Directed By: Robert Rodriguez (From Dusk Till Dawn, Desperado)
Starring: Jordana Brewster (Fast and the Furious Series), Clea DuVall (Carnivale, Identity), Louis Harris (Dead Like Me, Severance), Josh Harnett (30 Days of Night, Bunraku), Shawn Hatosy (Alpha Dog, The Lazarus Project), Elijah Wood (Lord of the Rings, Sin City) Robert Patrick (Terminator 2, From Dusk Till Dawn 2), Famke Janssen (X-Men, GoldenEye), Piper Laurie (Carrie, Twin Peaks), Bebe Neuwirth (Cheers, Jumanji), Daniel Von Bargen (Lord of Illusion, Super Troopers), Jon Stewart (Former Daily Show Host), and Selma Hayek (Desperado, From Dusk Till Dawn)
Written By; David Wechter (Penn & Teller’s Bullshit), Bruce Kimmel, and Kevin Williamson (Scream Film Series, Cursed)
Release Year: 1998
Review by: Andy Taylor Continue Reading…if you dare!
[ STARTS WITH A SPOILER AND NEVER LOOKS BACK *THE CROWD REJOICES* ]
Have you ever seen that episode of Cowboy Bebop in which Spike leaves a lobster in the Bebop’s backup refrigerator for a super long time, birthing a small, amorphous creature that hunts the crew of bounty hunters (or “cowboys” in the show, shucks howdy!), spearing them with something from its body that knocks them out and incapacitates them? Yeah, this movie is like an expensive, pretty, gorier, and over-serious version of that. I have a feeling I’m not the first to make this comparison, but either way it fits. Something about the way the creature is handled and how it moves and hides and the camerawork when it’s near.
It could also be said that the Cowboy Bebop episode I’m referring to is itself an homage to Alien (ha! I’m only two paragraphs in and I found a way to bring up Alien—my obsession is nearing its final, truest form….), which itself was a transcendent evolution of earlier Sci-Fi/Horror film tropes and themes. So, at this point, all SF/H films (especially those set in a ship in space, on other planets, etc.) could be said to lead back to Alien as being a major influence. Or at least the general framework and approach set up by that film. And as I’ve said before in earlier ramblings and quoting others, the biomech humanoid creature in Alien that hunts the crew could just as easily be a vampire in a castle or Dracula specifically on his trip to London on the Demeter (as I quoted Valaquen of the Strange Shapes Alien franchise blog stating earlier in my Planet of the Vampires review), when boiled down to asymmetrical survival horror by an unknowable creature. Everything old is new again. Continue Reading…if you dare!
Directed by Dan Trachtenberg
Written by Josh Campbell and Matthew Stuecken
Starring: John Goodman, Elizabeth Winstead and John Gallagher Jr
A Review-ish by Feind Gottes
The Gist: After a car accident Michelle is rescued by Howard and taken to his bunker. When she regains consciousness Howard informs her that aliens have attacked Earth poisoning the air outside so the bunker is the only safe place. Eventually she meets Emmet also taking up shelter in Howard’s bunker and learn that inside the bunker is just as scary as outside.
My Review-ish: For those who aren’t aware 10 Cloverfield Lane is a sequel to JJ Abrams cult classic Cloverfield (2008). However, it isn’t the sort of sequel anyone is used to seeing. It’s more of a sister film or companion film rather than an actual sequel. This is a concept I think is pretty damn cool. Also, since I’m not really a fan of Cloverfield I’m happy this sequel is a completely different type of film. Where Cloverfield is basically a found-footage type of film, 10 Cloverfield Lane is a full on psychological thriller and one of the best ever at that. Now I have a couple issues with this movie that I’ll get to at the end but for now let’s concentrate on the positives. Continue Reading…if you dare!
Directed by: Alex Garland
Adapted for the Screen by: Alex Garland, based on the novel by: Jeff VanderMeer
Starring: Natalie Portman, Jennifer Jason Leigh, Oscar Isaac and Tessa Thompson
Released: February 2018 (USA)
A Review-ish by: Feind Gottes
The Gist: A biologist’s husband returns one year after leaving on a Top Secret mission but is not the same man who left. Government officials take the couple into custody where the biologist learns of a mysterious zone her husband was sent to explore and returned as the sole survivor. In order to find out what happened to her husband the biologist enters the zone with a team of her own where no one knows what they will find. Continue Reading…if you dare!
