With all the hoopla going on, in anticipation of the return of Dana Skully and Fox Mulder in the 6 episode event starting up in January 2016, I though it’d be a good idea to revisit not just the television show, but also the movies. Here, I want to focus more or less on Fight the Future, the 1998 cinematic debut of the X-Files from boob-tube to movie theaters. Personally speaking, and I’m sure many of you will agree, the X-Files defined my 1990s television experience, introducing ideas in a compelling narrative about two FBI agents who couldn’t be further apart, but are yet drawn together through circumstance, all-the-while, the outside world seems to be encroaching upon them, where friends are rare and trust is precarious.
As the show airs in 1993, we are guided into the dark and deary basement office of one Fox Mulder who has been, more or less, red flagged for his strange and unorthodox methodology and theories. Fox, in his own words, believes he is “the key figure in an ongoing government charade, the plot to conceal the truth about the existence of extraterrestrials. It’s a global conspiracy, actually, with key players in the highest levels of power, that reaches down into the lives of every man, woman, and child on this planet, so, of course, no one believes me. I’m an annoyance to my superiors, a joke to my peers. They call me Spooky. Spooky Mulder, whose sister was abducted by aliens when he was just a kid and who now chases after little green men with a badge and a gun, shouting to the heavens or to anyone who will listen that the fix is in, that the sky is falling and when it hits it’s gonna be the shit-storm of all time” (Fight the Future, 1998). Dana Skully acts as his counterpart, the yin and yang so to speak, of the duo. She’s the rationalist, balancing the supernatural and keeping Mulder rooted. As Fox says regarding the relationship, “But you saved me. As difficult and frustrating as it’s been sometimes, your God-damned strict rationalism and science have saved me a thousand times over. You kept me honest. You made me a whole person. I owe you everything, and you owe me nothing. I don’t know if I want to do this alone. I don’t even know if I can” (Fight the Future, 1998). And as we can extrapolate from his tone in the 1998 movie, their relationship develops over time. Dana started out as an outside perspective, brought in by the higher-ups to report back on Agent Mulder’s case files, aka the X-Files, to basically debunk his work. But through the course of their investigations, she caught glimpses of things she (or science for that matter) could not explain. And let me say right here and now, Fight the Future and the show has some of the best scriptwriting I’ve ever had the pleasure of watching play out on screen . So, now that the players have been set up, lets talk a little about the movie and where it fits in the lexicon.
Fight the Future was released in 1998, fitting between the end of season five and six. The show aired by in 1993 with some of the more darker episodes and best creature features. With the show, we’re given a central story arc mixed with “filler” episodes, episodes which typically have nothing to do with the main story. While the main story plots are intriguing, for the X-Files, I’m more of a fan of the fillers, the go-betweens. In these episodes, you’ll find more of the scares, the darker stories intermingled in the global conspiracy ones. Some of the best in this category include: Home, Squeeze, Jose Chung’s From Outer Space, Clyde Bruckman’s Final Repose, The Host, Die Hand Die Verletzt, Folie à Deux, etc etc, just to name a few (and these few are some of my favorite episodes). If you have a Facebook account, you can follow the day to day episodes on the official X-Files page. They’ve also included some very unique fan made mondo posters to par with each episode. Between “filler” and “central story,” Fight the Future was part of the main story arc. Its counterpart, I want to Believe, released in 2008, was the filler equivalent to the shows, which doesn’t mean it was bad because of it, though I don’t think it found much footing with fans in 2008. Maybe they were hoping for something more to the central lexicon than a filler, but as I said before…
Looking at Fight the Future as a stand alone would be confusing, I think. To watch this movie and understand what’s going on, you’d have to be a fan of the show. Though, Carter did throw in some clues here and there. Still though, I still think if I watched Fight the Future without ever having watched the shows, I’d feel as if I was missing some insider joke. I’m a really happy they did it that way, while not leaving a newbie out of the loop entirely, the movie was made for fans of the show. Consider Serenity, the movie based on the cult-loved Firefly. They made that movie so that anyone can walk in off the street and understand everything going on. Sure, they might miss a few relationship side jokes, but overall, the movie was a restart on the show. I feel it would have been better, had they ignored the noobs and made the damn movie for the fans. Does that make sense, or am I going crazy? Sure, maybe Josh what’s his name was just trying to finish his show knowing Firefly would never return to television and the story he came up with was the best he could do…
Back to the X-Files…
Fight the Future is a fast paced movie; which is rare, to be a 2 hour movie based on a television show which airs for roughly 45 mins. From the very start, we’re drawn in to this global event, from the Ice Age opening credits to the black blood virus to team Fox and Dana working the bomb threat in Dallas, all the way to the conclusion and those sinister bestial aliens the story whips us and keeps us glued to the set. There is a small lag near the middle, but even so, there you’ll find some damn fine writing, my favorite is with Mulder at the bar, as part of the quote above with him describing himself to the bartender and why he’s drinking so much. And then there’s the moment between Skully and Fox in the hallway when Fox tells Dana how he feels and they ALMOST kiss, an adolescent teen-girl expectation, I know, but one that had been built up over time…had someone walked in on the movie at that moment without ever knowing the events in the show, it would have seemed silly. But for those in the know, the romance between the two has been a slow and methodical build up, finally realized towards the end of the show and actually acknowledged in I Want to Believe.
