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Posts tagged “dark fiction

Creature Features in Review: The Relic (1997)

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I was a freshman in college when The Relic came out, and I remember sitting in the theater with my friends watching the film.  I have a special place in my heart for creature features.  I just love how creative and awesome some of the creatures turn out to be.  I’m a huge fan of creatures created by Stan Winston, so I just had to see this film.

The Relic is still one of my all-time favorite creature features.  Apparently my memory was a bit hazy and I didn’t remember that the audience saw as much of the creature as they did.  I remember it being shown in bits in pieces in the dark, but it gets shown in all its glory—albeit in the dark, but that just adds to its awesomeness.  It deserves its time on the screen.  Continue Reading

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Creature Features in Review: Dark Was The Night (2014)

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[99 minutes. Unrated. Director: Jack Heller]

It exists, has always existed, but feels increasingly harder to find these days, especially in the horror genre.

No, I’m not talking about Bigfoot or the Fouke Monster or the Wendigo.

I’m talking about something that’s harder to pin down; something that is, more often than not, maddeningly subjective. Something that comes with a storyteller’s approach to horror.

That “something” is sincerityContinue Reading


Creature Features in Review : It (1990)

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Chad’s take on It.

In 1990, the world of Stephen King expanded even more as ABC aired a miniseries adaptation of his legendary book, IT. The movie would span across two parts and feature a large ensemble cast, the same group of characters, both as children and as adults. The success or failure of the film aside, Tim Curry’s performance as Pennywise has gone down as one of the more brilliant portrayals of a Stephen King character, alongside Jack Nicholson as Jack Torrence and Kathy Bates as Annie Wilkes.

We find ourselves now in the year 2017, on the brink of a new film adaptation, this time set for a theatrical release as opposed to television. And while the original miniseries continues to have legs in terms of the fans, as the years go on, it seems to take more of a turn towards being mocked and criticized as a joke and a failure, a betrayal of source material which I concede is likely King’s greatest book.  Continue Reading


Book Release Alert: WAR GAME by Renier Palland

War Game by [Palland, Renier]

The tenants never saw it coming. 

The Murray building, constructed in the seventies by the eccentric billionaire Samuel Murray, contains a secret so horrific and abhorrent that those caught in the ‘experiment’ might not see the light of day again. 

Time is ticking. 

Only one person can beat the War Game and walk away with $100 million in cash. 

Who dies? Who lives? Who is the real villain? What is the building’s biggest secret and why do only a select few know about it?

War Game is a maniacal thriller with enough plot twists to make your stomach churn. There’s violence, murder and buckets of blood. 

Can you predict the outcome?

Renier Palland

Renier Palland hails from Cape Town, South Africa. He is a published poet, a book & film reviewer, and a Survivor Superfan. The first book in his debut trilogy, War Game, was soft launched in August of 2017. The paperback is slated for an international release in early 2018. Renier loves cats, reality television, and enjoys writing about the human condition. He is currently completing his PhD in Sociology at Stanford University.


A new era at Machine Mean

D3You may have noticed that a new name has been added to the banner of the Machine Mean site. I thought this would be as good a time as any to introduce myself. My name is Chad Clark, indie author of horror and science fiction. I have accepted the gracious invitation from the talented Mr. Flowers to join on as a partner on the Machine Mean blog.

I have been writing for most of my life, a passion which was forged in the incredible popular culture of the 1980’s. Whether it was the magic of Spielberg and Lucas or the grit of Stephen King and George Romero, I was quickly hooked on the art of storytelling. I was an avid reader from an early age and was fortunate enough to have parents who were willing to give me room to explore the areas that interested me.

After high school and as I got into college, I took some time away from writing as my Yesterday, When We Diedpassions went elsewhere. As was likely inevitable though, I found my way back to books, both to read and to write. After re-dedicating myself to the craft, I would have the honor to publish my first book in 2014, a collection of shorter stories titled, Borrowed Time : And Other Tales.

