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Posts tagged “dark fiction

Creature Features in Review: Dark Was The Night (2014)

Image result for dark was the night 2014

[99 minutes. Unrated. Director: Jack Heller]

It exists, has always existed, but feels increasingly harder to find these days, especially in the horror genre.

No, I’m not talking about Bigfoot or the Fouke Monster or the Wendigo.

I’m talking about something that’s harder to pin down; something that is, more often than not, maddeningly subjective. Something that comes with a storyteller’s approach to horror.

That “something” is sincerityContinue Reading

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Creature Features in Review : It (1990)

Image result for it 1990 poster

Chad’s take on It.

In 1990, the world of Stephen King expanded even more as ABC aired a miniseries adaptation of his legendary book, IT. The movie would span across two parts and feature a large ensemble cast, the same group of characters, both as children and as adults. The success or failure of the film aside, Tim Curry’s performance as Pennywise has gone down as one of the more brilliant portrayals of a Stephen King character, alongside Jack Nicholson as Jack Torrence and Kathy Bates as Annie Wilkes.

We find ourselves now in the year 2017, on the brink of a new film adaptation, this time set for a theatrical release as opposed to television. And while the original miniseries continues to have legs in terms of the fans, as the years go on, it seems to take more of a turn towards being mocked and criticized as a joke and a failure, a betrayal of source material which I concede is likely King’s greatest book.  Continue Reading


Book Release Alert: WAR GAME by Renier Palland

War Game by [Palland, Renier]

The tenants never saw it coming. 

The Murray building, constructed in the seventies by the eccentric billionaire Samuel Murray, contains a secret so horrific and abhorrent that those caught in the ‘experiment’ might not see the light of day again. 

Time is ticking. 

Only one person can beat the War Game and walk away with $100 million in cash. 

Who dies? Who lives? Who is the real villain? What is the building’s biggest secret and why do only a select few know about it?

War Game is a maniacal thriller with enough plot twists to make your stomach churn. There’s violence, murder and buckets of blood. 

Can you predict the outcome?

Renier Palland

Renier Palland hails from Cape Town, South Africa. He is a published poet, a book & film reviewer, and a Survivor Superfan. The first book in his debut trilogy, War Game, was soft launched in August of 2017. The paperback is slated for an international release in early 2018. Renier loves cats, reality television, and enjoys writing about the human condition. He is currently completing his PhD in Sociology at Stanford University.


A new era at Machine Mean

D3You may have noticed that a new name has been added to the banner of the Machine Mean site. I thought this would be as good a time as any to introduce myself. My name is Chad Clark, indie author of horror and science fiction. I have accepted the gracious invitation from the talented Mr. Flowers to join on as a partner on the Machine Mean blog.

I have been writing for most of my life, a passion which was forged in the incredible popular culture of the 1980’s. Whether it was the magic of Spielberg and Lucas or the grit of Stephen King and George Romero, I was quickly hooked on the art of storytelling. I was an avid reader from an early age and was fortunate enough to have parents who were willing to give me room to explore the areas that interested me.

After high school and as I got into college, I took some time away from writing as my Yesterday, When We Diedpassions went elsewhere. As was likely inevitable though, I found my way back to books, both to read and to write. After re-dedicating myself to the craft, I would have the honor to publish my first book in 2014, a collection of shorter stories titled, Borrowed Time : And Other Tales.

In 2013, I also launched my first blog, The Baked Scribe. The blog would start with featuring new short stories every week and as it grew, would also add essays on the craft of writing as well as book reviews. The Baked Scribe would last for several years and total two hundred stories before closing its doors earlier this year. In addition to my initial book, I have published a novel, Behind Our Walls, two novellas, Down The Beaten Path and Yesterday, When We Died and two collections of flash fiction, A Shade For Every Season and Two Bells At Dawn (due to be released on July 26). My short stories have been featured in various anthologies as well as on Amazon. In 2016, I also took on a position as a reviewer for the book blog, Confessions Of A Reviewer.

So that brings us to Machine Mean.

What will I be doing for the site? In addition to coverassisting Thomas with some behind the scenes stuff, I will be posting book reviews every other Wednesday. On the off weeks, I will post a piece of original short fiction. These will be either new stories or will be classic issues brought back from the Baked Scribe. I will also be sharing posts from my other online project, Tracing The Trails, an examination of the works of Stephen King as I read every one of his books in order and review each one along the way.

I am looking forward to this opportunity to work with Thomas on the site and to bring youChad more of the great content you have come to expect. Please don’t hesitate to reach out to me with any questions or comments. If you are interested in seeing more of my work, you can click here to check out my official website and here for my Amazon author page. You can also follow me on Facebook. Look for the page for Chad A. Clark.

Thanks for your attention and for having me. It’s a pleasure to be here!


