I’ve often written or talked about the first ever zombie film I saw, the eponymous Dawn of the Dead, by the legend that was, George A. Romero. The second was Return of the Living Dead II, the line, “His brains, they smell so spicy,” still sticks firmly in my head. The third, though unknown to me at the time, would probably have as big an impact as the first. It was Night of the Comet.
The film is basically a 50s/60s B-Movie, made in the eighties. It has a cheesy voice-over at the beginning which would not be out of place in Invasion of the Bodysnatchers or War of the Worlds. The setup is remarkably similar to Day of the Triffids. A once in a lifetime meteor shower promises an amazing light display, so the entire world and their dog hold street parties to have a few beers and take in the sights. Unfortunately, thanks to the heavy handed introduction, we learn that this very comet also made an appearance just as the dinosaurs disappeared. Continue Reading
The Video Dead
Director/writer: Robert Scott
1 Hr 30 mins.
Release Date: November 1987
An unlabeled crate from an unknown source is delivered to a house in the woods. The homeowner unwisely accepts the delivery, only to discover it contains a TV set that starts spewing giggling zombies all over the place. When a new family moves into the now-abandoned house, the son discovers the haunted television and is soon told what he needs to do to send the zombies back where they belong. Knowing and doing, however, are two very different things, and the zombies are not likely to go quietly.
Return of the Living Dead
by D. S. Ullery
Released August 16,1985.
Screenplay by Dan O’Bannon
Story by John Russo, Rudy Ricci and Russell Streine.
Directed by Dan O’Bannon
Starring Clu Gulager; Thom Matthews; James Karen; Don Calfa
There’s a moment about midway through Return of the Living Dead wherein several humans (who are trapped inside of a funeral parlor as waves of zombies run rampant outside) tie the writhing half-corpse of a long dead woman to an embalming table. Continue Reading
Though zombie is never said in Night of the Living Dead, this 1968 horror film set the standard for all following zombie films: radiation raises the ghouls (as they’re called in the film) to life (though, as of this film, radiation as a cause is only speculation), they move in a slow, plodding manner, they eat the flesh of the living, and the people they kill turn into zombies.
What makes George A. Romero’s Dead films so important, though, isn’t the thrills and chills they provide, as generous as that providing assuredly is. It’s the social and political commentary, hidden beneath the piles of corpses, that distinguishes him from his imitators. The following is my interpretation of that commentary, a theme of mindless, pitiless killing, and a killing not limited to what the zombies commit, by the way. Continue Reading
Okay, seriously…have you seen the new Kong? For starters though, i’ll admit it is kinda strange taking on a creature feature review outside of the Creature Features in Review series. However, as I had the gumption to finally watch the latest of Kong movies, Kong: Skull Island, I felt compelled to write down some of my thoughts regarding said movie. There are no spoilers here, per say. Kong holds not mystery that hasn’t already been shown in the many previews and trailers that came out prior to the movie’s release. So, I don’t feel bad talking about it. Continue Reading
[99 minutes. Unrated. Director: Jack Heller]
It exists, has always existed, but feels increasingly harder to find these days, especially in the horror genre.
No, I’m not talking about Bigfoot or the Fouke Monster or the Wendigo.
I’m talking about something that’s harder to pin down; something that is, more often than not, maddeningly subjective. Something that comes with a storyteller’s approach to horror.
That “something” is sincerity. Continue Reading
Chad’s take on It.
In 1990, the world of Stephen King expanded even more as ABC aired a miniseries adaptation of his legendary book, IT. The movie would span across two parts and feature a large ensemble cast, the same group of characters, both as children and as adults. The success or failure of the film aside, Tim Curry’s performance as Pennywise has gone down as one of the more brilliant portrayals of a Stephen King character, alongside Jack Nicholson as Jack Torrence and Kathy Bates as Annie Wilkes.
We find ourselves now in the year 2017, on the brink of a new film adaptation, this time set for a theatrical release as opposed to television. And while the original miniseries continues to have legs in terms of the fans, as the years go on, it seems to take more of a turn towards being mocked and criticized as a joke and a failure, a betrayal of source material which I concede is likely King’s greatest book. Continue Reading
[ BIG SPOILERS—like, skip-to-the-number-score-if-you’re-actually-worried level spoilers ]
Okay, two things right out of the gate: this movie is terrible… but I’m going to explain to you why I feel (if you enjoy a certain level of badbad = goodgood) you should still watch it.