In 2013, I also launched my first blog, The Baked Scribe. The blog would start with featuring new short stories every week and as it grew, would also add essays on the craft of writing as well as book reviews. The Baked Scribe would last for several years and total two hundred stories before closing its doors earlier this year. In addition to my initial book, I have published a novel, Behind Our Walls, two novellas, Down The Beaten Path and Yesterday, When We Died and two collections of flash fiction, A Shade For Every Season and Two Bells At Dawn (due to be released on July 26). My short stories have been featured in various anthologies as well as on Amazon. In 2016, I also took on a position as a reviewer for the book blog, Confessions Of A Reviewer.

So that brings us to Machine Mean.

What will I be doing for the site? In addition to coverassisting Thomas with some behind the scenes stuff, I will be posting book reviews every other Wednesday. On the off weeks, I will post a piece of original short fiction. These will be either new stories or will be classic issues brought back from the Baked Scribe. I will also be sharing posts from my other online project, Tracing The Trails, an examination of the works of Stephen King as I read every one of his books in order and review each one along the way.

I am looking forward to this opportunity to work with Thomas on the site and to bring youChad more of the great content you have come to expect. Please don’t hesitate to reach out to me with any questions or comments. If you are interested in seeing more of my work, you can click here to check out my official website and here for my Amazon author page. You can also follow me on Facebook. Look for the page for Chad A. Clark.

Thanks for your attention and for having me. It’s a pleasure to be here!


New Release: 13 Déjà Vu (Thirteen Series Book 2)

Following the huge success with 13: An Anthology of Horror and Dark Fiction that released last October (keeping on the top charts for horror anthologies ever since), Limitless Publishing has decided to bring even more dark fiction and horror. 13: Déjà Vu (Thirteen Series Book 2) has just released and as one of the authors in the anthology, I couldn’t be any more excited. The authors you enjoyed in the first 13 book are back with brand new tales, most of which are either sequels or continuations in some way to the work done in the original 13, to include: by Bradon Nave, Elizabeth Roderick, Carissa Ann Lynch, Sara Schoen, Marissa Farrar, Thomas S. Flowers, S. Valentine, Erin Lee, Jackie Sonnenberg, Samie Sands, Luke Swanson, D.A. Roach, and Taylor Henderson

For my part, you will find the next installment in my continuing Twin Pines Hotel stories, completely exclusive to the 13 Anthology Series. You witnessed Will Fenning’s strange demise in Room 313, now bear witness to the story of mass murderer Andy Derek and his confrontation with Room 249. iScream Books had this to say regarding the story:

A disturbing story of a cross country cold blooded murder spree. The murderer hides out in a unique hotel while the man hunt ensues. I found myself cringing and grossed out with this story but I also found it very unique and clever with its plot.

Pickup your copy today on Amazon for only $0.99!!!

 

 


The Subdue Series Continues…

The fourth chapter, Converging, in my ongoing paranormal series is set to release on May 16, 2017. As the fourth book in a continuing story, let me put your concerns at ease….you do not need to have read any of the other books to “get” what’s going on in this one. Does it help? Sure. As any reader of a series can tell you, reading the previous stories can give you more depth for the characters. But just like how Conceiving was set up, Converging is written in a way that helps you “catch up” without the tedious boredom of flashbacks. What’s in store for you in this chapter? Werewolves, plural…that’s right, Bobby Weeks isn’t the only cursed soul in this romp. More of the fiendish John Turner, our Frankenstein-ish monster. More of Luna too. And there are new characters with their own troubles. Donna Swanson, a small town sheriff caught up in something way beyond her depth of experience or even belief.

Get YOUR copy now!!!

Here’s the synopsis to wet your appetite…

Donna Swanson has been the sheriff of New Castle long enough to know something is terribly wrong in her town…

With its peaceful Appalachian streams and a homely diner where the residents congregate over pie, New Castle seems like the least sinister place on earth. Then a new restaurant opens, and a wave of deadly illness ravages the town. Is it a coincidence, or has evil appeared in their midst, cleverly disguised as restauranteurs? Donna’s duty demands she discover what’s going on before the disease wipes out her town.

Jo Harwood didn’t ask to be a monster, and Bobby Weeks would do anything to take back her curse…

Bobby thinks they can make a fresh start in New Castle, a quiet place where he can teach her how to control the monster inside her. But when Jo’s desire for independence clashes with Bobby’s need for control, she takes off, and Bobby races to find her before she transforms into the beast.

