The mad genius may be an over played trope, but it is still entertaining to watch. I have to wonder though if the character in question on today’s installment of Slashers & Serial Killers would fit into the mold of “mad genius.” Is Hannibal “The Cannibal” Lecter truly mad? Is he insane, mentally ill, certifiable, deranged, demented, or otherwise of unsound mind? Honestly, that’s a tall order. What he does is shocking, sure enough. I think we can at the very least say for certain that he is a genius. You don’t become a physician and practicing psychologist speaking fluently in several languages with perfect memorization and dictation of countless works of art and poetry, not to mention an obsessive culinary skill, without the moniker of said genius. Mad though…that begs the question. Continue Reading
EDITOR’S NOTE – Monster was a movie that had a huge impact on me and I think this is one example of, while the story of a film might not be as memorable, the performance elevates it into something extraordinary. I think Charlize Theron is one of the most exciting actors of our time. I’ve been a fan of hers from the day I saw her steal practically every scene she graced in Devil’s Advocate. I think she has a unique ability to completely occupy the space of a character. With many legendary actors, when it comes down to it, you still feel like you are seeing a variation on that person. I watch DeNiro’s films and for the most part, I still feel like I’m seeing Robert DeNiro, or Russell Crowe or whomever. Charlize Theron is a rare example where I feel like she becomes something completely different with each role. Continue Reading
Imitation is often seen as a tribute to an artist; other times it is seen as a mockery and a laughable attempt to establish, oneself, in a world of other artists. A question that should be asked, what separates the good imitations from the worst?
The answer is a little more underlying.
A work of imitation can branch off and become something different, something appreciated by others. The difference is—Appreciation for the original work and artist—nothing more.
In 1978, John Carpenter set out and defined the slasher genre. Many fans were introduced to their first masked serial killers: Michael Myers. The original story was enough to send millions of fans into a terror filled adventure, murder and mayhem a-plenty. Man escapes mental institution after murdering his sister twenty years prior and begins slashing and stabbing his way through Haddonfield, IL. Continue Reading
The Eighties are often thought of as the Golden Age of Slasher movies. And why not? We had Jason and Freddy and Michael roaming around movie screens, dispatching hormone-addled teenagers in creative ways. It all became a bit formulaic, but with pretty naked people and bucketfuls of the red, red kroovy, who cared? The horror algorithm was simple back then, and anybody who could get funding from family or a cabal of local medical professionals could follow the formula, shoot a movie in a couple weeks, and potentially get a lucrative distribution deal.
With an audience hankering for knives and nubiles, other horror movies got lost in the shuffle. That’s why most people have probably never heard of Alone in the Dark, a terrific movie from 1982 with no nudity, little bloodshed, and no young’uns traipsing through the forest, tripping over tree roots in the dark. Continue Reading
This final wrap up post for 2017 isn’t about one individual or even two, this is about our collective achievement. Machine Mean may have started with one nerdy guy talking about horror, history, politics, and whatever else crossed his mind, but it has GROWN way beyond that. From guest posts and interviews to a full on partnership between myself and Chad Clark, we have watched this little horror movie and book review site flourish. In 2017, we had over 17,000 readers, leaving over 200 comments, drawn in from all over the world–predominately in the United States, the UK, Canada, and France. Our most popular post was Chad’s article The Dark Tower And Toxicity in Modern Nerd Culture, ringing in nearly 2,000 reads. In 2017, we posted 137 articles totally nearly 190,000 words. But we couldn’t have done this alone. We’ve had a lot of help from some 31 really awesome contributors. Continue Reading
Today’s offering borderlines what we’d define as a “creature feature.” The monster isn’t some radiated beast nor is it (he) cosmic or multidimensional. Castle Freak is without a shadow of a doubt human. Not subhuman nor extraordinary. He’s not unkillable (such as Jason or Freddy) or super strong. But I wouldn’t categorize Castle Freak as a slasher or serial killer or mass murderer either. In fact, when researching some info on Castle Freak I was shocked to find that it was labeled as a mystery slasher film. I think perhaps that’s because the people doing the “labeling” didn’t understand what it was they were looking at. The “monster” in Castle Freak isn’t out for revenge or to score a high kill count, in fact, there’s not a heck of a lot of death in this movie, not if it were indeed a slasher flick. No. Castle Freak isn’t a slasher, its a creature feature, and I’ll tell you why… Continue Reading
Greetings folks! Ladies and gentlemen. Boys and girls. As we begin this new year it is my great pleasure to announce the start of a brand new “In Review” series. Creature Features…beloved by many, loathed by some, irrefutable masterpieces that tell a tale of where the world is during each era of release. From the nuclear wastelands of Hiroshima in Godzilla and the radiated test sights in Them! to the hideous shadows in swamps and space fiends coming to terrorize quiet small town America in Critters and Swamp Thing to the worlds of mad science and mythology to humanoids and mutations, Creature Feature films have been at every turn in pop culture. Spanning decades, here at Machine Mean, thanks to our mob of talented and twisted guest writers, will bring to you beginning this Thursday and running until December, on every Thursday a Creature Feature in Review. Set your clocks and mark your calendars.
The fun begins this Thursday on Jan 5, 2017.
Follow the series on Twitter at #MonsterThursday