Also, it’s basically about mutant fish people raping women (when they aren’t killing everyone else to get to that) but seeing as how I highly doubt there are going to be humanoid fish people waddling out of the sea and actually raping anyone anytime soon, I’m not going to address that further in any serious way after this intro. I also won’t make a joke out of it, though, and you can call me what you like for that. Continue Reading
Run Time: 91 minutes
Director/Writer: Frank Henelotter
Main Cast: Kevin Van Hentenryck, Terri Susan Smith, Beverly Bonner, and Robert Vogel
A young boy and his basket creature travel to New York City in hopes to start their life anew, but not without seeking a bit of revenge first. Will the unexpected pair make it out alive? To find out, watch Frank Henelotter’s Basket Case.
I really enjoyed the opening scene and it was an excellent way to foreshadow what this film has in store: just enough suspense, just enough creature, just enough silliness, and just enough gore! The special effects were certainly not lacking during this scene at all; as a matter of fact, the entire film had pretty decent special effects — that is, aside from the most important part: the monster itself — but with a film like this, I can forgive it. (I probably shouldn’t, but when you see it for yourself you’ll understand why.)
Another subject that I find important to mention to those who are interested in watching this film is the music. It is to DIE for! It reminds me a lot of the music that you often hear while watching an Italian horror film, or, to be more specific, a giallo mixed in with a few short spurts of music that could only be described as something you would expect to hear on Seinfeld. Quite a strange but beautiful combination, but it somehow works!
Every character that you encounter during this wild and crazy adventure is so over-the-top and hilarious in their own way, with one of my favourites being the secretary for the doctor near the beginning of the film. The writing in Basket Case is campy and fun, but you really have to be in the mood to watch a film like this; it’s not campy in an Evil Dead sort of way, it’s campy in a way that’s almost too much. Perhaps I’m looking at this film with too much of a critical eye, but for me to analyze this film this much in depth it almost makes it a bit less enjoyable.
For the most part, the acting isn’t terrible and is about on par with what I would expect for a film like this. It doesn’t take away from the film, nor does it distract me, and if anything it adds to what makes this film so enjoyable for a horror fan. In most films, this kind of over the top acting would be frowned upon, but it honestly works for this movie. As for the cinematography — it is what it is. I feel like the scenes were well-filmed and that they weren’t just filmed once and thrown into the film. (Yes, I’m looking at you, Microwave Massacre.) The director obviously came into this film with the intent for it to be over-the-top, and he succeeded in that manner, but, to be honest with you, there are scenes that just went too far. I will let you know: you do unnecessarily see a man’s willy in this film, and, like any other mature, adult lady, it totally gave me the giggles. All in all, I rate this film five-and-a-half deformed monster sex scenes out of ten, and I recommend you to rent this movie!
Hi! I’m Chantel, also known as Channy Dreadful (the headmistress of dreadfulreviews.com), and I am one creepy ghoul hailing from a small city in Saskatchewan, Canada. I am a semi-regular podcast voice, making guest appearances on several podcasts — with the first being Dead as Hell Horror Podcast, and as well on the likes of The Resurrection of Zombie 7, Land of the Creeps, Streaming Horror Society, Horror Movie Podcast and Whedonverse Podcast. Horror-movie-wise, I prefer movies that dabble in the paranormal as well as demonic possession films. These ones get under my skin the most and if done correctly they can also linger in the back of my mind for several days. I also enjoy slashers — the classics, mostly — with killers such as Michael Myers, Freddy Krueger, Jason Voorhees and my personal favourite Ghostface. I spend most of my free time (aside from watching horror films) reading and collecting comic books, which has been one of my favourite pastimes since I was just a little batling. I have also been a professional paranormal investigator with several groups for the past seven or so years locally, with roots stemming from my childhood. Horror and the paranormal have always been a passion of mine, and have part of my life since I can remember. If you’re interested in getting to know me further you can follow me on Twitter @channydreadful! Keep it creepy! xxx
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