The mad genius may be an over played trope, but it is still entertaining to watch. I have to wonder though if the character in question on today’s installment of Slashers & Serial Killers would fit into the mold of “mad genius.” Is Hannibal “The Cannibal” Lecter truly mad? Is he insane, mentally ill, certifiable, deranged, demented, or otherwise of unsound mind? Honestly, that’s a tall order. What he does is shocking, sure enough. I think we can at the very least say for certain that he is a genius. You don’t become a physician and practicing psychologist speaking fluently in several languages with perfect memorization and dictation of countless works of art and poetry, not to mention an obsessive culinary skill, without the moniker of said genius. Mad though…that begs the question. Continue Reading
I had the basic plot idea for Literary Stalker – a bad writer with grudges who takes revenge on selected colleagues – many years before I wrote the novel, but it remained on the back burner because it seemed too simplistic. Then I had the further idea of making the work a pastiche, with showcased references to films and other novels, very much in the style of Quentin Tarantino. Having fun developing this, one film in particular popped into my mind – one I hadn’t actually viewed for decades, but which I remembered fondly from way back in the 1970s and ’80s. It was Theatre of Blood, and I got the DVD and re-watched it, several times. The rest, as they say, is history. Continue Reading
Well, here we are. Six years after Nancy defeated(?) Freddy, and a new batch of crazy(!) teenagers for our favorite undead serial killer to torment when their eyes close. Heather Langenkamp and John Saxon reprise their roles as Nancy and Lt. Thompson (from ANOES) and we find that Nancy has gone to school to become a psychiatrist making groundbreaking work in “Pattern nightmares.” This was the directorial debut of Chuck Russell, who would go on to direct the cult favorite The Blob remake, as well as Jim Carrey’s comedy The Mask. Based on a story by Wes Craven and Bruce Wagner, the screenplay was written by Wagner, Craven, Russell and a young upstart writer named Frank Darabont (I hope I don’t need to remind this crowd who HE is, do I?)
As I said, there is a new cast of teenagers to be led to slaughter by Freddy, including Kristen (Patricia Arquette), Kincaid (Ken Sagoes), Joey (Rodney Eastman), Taryn (Jennifer Rubin), Phillip (Bradley Gregg), Will (Ira Heiden), and Jennifer (Penelope Sudrow). Continue Reading
Imitation is often seen as a tribute to an artist; other times it is seen as a mockery and a laughable attempt to establish, oneself, in a world of other artists. A question that should be asked, what separates the good imitations from the worst?
The answer is a little more underlying.
A work of imitation can branch off and become something different, something appreciated by others. The difference is—Appreciation for the original work and artist—nothing more.
In 1978, John Carpenter set out and defined the slasher genre. Many fans were introduced to their first masked serial killers: Michael Myers. The original story was enough to send millions of fans into a terror filled adventure, murder and mayhem a-plenty. Man escapes mental institution after murdering his sister twenty years prior and begins slashing and stabbing his way through Haddonfield, IL. Continue Reading
Texas Chainsaw Massacre 2: A favorite in Slaughter town
As little girls our mother allowed us to watch the first Texas Chainsaw Massacre, being all of maybe nine years old we were terrified (and, yes, probably too young to watch it but our mom’s awesome like that). The thoughts of some psycho cannibal family living in an old farm house in Texas, hacking unsuspecting people to death and then consuming them definitely reached a higher level on the horror meter than some of the classics we had been previously exposed to and yet there was an element to it that really drew us in. That man behind the skin mask, not speaking a word yet saying so much to us, he won our hearts forever.
Flash forward a few years when we are on the cusp of becoming teenagers, the precious years when other girls are like totally concerned with regular girl things like makeup and stylish clothing, it was then that the young Sisters of Slaughter were reintroduced to a certain family of cannibals in the form of a sequel, a horror comedy that helped shape their twisted senses of humor, one that is celebrated in Slaughter Town like a national holiday. Continue Reading
The Eighties are often thought of as the Golden Age of Slasher movies. And why not? We had Jason and Freddy and Michael roaming around movie screens, dispatching hormone-addled teenagers in creative ways. It all became a bit formulaic, but with pretty naked people and bucketfuls of the red, red kroovy, who cared? The horror algorithm was simple back then, and anybody who could get funding from family or a cabal of local medical professionals could follow the formula, shoot a movie in a couple weeks, and potentially get a lucrative distribution deal.
