Starring: Roddy Piper, Meg Foster, Keith David, Peter Jason, and Larry Franco
Written By: John Carpenter (as Frank Armitage)
Directed By: John Carpenter
Review by: Joshua Macmillan
Synopsis: Nada, a wanderer without any meaning in his life discovers a pair of sunglasses that allow him to see the world the way it truly is. As he walks the streets of LA, he begins to notice that all media and governments are comprised of aliens intending on keeping all of the population subdued so they can dominate the world.
When I sat down to watch They Live for this review, it was the first time I was actually taking the time to see this film. I of course had heard of it, and had been told numerous times that I needed to check it out. I am a huge John Carpenter fan, mostly due to Halloween, The Thing, and Christine. Those were the films from Carpenter that I grew up on. This one has been on my “to be watched” list for quite a long time and thanks to Machine Mean, I finally forced myself to sit down and watch it. Unfortunately, it really did feel like a chore to sit through this film. Continue Reading…if you dare!
Directed by: John Carpenter
Written by: John Carpenter, Debra Hill
Starring: Adrenne Barbeau, Jamie Lee Curtis, Hal Holbrook, Tom Atkins, Janet Leigh, Et al.
Release date: 8 February 1980
Review by: Thomas S. Flowers
For me, the intrinsic appeal of ghost stories is the tale. Sitting around a campfire, sharing a ditty about life, death, and the thereafter typically involving some crime, something that went wrong, some singular cataclysmic event in which something horrible happened that over the years formed into the story. Said story exists both to scare (entertain) and to give warning. Beware the house on Redwood Street, inside its dilapidated walls a horror awaits those foolish enough to enter its haunted halls, etc. etc. In the macabre 1980 masterpiece The Fog, John Carpenter does just that. Using a traditional Gothic atmosphere, he creates a tale, campfire and all, warning the younger generation of the sins the past. Greed. Hate. Betrayal. And murder have stained the lineage of the small California coastal town of Antonio Bay. But as the idealistic community prepares to celebrate their centenary strange things begin to occur and a foreboding blue fog spreads toward the shores. Continue Reading
The Amityville Horror (1979)
A Review-ish by: Feind Gottes
Directed by Stuart Rosenberg
Adapted for the screen by Sandor Stern from the book by Jay Anson
Starring: James Brolin, Margot Kidder and Rod Steiger
The Gist: Come on, even non-horror fans know this one! The Lutz family buys a new home on Long Island (Amityville), NY where a young man killed his entire family about a year prior. Evil abounds and 28 days later the Lutz family run for the hills never to return to the home themselves ever.
My Review-ish: Now if you’re a horror fan and you do not know the basic story of The Amityville Horror I have to assume you’re very young, like under 5 or something, or you aren’t actually a horror fan in which case… WHAT THE HELL ARE YOU DOING HERE??? Due to that fact this review isn’t so much a review as it will be a personal story. Don’t worry I’ll keep it short but I should tell you this film is one of the most important horror films to me personally. Now I’ll move on to some facts then we’ll have a little fun, ‘kay? Continue Reading
Directed By: John Carpenter (Halloween, Escape from New York)
Starring: Donald Pleasence (Halloween Franchise, Phenomena), Victor Wong (Tremors, Big Trouble in Little China), Dennis Dun (Big Trouble in Little China, The Last Emperor), Lisa Blount (Chrystal, An Officer and a Gentleman), and Jameson Parker (The Bell Jar, Jackals)
Written By: John Carpenter (They Live, The Fog)
Release Year: 1987
Review By: Andy Taylor
As the son of a preacher-man, it should surprise no one that I’ve always had a strong interest in religion. Christianity, Islam, Hinduism, Buddhism, and so many others have long fascinated me, ever since I found reading the Bible, the only reading material available during church, to be more interesting than listening to the sermons. I might not prescribe to any particular one, though what my beliefs are remain immaterial to this review, but I’ve read most of the different religion’s main holy books to sate my curiosity, finding each one to be a fascinating look at how early humans tried to explain the world around them. Another big interest of mine is science. I might not understand a lot of it, but I love how science continues to delve the depths of our universe for answers we’ve been asking as a species for thousands of years. In some cases, both science and religion can be blended together, though many times the two are diametrically opposed, and this can make blending them effectively a difficult task. Thankfully, John Carpenter seems to have those same interests, and being the talented writer that he is, did a good job mixing the two into a strange, but fascinating tale, even if it does suffer from a couple of issues. Before we get to that, let’s look at the weird tale of Liquid Satan. Continue Reading
Review by: Carissa Ann Lynch
In order to fully appreciate The Blair Witch Project, you have to rewind the tape twenty years. Go on—I’ll wait.
It’s 1999—I’m fifteen years old, piled in the back of some goober’s pickup, watching the film on a grungy, old drive-in movie screen. I’m pretty sure it was after midnight.
