire movie lineup everyone loves to trash–that honor has been reserved for another movie you’ll see in the weeks to come. While not the most hated, Vampire in Brooklyn certainly doesn’t doesn’t deserve the hate it does get. 10% rating on Rotten Tomatoes, 2 stars on IMDb, and 1 star from Roger Ebert, I’m not feeling much love out there. 1995 produced some really great movies, Se7en for one. Braveheart also came out that year, as well as Apollo 13, HEAT, and Batman: Forever (yes, I included Batman Forever, get over it). Those are some heavy hitters. But as far as horror (Se7en should be in that category), the pickings were slim. We had maybe four or five good ones, including Lord of Illusion, Tales from the Hood, Demon Knight, The Prophecy, and Candyman: Farewell to the Flesh. All great. All super dark in material and context. Horror is by nature dark and heavy and somber, but between real life horrors, the Oklahoma City Bombing and OJ being found innocent, we needed a break from reality. For me, Vampire in Brooklyn was a welcomed break from the real world. Continue Reading
The vampire has been a popular recurring theme since movies began. Even before the most iconic bloodsucker, Bela Lugosi, appeared in DRACULA (1931), there was NOSFERATU (1922). Every generation has created its own image of the monster, either as a new adaptation of Stoker’s novel, or, more interesting, as some new twist on the theme. The vampire seems to be unique among the classic monsters in that it is simultaneously feared and desired. The vampire can be seen as some existential romantic figure who promises victory over death, or as a parasite spreading eternal damnation. In one figure is wrapped all our obsessions with love, sex, death and disease. Each subsequent vampire movie ends up being a reflection of the current generation’s phobias and desires. Continue Reading
I don’t expect you to understand.
I’ve discussed Shadow of the Vampire – at some length – with some excellent podcasters, all of whom have considerably better insight into this movie than I. To find that full conversation, please click here. What follows truncates some of what you’ll hear there, along with some additional thoughts of my own. Standing on the shoulders of giants, etc. Thanks to James, Jack, and Daniel.
What follows contains spoilers. Go watch the movie.
Shadow of the Vampire is a seriously strange movie.
Made in 2000, directed by E. Elias Merhige and written by Steven Katz, Shadow of the Vampire is a fictionalized account of the filming of 1922’s Nosferatu. It stars John Malkovich as Friedrich Wilhelm Murnau, the driven director determined to create his masterpiece vampire movie at any cost, and Willem Defoe as Max Shreck, the theatre actor Murnau has discovered to play the titular vampire. Continue Reading
Starring: Nick Damici, Connor Paolo, Michael Cerveris, Sean Nelson, Kelly McGillis, and Danielle Harris
Written By: Nick Damici & Jim Mickle
Directed By: Jim Mickle
Synopsis: After a plague turns America into a realm of vampires, a hunter (Nick Damici) of the depraved creatures travels cross-country with an orphan (Connor Paolo) he rescued, searching for a safe haven.
So, I thought for Fright Fest we were taking a look at vampire movies? I watched this film for the first time specifically for this review. I had heard amazing things about this movie, most of which I completely agree with. However, in my opinion, this IS NOT a vampire movie. This is a zombie apocalypse film. Yes, the creatures have fangs and are called vamps. Yes, this is a gruesome, tear you limb from limb kind of take on one of the most famous horror creatures that we know of. However, to me this isn’t about vampires. The creatures barely resemble anything like what we know. This could be good for some, but for me, it didn’t work. Continue Reading
Directed by Len Wiseman
Written by Len Wiseman, Kevin Grevioux & Danny McBride
Starring: Kate Beckinsale, Scott Speedman, Shane Brolly, Michael Sheen and Bill Nighy
The Gist: A war has been raging between vampires and lycans for centuries though there has been peace for many years until lycans come out of hiding once more. Selene, a vampire warrior, and daughter of one of the most powerful vampire lords, Viktor, finds herself in the middle of the war and a mystery when she meets Michael who is wanted by both sides. Continue Reading
One thing horror fans love to do is debate which film marked what is historically known as The Decline of John Carpenter. Some believe it began with the final chapter of Carpenter’s Apocalypse Trilogy, In the Mouth of Madness. Others waggle disdainful fingers at his comedy misstep, Memoirs of an Invisible Man. There’s never a right answer to speculation such as this, but one thing practically everyone agrees on is that Vampires does not belong in the conversation when discussing John Carpenter’s classics.
