Directed by Scott Derrickson
Written by Paul Harris Boardman, Scott Derrickson
Starring: Jennifer Carpenter, Laura Linney, Tom Wilkinson
This review contains spoilers.
Review by: Kayleigh Marie Edwards
I love horror films but as an atheist, possession movies don’t normally tickle the terror nerve for me. I don’t believe in Satan or spirits or the possibility of being possessed, so as much as I am entertained by the idea of it, it doesn’t scare me as much as, say, Mikey standing in the corner facing into the wall (you know, because forest witches are definitely real). However, The Exorcism of Emily Rose is not just another run-of-the-mill possession movie about a teenage girl in a dirty white nightdress spouting Latin in dual voices. Well… I mean… it is actually, but it’s also so much more. Continue Reading
Village of the Damned (1995)
A Review by: Feind Gottes
Directed by: John Carpenter
Written by: David Himmelstein (adapted from the book by John Wyndham and the 1960 screenplay by Sterling Silliphant, Wolf Rilla and Ronald “George Barclay” Kinnoch)
Starring: Christopher Reeve, Kirstie Alley, Linda Kozlowski, Michael Paré and Mark Hamill
The Gist: All the women in a small town become pregnant at the same time (YIKES!) giving birth to children who turn out to be as weird as the pregnancies themselves.
Feind’s Review (ish): Spoilers Ahead, DUH! This review is going to be difficult to get through without making too many Christopher Reeve jokes but I’ll try to let it stand on its own two feet… shit… so it begins! Thankfully there isn’t a horse riding scene or I’d never be able to get through it! So this review is on the 1995 remake by living legend John Carpenter but I would highly recommend you check out the 1960 original film since, while dated, is an excellent film. I would say check out the book by John Wyndham also but that would be advice to myself since I haven’t read it either. Speaking of ‘50s & ‘60s sci-fi horror I also highly recommend the 1953 film Invaders From Mars (there was a remake in 1986 but I like the original better) which is in a similar vein as Village of the Damned but I suppose I should get on with it. Continue Reading
Starring: Vera Farmiga, Patrick Wilson, Ron Livingston, and Lili Taylor
Written By: Chad Hayes and Carey W. Hayes
Directed By: James Wan
Synopsis: Shortly after moving into a new house, a family becomes terrorized by demonic forces. After learning of the world renowned paranormal investigating team of Ed and Lorraine Warren, the family asks for their help. Upon visiting the family in their home, the Warrens find themselves confronting a powerful demonic entity determined to continue its reign of horror.
Review By: Joshua Macmillan
When I think of modern horror, James Wan is one of the first directors that come to mind. I would say it is a fair assumption that Wan comes to mind for a lot of us genre fans. From his initial dive into horror with the Saw franchise, his Insidious films, to what I am writing about now with The Conjuring, James Wan has become a horror icon in the realm of creatives. Continue Reading
Directed by John Irvin
Written by Lawrence D Cohen adapted from the novel by Peter Straub
Starring: Fred Astaire, Melvyn Douglas, Douglas Fairbanks Jr, John Houseman, Craig Wasson and Alice Krige
Review by: Feind Gottes
The Gist: Four elderly men are haunted by a terrible deed in their youth. The ghost of their past returns to take vengeance on the next generation who stumbles upon the deep dark secret they’ve kept hidden for decades.
The Review (ish): Before I begin I have a couple of confessions to make much like the elderly gentleman who starred in this film. First, I have read many Peter Straub books but I have never read Ghost Story (which released in 1979) which this film is based on. Based on the books of Straub’s I have read I can tell you there are few writers who do horror mystery better than him, I highly recommend his novel simply titled Mystery. Second, this movie is difficult to find without running out to buy the recently released Blu-ray edition which I did not. I saw this film initially sometime in the early to mid-80s and most of this review will be based on that recollection with a little help from videos I’ve used to jog my memory though I will likely pick up the Blu-ray when I have the opportunity. Also, I personally do not believe in ghosts and rarely find movies involving ghosts scary with Poltergeist (1982) being the main exception. That’s my confession so now you’re all priests – STOP TOUCHING LITTLE BOYS!!! Continue Reading
There is something about horror movies of the 1970s that I love. Maybe it’s the pre-social media age. There’re no cell phones, no cable TV, no internet, not even compact discs or home computers. The time is one of simplicity. Or so it would seem. I imagine without all our modern distractions, there is more focus on what lies beneath. It was also a time of mystery. Putting a man on the moon was only something, at the time, that we’d just been able to accomplish. We simply knew less. Religion was much more accepted and widespread. Science was growing but it was still looked at as part fantasy. Less knowledge about how the world and the universe worked meant there was more room for our imaginations to wander in the dark void.