New Release: 13 Déjà Vu (Thirteen Series Book 2)

Following the huge success with 13: An Anthology of Horror and Dark Fiction that released last October (keeping on the top charts for horror anthologies ever since), Limitless Publishing has decided to bring even more dark fiction and horror. 13: Déjà Vu (Thirteen Series Book 2) has just released and as one of the authors in the anthology, I couldn’t be any more excited. The authors you enjoyed in the first 13 book are back with brand new tales, most of which are either sequels or continuations in some way to the work done in the original 13, to include: by Bradon Nave, Elizabeth Roderick, Carissa Ann Lynch, Sara Schoen, Marissa Farrar, Thomas S. Flowers, S. Valentine, Erin Lee, Jackie Sonnenberg, Samie Sands, Luke Swanson, D.A. Roach, and Taylor Henderson

For my part, you will find the next installment in my continuing Twin Pines Hotel stories, completely exclusive to the 13 Anthology Series. You witnessed Will Fenning’s strange demise in Room 313, now bear witness to the story of mass murderer Andy Derek and his confrontation with Room 249. iScream Books had this to say regarding the story:

A disturbing story of a cross country cold blooded murder spree. The murderer hides out in a unique hotel while the man hunt ensues. I found myself cringing and grossed out with this story but I also found it very unique and clever with its plot.

Pickup your copy today on Amazon for only $0.99!!!

 

 


The Subdue Series Continues…

The fourth chapter, Converging, in my ongoing paranormal series is set to release on May 16, 2017. As the fourth book in a continuing story, let me put your concerns at ease….you do not need to have read any of the other books to “get” what’s going on in this one. Does it help? Sure. As any reader of a series can tell you, reading the previous stories can give you more depth for the characters. But just like how Conceiving was set up, Converging is written in a way that helps you “catch up” without the tedious boredom of flashbacks. What’s in store for you in this chapter? Werewolves, plural…that’s right, Bobby Weeks isn’t the only cursed soul in this romp. More of the fiendish John Turner, our Frankenstein-ish monster. More of Luna too. And there are new characters with their own troubles. Donna Swanson, a small town sheriff caught up in something way beyond her depth of experience or even belief.

Get YOUR copy now!!!

Here’s the synopsis to wet your appetite…

Donna Swanson has been the sheriff of New Castle long enough to know something is terribly wrong in her town…

With its peaceful Appalachian streams and a homely diner where the residents congregate over pie, New Castle seems like the least sinister place on earth. Then a new restaurant opens, and a wave of deadly illness ravages the town. Is it a coincidence, or has evil appeared in their midst, cleverly disguised as restauranteurs? Donna’s duty demands she discover what’s going on before the disease wipes out her town.

Jo Harwood didn’t ask to be a monster, and Bobby Weeks would do anything to take back her curse…

Bobby thinks they can make a fresh start in New Castle, a quiet place where he can teach her how to control the monster inside her. But when Jo’s desire for independence clashes with Bobby’s need for control, she takes off, and Bobby races to find her before she transforms into the beast.

Luna Blanche tries to accept her new identity and to accept the gruesome truth about John Turner.

Luna tries to adapt to her role as Woman in the Woods—priestess of the desperate residents surrounding Mississippi’s Delta—while John struggles with his anger and hatred. Since his resurrection, he’s been driven to abominable acts. He wants Luna to love him, but how could she love a monster?

Dark forces are converging on New Castle, Virginia. Can conflicts be put aside before evil consumes them all?

But that’s not all!

In celebration of the fourth book’s release, ALL previous titles in the Subdue Series have been marked down to $0.99!!! This includes Dwelling, Emerging, and Conceiving. $0.99 each for this week only. Dwelling, four childhood friends separated and scarred by war are pulled back together by an unseen force. Emerging, as the once childhood friends gather at the House of Oak Lee, trust becomes elusive and betrayal from one of their own all the more foreboding. Conceiving, just when Bobby Weeks thought the nightmare was over, events force him to confront the evil in Jotham that tore apart his life. The Subdue Series is a paranormal thriller story filled with human suffering and supernatural monsters. Layered with rich characterization and injected with subtle horror that builds and builds until you can no longer stop reading, though it terrifies you, you have to see what happens next.

$0.99!!!

$0.99!!!

$0.99!!!

With a face only a mother could love, Thomas S. Flowers hides away to create character-driven stories of dark fiction. Residing in the swamps of Houston, Texas, with his wife and daughter, his debut novel, Reinheit, was soon published with Shadow Work Publishing, along with The Incredible Zilch Von Whitstein, Apocalypse Meow, Lanmò, The Hobbsburg Horror, and FEAST. His military/paranormal thriller series, The Subdue Series, including Dwelling, Emerging, Conceiving, and Converging, are published with Limitless Publishing, LLC. In 2008, he was honorably discharged from the U.S. Army where he served for seven years, with three tours serving in Operation Iraqi Freedom. In 2014, Thomas graduated from University of Houston Clear Lake with a Bachelors in History. He blogs at machinemean[dot]org, where he reviews movies and books on a wide range of strange yet oddly related topics. You can hide from Thomas by joining his author newsletter at http://goo.gl/2CozdE.