Here’s the thing—back then, there was a lot of secrecy surrounding this film. Whoever did the marketing—or lack of marketing, I should say—really set the tone for viewers like me. The actors were unknown; their names in the credits were the same as their characters’ names. And in the very beginning of the film, the viewer learns that this film is “recovered footage” of three film students who went into the hills of Burkittsville, Maryland to film a documentary about a local legend—the Blair Witch—and never returned. So, right from the start, we know they’re doomed. The people in the film aren’t actors—they’re dead people. And now we’re going to watch this footage of what happened leading up to the moment of their deaths… Continue Reading
Starring: Jack Nicholson, Shelly Duvall, Danny Lloyd, and Scatman Crothers.
Written By: Stanley Kubrick and Diane Johnson
Directed By: Stanley Kubrick
Review By: Joshua Macmillan
Synopsis: Jack Torrance is in recovery, now that he is clean and sober, he is on his last legs. Needing to provide for his family, Jack takes a job as the winter caretaker of The Overlook hotel. For the winter, he will move his family in the hotel and he will maintain the building and grounds. Jack doesn’t know that the hotel has its own plans, that the hotel has more than a few dirty secrets of its own. Jack’s son, Danny, has a secret of his own. Danny has the ability to read minds- a trick he learns is called The Shine. Through the shine, Danny learns that his father is deteriorating mentally and the hotel has its own evil agenda.
The shining, arguably one of the most beloved films from director Stanley Kubrick, is a film that has been discussed and dissected by so many people that the task of writing a review for it is rather daunting. Honestly, I put off writing this review as long as possible because the film has become something more than just an adaptation of a Stephen King novel. I am not the type of movie-goer that goes into a movie looking for hidden messages. I want to be entertained and taken on the ride that the story wants to tell me, taking me out of my world and thrusting me into the world of the characters. When looking at writing about The Shining, I find that you can enjoy the film whether you want to dig in deep and search out those hidden themes or if you just want to watch a movie that will take you into its world. Continue Reading
The Grudge (2004) seems to be one of those films it’s cool to hate. The only thing cooler is preferring the Japanese original. I’m going to be uncool (not a stretch) and play a little devil’s advocate (assuming my proposed generality is accurate). I’m going to try to focus on what I think is the film’s greatest virtue. It may even be the case that The Grudge (2004), Takashi Shimizu’s English language reworking of Ju-on, has a great deal to teach us about how to make an effective horror film, even if it ultimately fell flat for you.
What is the virtue in question? The Grudge is played straight. Its premise is held up to the light to live or die by its own merit. The film doesn’t lean on homage the way many horror films have done. Recent successful horror installments like Hereditary and A Quiet Place share this quality with The Grudge. All of these films owe something to the catalog of horror films that preceded them, but they are the clear result of careful digestion and organic integration of classic tropes, not so much ham-fisted nods to their predecessors. There’s a sense that the creators were excited about the stories they were telling. They felt they had something unique in hand, and the general consensus seems to be that they were right. Continue Reading
There is something about horror movies of the 1970s that I love. Maybe it’s the pre-social media age. There’re no cell phones, no cable TV, no internet, not even compact discs or home computers. The time is one of simplicity. Or so it would seem. I imagine without all our modern distractions, there is more focus on what lies beneath. It was also a time of mystery. Putting a man on the moon was only something, at the time, that we’d just been able to accomplish. We simply knew less. Religion was much more accepted and widespread. Science was growing but it was still looked at as part fantasy. Less knowledge about how the world and the universe worked meant there was more room for our imaginations to wander in the dark void.
Burnt Offerings is based off a novel with the same name published in 1973 by Robert Marasco. Director/producer Dan Curtis co-wrote the screenplay with author William F. Nolan. Curtis was mostly a TV movie guy but does a wonderful job taking up the big chair for Burnt Offerings. Continue Reading
As I look out my window, the view is an obstruction of what looks like a white sandstorm in the trees. Barren forest, ominous setting, and a perfect time to write a horror film review of the gothic, supernatural variety. Warm, indoors writing of it, I mean! Pull up a chair by the fireplace and join me.
As most people know by now, my sense of humor often carries over into my writing and reviews, so fair warning since I’m reviewing the 1999 horror film, “Sleepy Hollow.” And really, what can one expect with a movie like this starring the king of dramatic over-emphasis, Johnny Depp? However, I will try to be humorous as well as critical, so let’s start over.
“Sleepy Hollow” is a film directed by Tim Burton and I am a huge fan of this director. Consider he’s using the source material of one of my favorite classic horror authors Washington Irving, and one of my favorite short stories “The Legend of Sleepy Hollow,” what’s not to like? I really enjoyed the show that was on television a few years back as well, but in 1999, just having my first baby, I wasn’t really getting out to the theaters. Somehow, though I always wanted to watch it, I just never did. Now, almost twenty years later, the movie didn’t feel old at all, due to the cinematography, decent special effects, and cast of stellar supporting actors (not to mention how young Depp looks). I’m sure the time period the movie is set in (the 1800s) also helps with that. At any rate, I mean I didn’t feel I was watching a cheesy ‘80s or ‘90s movie of my youth. Continue Reading
Fright Night (1985)
Written & Directed by Tom Holland
Starring: Chris Sarandon, William Ragsdale, Amanda Bearse, Stephen Geoffreys and Roddy McDowall
The Gist: A horror-obsessed teenager discovers that his next door neighbor is a murderous vampire. He attempts to convince the police, his family and friends to no avail. Seeing no other option, he takes matters into his own hands.