Burnt Offerings is based off a novel with the same name published in 1973 by Robert Marasco. Director/producer Dan Curtis co-wrote the screenplay with author William F. Nolan. Curtis was mostly a TV movie guy but does a wonderful job taking up the big chair for Burnt Offerings. Continue Reading
“You can bury the past… but sometimes the past won’t stay buried.”
“The Marsh” (2006) opens with the main character, Claire Holloway (Gabrielle Anwar), who is a stressed children’s book writer, reading to children in a book store, but quickly follows with a more ominous and action-oriented beginning. Images and sounds from an eerie marsh, followed by screaming, are taken in by our senses as the front credits roll. Soon, we realize we are in Claire’s nightmare from which she awakes in a doctor’s office. It seems she isn’t taking her medication and the doctor tells her “something” is evolving. This makes us wonder if she has anxiety, mental health disorder, trouble sleeping, or what? She seems stressed so in the beginning I was going with anxiety. Continue Reading
One of my buddies on Facebook had been pestering me for years to give Supernatural (1933) a watch. Seeing how we’re in the thralls of March Madness, I thought what better time than now. I am after all a fan of classic cinema, especially classic horror. While produced by Paramount Productions, Universal Studios had been sold the rights in 1958. Directed by Victor Halperin, who just one year prior directed White Zombie (1932), a mildly successful release with audiences of the Great Depression, Supernatural was not as revered and today has become a somewhat obscure and hard to find film. In fact, if you Google Supernatural you’ll only find images of Jensen Ackles and Jared Padaleski in the hit CW show of the same title. Needless to say, Supernatural, the 1933 movie, was hard to track down for screening. But by some miracle of modern streaming devices, I was able to procure a copy. Continue Reading
Released in June, 1973, The Legend of Hell House hit unsuspecting theatergoers with a blast. Based on the Richard Matheson novel, Hell House, (and adapted to the screen by Matheson himself) Legend of Hell House was helmed by John Hough. Hough’s credits after Hell House include a slew of notable horror films (The Incubus, Watcher in the Woods, American Gothic) as well as the Disney Witch Mountain franchise.
The story: Physicist Lionel Barrett (Clive Revill) and his wife, Gayle (An Barrett) lead two mediums into the Belasco House, which is supposedly haunted by the victims of its late owner, Emeric Belasco, a 6’ 5”serial killer dubbed the “Roaring Giant”. This is done at the direction of eccentric millionaire, Mr. Deutch (Roland Culver). Deutch is terminally-ill and obsessed with discovering survival after death. The Belasco House, the “Mountain Everest of haunted houses”, has yet to be refuted. Continue Reading
In 2002, horror was figuring out the next step in its evolution. The ’90s had ended on a high note, with The Sixth Sense re-establishing slow-burn ghost stories as financially viable, and The Blair Witch Project bringing found footage to the masses in a way the then-cult stomach-churner Cannibal Holocaust never could. At that point, Dark Castle had brought a few inventive re-imaginings of William Castle films to a new generation of horror viewer, while the remake floodgates wouldn’t be kicked open proper until 2003’s The Texas Chainsaw Massacre. It was also two years before Saw (allegedly) captured the zeitgeist of the George W. Bush era, turning notions of torture into a financially lucrative extension of the genre.
2002 did show inklings, however, of where mainstream horror might go. In a nod to the relative subtlety and simplicity of The Sixth Sense, and the “something’s out there” (but not necessarily seen) notion of The Blair Witch Project, Dreamworks mined a hit from Gore Verbinski’s The Ring (itself a remake of Japan’s Ringu). Continue Reading
Director: Tim Burton
Writers: Michael McDowell (story), Larry Wilson (story)
Stars: Alec Baldwin, Geena Davis, Michael Keaton, & Winona Ryder, et. al.
