Starring: Taika Waititi, Jemaine Clement, Jonny Brugh, Ben Fransham, Cori Gonzalez-Macuer, and Stu Rutherford
Written and Directed by: Taika Waititi and Jemaine Clement
What We Do In The Shadows is a mocumentary about four vampires who live in a “flatting situation” in New Zealand, and it’s quite possibly the best vampire film in existence. It’s a comedy that mostly centres around friendship and the various bizarre issues experienced through life as a vampire. Each of the main characters is ingeniously based on familiar ‘vampire types’ in popular culture, and are styled and dressed according to the time period in which they were transformed. We have Petyr, an 8000 year-old ‘Nosferatu’ type, resembling Count Orlok. Viago is an 18th century dandy, similar to Louis and Lestat from Interview with the Vampire. Deacon was a Nazi vampire. Vladislav is based on Dracula (the Francis Ford Coppola version). Then we have Nick, who is turned into a vampire during ‘filming’, and is the self-professed ‘Twilight type’. The story centres on the group in their everyday life and leads up to ‘The Unholy Masquerade’, an exclusive supernatural ball. Along the way, we meet side characters such as other vampires, werewolves (“not swear wolves!”), familiars, victims, and Stu, Nick’s human friend. Continue Reading
For those who know me understand, I will never win awards for the worlds fastest reader. I see other bibliophiles and their Goodreads accomplishments and marvel. My own wife can sit down and consume a 800 page mega-novel in the span of a few days. Its insane. I don’t get how its even possible. But hey, to each their own pace, right? So, when a fast read, and I mean a good fast read, comes along, its worth celebrating. Such was the case when I started Jeffery X Martin’s new book, The Ridge on a Saturday morning and finished that night. Continue Reading
Starring: Marilyn Burns, Allen Danziger, Paul A. Partain, William Vail, Teri McMinn, Edwin Neal, Jim Siedow, John Dugan, and Gunnar Hansen as Leatherface.
Written By: Kim Henkel and Tobe Hooper
Directed By: Tobe Hooper
Synopsis: A brother and sister set out with their friends to check on the grave of their grandfather after hearing about instances of grave robbing and vandalism. After taking a detour to their family’s old farmhouse, they discover and soon become victims to a family of crazed, murderous cannibals. Continue Reading
EDITOR’S NOTE – Monster was a movie that had a huge impact on me and I think this is one example of, while the story of a film might not be as memorable, the performance elevates it into something extraordinary. I think Charlize Theron is one of the most exciting actors of our time. I’ve been a fan of hers from the day I saw her steal practically every scene she graced in Devil’s Advocate. I think she has a unique ability to completely occupy the space of a character. With many legendary actors, when it comes down to it, you still feel like you are seeing a variation on that person. I watch DeNiro’s films and for the most part, I still feel like I’m seeing Robert DeNiro, or Russell Crowe or whomever. Charlize Theron is a rare example where I feel like she becomes something completely different with each role. Continue Reading
This final wrap up post for 2017 isn’t about one individual or even two, this is about our collective achievement. Machine Mean may have started with one nerdy guy talking about horror, history, politics, and whatever else crossed his mind, but it has GROWN way beyond that. From guest posts and interviews to a full on partnership between myself and Chad Clark, we have watched this little horror movie and book review site flourish. In 2017, we had over 17,000 readers, leaving over 200 comments, drawn in from all over the world–predominately in the United States, the UK, Canada, and France. Our most popular post was Chad’s article The Dark Tower And Toxicity in Modern Nerd Culture, ringing in nearly 2,000 reads. In 2017, we posted 137 articles totally nearly 190,000 words. But we couldn’t have done this alone. We’ve had a lot of help from some 31 really awesome contributors. Continue Reading
I was a freshman in college when The Relic came out, and I remember sitting in the theater with my friends watching the film. I have a special place in my heart for creature features. I just love how creative and awesome some of the creatures turn out to be. I’m a huge fan of creatures created by Stan Winston, so I just had to see this film.
The Relic is still one of my all-time favorite creature features. Apparently my memory was a bit hazy and I didn’t remember that the audience saw as much of the creature as they did. I remember it being shown in bits in pieces in the dark, but it gets shown in all its glory—albeit in the dark, but that just adds to its awesomeness. It deserves its time on the screen. Continue Reading
Today’s offering borderlines what we’d define as a “creature feature.” The monster isn’t some radiated beast nor is it (he) cosmic or multidimensional. Castle Freak is without a shadow of a doubt human. Not subhuman nor extraordinary. He’s not unkillable (such as Jason or Freddy) or super strong. But I wouldn’t categorize Castle Freak as a slasher or serial killer or mass murderer either. In fact, when researching some info on Castle Freak I was shocked to find that it was labeled as a mystery slasher film. I think perhaps that’s because the people doing the “labeling” didn’t understand what it was they were looking at. The “monster” in Castle Freak isn’t out for revenge or to score a high kill count, in fact, there’s not a heck of a lot of death in this movie, not if it were indeed a slasher flick. No. Castle Freak isn’t a slasher, its a creature feature, and I’ll tell you why… Continue Reading
In 2005, my interest in the undead had officially been reclassified as ‘Mildly Addicted’, due in no small part to the Romero trinity of Night, Dawn and Day. By now I had branched out, and was working my way through any zombie film I could get my distended claws into. Then the news broke that Romero was making a new zombie film, Land of the Dead. To say I was a little excited would be an understatement. I remember watching it at the time and whilst I enjoyed it, it was not a patch on the originals, or most of the films I had been watching during that period.
So, looking at it objectively now and giving it another (overdue) viewing, has my opinion changed? Well…get comfortable, and I’ll begin. Continue Reading
I love horror movies. I love zombie movies. But more specifically, I love one very specific part.
I love the beginnings of zombie movies.
I love the inherent sense of dread at what we all know is coming. If the sequencing is done right, it’s a thrill to watch, with a few disparate, seemingly unconnected events and soon enough, it’s all going to shit. It’s quick. It’s brutal. It’s total. And best of all, you are never told why it is happening.
Zombies have often been painted as a metaphorical criticism of our own over-consumerism but I think it also functions as a demonstration of our own existential shelf life. That at any given moment, anything can turn on us and bring about a cruel and uncaring demise. The frailty of our own condition is really highlighted in the terrifying opening moments of any great zombie film.