Luna Blanche tries to accept her new identity and to accept the gruesome truth about John Turner.

Luna tries to adapt to her role as Woman in the Woods—priestess of the desperate residents surrounding Mississippi’s Delta—while John struggles with his anger and hatred. Since his resurrection, he’s been driven to abominable acts. He wants Luna to love him, but how could she love a monster?

Dark forces are converging on New Castle, Virginia. Can conflicts be put aside before evil consumes them all?

But that’s not all!

In celebration of the fourth book’s release, ALL previous titles in the Subdue Series have been marked down to $0.99!!! This includes Dwelling, Emerging, and Conceiving. $0.99 each for this week only. Dwelling, four childhood friends separated and scarred by war are pulled back together by an unseen force. Emerging, as the once childhood friends gather at the House of Oak Lee, trust becomes elusive and betrayal from one of their own all the more foreboding. Conceiving, just when Bobby Weeks thought the nightmare was over, events force him to confront the evil in Jotham that tore apart his life. The Subdue Series is a paranormal thriller story filled with human suffering and supernatural monsters. Layered with rich characterization and injected with subtle horror that builds and builds until you can no longer stop reading, though it terrifies you, you have to see what happens next.

$0.99!!!

$0.99!!!

$0.99!!!

With a face only a mother could love, Thomas S. Flowers hides away to create character-driven stories of dark fiction. Residing in the swamps of Houston, Texas, with his wife and daughter, his debut novel, Reinheit, was soon published with Shadow Work Publishing, along with The Incredible Zilch Von Whitstein, Apocalypse Meow, Lanmò, The Hobbsburg Horror, and FEAST. His military/paranormal thriller series, The Subdue Series, including Dwelling, Emerging, Conceiving, and Converging, are published with Limitless Publishing, LLC. In 2008, he was honorably discharged from the U.S. Army where he served for seven years, with three tours serving in Operation Iraqi Freedom. In 2014, Thomas graduated from University of Houston Clear Lake with a Bachelors in History. He blogs at machinemean[dot]org, where he reviews movies and books on a wide range of strange yet oddly related topics. You can hide from Thomas by joining his author newsletter at http://goo.gl/2CozdE.


Come to the Feast

What would you do for family? I’d say most of us would do anything for family. However, we can imagine of certain situations in which we couldn’t do everything for family. We couldn’t betray our core values, or moral obligations, or our principles…or could we? I think for the most part we follow something similar to Issac Asimov’s Three Laws of Robotics when it comes to the lengths we’ll go or will not go for family. The law is as follows, with some tweaking on my part to adjust to our question of family.

A family member may not injure another family member or, through inaction, allow a family member to come to harm. A son/daughter must obey orders given by their parents except where such orders would conflict with the First Law. A person must protect their own existence as long as such protection does not conflict with the First or Second Law.

Something kinda like that, though not perfectly fitting, of course, this is just a thought exercise. And in actuality, the First and Second Laws typically conflict with each other, as demonstrated in the cartoon on the side.

And why do the Laws come in conflict? Because people are beautifully horrifyingly imperfect. Imperfection invites conflict. Anyone with mothers or fathers or brothers or sisters or really close cousins know all too perfectly how imperfect people can be. And yet, we cannot escape our families, though I am sure some have tried and succeeded in some measure, but overall our love remains for our sisters who are still our sister, our brothers still our brother, etc. etc. This brings us back to my original question: What would you do for family?

This question over the lengths we’re willing to go for family is what inspired the story in my latest book. FEAST is the story of a family, dysfunctional perhaps, but in the end, still family. Titus Fleming is a father and a businessman, and as the story progresses his dual nature between the two conflict. Is he a father more or is he a businessman? His surviving son, Luke, is going through a transformation in his life, becoming who he has always been, Lavinia. but when tragedy and scandal-beset his family, an arrangement will be made that will conflict with who Lavinia (Luke) really is.

