There is something about horror movies of the 1970s that I love. Maybe it’s the pre-social media age. There’re no cell phones, no cable TV, no internet, not even compact discs or home computers. The time is one of simplicity. Or so it would seem. I imagine without all our modern distractions, there is more focus on what lies beneath. It was also a time of mystery. Putting a man on the moon was only something, at the time, that we’d just been able to accomplish. We simply knew less. Religion was much more accepted and widespread. Science was growing but it was still looked at as part fantasy. Less knowledge about how the world and the universe worked meant there was more room for our imaginations to wander in the dark void.
Burnt Offerings is based off a novel with the same name published in 1973 by Robert Marasco. Director/producer Dan Curtis co-wrote the screenplay with author William F. Nolan. Curtis was mostly a TV movie guy but does a wonderful job taking up the big chair for Burnt Offerings. Continue Reading
“You can bury the past… but sometimes the past won’t stay buried.”
“The Marsh” (2006) opens with the main character, Claire Holloway (Gabrielle Anwar), who is a stressed children’s book writer, reading to children in a book store, but quickly follows with a more ominous and action-oriented beginning. Images and sounds from an eerie marsh, followed by screaming, are taken in by our senses as the front credits roll. Soon, we realize we are in Claire’s nightmare from which she awakes in a doctor’s office. It seems she isn’t taking her medication and the doctor tells her “something” is evolving. This makes us wonder if she has anxiety, mental health disorder, trouble sleeping, or what? She seems stressed so in the beginning I was going with anxiety. Continue Reading
One of my buddies on Facebook had been pestering me for years to give Supernatural (1933) a watch. Seeing how we’re in the thralls of March Madness, I thought what better time than now. I am after all a fan of classic cinema, especially classic horror. While produced by Paramount Productions, Universal Studios had been sold the rights in 1958. Directed by Victor Halperin, who just one year prior directed White Zombie (1932), a mildly successful release with audiences of the Great Depression, Supernatural was not as revered and today has become a somewhat obscure and hard to find film. In fact, if you Google Supernatural you’ll only find images of Jensen Ackles and Jared Padaleski in the hit CW show of the same title. Needless to say, Supernatural, the 1933 movie, was hard to track down for screening. But by some miracle of modern streaming devices, I was able to procure a copy. Continue Reading
Released in June, 1973, The Legend of Hell House hit unsuspecting theatergoers with a blast. Based on the Richard Matheson novel, Hell House, (and adapted to the screen by Matheson himself) Legend of Hell House was helmed by John Hough. Hough’s credits after Hell House include a slew of notable horror films (The Incubus, Watcher in the Woods, American Gothic) as well as the Disney Witch Mountain franchise.
The story: Physicist Lionel Barrett (Clive Revill) and his wife, Gayle (An Barrett) lead two mediums into the Belasco House, which is supposedly haunted by the victims of its late owner, Emeric Belasco, a 6’ 5”serial killer dubbed the “Roaring Giant”. This is done at the direction of eccentric millionaire, Mr. Deutch (Roland Culver). Deutch is terminally-ill and obsessed with discovering survival after death. The Belasco House, the “Mountain Everest of haunted houses”, has yet to be refuted. Continue Reading
In 2002, horror was figuring out the next step in its evolution. The ’90s had ended on a high note, with The Sixth Sense re-establishing slow-burn ghost stories as financially viable, and The Blair Witch Project bringing found footage to the masses in a way the then-cult stomach-churner Cannibal Holocaust never could. At that point, Dark Castle had brought a few inventive re-imaginings of William Castle films to a new generation of horror viewer, while the remake floodgates wouldn’t be kicked open proper until 2003’s The Texas Chainsaw Massacre. It was also two years before Saw (allegedly) captured the zeitgeist of the George W. Bush era, turning notions of torture into a financially lucrative extension of the genre.
2002 did show inklings, however, of where mainstream horror might go. In a nod to the relative subtlety and simplicity of The Sixth Sense, and the “something’s out there” (but not necessarily seen) notion of The Blair Witch Project, Dreamworks mined a hit from Gore Verbinski’s The Ring (itself a remake of Japan’s Ringu). Continue Reading
Director: Tim Burton
Writers: Michael McDowell (story), Larry Wilson (story)
Stars: Alec Baldwin, Geena Davis, Michael Keaton, & Winona Ryder, et. al.