Release Date: 30 March 1988 (USA)
Review “Living Through the Black Death and Having a Good time Through It” by: J.G. Clay
Every now and again, a film slithers its way from the screen into the Geek Cloud, that weird consciousness shared by folks of a certain demeanor, character and temperament. From Star Wars to the umpteen Offerings from the Universe of Stan Lee (RIP), the tired and huddled masses absorb a dearth of quotable lines and drunken discussion worthy scenes. With this wealth of filmic foolery to play with, its little wonder that a few noteworthy works fall through the cracks to lay undiscovered for years or even centuries. I should know. Many a time I’ve mentioned the shotgun spinning skeletal bat from ‘House’ or the neon lit ‘one fingered salute rising from the rear of car in ‘My Science Project’ only to be met with stony glances and the occasional ‘shut the fuck up. That never happened. I know it did, I know these films exist and I recommend you check them out. Continue Reading
As you no doubt have noticed from the fancy title above, we’re kicking off 2019 with a brand new “In Review” series focusing on both the paranormal and supernatural within the horror genre. Obviously there are a lot of paranormal and supernatural themed movies out there, so to keep things as unison as possible, we’re going to walk that fine gray line of all things ghostly and demonicly. Believe it or not, Amityville II: The Possession is the perfect movie to start with as it too walks the line between paranormal hauntings and supernatural possessions. Plus its pretty twisted and stars Burt “Paulie” Young. So sit back and hang on as we explore one of the most insidiously fun movies 1982 ever spawned. Continue Reading
We close out this years Slashers & Serial Killers in Review with not the best slasher serial killer movie. Not the corniest. Not the goriest either. Stay with me. What made Silent Night, Deadly Night one of the most memorable slashers of the 1980s and how it cemented in our final review of slasher and serial killer movies was the outrage from PTA type super-moms (think Kyle’s mom from South Park) that would shadow over the slasher horror sub-genre for the rest of its days. And yes, i do consider the slasher era to be over. We may get strays in every now and again, but its fundamentally over. Just like the Universal Monsters. Yeah, that 2010 remake of The Wolfman was alright but we need to face the hard truth, the newer Hollywood attempts to recreate the Golden Era feel like a drunk uncle trying to be cool in front of his nephews and nieces with a box of Pop-Its. Continue Reading
Happy Birthday to Me
Release year: 1981
Starring: Melissa Sue Anderson; Tracey E. Bregman; Glenn Ford; Matt Craven; Lisa Langlois and Lawrence Dane.
Directed by: J. Lee Thompson
Review by: Kim McDonald
Lee Thompson’s film, HAPPY BIRTHDAY TO ME, is one of many slasher flicks that came out of the 80’s. However, screenwriters John Saxton and Peter Jobin manage to create some interesting twists through misdirection. The film also has some of the most gruesome deaths of the slasher sub genre. It’s a fun movie that seems largely overlooked, despite 80’s horror nostalgia. Continue Reading
Directed By: Rob Hedden (The Colony, Alien Fury: Countdown to Invasion)
Starring: Jensen Dagget (Asteroid, Major Leagues: Back to the Minors), Peter Mark Richman (The Naked Gun 2 ½ The Smell of Fear, 4 Faces), Scott Reeves (Edge of Honor and for those Soap Opera fans out there he was Steve Webber in General Hospital), and Kane Hodder once again playing Jason.
Released By: Paramount Pictures and Horror Inc.
Release Year: 1989
Release Type: Theatrical Release
MPAA Rating: Rated R
Review by: Andy Taylor
I have a very strange habit, one that sets me apart from my fellow humans, and that habit is, I try to let people enjoy the movie, television show, or musical act they love without chiming in about how much I might hate it. There are so many different varieties of entertainment, and within each of those varieties, a plethora of genres to pick from, so I fail to see the point in ruining someone else’s time by letting them know how wrong their opinions are to me. Continue Reading
Slashers & Serial Killers in Review: Texas Chainsaw Massacre/ The Hills Have Eyes Remake Double Feature!