And then there is the barbarous Lange family. Tamora and her two sons, Chad and Drake, and her employee Aaron. Who are they in this story? Victims? Perpetrators? Accomplices? Allies? What are these sons willing to do for their mother?

FEAST will ask those questions.

I am very excited for this release! FEAST is an extreme horror story inspired by Shakespeare’s play Titus Andronicus, one of my favorites from the famous playwright. Maybe a bit twisted to admit, but I had a lot of fun writing this book. The story and the characters pushed me into worlds and situations I have not dared to go before. While I do enjoy conjuring fantastic creatures, FEAST reminded me of the most horrifying of all horror monsters, humanity. Big shout out to my friend Travis Eck who came up with the design for the cover. I simply gave him a concept and he ran with it. Producing his own creation and artwork. Totally blew me away, as always, with his work and talent. Also, some thanks are in order for Jeffery X. Martin for editing my horrible use of the English language. Shout out to my favorite Canadian, Duncan Ralston, for not only helping me with the formatting of this book but also inspiring me to delve into a subgenre of horror I have only previously flirted with.

To help introduce the characters in Feast, here are some “character cards” that will provide a sort of visual representation:

FEAST

What would you do for family?

Between the rural Texas towns of Bass and Sat is one of the most popular barbecue restaurants in America. Big Butts Bar-B-Que has been the seat of power for the Fleming family since the Great Depression, but when tragedy and scandal-beset Titus and his surviving transgender son Lavinia, deals are made to keep control of the restaurant. An arrangement that will put a father at odds with his legacy. As the table is set, is it just the keys to the barbecue kingdom some are after, or something else entirely?

An extreme horror story inspired by Shakespeare’s play Titus Andronicus.

Get YOUR copy today!

$2.99

Thomas S. Flowers is the published author of character-driven stories of dark fiction. He resides in Houston, Texas, with his wife and daughter. His debut novel, Reinheit, is published with Shadow Work Publishing, along with The Incredible Zilch Von Whitstein, Apocalypse Meow, Lanmò, and his newest release, The Hobbsburg Horror. His military/paranormal thriller series, The Subdue Series, including Dwelling, Emerging, Conceiving, and Converging (coming soon), are published with Limitless Publishing, LLC. In 2008, he was honorably discharged from the U.S. Army where he served for seven years, with three tours serving in Operation Iraqi Freedom. In 2014, Thomas graduated from University of Houston Clear Lake with a Bachelors in History. He blogs at machinemean[dot]org, where he reviews movies and books on a wide range of strange yet oddly related topics. You can keep up with Thomas and all his strange events by joining his author newsletter, at http://goo.gl/2CozdE.

 

 


Dark Designs: Tales of Mad Science

 

Science without limits. Madness without end.

All proceeds from the purchase of this ebook will be donated to Doctors Without Borders / Medicins Sans Frontieres.

This is a warning. What you are about to read violates the boundaries of imagination, in a world where science breeds and breathes without restraint. A world very much like our own.

Within these shadowy corridors you will discover characters seeking retribution, understanding, power, a second chance at life—human stories of undiscovered species, government secrets, the horrors of parenthood, adolescence and bullying, envisioned through a warped lens of megalomania, suffering, and blind hubris. Curious inventors dabble with portals to alternate worlds, overzealous scientists and precocious children toy with living beings, offer medical marvels, and pick away at the thin veil of reality.

You can run. You can look away. But don’t say we didn’t warn you.

Witness our Dark Designs.

David Cronenberg, infamous director and storyteller of body-horror movies such as The Fly (1986), Shivers (1975), and Videodrome (1983), once said, “Everybody’s a mad scientist, and life is their lab. We’re all trying to experiment to find a way to live, to solve problems, to fend off madness and chaos.” This statement of Cronenberg’s is a rather optimistic one. And not altogether inaccurate, we are after all trying to find ways to live in harmony and in doing so we must solve problems that arise to get there. But that’s not really the genesis of the purpose of mad scientist stories. The notion of “mad science” is self-explanatory, that there is something strange or “mad” in the unknown realities that surround us. Even today, quantum theorists are often seen as “mad” scientists, practitioners of metaphysics more than actual provable science. And in some ways, there’s some truth in that metaphysics and quantum mechanics often overlap, which brings us to one of the most exhilarating and equally terrifying aspects about science, that is, it’s never ending, always searching, constantly discovering something new, something previously unknown, beyond us.  In part, our understanding of science; or more to point, our misunderstanding of science has become the inspiration over centuries for what has been deemed the quintessential “mad scientist.” Not for reasons given by Cronenberg above, that we are all in the same pursuit, but out of fear, fear bred from the unknown, and fear of what all these discovers, these advances, will bring us. And even more alarming, how far are we willing to go to achieve the impossible?

