Thank goodness for Goodreads. Seriously. I don’t know how else i would keep track of my year long books read without it. Plus, there’s the progress goals that helps you keep on track with reading. There were more than a few times that I had gotten so bogged down in my own work that I needed that reminder to take a breath and read other peoples books. And I have found some good suggested reads on there too. This year, my goal was 12 books, one per month. Kinda wimpy when compared to others, I know. I saw one person with like a 500 book reading goal. Freaking crazy! I guess i’m just a slow reader. I am setting 2019 goals a little higher with plans to read more small press indie books. There year is, though, what it is. Can’t complain. I’ve read some really great titles. So, without further babbling on my part, here are my 2018 reads! Continue Reading
Starring: Taika Waititi, Jemaine Clement, Jonny Brugh, Ben Fransham, Cori Gonzalez-Macuer, and Stu Rutherford
Written and Directed by: Taika Waititi and Jemaine Clement
What We Do In The Shadows is a mocumentary about four vampires who live in a “flatting situation” in New Zealand, and it’s quite possibly the best vampire film in existence. It’s a comedy that mostly centres around friendship and the various bizarre issues experienced through life as a vampire. Each of the main characters is ingeniously based on familiar ‘vampire types’ in popular culture, and are styled and dressed according to the time period in which they were transformed. We have Petyr, an 8000 year-old ‘Nosferatu’ type, resembling Count Orlok. Viago is an 18th century dandy, similar to Louis and Lestat from Interview with the Vampire. Deacon was a Nazi vampire. Vladislav is based on Dracula (the Francis Ford Coppola version). Then we have Nick, who is turned into a vampire during ‘filming’, and is the self-professed ‘Twilight type’. The story centres on the group in their everyday life and leads up to ‘The Unholy Masquerade’, an exclusive supernatural ball. Along the way, we meet side characters such as other vampires, werewolves (“not swear wolves!”), familiars, victims, and Stu, Nick’s human friend. Continue Reading
For those who know me understand, I will never win awards for the worlds fastest reader. I see other bibliophiles and their Goodreads accomplishments and marvel. My own wife can sit down and consume a 800 page mega-novel in the span of a few days. Its insane. I don’t get how its even possible. But hey, to each their own pace, right? So, when a fast read, and I mean a good fast read, comes along, its worth celebrating. Such was the case when I started Jeffery X Martin’s new book, The Ridge on a Saturday morning and finished that night. Continue Reading
Starring: Marilyn Burns, Allen Danziger, Paul A. Partain, William Vail, Teri McMinn, Edwin Neal, Jim Siedow, John Dugan, and Gunnar Hansen as Leatherface.
Written By: Kim Henkel and Tobe Hooper
Directed By: Tobe Hooper
Synopsis: A brother and sister set out with their friends to check on the grave of their grandfather after hearing about instances of grave robbing and vandalism. After taking a detour to their family’s old farmhouse, they discover and soon become victims to a family of crazed, murderous cannibals. Continue Reading
EDITOR’S NOTE – Monster was a movie that had a huge impact on me and I think this is one example of, while the story of a film might not be as memorable, the performance elevates it into something extraordinary. I think Charlize Theron is one of the most exciting actors of our time. I’ve been a fan of hers from the day I saw her steal practically every scene she graced in Devil’s Advocate. I think she has a unique ability to completely occupy the space of a character. With many legendary actors, when it comes down to it, you still feel like you are seeing a variation on that person. I watch DeNiro’s films and for the most part, I still feel like I’m seeing Robert DeNiro, or Russell Crowe or whomever. Charlize Theron is a rare example where I feel like she becomes something completely different with each role. Continue Reading
This final wrap up post for 2017 isn’t about one individual or even two, this is about our collective achievement. Machine Mean may have started with one nerdy guy talking about horror, history, politics, and whatever else crossed his mind, but it has GROWN way beyond that. From guest posts and interviews to a full on partnership between myself and Chad Clark, we have watched this little horror movie and book review site flourish. In 2017, we had over 17,000 readers, leaving over 200 comments, drawn in from all over the world–predominately in the United States, the UK, Canada, and France. Our most popular post was Chad’s article The Dark Tower And Toxicity in Modern Nerd Culture, ringing in nearly 2,000 reads. In 2017, we posted 137 articles totally nearly 190,000 words. But we couldn’t have done this alone. We’ve had a lot of help from some 31 really awesome contributors. Continue Reading
I was a freshman in college when The Relic came out, and I remember sitting in the theater with my friends watching the film. I have a special place in my heart for creature features. I just love how creative and awesome some of the creatures turn out to be. I’m a huge fan of creatures created by Stan Winston, so I just had to see this film.
