Released in June, 1973, The Legend of Hell House hit unsuspecting theatergoers with a blast. Based on the Richard Matheson novel, Hell House, (and adapted to the screen by Matheson himself) Legend of Hell House was helmed by John Hough. Hough’s credits after Hell House include a slew of notable horror films (The Incubus, Watcher in the Woods, American Gothic) as well as the Disney Witch Mountain franchise.
The story: Physicist Lionel Barrett (Clive Revill) and his wife, Gayle (An Barrett) lead two mediums into the Belasco House, which is supposedly haunted by the victims of its late owner, Emeric Belasco, a 6’ 5”serial killer dubbed the “Roaring Giant”. This is done at the direction of eccentric millionaire, Mr. Deutch (Roland Culver). Deutch is terminally-ill and obsessed with discovering survival after death. The Belasco House, the “Mountain Everest of haunted houses”, has yet to be refuted. Continue Reading
Tonight we take a look at one of the big four. I mean, really, when one hears the word SLASHER, four characters jump to mind, right? Freddy Krueger, Michael Meyers, Leatherface and of course, Jason Voorhees.
There are countless other stalker killers out there, but for some reason, these four are synonymous with the word slasher. It doesn’t seem to matter that there were slashers before and after these classics were made, these are the Grandaddies of the slasher family. Take it or leave it. One might make a case for Chucky, The Firefly Clan and others, and while terrifying and time-tested, in my opinion, Chucky has become a lampoon of himself and The Fireflys were only in two(?) movies. That’s not to say that Jason and Freddy haven’t become parodies either, but that’s a topic for another day. Today we talk about the birth of all things Camp Crystal Lake and why teenagers of the 80’s didn’t want to go to camp. Continue Reading
I had the basic plot idea for Literary Stalker – a bad writer with grudges who takes revenge on selected colleagues – many years before I wrote the novel, but it remained on the back burner because it seemed too simplistic. Then I had the further idea of making the work a pastiche, with showcased references to films and other novels, very much in the style of Quentin Tarantino. Having fun developing this, one film in particular popped into my mind – one I hadn’t actually viewed for decades, but which I remembered fondly from way back in the 1970s and ’80s. It was Theatre of Blood, and I got the DVD and re-watched it, several times. The rest, as they say, is history. Continue Reading
The Video Dead
Director/writer: Robert Scott
1 Hr 30 mins.
Release Date: November 1987
An unlabeled crate from an unknown source is delivered to a house in the woods. The homeowner unwisely accepts the delivery, only to discover it contains a TV set that starts spewing giggling zombies all over the place. When a new family moves into the now-abandoned house, the son discovers the haunted television and is soon told what he needs to do to send the zombies back where they belong. Knowing and doing, however, are two very different things, and the zombies are not likely to go quietly.