My first impression while surveying the history of “mad science” was that Victor Frankenstein, created by the imagination of a twenty-one-year-old Mary Shelley, was the first of the mad scientists to be conjured into the literary world. I was wrong. It was actually Dr. Faustus, written in 1604 by Christopher Marlowe, that should be credited as the first “mad scientist.” Dr. Faustus was perhaps more alchemical in nature than traditional science, but still the story serves as asking the proverbial question all mad scientist stories ask, “How far are we willing to go…?”  Some of the more popular “mad scientists” who defied boundaries and terrified audiences with their audacity against “nature” include, Dr. Moreau, an H.G. Wells story penned in 1896, and Danforth & Dyer in “At the Mountains of Madness” by H. P. Lovecraft, published in 1931. These stories are typically told from the perspective of a layman looking into nightmarish worlds, boiled in a cauldron of obsession and forbidden knowledge. H.P. Lovecraft would go on to create a few more characters in this realm of unrestrained science with Dr. Herbert West, one of my personal favorites, and Charles Dexter Ward.

Growing up, the one “mad scientist” story that ignited my imagination and kept me glued to the edge of my seat was Steven Spielberg’s science-fiction epic Jurassic Park (1993). Even in my pubescent years, the memory still rings clear today, the duel realities of science, that in the wonder of watching a baby dino hatch or Dr. Grant’s first realization of what was going on as the Jeep drove through the part to the Visitor’s Center, first realizing that those massive tree trucks were moving and were not in fact trees, being held prisoner in a sort of child-like spell, and then suddenly seeing it all go wrong, demonstrated the dangers of unrestrained science, that even now the question of trust must be asked. Ian Malcolm, played by a black leather clad Jeff Goldblum, has one of the more illuminating statements in the film, a statement that has rung in the minds of audiences for over four-hundred years, when he says, “Your scientists were so preoccupied with whether they could, they didn’t stop to think if they should.”

Today, “mad scientist” stories have for the most part found themselves kicked to the kid’s corner, in such books as Meet the Creeps or Franny K. Stein. Sadly, there isn’t much being offered in way of adult entertainment. This was the prime motivation for raising the question to my Shadow Work Publishing cohorts of collaborating on a mad scientist anthology. While science continues to evolve and new discoveries are being made every day, the question posed in 1604 still remains relevant today, “How far are we willing to go” in the pursuit of said discover what consequences, if any, will we face? We landed on the title, Dark Designs, more or less on the alluring sinister quality, but not just that, also, as our quote says, “Science without limits. Madness without end,” there is a certain amount of ambiguity regarding science, that without limits perhaps we could possibly go “too far,” and in reaching such limits, madness is sure to follow. Here, as you turn the page, you’ll find yourself in a world without limits, where science breeds and breathes without restraint. You’ll walk these corridors with characters seeking retribution, understanding, revenge, and perhaps for some a second chance on life. These are human stories through the spyglass of mad science, of undiscovered insects, government secrets, horrors of parenthood, adolescence, and bullying, about curious inventors dabbling in portals to alternate worlds, of ambitious biologists and overzealous children tinkering with things they probably shouldn’t, and stories that stretch our understanding of the boundaries of life.

From Shadow Work Publishing, and the sixteen authors of which contributed to this charity anthology for Doctors Without Borders, thank you and bid you welcome our Dark Designs: Tales of Mad Science.

You can get YOUR copy of Dark Designs: Tales of Mad Science for $0.99!!!