Directed by: Jeremy Gillespie, Steven Kostanski
Written by: Jeremy Gillespie, Steven Kostanski
Starring: Aaron Poole, Kenneth Welsh, Daniel Fathers, et. al.
Released: April 2017
Review by: Jeffery X. Martin
Synopsis: “Shortly after delivering a patient to an understaffed hospital, a police officer experiences strange and violent occurrences seemingly linked to a group of mysterious hooded figures” -IMDb.
Close your eyes for a moment. It’s okay. Trust me on this. Just shut your eyes. Now, envision tentacles. I know. Weird, right? But for a few seconds, allow yourself to think about tentacles. Continue Reading…if you dare!
Directed by: John Carpenter
Writer: John Carpenter
Starring: Donald Pleasence, Lisa Blount, Jameson Parker, Victor Wong, Dennis Dun, Alice Cooper (as Street Schizo), et. al.
Released: Oct. 1987
Article: “Pre Biotic Fluid Mutants: John Carpenter’s Prince of Darkness” by JG Clay.
Its almost that ‘most wonderful time of the year’’, folks. No, no the commercially driven saccharine drenched credit indebted mutant known as Christmas. I am referring to a day which is special to me on one count and also to horror fans on two counts. I’m talking about Halloween of course, the day when 46 years ago, I made my debut appearance in this cosmic play we call ‘life’, a day celebrated by people of a darker nature and, last but by no means least, the night that John Carpenter brought Michael Myers home. Continue Reading
Director: Stanley Kubrick
Writers: Stanley Kubrick, Arthur C. Clarke
Starring: Keir Dullea, Gary Lockwood, William Sylvester, et. al.
Released: May 1968
Article “Analysis of ‘2001: A Space Odyssey’ written by: Mawr Gorshin. Originally published on MawrGorshin.com.
2001: A Space Odyssey is a 1968 science fiction movie produced and directed by Stanley Kubrick and written by him and Arthur C. Clarke. The film is often said to be based on Clarke’s short story, “The Sentinel,” but this is a gross oversimplification, as only a small moment in the film parallels the story, and even that part is radically rewritten. The actual literary equivalent of the film is the novel credited only to Clarke, but cowritten by Kubrick. Continue Reading
Written and Directed by: Clive Barker
Starring: Andrew Robinson, Clare Higgins, Ashley Laurence, and Doug Bradley, et. al.
Hellbound: Hellraiser II: 1988
Directed by: Tony Randel
Written by: Peter Atkins/Story by Clive Barker
Starring: Clare Higgins, Ashley Laurence, Kenneth Cranham, Doug Bradley, Barbie Wilde, Nicholas Vince, et. al.
Review by: D. S. Ullery
You’ll notice I’ve opted to combine my analysis of the first two films in the long running Hellraiser series into one long piece, as opposed to separating them into two articles. No, I’m not being lazy (well, maybe a little). This is actually a conscientious decision, arising from my opinion that the first two chapters of the saga inspired by Clive Barker’s novella The Hellbound Heart are so inexorably intertwined they essentially function as two halves of the same, epic film. I’ve opted to approach my review accordingly. Continue Reading…if you dare!