Fresh from Fright Fest we’re resuming our annual In Review series with a special double slasher feature with the remakes of The Texas Chainsaw Massacre and The Hills Have Eyes. Yes. Okay. First off, I understand that reboots and remakes are typical fodder for heated debate. Often, i would agree with the naysayers and who much rather prefer new stories instead of rehashed ones. HOWEVER…sometimes a reboot or remake is just what the doctor ordered, no? Consider Cronenberg’s 1986 The Fly versus Kurt Neumann’s 1958 original staring Vincent Price. Or Don Siegel’s 1956 take on Invasion of the Body Snatchers versus Philip Kaufman’s 1978 version. While these originals were themselves fantastic films, the remakes added to the story for a new generation of moviegoers. Today’s double feature films are not necessarily better films than the originals nor are the above mentioned movies, but they weren’t totally unnecessary. Right? Let me explain myself. Continue Reading
And here we are. We made it through yet another 31 days of Fright Fest. This was our third year running, and with each I think we’ve gotten better, adding more and more really cool movies. We could not have done this without the amazing writing from some stellar contributors. And we certainly appreciate readers such as yourself, taking time from your day to read our thoughts and ramblings on dark and twisted movies. So, without further ado, let’s get into this final review for 2018’s Fright Fest. As for vampire films, in the early to late 2000s, it seemed as if they had lost their bite (pun totally intended). The vampire as a monster had somewhere along the way from Dracula to Edward lost its sensibility of being in fact a monster. For me, 30 Days of Night was an answer to my lament for the return of scary vampires. Continue Reading
Bordello of Blood
Staring: Angie Everhart, Erika Eleniak, Dennis Miller, Corey Feldman, Chris Sarandon, and Phil Fondacaro
Directed by: Gilbert Adler
Review By: Pembroke Sinclair
I’ve watched this movie several times, and each time I do, I hope that I’m going to like it. It hasn’t happened yet. The older I get, however, the more I recognize the not-so-subtle choices made throughout the film.
The first of these is casting. There are a variety of actors in this film that have been in vampire movies before, including Corey Feldman (The Lost Boys) and Chris Sarandon (Fright Night). The irony for Bordello of Blood is that these characters play opposite roles. For example, Corey’s character doesn’t defeat the vampires in Bordello like he does in The Lost Boys, he becomes one. Chris’ character isn’t a vampire, but an incredibly religious televangelist. For anyone who is versed in their vampire films, these changes can be viewed as amusing. Continue Reading
Fright Night (1985)
Written & Directed by Tom Holland
Starring: Chris Sarandon, William Ragsdale, Amanda Bearse, Stephen Geoffreys and Roddy McDowall
The Gist: A horror-obsessed teenager discovers that his next door neighbor is a murderous vampire. He attempts to convince the police, his family and friends to no avail. Seeing no other option, he takes matters into his own hands.
The Review (ish):
It was 1985. I was twelve going on thirteen, finally I was about to be taken seriously as a teenager! If you believe that I also have a vampire living next to me. In 1985 when Fright Night was originally released I would still consider myself a fledgling horror fan well on my way to a lifetime trudging through the wonderful world of blood and guts. It was a time when many local stations all over the country had some sort of Horror Host on late night usually on a Friday or Saturday night who did goofy gags, related movie trivia and usually showed low budget, B Horror movies. Horror Hosts kind of died out for a while though they’ve made a nice resurgence in recent years thanks to the internet where any horror fan can get a show started provided they have a camera or hell, just a phone these days. Why bring this up? Have you seen Fright Night? If you answered no and consider yourself a horror fan then you may want to just stop here and go correct that. Seriously, stop reading dimwit! Go watch Fright Night! Then grab some coffee and we’ll talk. Go on… I’ll wait. Continue Reading
Starring: Sheila Vand, Arash Marandi, Mozhan Marno, Marshall Manesh, & Dominic Rains
Written By: Ana Lily Amirpour
Directed By: Ana Lily Amirpour
Synopsis: In the Iranian ghost-town Bad City, a place that reeks of death and loneliness, the townspeople are unaware that they are being stalked by a lonesome vampire.