The Relic is still one of my all-time favorite creature features. Apparently my memory was a bit hazy and I didn’t remember that the audience saw as much of the creature as they did. I remember it being shown in bits in pieces in the dark, but it gets shown in all its glory—albeit in the dark, but that just adds to its awesomeness. It deserves its time on the screen. Continue Reading
Today’s offering borderlines what we’d define as a “creature feature.” The monster isn’t some radiated beast nor is it (he) cosmic or multidimensional. Castle Freak is without a shadow of a doubt human. Not subhuman nor extraordinary. He’s not unkillable (such as Jason or Freddy) or super strong. But I wouldn’t categorize Castle Freak as a slasher or serial killer or mass murderer either. In fact, when researching some info on Castle Freak I was shocked to find that it was labeled as a mystery slasher film. I think perhaps that’s because the people doing the “labeling” didn’t understand what it was they were looking at. The “monster” in Castle Freak isn’t out for revenge or to score a high kill count, in fact, there’s not a heck of a lot of death in this movie, not if it were indeed a slasher flick. No. Castle Freak isn’t a slasher, its a creature feature, and I’ll tell you why… Continue Reading
In 2005, my interest in the undead had officially been reclassified as ‘Mildly Addicted’, due in no small part to the Romero trinity of Night, Dawn and Day. By now I had branched out, and was working my way through any zombie film I could get my distended claws into. Then the news broke that Romero was making a new zombie film, Land of the Dead. To say I was a little excited would be an understatement. I remember watching it at the time and whilst I enjoyed it, it was not a patch on the originals, or most of the films I had been watching during that period.
So, looking at it objectively now and giving it another (overdue) viewing, has my opinion changed? Well…get comfortable, and I’ll begin. Continue Reading
I love horror movies. I love zombie movies. But more specifically, I love one very specific part.
I love the beginnings of zombie movies.
I love the inherent sense of dread at what we all know is coming. If the sequencing is done right, it’s a thrill to watch, with a few disparate, seemingly unconnected events and soon enough, it’s all going to shit. It’s quick. It’s brutal. It’s total. And best of all, you are never told why it is happening.
Zombies have often been painted as a metaphorical criticism of our own over-consumerism but I think it also functions as a demonstration of our own existential shelf life. That at any given moment, anything can turn on us and bring about a cruel and uncaring demise. The frailty of our own condition is really highlighted in the terrifying opening moments of any great zombie film.
What? Were you expecting a Friday the 13th Jason Voorhees review? Keeping with tradition, with Part 3 playing in the background, I’ll do my best and not yarn too much over the movie I give credit as starting my entire fascination with not just horror, but zombies too. No, not Friday the 13th Part 3, come on people, stick with the program. I’m talking Night of the Living Dead. Imagine, if you will, that you’re a twelve year old boy and you have a big sister who by all accounts ought to be hanging out with her much more mature friends but instead decides to watch movies with you. That was me. And while not every Friday (because my sister did have a life), but on most Friday nights we would have a Friday Movie Night. I’m talking pizza, popcorn, soda, candy, and whatever other junk we decided to indulge ourselves with. We’d order Pizza Hut and drive down to the local video store (Blockbuster) and rent whatever we wanted. While I cannot recall every movie night, I certainly recall the night my sister rented Night of the Living Dead. Continue Reading
I’ve often written or talked about the first ever zombie film I saw, the eponymous Dawn of the Dead, by the legend that was, George A. Romero. The second was Return of the Living Dead II, the line, “His brains, they smell so spicy,” still sticks firmly in my head. The third, though unknown to me at the time, would probably have as big an impact as the first. It was Night of the Comet.
