Fans of Bava’s films know they are more about style than plot. The revolutionary use of color and framing create mood and atmosphere that leave a deep impression. A BAY OF BLOOD is loose and sometimes confusing, but it set the tone for many important films to come after it. The main film is, of course, Sean Cunningham’s FRIDAY THE 13th.
A BAY OF BLOOD centers around the inhabitants of a small bay. Countess Frida, (Isa Miranda,) is murdered by her husband, who is then himself murdered. The murders set off a chaotic chain of events as neighbors and family members fight and back stab each other for control of the bay. Among them is Simon, (Claudio Camaso,) the Countess’s illegitimate son; Renata (Claudine Auger), his step sister, and her husband Albert (Luigi Pistilli); Frank (Chris Avram,) a greedy businessman and his secretary Laura (Anna Maria Rosati), and card reader Anna (Laura Betti), spreading doom and gloom with her insect loving husband. There is also a side story of two young couples camping out in one of the empty houses and falling prey to the killer. The ending involving Renata and Albert’s children also makes no real sense. Continue Reading
What’s the worst that can happen? That is what I had said last night before renting the yet to be released remake of George A. Romero’s DAY OF THE DEAD (1985). Deep down, I knew…I knew it wasn’t going to be good, and yet there I was, pushing select and paying $6 despite my better judgement. I try to be fair. I know I am very particular about zombie movies. Deep prejudices, you might say. Being a Romero-purist makes it really hard to get into anything other than Romero. I understand that the late great grandfather of the zombie genre wasn’t perfect, we need only look at Survival of the Dead to realize that, but still…there has to be something. Story. Acting. Gore. The trifecta, no, the algorithm to making a solid zombie movie. So, did Day of the Dead: Bloodline make the cut? Continue Reading