If you haven’t seen Fight the Future, even if you’ve never seen the show, I think its a safe bet to assume there are enough clues for you to understand what’s going on. And if you’re a long time fan and haven’t seen this movie…well, I’m not sure what to say to you… FOR SHAME!!!
My Review: 5/5
Dr. Deborah Lipstadt’s famous work, “Denying the Holocaust: The Growing Assault on Truth and Memory,” is one of the most disturbing pieces I’ve read thus far connected with the history of the Holocaust. The rhetoric of Holocaust deniers that she describes, in detail, is sinisterly reminiscent of Germany’s modus operandi concerning anti-Semitism during the Third Reich. At base, the commonalties are linked with “classic” beliefs regarding Jewry: worldwide Jewish conspiracy for economic control and a cold denial of the rational obvious. The denial seems to be, for those in the Third Reich, similar to reporting’s Joseph Goebbles had given about the deportation of European Jewry to concentration camps, which as stated by the Minister of Propaganda, not about annihilation, but “rehabilitation.”
For the more modern denier, doubt has been cast over many different facets, such as: rejecting that there were six million Jews in Europe, the gas chamber itself, purpose (Zionist conspiracy), and perspective (dealing with “enemies” of the state) and so on. However, both for the Third Reich and for modern deniers, the denial itself is simply, at root, anti-Semitism masked behind the clever guise of pseudohistorical interpretation. Both those of the Third Reich and modern-day deniers brush aside the annihilation of six-million Jews simply because of an inherently human predisposition to deny our own capacity for horrendous acts. Instead of facing the truth, despite how difficult the facts are, deniers consciously reject the account as some far-fetched Zionist-tall-tale, because somehow conspiracies are much easier to accept then anything resembling the truth, which is: the Holocaust was real and six million Jews really did suffer and die, either by being rounded up and shot by the Einsatzgruppen or through selection, ushered into the crematoria, or by starvation and disease in the camps. Underneath, the deniers are “invective about Jewish power and influence and… [are convinced] that Jews have the most sinister intentions.”
We could, of course, simply laugh away the claims deniers are making, for as students and teachers of history, their claims are so obviously ridiculous; however, we need to consider that we are now, as of 2013, two generations removed from the events of the Holocaust. The memory of survivors and first person testimony will soon fall into the realm of ancient history. General knowledge regarding the Holocaust has already stared to decline. According to Lipstadt, the Gallup poll conducted during the 1990’s, to ascertain the public’s general knowledge of the events that happened during the Holocaust, 38% adults and 24% high school students “incorrectly [explained] what is meant by ‘the Holocaust.’” This poll was taken during the 90’s, nearly twenty years ago; no doubt that the percentages of Holocaust ignorance have increased. The real danger than becomes, as Lipstadt’s title has implied, a growing assault on memory. Unfortunately, unless something changes in our educational standards, the way we educate, the natural inclination we have to deny the most heinous acts of man and the general lack of historical knowledge will allow Holocaust denial to grow more influential in the years to come. Deborah Lipstadt sums the issue best in saying:
“Those of us who make scholarship our vocation and avocation dream of spending our time charting new paths, opening new vistas, and offering new perspectives on some aspect of the truth. We seek to discover, not to defend. We did not train in our respective fields in order to stand like watchmen and women on the Rhine. Yet this is what we must do. We do so in order to expose falsehood and hate. We will remain ever vigilant so that the most precious tools of our trade and our society – truth and reason – can prevail. The still, small voices of millions cry out to us from the ground demanding that we do no less.”
Deborah Lipstadt, “Denying the Holocaust: The Growing Assault on Truth and Memory,” Penguin Books Ltd. January 1994.
Thomas S. Flowers writes character-driven stories of dark fiction ranging from Shakespearean gore feasts to paranormal thrillers. Residing in the swamps of Houston, Texas, with his wife and daughter, his debut novel, Reinheit, was published with Shadow Work Publishing, along with The Incredible Zilch Von Whitstein, Apocalypse Meow, Lanmò, The Hobbsburg Horror, and FEAST. His veteran focused paranormal thriller series, The Subdue Series, including Dwelling, Emerging, Conceiving, and Converging, are published with Limitless Publishing, LLC. In 2008, he was honorably discharged from the U.S. Army where he served three tours in Operation Iraqi Freedom. In 2014, Thomas graduated from University of Houston-Clear Lake with a Bachelors in History. He blogs at machinemean[dot]org, where he reviews horror and sci fi movies and books and hosts a gambit of guest contributors who discuss a wide range of strange yet oddly related topics. You can follow Thomas at a safe distance by joining his author newsletter at http://goo.gl/2CozdE.