To a certain extent, it’s a salient point. Carpenter’s latter-day career has often been considered inferior by hardcore fans of the director, preferring to focus on his output during the 1980s. The 1990s were a time when Carpenter could have used a monster hit. Vampires wasn’t it, only recouping its $20 million production budget by a few hundred thousand dollars. General audiences were less than impressed, giving the film a Cinemascore grade of D+.
There’s a reason for this, but it may not be the one you’re expecting. That’s because Vampires isn’t a horror movie. Continue Reading
(This review contains SPOILERS.)
In most bloodsucking horror fare, narcissism and vampirism make for logical bedfellows – after all, how wouldn’t immortality place a chip on the inheritor’s shoulder? Even characters as ingratiating as those in Daughters of Darkness hint at an egotism stemming from their ability to live life on their own terms. Whether narcissism is conveyed through a guise of modesty or grandiosity, it all boils down to one unified sentiment: “fuck you – I can do whatever I want.”
Park Chan-wook’s Thirst takes vampiric narcissism to unpredictable places. Three-quarters of the way through my most recent viewing, I jotted down “no likeable characters” in my notes – surprised that it had taken me that long to consciously notice. Perhaps it’s the clever metaphor of vampirism as a stand-in for human relationships – and the ecstasy and pain contained within – that, despite all the gory and surrealistic imagery on display, grounds the plot in a sense of reality. Continue Reading
Starring: Kare Hedebrant, Lina Leandersson, Per Ragnar, Ika Nord, & Peter Carlberg
Written By: John Ajvide Lindqvist
Directed By: Tomas Alfredson
Synopsis: When Oskar (Kåre Hedebrant), a sensitive, bullied 12-year-old boy living with his mother in suburban Sweden, meets his new neighbor, the mysterious and moody Eli (Lina Leandersson), they strike up a friendship. Initially reserved with each other, Oskar and Eli slowly form a close bond, but it soon becomes apparent that she is no ordinary young girl. Eventually, Eli shares her dark, macabre secret with Oskar, revealing her connection to a string of bloody local murders.
I first saw Let The Right One In a little over a year ago. I had heard about it of course, the film received TONS of critical and audience acclaim from its festival runs and initial opening. It was kind of hard to not hear about this new vampire romance film that was (and in my opinion still is) generating quite a following. Unfortunately for the timing of this film’s release, another vampire romance story had been making waves with a much, much wider audience. Yes, I am referring to Twilight (2008). However, we are not here to discuss sparkling vampires. Continue Reading
Starring: Taika Waititi, Jemaine Clement, Jonny Brugh, Ben Fransham, Cori Gonzalez-Macuer, and Stu Rutherford
Written and Directed by: Taika Waititi and Jemaine Clement
What We Do In The Shadows is a mocumentary about four vampires who live in a “flatting situation” in New Zealand, and it’s quite possibly the best vampire film in existence. It’s a comedy that mostly centres around friendship and the various bizarre issues experienced through life as a vampire. Each of the main characters is ingeniously based on familiar ‘vampire types’ in popular culture, and are styled and dressed according to the time period in which they were transformed. We have Petyr, an 8000 year-old ‘Nosferatu’ type, resembling Count Orlok. Viago is an 18th century dandy, similar to Louis and Lestat from Interview with the Vampire. Deacon was a Nazi vampire. Vladislav is based on Dracula (the Francis Ford Coppola version). Then we have Nick, who is turned into a vampire during ‘filming’, and is the self-professed ‘Twilight type’. The story centres on the group in their everyday life and leads up to ‘The Unholy Masquerade’, an exclusive supernatural ball. Along the way, we meet side characters such as other vampires, werewolves (“not swear wolves!”), familiars, victims, and Stu, Nick’s human friend. Continue Reading
The blood is the life….
The movie starts with a tragedy. A suicide and the damning of a soul. How can a church whom the count fights for damn the soul of the woman he loves? Feeding from the blood of God’s precious child he becomes immortal, but at what cost? He lives centuries waiting to reclaim his love which it turns out is Wilhelmina Harker. Is this a love story or a horror story? Blood and wine and evil create a story that isn’t by the book of the same name. It is in my opinion more along the lines of Anne Rice with the love story. Is this saying that the movie isn’t good? No! Not at all! This is the movie that sealed my love for gothic horror and horror in general. Sadie Frost was possibly my first horror movie crush. Continue Reading