Every now and then, a film comes out that manages to fly under the radar a bit. A Girl Walks Home Alone At Night is one of these movies. It made its waves upon its initial release but unfortunately, many people have yet to hear of this one. The film is writer/director Ana Lily Amirpour’s first feature film and it is one hell of a way break out! Continue Reading
Director: Timur Bekmambetov
Starring: Benjamin Walker, Dominic Cooper, Anthony Mackie
Supporting actors: Mary Elizabeth Winstead, Rufus Sewell
Movie review: Erin Lee
Step into a Twisted Legend with “Abraham Lincoln: Vampire Hunter”
If “history prefers legends to men,” this movie hit the mark. Dark and packed with action and predictable blood-thirsty violence, this movie might at first come across as your average vamp hunt flick. Quickly, though, this complicated historical fictional tale’s plot begins to thicken – making it a movie for both vamp gurus and those who aren’t as vamp-savvy alike. Frankly, this is one of those movies where you just know it had to have been based off a book because its plot is so well-developed. (In this case, by Seth Grahame-Smith and one I may pick up just to get more of the back story I suspect was left out). Continue Reading
Until recently, Stephen King movie adaptations were dreadful. And not in a good way. His first adaptation was good, the 1976’s depiction of Carrie, which may have had more to do with Brian De Palma’s version and not the journal styled storytelling from King. Some adaptations, mostly spanning through the 90s, where just down right embarrassing. Both made for TV movies IT and The Stand were nauseating to watch. In fact, it was only through a sheer force of will that i was able to finally watch the entire 90s IT movie. Without Tim Curry I wouldn’t have made it. But nowadays, King movies seem to be doing alright. The new IT is actually creepy and fun to watch. Adaptions of his newer work such as 11.22.63 was great. And i’ve heard nothing but good things surrounding the new Castle Rock show. But before all these newfound home runs, solid adaptions were slim pickenings. However, there was one that was and still is arguably the best Stephen King inspired movie, and that would be Tobe Hooper’s take on Salem’s Lot. Continue Reading
Martin is a 1978 psychological horror film written and directed by George A. Romero. While Romero is best known for his Dead movies (of which the first, Night of the Living Dead, I wrote up an analysis), Martin was his avowed favourite.
Martin Mathias (John Amplas) is a vampire…or is he? He lacks the fangs, using razor blades to cut the wounds from which he drinks the blood. Sunlight bothers his eyes a little, and neither crucifixes nor garlic have any effect on him.
Still, he insists that he needs to drink blood; he also maintains that he’s eighty-four years old, though he looks like a teen, or at the oldest, a man in his mid-to-late twenties (i.e., Amplas’s age at the time of shooting the film). Finally, his “cousin”?/great-uncle, Tateh Cuda (Lincoln Maazel), following the superstitions of the family, is as convinced that Martin is a vampire as he is. Continue Reading
Directors: Ubaldo Ragona (as Ubaldo B. Ragona), Sidney Salkow
Writers: William F. Leicester (screenplay), Richard Matheson (screenplay) (as Logan Swanson)
Stars: Vincent Price, Franca Bettoia, Emma Danieli
You can credit Richard Matheson’s 1954 novel, I am Legend, for many things. George A. Romero’s Night of the Living Dead borrowed heavily from I am Legend. In tone and visuals, mostly. But it’s interesting to note that Romero changed the landscape of his tale to reflect the mindless eating machine known as the zombie (a monster he completely retooled that many have appropriated) while Matheson choose a primitive form of vampiric new breed of civilization. One with a secreted illuminati who were also at war with the savage cattle that obeyed only its bloodlust. Continue Reading
Starring: George Clooney, Harvey Keitel, Quentin Tarantino, & Juliette Lewis
Written By: Quentin Tarantino
Directed By: Robert Rodriguez
Synopsis: On the run from a bank robbery that left several police officers dead, Seth Gecko (George Clooney) and his paranoid, loose-cannon brother, Richard (Quentin Tarantino), hightail it to the Mexican border. Kidnapping preacher Jacob Fuller (Harvey Keitel) and his kids, the criminals sneak across the border in the family’s RV and hole up in a topless bar. Unfortunately, the bar also happens to be home base for a gang of vampires, and the brothers and their hostages have to fight their way out. Continue Reading