Come to the Feast

What would you do for family? I’d say most of us would do anything for family. However, we can imagine of certain situations in which we couldn’t do everything for family. We couldn’t betray our core values, or moral obligations, or our principles…or could we? I think for the most part we follow something similar to Issac Asimov’s Three Laws of Robotics when it comes to the lengths we’ll go or will not go for family. The law is as follows, with some tweaking on my part to adjust to our question of family.

A family member may not injure another family member or, through inaction, allow a family member to come to harm. A son/daughter must obey orders given by their parents except where such orders would conflict with the First Law. A person must protect their own existence as long as such protection does not conflict with the First or Second Law.

Something kinda like that, though not perfectly fitting, of course, this is just a thought exercise. And in actuality, the First and Second Laws typically conflict with each other, as demonstrated in the cartoon on the side.

And why do the Laws come in conflict? Because people are beautifully horrifyingly imperfect. Imperfection invites conflict. Anyone with mothers or fathers or brothers or sisters or really close cousins know all too perfectly how imperfect people can be. And yet, we cannot escape our families, though I am sure some have tried and succeeded in some measure, but overall our love remains for our sisters who are still our sister, our brothers still our brother, etc. etc. This brings us back to my original question: What would you do for family?

This question over the lengths we’re willing to go for family is what inspired the story in my latest book. FEAST is the story of a family, dysfunctional perhaps, but in the end, still family. Titus Fleming is a father and a businessman, and as the story progresses his dual nature between the two conflict. Is he a father more or is he a businessman? His surviving son, Luke, is going through a transformation in his life, becoming who he has always been, Lavinia. but when tragedy and scandal-beset his family, an arrangement will be made that will conflict with who Lavinia (Luke) really is.

And then there is the barbarous Lange family. Tamora and her two sons, Chad and Drake, and her employee Aaron. Who are they in this story? Victims? Perpetrators? Accomplices? Allies? What are these sons willing to do for their mother?

FEAST will ask those questions.

I am very excited for this release! FEAST is an extreme horror story inspired by Shakespeare’s play Titus Andronicus, one of my favorites from the famous playwright. Maybe a bit twisted to admit, but I had a lot of fun writing this book. The story and the characters pushed me into worlds and situations I have not dared to go before. While I do enjoy conjuring fantastic creatures, FEAST reminded me of the most horrifying of all horror monsters, humanity. Big shout out to my friend Travis Eck who came up with the design for the cover. I simply gave him a concept and he ran with it. Producing his own creation and artwork. Totally blew me away, as always, with his work and talent. Also, some thanks are in order for Jeffery X. Martin for editing my horrible use of the English language. Shout out to my favorite Canadian, Duncan Ralston, for not only helping me with the formatting of this book but also inspiring me to delve into a subgenre of horror I have only previously flirted with.

To help introduce the characters in Feast, here are some “character cards” that will provide a sort of visual representation:

FEAST

What would you do for family?

Between the rural Texas towns of Bass and Sat is one of the most popular barbecue restaurants in America. Big Butts Bar-B-Que has been the seat of power for the Fleming family since the Great Depression, but when tragedy and scandal-beset Titus and his surviving transgender son Lavinia, deals are made to keep control of the restaurant. An arrangement that will put a father at odds with his legacy. As the table is set, is it just the keys to the barbecue kingdom some are after, or something else entirely?

An extreme horror story inspired by Shakespeare’s play Titus Andronicus.

Get YOUR copy today!

$2.99

Thomas S. Flowers is the published author of character-driven stories of dark fiction. He resides in Houston, Texas, with his wife and daughter. His debut novel, Reinheit, is published with Shadow Work Publishing, along with The Incredible Zilch Von Whitstein, Apocalypse Meow, Lanmò, and his newest release, The Hobbsburg Horror. His military/paranormal thriller series, The Subdue Series, including Dwelling, Emerging, Conceiving, and Converging (coming soon), are published with Limitless Publishing, LLC. In 2008, he was honorably discharged from the U.S. Army where he served for seven years, with three tours serving in Operation Iraqi Freedom. In 2014, Thomas graduated from University of Houston Clear Lake with a Bachelors in History. He blogs at machinemean[dot]org, where he reviews movies and books on a wide range of strange yet oddly related topics. You can keep up with Thomas and all his strange events by joining his author newsletter, at http://goo.gl/2CozdE.

 

 


Dark Designs: Tales of Mad Science

 

Science without limits. Madness without end.

All proceeds from the purchase of this ebook will be donated to Doctors Without Borders / Medicins Sans Frontieres.

This is a warning. What you are about to read violates the boundaries of imagination, in a world where science breeds and breathes without restraint. A world very much like our own.

Within these shadowy corridors you will discover characters seeking retribution, understanding, power, a second chance at life—human stories of undiscovered species, government secrets, the horrors of parenthood, adolescence and bullying, envisioned through a warped lens of megalomania, suffering, and blind hubris. Curious inventors dabble with portals to alternate worlds, overzealous scientists and precocious children toy with living beings, offer medical marvels, and pick away at the thin veil of reality.

You can run. You can look away. But don’t say we didn’t warn you.

Witness our Dark Designs.