Release Date: 30 March 1988 (USA)
Review “Living Through the Black Death and Having a Good time Through It” by: J.G. Clay
Every now and again, a film slithers its way from the screen into the Geek Cloud, that weird consciousness shared by folks of a certain demeanor, character and temperament. From Star Wars to the umpteen Offerings from the Universe of Stan Lee (RIP), the tired and huddled masses absorb a dearth of quotable lines and drunken discussion worthy scenes. With this wealth of filmic foolery to play with, its little wonder that a few noteworthy works fall through the cracks to lay undiscovered for years or even centuries. I should know. Many a time I’ve mentioned the shotgun spinning skeletal bat from ‘House’ or the neon lit ‘one fingered salute rising from the rear of car in ‘My Science Project’ only to be met with stony glances and the occasional ‘shut the fuck up. That never happened. I know it did, I know these films exist and I recommend you check them out. Continue Reading
As you no doubt have noticed from the fancy title above, we’re kicking off 2019 with a brand new “In Review” series focusing on both the paranormal and supernatural within the horror genre. Obviously there are a lot of paranormal and supernatural themed movies out there, so to keep things as unison as possible, we’re going to walk that fine gray line of all things ghostly and demonicly. Believe it or not, Amityville II: The Possession is the perfect movie to start with as it too walks the line between paranormal hauntings and supernatural possessions. Plus its pretty twisted and stars Burt “Paulie” Young. So sit back and hang on as we explore one of the most insidiously fun movies 1982 ever spawned. Continue Reading
We close out this years Slashers & Serial Killers in Review with not the best slasher serial killer movie. Not the corniest. Not the goriest either. Stay with me. What made Silent Night, Deadly Night one of the most memorable slashers of the 1980s and how it cemented in our final review of slasher and serial killer movies was the outrage from PTA type super-moms (think Kyle’s mom from South Park) that would shadow over the slasher horror sub-genre for the rest of its days. And yes, i do consider the slasher era to be over. We may get strays in every now and again, but its fundamentally over. Just like the Universal Monsters. Yeah, that 2010 remake of The Wolfman was alright but we need to face the hard truth, the newer Hollywood attempts to recreate the Golden Era feel like a drunk uncle trying to be cool in front of his nephews and nieces with a box of Pop-Its. Continue Reading
Happy Birthday to Me
Release year: 1981
Starring: Melissa Sue Anderson; Tracey E. Bregman; Glenn Ford; Matt Craven; Lisa Langlois and Lawrence Dane.
Directed by: J. Lee Thompson
Review by: Kim McDonald
Lee Thompson’s film, HAPPY BIRTHDAY TO ME, is one of many slasher flicks that came out of the 80’s. However, screenwriters John Saxton and Peter Jobin manage to create some interesting twists through misdirection. The film also has some of the most gruesome deaths of the slasher sub genre. It’s a fun movie that seems largely overlooked, despite 80’s horror nostalgia. Continue Reading
Directed By: Rob Hedden (The Colony, Alien Fury: Countdown to Invasion)
Starring: Jensen Dagget (Asteroid, Major Leagues: Back to the Minors), Peter Mark Richman (The Naked Gun 2 ½ The Smell of Fear, 4 Faces), Scott Reeves (Edge of Honor and for those Soap Opera fans out there he was Steve Webber in General Hospital), and Kane Hodder once again playing Jason.
Released By: Paramount Pictures and Horror Inc.
Release Year: 1989
Release Type: Theatrical Release
MPAA Rating: Rated R
Review by: Andy Taylor
I have a very strange habit, one that sets me apart from my fellow humans, and that habit is, I try to let people enjoy the movie, television show, or musical act they love without chiming in about how much I might hate it. There are so many different varieties of entertainment, and within each of those varieties, a plethora of genres to pick from, so I fail to see the point in ruining someone else’s time by letting them know how wrong their opinions are to me. Continue Reading