The Review (ish):
It was 1985. I was twelve going on thirteen, finally I was about to be taken seriously as a teenager! If you believe that I also have a vampire living next to me. In 1985 when Fright Night was originally released I would still consider myself a fledgling horror fan well on my way to a lifetime trudging through the wonderful world of blood and guts. It was a time when many local stations all over the country had some sort of Horror Host on late night usually on a Friday or Saturday night who did goofy gags, related movie trivia and usually showed low budget, B Horror movies. Horror Hosts kind of died out for a while though they’ve made a nice resurgence in recent years thanks to the internet where any horror fan can get a show started provided they have a camera or hell, just a phone these days. Why bring this up? Have you seen Fright Night? If you answered no and consider yourself a horror fan then you may want to just stop here and go correct that. Seriously, stop reading dimwit! Go watch Fright Night! Then grab some coffee and we’ll talk. Go on… I’ll wait. Continue Reading
Directed By: Fred Decker (Night of the Creeps, Robocop 3)
Starring: Duncan Regehr (V, 1988’s The Last Samuri, Zorro Television Show), Tom Noonan (The House of the Devil, Late Phases, The Alphabet Killer), Jon Gries (Skinwalker Rancher, Napoleon Dynamite, Fright Night Part 2), Tom Woodruff Jr. (Pumpkinhead, Tremors, Mortal Kombat), Michael Reid Mackay (Highway to Hell, Sleepwalkers, X-Men 2), and Stephen Macht (Graveyard Shift, Trancers film series, The Legend of Galgameth)
Written By: Shane Black (Lethal Weapon, The Last Boy Scout, Last Action Hero) and Fred Dekker (House, Night of the Creep, Robocop 3)
Release Year: 1987 Continue Reading
As a horror fan I feel rather fortunate that so many of my favorite thrillers released on the year of my birth. A quick Google re-search will reveal a VHS candy store of goody gore and lovable murderers, from The Thing to Poltergeist to Halloween III (the one without Myers) to Amityville II: The Possession (the one that was like The Exorcist but with incest) to The New York Ripper to Pieces, Parasite, The Slumber Party Massacre, and…Friday the 13th…PART 3 (cue groovy disco music). And among the other entries in the franchise, PART 3 is I would say my second favorite. There are many factors that play into my rating but unless you’ve seen it you probably won’t understand. So do me a solid and go pop this flayed VHS cause this review will be chopped full of SPOILERS. Readers…you have been warned! Continue Reading
Let’s get right to the point. Candyman (based on the story The Forbidden by the timeless Clive Barker) scared the shit out of me when I first watched it. I’m not sure if it was the Deep baritone voice of Tony Todd as the terrifying title character which is the first dialogue we hear as we see an army of bees crawl over each other, or the delicate musical score by Phillip Glass which was subtle and really got under the skin. I remember my sister had been to the cinema to watch it and was said it was the most frightening thing she had seen at the time. I was, of course, too young to go and watch it so when I saw the VHS pop up at our local video shop I couldn’t wait to watch it. Thankfully, due to the lax attitude of the owner of our shop and such things as certification being less of an issue at the time, I sat down to watch the film as a young kid who didn’t know any better. When it was done, I agreed with my sister. It was horrifying and stayed with me for some time.
As it happens, I haven’t watched it again since and so in doing this review decided to pick it up in super shiny Blu ray so I could see if it was still as scary the second time around. Continue Reading
Tonight we take a look at one of the big four. I mean, really, when one hears the word SLASHER, four characters jump to mind, right? Freddy Krueger, Michael Meyers, Leatherface and of course, Jason Voorhees.
There are countless other stalker killers out there, but for some reason, these four are synonymous with the word slasher. It doesn’t seem to matter that there were slashers before and after these classics were made, these are the Grandaddies of the slasher family. Take it or leave it. One might make a case for Chucky, The Firefly Clan and others, and while terrifying and time-tested, in my opinion, Chucky has become a lampoon of himself and The Fireflys were only in two(?) movies. That’s not to say that Jason and Freddy haven’t become parodies either, but that’s a topic for another day. Today we talk about the birth of all things Camp Crystal Lake and why teenagers of the 80’s didn’t want to go to camp. Continue Reading
The Blob, but with clowns. That will get you close to understanding what this film has in store if you haven’t seen it yet, but it doesn’t quite cover it. In fact, despite the Chiodo brothers’ stated intent to pay homage to The Blob, as well as the 50s alien invasion film in general, chalking it up to a simple homage would be a disservice. Killer Klowns from Outer Space is such a great movie in so many ways, but one of its most important features is its originality. Continue Reading