David Cronenberg, infamous director and storyteller of body-horror movies such as The Fly (1986), Shivers (1975), and Videodrome (1983), once said, “Everybody’s a mad scientist, and life is their lab. We’re all trying to experiment to find a way to live, to solve problems, to fend off madness and chaos.” This statement of Cronenberg’s is a rather optimistic one. And not altogether inaccurate, we are after all trying to find ways to live in harmony and in doing so we must solve problems that arise to get there. But that’s not really the genesis of the purpose of mad scientist stories. The notion of “mad science” is self-explanatory, that there is something strange or “mad” in the unknown realities that surround us. Even today, quantum theorists are often seen as “mad” scientists, practitioners of metaphysics more than actual provable science. And in some ways, there’s some truth in that metaphysics and quantum mechanics often overlap, which brings us to one of the most exhilarating and equally terrifying aspects about science, that is, it’s never ending, always searching, constantly discovering something new, something previously unknown, beyond us.  In part, our understanding of science; or more to point, our misunderstanding of science has become the inspiration over centuries for what has been deemed the quintessential “mad scientist.” Not for reasons given by Cronenberg above, that we are all in the same pursuit, but out of fear, fear bred from the unknown, and fear of what all these discovers, these advances, will bring us. And even more alarming, how far are we willing to go to achieve the impossible?

My first impression while surveying the history of “mad science” was that Victor Frankenstein, created by the imagination of a twenty-one-year-old Mary Shelley, was the first of the mad scientists to be conjured into the literary world. I was wrong. It was actually Dr. Faustus, written in 1604 by Christopher Marlowe, that should be credited as the first “mad scientist.” Dr. Faustus was perhaps more alchemical in nature than traditional science, but still the story serves as asking the proverbial question all mad scientist stories ask, “How far are we willing to go…?”  Some of the more popular “mad scientists” who defied boundaries and terrified audiences with their audacity against “nature” include, Dr. Moreau, an H.G. Wells story penned in 1896, and Danforth & Dyer in “At the Mountains of Madness” by H. P. Lovecraft, published in 1931. These stories are typically told from the perspective of a layman looking into nightmarish worlds, boiled in a cauldron of obsession and forbidden knowledge. H.P. Lovecraft would go on to create a few more characters in this realm of unrestrained science with Dr. Herbert West, one of my personal favorites, and Charles Dexter Ward.

Growing up, the one “mad scientist” story that ignited my imagination and kept me glued to the edge of my seat was Steven Spielberg’s science-fiction epic Jurassic Park (1993). Even in my pubescent years, the memory still rings clear today, the duel realities of science, that in the wonder of watching a baby dino hatch or Dr. Grant’s first realization of what was going on as the Jeep drove through the part to the Visitor’s Center, first realizing that those massive tree trucks were moving and were not in fact trees, being held prisoner in a sort of child-like spell, and then suddenly seeing it all go wrong, demonstrated the dangers of unrestrained science, that even now the question of trust must be asked. Ian Malcolm, played by a black leather clad Jeff Goldblum, has one of the more illuminating statements in the film, a statement that has rung in the minds of audiences for over four-hundred years, when he says, “Your scientists were so preoccupied with whether they could, they didn’t stop to think if they should.”

Today, “mad scientist” stories have for the most part found themselves kicked to the kid’s corner, in such books as Meet the Creeps or Franny K. Stein. Sadly, there isn’t much being offered in way of adult entertainment. This was the prime motivation for raising the question to my Shadow Work Publishing cohorts of collaborating on a mad scientist anthology. While science continues to evolve and new discoveries are being made every day, the question posed in 1604 still remains relevant today, “How far are we willing to go” in the pursuit of said discover what consequences, if any, will we face? We landed on the title, Dark Designs, more or less on the alluring sinister quality, but not just that, also, as our quote says, “Science without limits. Madness without end,” there is a certain amount of ambiguity regarding science, that without limits perhaps we could possibly go “too far,” and in reaching such limits, madness is sure to follow. Here, as you turn the page, you’ll find yourself in a world without limits, where science breeds and breathes without restraint. You’ll walk these corridors with characters seeking retribution, understanding, revenge, and perhaps for some a second chance on life. These are human stories through the spyglass of mad science, of undiscovered insects, government secrets, horrors of parenthood, adolescence, and bullying, about curious inventors dabbling in portals to alternate worlds, of ambitious biologists and overzealous children tinkering with things they probably shouldn’t, and stories that stretch our understanding of the boundaries of life.

From Shadow Work Publishing, and the sixteen authors of which contributed to this charity anthology for Doctors Without Borders, thank you and bid you welcome our Dark Designs: Tales of Mad Science.

You can get YOUR copy of Dark Designs: Tales of Mad Science for $0.99!!!


Book in Review: FEED by Michael Bray

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Tyler Matthews is desperate for change. Sick of his life and plagued by alcoholism, he makes the decision to divorce his wife, sell everything he owns and travel the world to try and find focus and rid himself of his addiction. Eventually arriving on the sun-drenched shores of Australia and still plagued by his demons, he has spent all his savings and is facing the prospect of having to return to his old life.