The film is basically a 50s/60s B-Movie, made in the eighties. It has a cheesy voice-over at the beginning which would not be out of place in Invasion of the Bodysnatchers or War of the Worlds. The setup is remarkably similar to Day of the Triffids. A once in a lifetime meteor shower promises an amazing light display, so the entire world and their dog hold street parties to have a few beers and take in the sights. Unfortunately, thanks to the heavy handed introduction, we learn that this very comet also made an appearance just as the dinosaurs disappeared. Continue Reading
Though zombie is never said in Night of the Living Dead, this 1968 horror film set the standard for all following zombie films: radiation raises the ghouls (as they’re called in the film) to life (though, as of this film, radiation as a cause is only speculation), they move in a slow, plodding manner, they eat the flesh of the living, and the people they kill turn into zombies.
What makes George A. Romero’s Dead films so important, though, isn’t the thrills and chills they provide, as generous as that providing assuredly is. It’s the social and political commentary, hidden beneath the piles of corpses, that distinguishes him from his imitators. The following is my interpretation of that commentary, a theme of mindless, pitiless killing, and a killing not limited to what the zombies commit, by the way. Continue Reading
The tenants never saw it coming.
The Murray building, constructed in the seventies by the eccentric billionaire Samuel Murray, contains a secret so horrific and abhorrent that those caught in the ‘experiment’ might not see the light of day again.
Time is ticking.
Only one person can beat the War Game and walk away with $100 million in cash.
Who dies? Who lives? Who is the real villain? What is the building’s biggest secret and why do only a select few know about it?
War Game is a maniacal thriller with enough plot twists to make your stomach churn. There’s violence, murder and buckets of blood.
Can you predict the outcome?
Renier Palland hails from Cape Town, South Africa. He is a published poet, a book & film reviewer, and a Survivor Superfan. The first book in his debut trilogy, War Game, was soft launched in August of 2017. The paperback is slated for an international release in early 2018. Renier loves cats, reality television, and enjoys writing about the human condition. He is currently completing his PhD in Sociology at Stanford University.
[ BIG SPOILERS—like, skip-to-the-number-score-if-you’re-actually-worried level spoilers ]
Okay, two things right out of the gate: this movie is terrible… but I’m going to explain to you why I feel (if you enjoy a certain level of badbad = goodgood) you should still watch it.
Also, it’s basically about mutant fish people raping women (when they aren’t killing everyone else to get to that) but seeing as how I highly doubt there are going to be humanoid fish people waddling out of the sea and actually raping anyone anytime soon, I’m not going to address that further in any serious way after this intro. I also won’t make a joke out of it, though, and you can call me what you like for that. Continue Reading
The critically acclaimed cult novelist makes visceral the terrors of life in Jim Crow America and its lingering effects in this brilliant and wondrous work of the imagination that melds historical fiction, pulp noir, and Lovecraftian horror and fantasy.