With an audience hankering for knives and nubiles, other horror movies got lost in the shuffle. That’s why most people have probably never heard of Alone in the Dark, a terrific movie from 1982 with no nudity, little bloodshed, and no young’uns traipsing through the forest, tripping over tree roots in the dark. Continue Reading
In June 1983, drifter Henry Lee Lucas was convicted of 11 murders. Later, he confessed to over 3,000, but retracted many of these over time. Today, most believe that Lucas was responsible for about 40 separate killings, including his sex worker mother, and Becky Powell, the intellectually-impaired 15-year-old niece of his close friend and lover, Ottis Toole.
Henry: Portrait of a Serial Killer (1986) is as much a biopic and crime drama as it is a horror film. It is as far from the territory of Jason, Michael and Freddy as an 80s serial killer movie can be, and its uncompromising violence and dread-soaked atmosphere ensured controversy and a release plagued with censorship issues. These problems set its American release back by 4 or so years, while in the UK, the uncut version of Henry was only made available in 2003, a full 17 years after it was made. Continue Reading
If a friend asked me, “Hey, Tommy, can you recommend a good slasher movie?” Off the cuff, I’d typically guide said friend to one of the many wondrous titles under the Friday the 13th franchise or Nightmare on Elm Street. If they wanted obscure but tasteful, I’d most likely say The Prowler or The Burning. Those looking for something for date night, I’d recommend Scream or perhaps Silence of the Lambs. If I wanted to sound like an intellectual or one of those real classic film guys, I’d suggest Psycho. But if I were really brave…if i wanted to take the risk, if not in losing a friend and all credibility in recommending slasher movies, but also risk being looked at (at worse) like some weirdo pervert, well…if i didn’t care about that, then I would totally recommend THE LAST HOUSE ON THE LEFT (1972).
This isn’t to say that THE LAST HOUSE ON THE LEFT (TLHOTL) is a horrid movie. Its not. Its actually quite amazing. Raw. Brutal. Shocking. And truth be told, not entirely that fun of a film. Just how slasher flicks really ought to aspire. TLHOTL doesn’t wear a mask to scare you, it removes the mask, and in so doing is utterly terrifying. There is no pleasure in the depravity, except for perhaps towards the end when the protagonists’ parents exact revenge (more on that later). In Friday the 13th or Nightmare on Elm Street or even Halloween, we’re (mostly) rooting for the killer, “Yeah! Murder those dumb stupid teenagers!” But in TLHOTL, those very scenes are sickening and uncomfortable to watch. Continue Reading
American Psycho is a satirical novel written by Bret Easton Ellis and published in 1991. It is an unreliable first person narrative, in the present tense, given by the main character, Patrick Bateman, who is a yuppieliving in 1980s New York City. It is an extremely controversial novel, given its depiction of increasingly brutal violence against women; this issue led many feminists to protest the novel.
A movie version was made in 2000, the screenplay written by Guinevere Turner and Mary Harron (the latter also being the director), and starring Christian Bale in the lead role. The movie removed or mitigated the novel’s violence, and rearranged much of the material: apart from that, the film was reasonably faithful. Continue Reading
Starring: Donald Pleasence, Jamie Lee Curtis, P.J. Soles, and Nancy Loomis. With Nick Castle and Tony Moran portraying Michael Myers.
Written By: Debra Hill and John Carpenter
Directed By: John Carpenter
Synopsis: On Halloween night of 1963, six year old Michael Myers brutally murders his seventeen year old sister, Judith. He was sentenced to a mental hospital but on October 30, 1978 he escapes and a string of murders begin in his hometown of Haddonfield, Illinois.
“Halloween isn’t just a good story; it’s a film that demonstrates an unprecedented understanding of it’s very media. It’s a story that could only be told cinematically, a true folktale for the 20th century and beyond. Light, shadow, silence and good sound form into an experience both tangible and transcendent. It’s a wholly immersive work of art, a rare instance of pure cinema. Like it’s antagonist, it will never die.” -Stef Hutchinson, taken from the 35th anniversary Blu-Ray. Continue Reading