It is here that he meets two men with an outlandish story about a horde of sunken drug money in an area known as the Devil’s Triangle – Australia’s answer to its Bermuda namesake and said to be the lair of a terrifying monster of the deep. Offered a share of the fortune if he helps retrieve it, Tyler agrees to go with the men to the location, skeptical and thinking only of prolonging his journey of self-discovery.

He will learn, however, that this particular urban legend is real, and they encounter a giant of the seas, the previously thought to be extinct Megalodon which makes its home within the area of the Devil’s triangle.

Barely escaping with their lives, the three men wash up on an isolated island – no more than a rocky outcrop with no vegetation, fresh water of food sources. As desperation to survive intensifies, horrifying decisions will be made that will illustrate how man is sometimes the most violent predator on earth and when left with no option will do anything, even the unthinkable, in order to survive.

You may or may not know this, but I’ve got a bit of a phobia towards ocean water. I don’t mind heading to the beach, especially Flordia’s white sand, clear water beaches of Pensacola. That’s not really the problem. The problem is the deep. Or better yet, what lives in the deep, what’s hunting in the deep. Perhaps blame for this phobia can be placed directly on Discovery Channel’s Shark Week specials I’d watched as a kid. Seeing those Great White’s launching themselves, razor teeth and all, up out of the water to snag a morsel of meat. I also clearly remember watching another show on either TLC or Discovery about an old fisher man’s tale about being out at sea and hearing a thudding noise against the bow of his ship. Taking a lantern (because this is late at night, mind you), the captain goes to investigate. Peering over the side of the boat he stares down at something he doesn’t quite understand, and then suddenly it dawns on him…he’s staring down at a giant eye, the looks at him, and then disappears back into the deep. Most likely, the tale was about the infamous Kraken, a so-called giant squid with massive tentacles. Nonsesnse, perhaps, but still…these were the emotions I carried with me while reading Michael Bray’s new book, FEED.

FEED starts off with the main character, Tyler Matthews, who, as the reader will quickly discover, is tired of his ho-hum ordinary life. To escape he must exsponge his controlling misses (soon to be ex-wife), his banal job (of which she helped him get as means of controlling him), and all his meaningless worldly possessions. Tyler is set on exploring the world. His separated wife seems to think he’ll just burn all his money on booze. I really enjoyed the go between here, between Tyler and Amy (the soon-to-be-ex). And you can see where Tyler is at this stage, that they’ve been here before, and how he had failed to purge his life in the past, succumbing apparently to her controlling ways. I found myself easily rooting for Tyler and relieved that he finally stood up for himself. The one thing that stood out as odd was the separation and divorce, and perhaps seeing how Bray is an English chap and I a mere American is the hang up here, but I was questioning how Tyler ended up with everything from the divorce. He sold all his possession. His house, car, everything. And kept the proceeds…or maybe I missed the part where they were going to split everything 50/50. Amy did confess to having an affair, which drove this separation and eventual divorce, but still…

Throughout FEED we’re able to jump from chapter to chapter into various perspectives. Moving to where the majority of the story takes place, Australia’s Devil’s Triangle, I enjoyed the early setup between Scott and his “buddy” Karl, in which Karl informs Scott of an old legend of sunken gold, the only problem being that there’s a guardian of the gold, a giant monster that lurks in the deep. Scott doesn’t believe his stoner buddy’s story but decides to jump in and take a look anyhow. Why not, right? He soon discovers his friend was right, but instead of telling Karl that there is gold down at the bottom, he simply resurfaces to tell him there was nothing but sand, marking the GPS coordinates so he can return later and keep the prize for himself. This was a fun little scene, setting up what will be the eventual motivator of the story, getting that gold, but also being shown that getting said prize will most likely cost something, something very dear more like, as Scott definitely senses something down there stalking him. Or was it just his imagination?

ahab

 

Somewhere around here, we’re introduced to Nash, a very scarred, very “Ahab” trope character. His face and most of his right side of his body are in ruination. His flesh horribly drafted and pieced back together and over twenty years or so has healed in a not so pleasant on the eyes kinda way. Nash looking into the mirror is constantly reminded of what happened to him out in Australia’s Devil’s Triangle and has his heart set on revenge.

I don’t want to get into too many spoilers here. Understandably, reviews tend to reveal more than a few things about a book. Yet, we need to slow things down here, as around this point in the book, the pace begins to pick up. Needless to say, Scott returns to retrieve what he left at the bottom of Devil’s Triangle, and he brought his older, convict brother with him, Paul. I really enjoyed the go-between with Scott and Paul, and this highlights one of many awesome things about FEED, the dialogue is just about spot on, the reactions feel real, and the motivations, no matter how grotesque or horrifying, are justifiable. Even later on when certain characters are stranded on an “island,” which is basically nothing more than rock, with no food and no water. This scene with Scott and Paul also introduces us to the antagonist of the book, though Bray makes mention a few times, through his characters, that the shark is not malicious or anything, its particular species happens to be very dominate and very protective of its territory, and its territory so happens to cover the Devil’s Triangle. Due to the shark’s size, it needs to FEED quite often, which drives its more violent tendencies. Scott and Paul soon discover how real the legend is…