Chicago, 1954. When his father Montrose goes missing, 22-year-old Army veteran Atticus Turner embarks on a road trip to New England to find him, accompanied by his Uncle George—publisher of The Safe Negro Travel Guide—and his childhood friend Letitia. On their journey to the manor of Mr. Braithwhite—heir to the estate that owned one of Atticus’s ancestors—they encounter both mundane terrors of white America and malevolent spirits that seem straight out of the weird tales George devours. Continue Reading
I got my first taste in publishing when I was in high school. Some short story of which I have long since forgotten the title for and have long since misplaced the letter of authentication. Given my moody teenagerism, it was probably something dark and depressing. It would be another 15 years before I’d publish again. In 2014, I put out my second short story, Hobo, and followed it closely with Are You Hungry, Dear?, and then released my first novel, Reinheit. In that very short span of time, I’ve been able to launch 4 more novels in a continuing series called The Subdue Series (Dwelling, Emerging, Conceiving, and Converging), 2 solo shorts, contributed to 7 published anthologies (the 8th to be published later this year), including a serial short story exclusive to the 13: An Anthology of Horror and Dark Fiction series, my first collection called The Hobbsburg Horror, AND 2 novellas, Lanmò and Feast. That’s what? Some 20 published works, most of which are shorts. I’d say I was simply prolific, but I know more authors that do way more than my meager sum.
No, the aim (for me) cannot be about out producing the competition. I’d go nuts trying to keep up. What I can aim to do is provide quality entertainment in the vein of horrifying reads. I want to tell stories, plain and simple. I don’t want to out do anyone. I want to tell tales and get them out there to be read. Easy enough, right? What’s interesting, in this current era we find ourselves, is the constant development of technology that allows schmoes like me to publish our works. Amazon wasn’t around when I was a grump moody teenager. Self publishing was unaffordable. And traditional publishing took knowing someone who knew someone who knew someone. If you didn’t have that connection to your father’s brother’s uncle’s cousin’s former roommate, you were SOL. And the BIG 5? Forgetaboutit.
But now? Man, the entire system has expanded exponentially. With the development of eBooks (and its popularity) which later gave rise to print on demand (I use CreateSpace), publishing became insignificant. Not to belittle it, just that anyone can and many do. In fact, its not uncommon to stroll into a cyber writers group and read at least a dozen complaints about how saturated the market is. Its a favorite word to toss around that makes you sound more knowledgeable than what you really are. Saturated. Saturated. Saturated. Martha. Martha. Martha. And its true, the market IS super saturated. Personally though, I don’t think that’s such a bad thing. Now readers have more of what they want. They have options outside of what they thought they could only get from the BIG 5.
But there’s a trick.
You cannot just put something out there and expect readers to flock to you. That’s just insane. Unless you have a known name, readers are not going to flock to you. Connections help; making connections is even better. What I’ve found most appealing with how this publishing world has evolved is how much of a community it has become. Embrace it. There will be some who try to take advantage. Don’t let a few turds keep you from making lasting connections. If people are willing to not only share your stuff, but also interact and maybe even give advise, those are the connections worth holding on to.
Experimenting with marketing can lead to surprising results. Ever heard the phrase, “Put your money were your mouth is?” The same applies to marketing your wares. I think “nut up or shut up” also applies, but its a tad cruder to tell your 80 year old grandma who wants to self-pub her book of recipes. In lieu, sometimes you gotta take a risk. Just don’t bet the farm. Play it smart, ask and listen to those connections, share what has worked or hasn’t worked. A word to the wise, among small press folk, BookBub is a known book promoter that lives by the slogan, money well spent.
Above all this noise, the most important thing publishing schmoes can do is keep writing, keep publishing, keep moving forward. And if you want those quality stories to reach more readers, you need to be willing to adapt to new technology. Last year, I was introduced to a little thing called Audiobooks. This is not new, per say. The spirit of audiobooks has been around a long time, back in the land before TVs and cable networks. Audio entertainment is not a new idea, but the tech behind it has come a long way since The Shadow and Little Orphan Annie broadcasted to delighted listeners gathered around a cherry red cabinet Philco radio. Cassette tapes came, followed by CDs. Nowadays, we’ve got digital recordings. At first, it was new and I didn’t want anything to do with it. I turned my nose up at it. But then Audiobook Creation Exchange (ACX) made everything so bloody simple its almost scary. I jumped in and released 4 titles on ACX last year and have released 2 titles thus far in 2017.