Directed By: Joanna Going (Kingdom, Keys to Tulsa), Rose McGowan (Scream, Planet Terror), Ben Affleck (The Accountant, Gone Girl), Liev Schreiber (Ray Donovan, X-Men Origins: Wolverine), Nicky Katt (Suburbia, Dazed and Confused), and Peter O’Toole (Lawrence of Arabia, The Lion in Winter)
Starring: Joe Chappelle (Halloween 6: The Curse of Michael Myers, Dark Prince: The True Story of Dracula)
Written By: Dean R. Koontz (Odd Thomas, Watchers)
Release Year: 1998
Review By: Andy Taylor
I’ve never been good at letting certain inaccuracies go when it comes to cinema. I say certain because it seems to be entirely arbitrary whether an inaccuracy is going to bother me or if I’ll be able to let it go. I couldn’t care less how comic book accurate the costumes were in any superhero movie despite being into comic books since I was a child, but when the elephants don’t end up trampling the town at the end of the Disney movie The Jungle Book, a movie made for children, I’m bothered. The thousand and one scientific inaccuracies of any Star Trek show don’t pose any problem for me, but when the Klingons say “Qapla”, which easily translates to victory, and the universal translator doesn’t do the job it does for nearly every other Klingon word, I’m bothered. I’ve watched Braveheart multiple times with no problems whatsoever despite it being as historically accurate as Marvel 1602, but when American Horror Story started with the whole Roanoke thing, I seethed inside. Continue Reading…if you dare!
Director: Julius Onah
Writers: Oren Uziel
Starring: Gugu Mbatha-Raw, David Oyelowo, Daniel Bruhl, John Ortiz, et. al.
Released: Feb 2018 (Netflix)
Review by: Duncan Bradshaw
There’s one thing you can say with certainty about the (current) trilogy of Cloverfield films; they aren’t trying to copy each other. So far, we’ve had found footage and monsters in Cloverfield, with human ‘monsters’ and the claustrophobia of 10 Cloverfield Lane. I’m not going into my thoughts in those films, because people have beaten me to them already! Read the last couple of days reviews right here and here if you missed them. I will say this though, I enjoyed both of them. Continue Reading…if you dare!
Genuinely, how the hell can you review a film like Ghostbusters? It would be akin to asking me to review the original Star Wars trilogy. *Spoiler alert* – I’m a fan. Anyway, I was seven years old when Ghostbusters was released, and with three television channels, and no regular paper being delivered to our home, it was bordering on a miracle how we found out about any film de jour. But when me and my brother saw the trailer for it on telly, we were agog. When it came out in the cinema, we badgered our parents for weeks until they finally relented.
Our dad had taken us to see Return of the Jedi at the cinema the year before, but nothing could prepare us for what we saw when we turned the corner to the cinema. The queue went round the building. How long it took to get in, I have no idea, but we did, despite my mum having to gain some patience. Continue Reading
Director: Alejandro Amenabar
Writer: Alejandro Amenabar
Starring: Nicole Kidman, Christopher Eccleston, Fionnula Flanagan
Released: August 2001
Film Review By: Erin Sweet Al-Mehairi
“Sometimes the world of the living gets mixed up with the world of the dead.” – Mrs. Mills
The Others (2001) is a more mainstream gothic film that was popular most likely at the time it released because 1) Nicole Kidman 2) because films like this were popular at the time (The Sixth Sense came out with a splash in 1999). It debuted at number four at the box office and climbed to number two. However, it’s lasting popularity I think is that it’s also actually an incredible movie and has a shocking twist. It being good is validated by its twenty-nine award wins and fifty-two nominations, including Kidman for a Golden Globe. Continue Reading
When is comes to paranormal and supernatural flicks, and among those foreign in origin, there are few selections better than Ju-On: The Grudge. This movie became a kind of renaissance for me. I’ve dabbled in foreign horror films before, such as the likes of Amando de Ossorio, Dario Argento, and Lucio Fulci to name a few. Mostly all European horror. Those were the classics though. End of the world zombish supernatural and entertainingly dubbed in English. And then came my experience with the Ju-on series. It was around 2004. I was in the Army and on my second deployment to Iraq. And to help pass the time when we weren’t out on mission, a bunch of us would buy bootleg DVDs from a local Hajji on base. One of us (I can’t recall who) bought a DVD with the entire series of Ju-On movies on it. One day we watch them all. And let me tell you, even on that tiny screen, huddled together with a bunch of badass fellow soldiers, I still got freaked out. I was instantly sold on Japanese horror. Continue Reading
Director: James Wan
Writer: Leigh Whannell
Stars: Patrick Wilson, Rose Byrne, Ty Simpkins, et. al.