shark

Things progress, time goes on, and we catch up with Tyler in…you guessed it, Australia. He’s been all over the world now, adapted to his new lifestyle, and burning through his funds rapidly, mostly due to his alcoholism. He claims “near-alcoholism,” but come on, a spade is a spade. If Tyler wishes to continue his pilgrimage, he’ll need to replenish his bank account. And as fate would have it, he runs into the most unlikely of people, Nash and his son, Liam, as they discuss things over a few pints of bitter. He overhears their conversation and is quickly swept up in a bid for unimaginable riches. My only hang up here is how easily diving underwater seems. I liked the detail with the equipment, knowing the names of parts I’ll never look up, and though I’m not a “diver” myself, I would assume there would need to be some sort of training involved. I could be wrong here. I’ve only ever been snorkeling, maybe any joe schmoe can put on a wetsuit and some flippers and tread deep water. But regardless, this IS a detail easily ignored and doesn’t really effect the overall story. And so, Nash recruits Tyler to join him and his son, Liam, on a mission to get rich by finding the treasure left behind on the seabed of the Devil’s Triangle.

For the rest, you’ll simply have to read the book…

FEED works in many ways because it is and isn’t a traditional monster story. Sure, we’ve got the Megladon that is very protective of its territory. But we’ve also got a cast of characters that are not in the least two-dimensional. Tyler, the main protagonist, has his flaws, but he’s also very human and real and because of that, he is relatable. As are the many other characters, even the ones that don’t last very long on “screen.” Nash would be another great character I liked reading, a very “Ahab” prototype, hell bent on revenge, even at the risk of his own son and Tyler. Survival and the lengths we’re willing to go to survive are strong motivators of the story, some of which play out in very grotesque ways. This highlights that FEED isn’t just a story about a shark gobbling up people, in fact, for most of it, there are other predators and demons one has to watch out for. My own personal phobia of the ocean no doubt played into my reaction to the story Michael Bray has cooked up for his readers, but it also says something of the quality of the writing, to be able to play on those phobias, the isolation, and claustrophobia, the unknown aspects of what’s really out there in the black depths of the water. FEED is definitely a read fans of horror will not want to miss.

You can get your copy of FEED for $3.99 on Amazon!!

buynow

bray

Michael Bray is a bestselling horror / thriller author of several novels. Influenced from an early age by the suspense horror of authors such as Stephen King, Richard Laymon, Shaun Hutson, James Herbert & Brian Lumley, along with TV shows like Tales from the Crypt & The Twilight Zone, his work touches on the psychological side of horror, teasing the reader’s nerves and willing them to keep turning the pages. Several of his titles are currently being translated into multiple languages and with options for movie and Television adaptations under negotiation for others, he will look to continue his growth as a full time professional writer long into the future.

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Creature Features in Review: The Thing (1982)

thething1

Thirty-five years. On June 25th, we will be celebrating thirty-five years since the release of John Carpenter’s The Thing. The review you are about to read, written by the incredibly talented William D. Prystauk, aka Billy Crash, not only the second half of the infamously awesome The Last Knock podcast, but also a teacher, director, screenwriter, and loving husband and friend, has carefully crafted what I believe to be the definitive review of The Thing. I’m glad Bill decided to take on this “creature feature.” For those who know me will be quick to understand, The Thing is by far my most favorite movie.  Not just my favorite horror movie, but my favorite overall film in its entirety. From score to cast to dialogue and landscape to practical effects and most of all its unabashed fearlessness towards nihilism. Disney has spoiled generations of audiences by spoon feeding them a resolution to the conflict and the always dominant hero. But in The Thing, we are denied those expectations, wonderfully so. Not everything has to have a resolution. Not every story must end with the hero defeating the monster. Ambiguity exists in nature and thus should representation on screen, at least sometimes, right?

The Thing

by William D. Prystauk

Introduction

When I first saw The Thing on the big screen, I was overwhelmed by the oppressive nature of John Carpenter’s film as well as its mystery, music, cinematography, and remarkable special effects from Rob Bottin and company, as well as the gripping writing from Bad News Bears scribe, Bill Lancaster. Unfortunately, 1982 was a banner year for strong movies so The Thing didn’t make the final cut when it came to earnings, and Carpenter is supposedly still bitter about his film’s poor performance in theaters. Today, however, the film’s considered a masterpiece by many horror cinephiles, and rightfully so.

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This is not a Remake

Carpenter’s version is not a remake of 1951’s The Thing from Another World with James Arness playing the alien version of Frankenstein’s monster. In this case, the movie deviates from the original tale, “Who Goes There?” a short story spun by John W. Campbell Jr., and leaves fighting the creature to the military still deservedly basking in the glow of a post-World War II world right before the horrors of The Korean War. In the story, scientists resolve the alien issue, though Lancaster’s script calls for scientists and military veterans to try and figure a way out.