The idea here isn’t that your putting out even more stories (though you ought to be working on that). The idea is to use the technology available in order to put your work on as many platforms as possible so you can reach readers on the format that suits them best. And you’d be surprised. Audio is a expanding market for books. And the more this tech develops, the more affordable it becomes. Readers are now listeners, tuning in while driving to or from work or school. City and urban consumers plugged into YOUR book from their phones or tablets while they ride the train or bus or even airplane. Times are a-changing, but that’s not necessarily a bad thing unless we let it, right?
Thomas S. Flowers is known for his character-driven stories of dark fiction ranging from Shakespearean gore feasts to paranormal thrillers. Residing in the swamps of Houston, Texas, with his wife and daughter, his debut novel, Reinheit, was published with Shadow Work Publishing, along with The Incredible Zilch Von Whitstein, Apocalypse Meow, Lanmò, The Hobbsburg Horror, and FEAST. His veteran focused paranormal thriller series, The Subdue Series, including Dwelling, Emerging, Conceiving, and Converging, are published with Limitless Publishing, LLC. In 2008, he was honorably discharged from the U.S. Army where he served three tours in Operation Iraqi Freedom. In 2014, Thomas graduated from University of Houston-Clear Lake with a Bachelors in History. He blogs at machinemean[dot]org, where he reviews movies and books and hosts a gambit of guest writers who discuss a wide range of strange yet oddly related topics. You can follow Thomas by joining his author newsletter at http://goo.gl/2CozdE.
Now Available for YOUR earbuds!!!
Following the huge success with 13: An Anthology of Horror and Dark Fiction that released last October (keeping on the top charts for horror anthologies ever since), Limitless Publishing has decided to bring even more dark fiction and horror. 13: Déjà Vu (Thirteen Series Book 2) has just released and as one of the authors in the anthology, I couldn’t be any more excited. The authors you enjoyed in the first 13 book are back with brand new tales, most of which are either sequels or continuations in some way to the work done in the original 13, to include: by
For my part, you will find the next installment in my continuing Twin Pines Hotel stories, completely exclusive to the 13 Anthology Series. You witnessed Will Fenning’s strange demise in Room 313, now bear witness to the story of mass murderer Andy Derek and his confrontation with Room 249. iScream Books had this to say regarding the story:
A disturbing story of a cross country cold blooded murder spree. The murderer hides out in a unique hotel while the man hunt ensues. I found myself cringing and grossed out with this story but I also found it very unique and clever with its plot.
Pickup your copy today on Amazon for only $0.99!!!
You know, I’m fairly certain I’ve been a member of Netflix since the beginning, or at the very least since 2008, BEFORE the big streaming push and the demise of the video store. It happened slowly, I think. The takeover of streaming from home. There wasn’t much available to start. At the time, I still had the 2 DVD rental membership. Maybe it was around 2010 when we, the wife and I, did away with the DVDs. Why? Well…we didn’t need them. In fact, streaming became so much more convenient and affordable that we ultimately dropped cable television. My wife enjoys newer shows, but the ones she likes she streams from apps or catches up on Hulu. And for viewers like me, well…I’m more of a movie kinda guy to be honest, but the shows I do watch the most are typically…how do say…off the air. I watch old shows that have long since been canceled. There are a few newer ones that sometimes makes me wish we still had cable, shows like AHS and maybe a few others. However, if I’m patient enough, those very shows will eventually find their way onto Netflix’s monster cache of streaming availability.