Book in Review: FEED by Michael Bray

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Tyler Matthews is desperate for change. Sick of his life and plagued by alcoholism, he makes the decision to divorce his wife, sell everything he owns and travel the world to try and find focus and rid himself of his addiction. Eventually arriving on the sun-drenched shores of Australia and still plagued by his demons, he has spent all his savings and is facing the prospect of having to return to his old life.

It is here that he meets two men with an outlandish story about a horde of sunken drug money in an area known as the Devil’s Triangle – Australia’s answer to its Bermuda namesake and said to be the lair of a terrifying monster of the deep. Offered a share of the fortune if he helps retrieve it, Tyler agrees to go with the men to the location, skeptical and thinking only of prolonging his journey of self-discovery.

He will learn, however, that this particular urban legend is real, and they encounter a giant of the seas, the previously thought to be extinct Megalodon which makes its home within the area of the Devil’s triangle.

Barely escaping with their lives, the three men wash up on an isolated island – no more than a rocky outcrop with no vegetation, fresh water of food sources. As desperation to survive intensifies, horrifying decisions will be made that will illustrate how man is sometimes the most violent predator on earth and when left with no option will do anything, even the unthinkable, in order to survive.

You may or may not know this, but I’ve got a bit of a phobia towards ocean water. I don’t mind heading to the beach, especially Flordia’s white sand, clear water beaches of Pensacola. That’s not really the problem. The problem is the deep. Or better yet, what lives in the deep, what’s hunting in the deep. Perhaps blame for this phobia can be placed directly on Discovery Channel’s Shark Week specials I’d watched as a kid. Seeing those Great White’s launching themselves, razor teeth and all, up out of the water to snag a morsel of meat. I also clearly remember watching another show on either TLC or Discovery about an old fisher man’s tale about being out at sea and hearing a thudding noise against the bow of his ship. Taking a lantern (because this is late at night, mind you), the captain goes to investigate. Peering over the side of the boat he stares down at something he doesn’t quite understand, and then suddenly it dawns on him…he’s staring down at a giant eye, the looks at him, and then disappears back into the deep. Most likely, the tale was about the infamous Kraken, a so-called giant squid with massive tentacles. Nonsesnse, perhaps, but still…these were the emotions I carried with me while reading Michael Bray’s new book, FEED.

FEED starts off with the main character, Tyler Matthews, who, as the reader will quickly discover, is tired of his ho-hum ordinary life. To escape he must exsponge his controlling misses (soon to be ex-wife), his banal job (of which she helped him get as means of controlling him), and all his meaningless worldly possessions. Tyler is set on exploring the world. His separated wife seems to think he’ll just burn all his money on booze. I really enjoyed the go between here, between Tyler and Amy (the soon-to-be-ex). And you can see where Tyler is at this stage, that they’ve been here before, and how he had failed to purge his life in the past, succumbing apparently to her controlling ways. I found myself easily rooting for Tyler and relieved that he finally stood up for himself. The one thing that stood out as odd was the separation and divorce, and perhaps seeing how Bray is an English chap and I a mere American is the hang up here, but I was questioning how Tyler ended up with everything from the divorce. He sold all his possession. His house, car, everything. And kept the proceeds…or maybe I missed the part where they were going to split everything 50/50. Amy did confess to having an affair, which drove this separation and eventual divorce, but still…

Throughout FEED we’re able to jump from chapter to chapter into various perspectives. Moving to where the majority of the story takes place, Australia’s Devil’s Triangle, I enjoyed the early setup between Scott and his “buddy” Karl, in which Karl informs Scott of an old legend of sunken gold, the only problem being that there’s a guardian of the gold, a giant monster that lurks in the deep. Scott doesn’t believe his stoner buddy’s story but decides to jump in and take a look anyhow. Why not, right? He soon discovers his friend was right, but instead of telling Karl that there is gold down at the bottom, he simply resurfaces to tell him there was nothing but sand, marking the GPS coordinates so he can return later and keep the prize for himself. This was a fun little scene, setting up what will be the eventual motivator of the story, getting that gold, but also being shown that getting said prize will most likely cost something, something very dear more like, as Scott definitely senses something down there stalking him. Or was it just his imagination?

ahab

 

Somewhere around here, we’re introduced to Nash, a very scarred, very “Ahab” trope character. His face and most of his right side of his body are in ruination. His flesh horribly drafted and pieced back together and over twenty years or so has healed in a not so pleasant on the eyes kinda way. Nash looking into the mirror is constantly reminded of what happened to him out in Australia’s Devil’s Triangle and has his heart set on revenge.