Carpenter stayed closer to Campbell’s tale with its shape-shifting monster and the paranoia it caused. The director chose to have a much smaller staff at National Science Institute Station 4 instead of a larger component of men, but he kept most of the major characters’ names. As for Campbell’s tale, it’s actually a bad read due to repetition (he must have referred to MacReady as being “bronze” a hundred times) and from a sad overuse of “to be” verbs. For his part, Carpenter and Lancaster made Campbell’s story shine like gold.

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Who the Hell Are These Guys?

For a science station, the men who work there don’t really fit the bill. Sure, Billings (Peter Maloney) is a meteorologist, Norris (Charles Hallahan) has a broader mind beyond his geology degree, Windows (Thomas Waites) serves as the radioman, lumberjack looking Clark (Richard Masur) handles the dogsled team, Nauls (TK Carter) feeds the crew, and Dr. Copper (Richard Dysart) does his best to keep everyone healthy. The man who keeps the team in line is Garry (Donald Moffat), who for some reason has a six-gun strapped to his side with a gun belt to match and serves no other purpose than a security guard. Childs (Keith David) is one hell of a mechanic, who can obviously juggle boilers, tractors, and helicopters with ease. The pilots of the choppers are Vietnam vets Palmer (David Clennon), a stoner who one wouldn’t trust to fly a remote control whirlybird, and MacReady (Kurt Russel). Both men suffer from PTSD in their own way, and while Palmer socializes and engages in marijuana, MacReady isolates himself and indulges in scotch. The final part of the troupe is Blair (Wilford Brimley) and his understudy assistant, Fuchs (Joel Polis). At one point, Doc Copper orders Blair “… to start an autopsy right away.” In Campbell’s story, Blair’s a biologist, which makes sense for the movie version, but why would he be a master of autopsy? Since the dogs have no veterinarian, he may also play that role and could have performed necropsies on animals in the past.

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When witnessing the game room scene, it’s clear the men are often “standoffish.” Nauls, who a second ago was resting in his cot and watching TV with Palmer, plays pool with Clark. Windows fumbles with the newspaper from the couch, while Norris, Bennings, and Garry play poker. There’s no banter, no noise, and clearly no fun. It’s as if all these guys did something heinous and were sent to Antarctica to cool down for the “first goddamn week of winter.” Yet, they not only have handguns and shotguns at the ready, and at least one German rifle from a Norwegian, but they also have three flame throwers and dynamite. Doesn’t sound like a science station. Could it serve as some Cold War outpost? If so, this expansive complex can certainly support more men, and one wonders if abandonment of the facility looms on the horizon thanks to budget cuts.

The Thing Itself

The boogeyman in The Thing differs from the average creature feature antagonist. Each monster has a weakness, or so it seems, and once the human hero figures that out, the monster will be destroyed. In this case, the alien can replicate someone’s cells, absorb their language and mannerisms, and apparently the knowledge they have stored in their brains. Worst of all, it can seemingly infect anyone at any time (more about that later).

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Our intrepid crew doesn’t know which part of space the creature came from, but thanks to Norris, we know it’s ship crashed down onto the continent about 100,000 years ago. Beyond the being’s extensive hibernation, the ship proves to be a massive one, unlike the smaller craft in the 1951 film. What we don’t know is if this was a ship built by the Thing and his or her people, or if the creature got onboard and overwhelmed the entire crew with its cellular replication. Later in the narrative, we learn that the creature tries to recreate his craft on a smaller scale with the same look as the original. Since the Thing can absorb knowledge, and since we don’t know its age or where it’s been, this may be the optimal ship design it had discovered from its journeys across the cosmos.

Oddly enough, the creature ends up away from the ship on higher ground. This can certainly happen because the topography changed due to plate tectonics and maybe volcanism, but what did the Norwegian team actually dig up? If the creature crashed in Antarctica and went into hibernation after a short walk, it certainly didn’t overtake a human at the time. Too bad the Norwegians hadn’t filmed what this Thing actually looked like. But they did videotape the outline of the ship, and they unearthed the craft thanks to thermite charges. In the movie, one may think they blew up a massive hole the size of Rhode Island, but that would have displaced tons upon tons of ice and rock – and would have certainly registered on Norris’ seismograph at the station (there has to be one). The point is that MacReady and company, for some reason, land on a ridge above the ship and rappel down.

And once the creature thawed, it went to work on absorbing the Norwegians and its dogs.

The Other

The greatest element to the short story and both films is the element of “The Other.” As we discover in many science fiction and horror movies, the other is a xenomorph (“a strange form” by definition or an “alien” or “monster”) that either must be assimilated or destroyed. What is fantastic about this tale is both creature and human are “The Other.” Humans don’t belong in Antarctica and neither does that Thing. Since the “human others” can’t determine what the monster is, it can’t be assimilated and must be killed. The “alien other” wants to assimilate the humans, yet destroys them in the process.