Synopsis: “A family looks to prevent evil spirits from trapping their comatose child in a realm called The Further.”
Release date: April 2011
Review by: Jonathan Butcher
Throughout its first half, Insidious is a wonderfully unnerving tale about a peculiar type of haunting. Then at some point along the way it becomes a goofy, balls-to-the-wall ghost train ride, complete with wacky gas-mask set pieces and a villain who is basically Darth Maul on hooves.
After the appearance of a menacing hag in the first 30 seconds, the opening credits prime you for watching scenes a little more closely than you might have otherwise. The credits roll to the sound of tense, minimalist strings played over disorienting pans of a large house. In some – or perhaps all – of the brief camera shots, something unsettling is taking place. A ghoulish face appears in a mirror. A chair is moved by an unseen force. A picture frame shifts of its own volition. And with that, the scene is set for a genuinely masterful build-up of tension, caused on some level by the creeping suspicion that unsettling things are taking place right under your, and the characters’, noses. Continue Reading
Directed By: Tommy Lee Wallace (Fright Night Part 2, Vampires: Los Muertos)
Starring: Tom Atkins (Night of the Creeps, The Fog), Stacey Nelkin (Yellowbeard, Get Crazy), and Dan O’Herlihy (The Last Star Fighter, Twin Peaks)
Written: Tommy Lee Wallace (Amityville 2: The Possession, It), John Carpenter (Escape from New York, The Fog), Nigel Kneale (Quatermass and the Pit, The Abominable Snowman)
Release Year: 1982
Review By: Andy Taylor
Halloween has always been my favorite time of year, and one of my favorite aspects of the holiday are the costumes, specifically the masks. Every year on November 2nd, I go to whatever Halloween superstore is in the area and purchase a discount mask because I am far too cheap to pay full price. This strategy has netted me a great collection of creepy, humorous, or disgusting Halloween masks. I’ve got cinematic favorites, scary monsters, and twisted psychos galore, and yet my creepiest mask by far is a large, rubber judge mask that seems to scare everyone who has seen it, judges being terrifying enough without having warped, elongated faces. One mask I’ve never been able to get, and one I would love to own, is the pumpkin mask they put out as promotion for the release of Halloween 3: Season of the Witch. They do have recreations you can get for around a hundred dollars, but if I’m paying that much for a pumpkin mask, it better have a real piece of Stonehenge in it like the ones in the film. My face might get melted off and some nasty creepy-crawlies might come pouring out of my head, but at least I’ll die a horrifyingly memorable death. Though I’m not sure Doctor Challis or the victims of Silver Shamrock would agree with the sentiment. Continue Reading
Directed by: John Carpenter
Written by: John Carpenter, Debra Hill
Starring: Adrenne Barbeau, Jamie Lee Curtis, Hal Holbrook, Tom Atkins, Janet Leigh, Et al.
Release date: 8 February 1980
Review by: Thomas S. Flowers
For me, the intrinsic appeal of ghost stories is the tale. Sitting around a campfire, sharing a ditty about life, death, and the thereafter typically involving some crime, something that went wrong, some singular cataclysmic event in which something horrible happened that over the years formed into the story. Said story exists both to scare (entertain) and to give warning. Beware the house on Redwood Street, inside its dilapidated walls a horror awaits those foolish enough to enter its haunted halls, etc. etc. In the macabre 1980 masterpiece The Fog, John Carpenter does just that. Using a traditional Gothic atmosphere, he creates a tale, campfire and all, warning the younger generation of the sins the past. Greed. Hate. Betrayal. And murder have stained the lineage of the small California coastal town of Antonio Bay. But as the idealistic community prepares to celebrate their centenary strange things begin to occur and a foreboding blue fog spreads toward the shores. Continue Reading
The Amityville Horror (1979)
A Review-ish by: Feind Gottes
Directed by Stuart Rosenberg
Adapted for the screen by Sandor Stern from the book by Jay Anson
Starring: James Brolin, Margot Kidder and Rod Steiger
The Gist: Come on, even non-horror fans know this one! The Lutz family buys a new home on Long Island (Amityville), NY where a young man killed his entire family about a year prior. Evil abounds and 28 days later the Lutz family run for the hills never to return to the home themselves ever.