But while newer shows have the glamour, I still indulge in older programming. We’re talking X-Files, MASH, Kolchak: The Night Stalker, Star Trek, and yes even The Gilmore Girls (don’t judge!). But my number one favorite oldie to watch is without a doubt Rod Serling epic sci fi thriller The Twilight Zone. If you’ve never seen an episode…jeez…think black and white science fiction, but not just about space and rocket-ships, but also weird tales, time travel, magic even, or death itself. They’re also all moral stories, more or less, warnings and questions of our humanity, not to mention the consequences we could face given certain destinations. The other night I screened for the first time one of these consequence driven episodes, from season 5 episode 14, titled “You Drive.” And let me say, this was one of the more creepier episodes of the show with the most simplistic plot-lines.
It goes like this:
“After involved with a hit-and-run killing a child, Mr. Oliver Pope is haunted by his car.”
Now I can see where King and Straub and everyone else got their ideas from. Perhaps not as deranged as Christine, but no doubt the genius of those darker works of haunted cars that would eventually come out in the 70s and 80s. In “You Drive” businessman Oliver Pope is on his way home. He’s driven this route for years. He knows every turn. Every bump in the road. As it happens on this particular day, its raining, and maybe Oliver has had a long day at work, stressed over a new client or something. He’s distracted and as fate would have it accidentally runs over a young boy delivering newspapers on his bicycle. Now at this point, what Pope has done is nothing more than an accident, tragic certainly, but an accident all the same. He didn’t intentionally run down the boy. However, as Mr. Pope jumps out to check on him (the boy doesn’t look good) and notices no one around, he makes a choice.
Stay and face the consequences of his actions…
Consequences is what Mr. Oliver Pope is afraid of. Afraid of what people will think of him after they discover what he’d done. Not just running over and killing the boy (which we later discover died from his wounds), but running away, his cowardliness. This is perhaps the whimsical side of watching shows like The Twilight Zone, they show you an era in which people still gave a damn about character. And character is what Mr. Pope desperately clings to protect. He doesn’t want people to think less of him. Sure, we can get that, right? But what Oliver fails to understand is that it is our actions that define our characters, not what people perceive us to be.
Well, as par for The Twilight Zone, because of Mr. Pope’s horrible choice to runaway the natural order of things begins to bend. There’s something not right…with his car, the very one he killed the boy with. Pope wants to forget, to put the matter away, what’s done is done, etc etc. But the car will not let him forget. His car haunts him and everyone around him. It honks in the middle of the night. It stalls out when his wife attempts to drive it to the store. It appears back at home seemingly to have driven itself. Blaring its horn over and over. And when Mr. Pope refuses to drive it, the car follows him on his way to work. The car makes a show to run him down. It wont stop. It cant, not until…
Oliver Pope must decide.
Face the consequences of his actions.
Or be continuously haunted by his car.
“You Drive” is certainly a chilling allegorical story to be sure. Haunted by our mistakes, our poor choices in life, especially those that have or could have dramatic effects on the lives of others. And how the consequences of those mistakes cannot be forgotten, never completely. And there’s even a lesson about character here, if we care about such a thing anymore. Our character isn’t (or at least shouldn’t be) defined by how people think of us, it is defined by our actions and our deeds, and it is by those deeds we will be judged.
My rating: 5/5
With a face only a mother could love, Thomas S. Flowers hides away to create character-driven stories of dark fiction. Residing in the swamps of Houston, Texas, with his wife and daughter, his debut novel, Reinheit, was soon published with Shadow Work Publishing, along with The Incredible Zilch Von Whitstein, Apocalypse Meow, Lanmò, The Hobbsburg Horror, and FEAST. His military/paranormal thriller series, The Subdue Series, including Dwelling, Emerging, Conceiving, and Converging, are published with Limitless Publishing, LLC. In 2008, he was honorably discharged from the U.S. Army where he served for seven years, with three tours serving in Operation Iraqi Freedom. In 2014, Thomas graduated from University of Houston Clear Lake with a Bachelors in History. He blogs at machinemean[dot]org, where he reviews movies and books on a wide range of strange yet oddly related topics. You can hide from Thomas by joining his author newsletter at http://goo.gl/2CozdE.
My debut collection of horror shorts is now just $0.99!!!