I don’t want to get into too many spoilers here. Understandably, reviews tend to reveal more than a few things about a book. Yet, we need to slow things down here, as around this point in the book, the pace begins to pick up. Needless to say, Scott returns to retrieve what he left at the bottom of Devil’s Triangle, and he brought his older, convict brother with him, Paul. I really enjoyed the go-between with Scott and Paul, and this highlights one of many awesome things about FEED, the dialogue is just about spot on, the reactions feel real, and the motivations, no matter how grotesque or horrifying, are justifiable. Even later on when certain characters are stranded on an “island,” which is basically nothing more than rock, with no food and no water. This scene with Scott and Paul also introduces us to the antagonist of the book, though Bray makes mention a few times, through his characters, that the shark is not malicious or anything, its particular species happens to be very dominate and very protective of its territory, and its territory so happens to cover the Devil’s Triangle. Due to the shark’s size, it needs to FEED quite often, which drives its more violent tendencies. Scott and Paul soon discover how real the legend is…

shark

Things progress, time goes on, and we catch up with Tyler in…you guessed it, Australia. He’s been all over the world now, adapted to his new lifestyle, and burning through his funds rapidly, mostly due to his alcoholism. He claims “near-alcoholism,” but come on, a spade is a spade. If Tyler wishes to continue his pilgrimage, he’ll need to replenish his bank account. And as fate would have it, he runs into the most unlikely of people, Nash and his son, Liam, as they discuss things over a few pints of bitter. He overhears their conversation and is quickly swept up in a bid for unimaginable riches. My only hang up here is how easily diving underwater seems. I liked the detail with the equipment, knowing the names of parts I’ll never look up, and though I’m not a “diver” myself, I would assume there would need to be some sort of training involved. I could be wrong here. I’ve only ever been snorkeling, maybe any joe schmoe can put on a wetsuit and some flippers and tread deep water. But regardless, this IS a detail easily ignored and doesn’t really effect the overall story. And so, Nash recruits Tyler to join him and his son, Liam, on a mission to get rich by finding the treasure left behind on the seabed of the Devil’s Triangle.

For the rest, you’ll simply have to read the book…

FEED works in many ways because it is and isn’t a traditional monster story. Sure, we’ve got the Megladon that is very protective of its territory. But we’ve also got a cast of characters that are not in the least two-dimensional. Tyler, the main protagonist, has his flaws, but he’s also very human and real and because of that, he is relatable. As are the many other characters, even the ones that don’t last very long on “screen.” Nash would be another great character I liked reading, a very “Ahab” prototype, hell bent on revenge, even at the risk of his own son and Tyler. Survival and the lengths we’re willing to go to survive are strong motivators of the story, some of which play out in very grotesque ways. This highlights that FEED isn’t just a story about a shark gobbling up people, in fact, for most of it, there are other predators and demons one has to watch out for. My own personal phobia of the ocean no doubt played into my reaction to the story Michael Bray has cooked up for his readers, but it also says something of the quality of the writing, to be able to play on those phobias, the isolation, and claustrophobia, the unknown aspects of what’s really out there in the black depths of the water. FEED is definitely a read fans of horror will not want to miss.

You can get your copy of FEED for $3.99 on Amazon!!

buynow

bray

Michael Bray is a bestselling horror / thriller author of several novels. Influenced from an early age by the suspense horror of authors such as Stephen King, Richard Laymon, Shaun Hutson, James Herbert & Brian Lumley, along with TV shows like Tales from the Crypt & The Twilight Zone, his work touches on the psychological side of horror, teasing the reader’s nerves and willing them to keep turning the pages. Several of his titles are currently being translated into multiple languages and with options for movie and Television adaptations under negotiation for others, he will look to continue his growth as a full time professional writer long into the future.

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