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To see something like this in cinema is rare, though one finds such a human-xenomorph “other” combination in Ridley Scott’s Alien. The human component doesn’t thrive naturally in space, and though the alien creature comes off as the bad monster, the humans did bring this entity upon themselves in a “curiosity killed the cat” theme, though Jonesy lives to hiss another day. Unlike The Thing where destroy versus assimilate comes into play, Alien is all about kill or be killed.

Communication’s Down

Windows couldn’t connect with McMurdo (where he refers to the outpost as number 31 just like MacReady, instead of 4). The men of the station are in conflict about who should lead and who shouldn’t be trusted. But there is absolutely no communication between human and Thing.

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This horror turns into a cat-and-mouse game between human and alien. Yet, if the creature just wants to survive and escape in a ship, why didn’t it simply ask for help? When MacReady addressed the members of the camp and realized they all weren’t infected because they would have jumped him, why didn’t he ask what the creature wanted? After all, it’s a stranger in a strange land, and “probably not in the best of moods” after portraying a xenomorphic popsicle for too many centuries.

Without any women on the station, one may think the crew was being macho or stubborn, but the reason runs deeper than an emotional state and posturing, though both of those elements certainly exist in the narrative. Like the alien, the humans are also predators, and that’s why communication between them never took shape. It’s a fight to the end, pure and simple. Think of it as any competition where one squares off against an opponent – to the death.

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Even so, a little communication could have gone a long way, but that would have made for a different kind of film, and one that wouldn’t be worthy of review for this category. By the way, ET phoned home in 1982 on June 11, and Carpenter’s film came out two weeks later as Spielberg’s friendly alien continued to captivate little kids and their parents nationwide.

Getting Infected

This has been a point of contention for many The Thing fans: Who got infected when, how, and even why? A meme showed Blair tapping a pencil against his lips after the autopsy. Hmm… However, the answer is far simpler: They were all at risk of infection the moment they unwrapped the creature with two faces, akin to the theater masks of comedy and drama, looking outward with one connected tongue. Doc Copper in all his medical expertise asked, “Is that a man in there?” when he and MacReady dug up the monster and brought it home to infect everyone else. Clearly, no quarantine protocol was in effect.

When they unwrapped the frozen creature, with the heat of the room, water evaporated from the body and Blair backed off from the stench. After all, the Thing began to defrost once inside the warmer helicopter. Now, as MacReady proved later with another item from the book, that each cell was a creature on its own, who knows what flew into the air and made its way through the mouths and nostrils and into the lungs of the crew. Yes, some became infected (though we really don’t know when), and others did not (though we really don’t know why), but airborne infection seems to be just as likely as bloodborne in this case.

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Due to each component of the Thing being its own individual entity, this creature may be its own entire civilization. In 2015, Robin Corey, a biochemist, wrote that there are 37.2 trillion cells in the human body, not including bacteria. This means that once the Thing takes over a human host, that can make for one hell of a population. Blair had calculated that we’d all be infected in 27,000 hours, which is a little over three years, but there’s an excellent chance that infection, or assimilation, would happen much faster.

The End

There are many more mysteries packed within Carpenter’s amazing horror, but that’s for another time. The important thing is to watch the film and become a prisoner like the others, trapped “a thousand miles from nowhere” without a radio, and a heavy storm that prevents anyone from escaping even on foot. This is what the horror genre is meant to be: isolated and frightening with a sense that there’s no way out.

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Carpenter tips his hand that there’s little hope for our characters right from the beginning. The opening shot after the credits is that of a sheer rock face. The camera lingers there as if to say it’s too foreboding and not scalable. We see the Norwegian helicopter flying over the rock as it heads towards its own doom, but it’s clear that our “science” crew won’t make it out of the station alive.

In the film, we’re left with a couple of characters waiting for what might possibly come next. We don’t know if one is infected or if either one of them is. We do know, however, that they’re both not infected because an alien greeting most definitely would have been different. And in the brownish light of a fiery night, the camera pulls back from the pair and we fade to black. In the television version, after the camera pulled back, we see a dog leaving the station, bookending the film in excellent fashion. Maybe it doesn’t really matter who was infected since all is lost.

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Thankfully, The Thing survived its poor and undeserved theatrical showing and keeps bringing the scares and incredible in-camera effects to new generations of horror fans. Whether you’ve seen the film once or a thousand times, keep your eyes peeled for the multitude of little mysteries that neither the characters nor the audience can answer (Who got to the blood anyway?). Revel in ambiguous horror that delivers on every level, including bottom end gloom from the renowned Ennio Morricone’s doom-ridden composition, and the excellent cinematography from one of the best, Dean Cundey. Carpenter created something for the ages, and for fans – human or otherwise.

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William D. Prystauk (aka Billy Crash) cohosts THE LAST KNOCK horror podcast on iTunes and at http://crashpalaceproductions.com. He’s in pre-production of a dramatic science fiction feature film he’ll shoot in Seattle with his company, Crash Palace Productions. When he’s not listening to punk rock and leaving no sushi behind, he indulges in the food group better known as chocolate. Follow him on Twitter as @crashpalace, and look for him under his real name at LinkedIn, IMDb, Amazon, Behance, and at http://williamdprystauk.com.

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