My Review-ish: Now if you’re a horror fan and you do not know the basic story of The Amityville Horror I have to assume you’re very young, like under 5 or something, or you aren’t actually a horror fan in which case… WHAT THE HELL ARE YOU DOING HERE??? Due to that fact this review isn’t so much a review as it will be a personal story. Don’t worry I’ll keep it short but I should tell you this film is one of the most important horror films to me personally. Now I’ll move on to some facts then we’ll have a little fun, ‘kay? Continue Reading
Legion: The Exorcist III
Release Date: August 17 1990
Starring: George C. Scott, Brad Dourif, Ed Flanders, Jason Miller, Nicol Williamson.
Written and Directed by: William Peter Blatty, based on his novel Legion.
Review by: D. S. Ullery
I have a list I’ve compiled over the years consisting of movies I feel were grotesquely underappreciated in their initial release. Not too long ago, readers read an earlier piece I wrote about one such title – the late Tobe Hooper’s fantastic science fiction horror opus Lifeforce (you can read that article here).
The film I’m discussing today isn’t merely on that list, it holds the top spot. The Exorcist III (originally titled Legion: The Exorcist III after the novel it’s based on, but shortened to just The Exorcist III on screen and in later promotional materials) is the definitive example of a sequel hampered by both the poor reputation of an immediate predecessor (which this film thankfully ignores entirely) and a cinematic climate that didn’t really have much room for this sort of film at the time. In a bit, I’ll break down some of the specific reasons why I regard this film not only as an equal to the original but a masterpiece in its own right. Continue Reading
Directed By: John Carpenter (Halloween, Escape from New York)
Starring: Donald Pleasence (Halloween Franchise, Phenomena), Victor Wong (Tremors, Big Trouble in Little China), Dennis Dun (Big Trouble in Little China, The Last Emperor), Lisa Blount (Chrystal, An Officer and a Gentleman), and Jameson Parker (The Bell Jar, Jackals)
Written By: John Carpenter (They Live, The Fog)
Release Year: 1987
Review By: Andy Taylor
As the son of a preacher-man, it should surprise no one that I’ve always had a strong interest in religion. Christianity, Islam, Hinduism, Buddhism, and so many others have long fascinated me, ever since I found reading the Bible, the only reading material available during church, to be more interesting than listening to the sermons. I might not prescribe to any particular one, though what my beliefs are remain immaterial to this review, but I’ve read most of the different religion’s main holy books to sate my curiosity, finding each one to be a fascinating look at how early humans tried to explain the world around them. Another big interest of mine is science. I might not understand a lot of it, but I love how science continues to delve the depths of our universe for answers we’ve been asking as a species for thousands of years. In some cases, both science and religion can be blended together, though many times the two are diametrically opposed, and this can make blending them effectively a difficult task. Thankfully, John Carpenter seems to have those same interests, and being the talented writer that he is, did a good job mixing the two into a strange, but fascinating tale, even if it does suffer from a couple of issues. Before we get to that, let’s look at the weird tale of Liquid Satan. Continue Reading
Starring: Jack Nicholson, Shelly Duvall, Danny Lloyd, and Scatman Crothers.
Written By: Stanley Kubrick and Diane Johnson
Directed By: Stanley Kubrick
Review By: Joshua Macmillan
Synopsis: Jack Torrance is in recovery, now that he is clean and sober, he is on his last legs. Needing to provide for his family, Jack takes a job as the winter caretaker of The Overlook hotel. For the winter, he will move his family in the hotel and he will maintain the building and grounds. Jack doesn’t know that the hotel has its own plans, that the hotel has more than a few dirty secrets of its own. Jack’s son, Danny, has a secret of his own. Danny has the ability to read minds- a trick he learns is called The Shine. Through the shine, Danny learns that his father is deteriorating mentally and the hotel has its own evil agenda.
The shining, arguably one of the most beloved films from director Stanley Kubrick, is a film that has been discussed and dissected by so many people that the task of writing a review for it is rather daunting. Honestly, I put off writing this review as long as possible because the film has become something more than just an adaptation of a Stephen King novel. I am not the type of movie-goer that goes into a movie looking for hidden messages. I want to be entertained and taken on the ride that the story wants to tell me, taking me out of my world and thrusting me into the world of the characters. When looking at writing about The Shining, I find that you can enjoy the film whether you want to dig in deep and search out those hidden themes or if you just want to watch a movie that will take you into its world. Continue Reading
Starring: Ethan Hawke, Juliet Rylance, James Ransone, Fred Dalton Thompson, Michael Hall D’Addario, Clare Foley, and Vincent D’Onofrio.
Written By: Scott Derrickson, and C. Robert Cargill
Directed By: Scott Derrickson
Review By: Joshua Macmillan
Synopsis: A washed up true-crime author moves his family into the home of a mysterious murder. While researching the crime, he finds a mysterious box in the attic full of super 8 home videos depicting multiple grisly homicides, leading the author down a path he is not prepared to take.
2012 was a weird year for the horror genre. We saw Sinister release, as well as Excision, American Mary, The Collection, The Possession, and many others- most of which fell below the mark and found themselves in the realm of obscurity. Sinister was one of the few that didn’t fall to the wayside, instead it was one of the best horror films of the year if you look at the “mainstream” releases. Continue Reading
[PRAAAAWBABLY SOME SPOILERS IN THIS ONE]
I actually just had to go through my now-double-digits past write-ups for Machine Mean to see if I was right on this…but HHLLC will be the first found footage film I’ve actually reviewed. And by found footage, I mean the shot-on-video incarnation, and not earlier films with an in-progress-documentary-film conceit like Cannibal Holocaust, Man Bites Dog, etc..
Coincidentally, I think I was supposed to review The Houses October Built but maybe didn’t for scheduling reasons or something. I say ‘coincidentally’ because that was another found footage film about the “Haunt” industry—commercial haunted house attractions run by professionals during the fall season, especially around Halloween. HHLLC goes a very different way with its scares, mostly due to revealing itself as a different subgenre of horror to THOB, which was something more like The Blair Witch Project meets The Strangers. Continue Reading
The Grudge (2004) seems to be one of those films it’s cool to hate. The only thing cooler is preferring the Japanese original. I’m going to be uncool (not a stretch) and play a little devil’s advocate (assuming my proposed generality is accurate). I’m going to try to focus on what I think is the film’s greatest virtue. It may even be the case that The Grudge (2004), Takashi Shimizu’s English language reworking of Ju-on, has a great deal to teach us about how to make an effective horror film, even if it ultimately fell flat for you.
What is the virtue in question? The Grudge is played straight. Its premise is held up to the light to live or die by its own merit. The film doesn’t lean on homage the way many horror films have done. Recent successful horror installments like Hereditary and A Quiet Place share this quality with The Grudge. All of these films owe something to the catalog of horror films that preceded them, but they are the clear result of careful digestion and organic integration of classic tropes, not so much ham-fisted nods to their predecessors. There’s a sense that the creators were excited about the stories they were telling. They felt they had something unique in hand, and the general consensus seems to be that they were right. Continue Reading
The Omen: 1976
Starring Gregory Peck, Lee Remick and David Warner.
Directed by Richard Donner
Review By: D.S. Ullery
For a great many people, the peace and love movement launched in earnest in 1967 with the Summer of Love – and, in a larger, ideological sense, the innocence of the 1960’s – came to an ugly end on an eerily silent August night in 1969, when Charles Manson sent his followers into the Hollywood hills on a mission of murder. Even the success of the Woodstock festival several weeks later couldn’t quell the tide of rising tensions.
This may seem an odd note on which to launch a review of what’s essentially a mainstream occult horror flick about the Antichrist, but bear with me.
Between 1967 and 1974, the mood in the United States had undergone a dramatic shift away from the sensibilities distinguishing the early days of the Hippie movement. There was the assassination of Robert Kennedy, the aforementioned Manson cult crimes, the Kent State shootings, Watergate and the eventual resignation of Richard Nixon. Continue Reading