Starring: Callie Hernandez, James Allen McCune, Valorie Curry, Wes Robinson, Corbin Reid, and Brandon Scott
Written By: Simon Barrett
Directed By: Adam Wingard
Synopsis: After what appears to be leaked footage dating back to when his sister went missing, James and a few of his friends enter the Black Hills Forest in Maryland to uncover the truth surrounding her disappearance.
At least once per decade, a film comes out that redefines the genre, sending it in a new direction. In the 90’s, we had a renaissance with meta horror found in the late Wes Craven’s 1996 classic- Scream. A mere three years later the genre would change yet again with 1999’s The Blair Witch Project. Co-Directors Eduardo Sanchez and Daniel Myrick helped the genre shift and their little indie film became one of the pioneers of the found-footage sub-genre. Continue Reading
Directed by Len Wiseman
Written by Len Wiseman, Kevin Grevioux & Danny McBride
Starring: Kate Beckinsale, Scott Speedman, Shane Brolly, Michael Sheen and Bill Nighy
The Gist: A war has been raging between vampires and lycans for centuries though there has been peace for many years until lycans come out of hiding once more. Selene, a vampire warrior, and daughter of one of the most powerful vampire lords, Viktor, finds herself in the middle of the war and a mystery when she meets Michael who is wanted by both sides. Continue Reading
The Jigsaw killer strikes again a decade after his death, setting up several traps for five people who need to atone for their sins. This film follows a male and a female forensic pathologist as they help uncover clues as to how the Jigsaw killer has returned from the dead. Meanwhile, a team of detectives suspect that these two are the copycat killers. Find out for yourself whether or not Jigsaw faked his death! I mean… he is the only one able to do something like this, right? Or did he set up enough secret traps before his death to last a lifetime?
First, let’s discuss a little bit about the films prior to Jigsaw. The original film, Saw, was the most unique out of the lot. The budget wasn’t extremely high, and in comparison to the following films it did not nearly have the amount of gore that this series is so famous for. Most of the films follow an ongoing detective investigation trying to find the Jigsaw killer and rescue those still alive while we watch them try to escape the traps that the Jigsaw killer and his accomplices set up for them. Continue Reading
“The Legend of Lizzie Borden” from 1975, directed by Paul Wendkos, was a movie I had been dying to watch, both because I like to stomach anything Lizzie Borden-related and due to actress Elizabeth Montgomery. I’ve always been a fan of hers from growing up watching re-runs of “Bewitched” and she starred in the lead role as Lizzie Borden. “The Legend of Lizzie Borden” came out when I was just one-year-old, so I wasn’t one of those crowded around the TV watching it on ABC Movie of the Week when it aired, but I had read just how much it would have been controversial at the time for how much violence it showed. Violence, by the way, that doesn’t hold a candle to what we watch now, or would back then as the ‘80s approached, in terms of slasher films. If I had a been a bit older, we would have never been allowed to watch it in my house anyway. Continue Reading
The mad genius may be an over played trope, but it is still entertaining to watch. I have to wonder though if the character in question on today’s installment of Slashers & Serial Killers would fit into the mold of “mad genius.” Is Hannibal “The Cannibal” Lecter truly mad? Is he insane, mentally ill, certifiable, deranged, demented, or otherwise of unsound mind? Honestly, that’s a tall order. What he does is shocking, sure enough. I think we can at the very least say for certain that he is a genius. You don’t become a physician and practicing psychologist speaking fluently in several languages with perfect memorization and dictation of countless works of art and poetry, not to mention an obsessive culinary skill, without the moniker of said genius. Mad though…that begs the question. Continue Reading
EDITOR’S NOTE – Monster was a movie that had a huge impact on me and I think this is one example of, while the story of a film might not be as memorable, the performance elevates it into something extraordinary. I think Charlize Theron is one of the most exciting actors of our time. I’ve been a fan of hers from the day I saw her steal practically every scene she graced in Devil’s Advocate. I think she has a unique ability to completely occupy the space of a character. With many legendary actors, when it comes down to it, you still feel like you are seeing a variation on that person. I watch DeNiro’s films and for the most part, I still feel like I’m seeing Robert DeNiro, or Russell Crowe or whomever. Charlize Theron is a rare example where I feel like she becomes something completely different with each role. Continue Reading
Imitation is often seen as a tribute to an artist; other times it is seen as a mockery and a laughable attempt to establish, oneself, in a world of other artists. A question that should be asked, what separates the good imitations from the worst?
The answer is a little more underlying.
A work of imitation can branch off and become something different, something appreciated by others. The difference is—Appreciation for the original work and artist—nothing more.
In 1978, John Carpenter set out and defined the slasher genre. Many fans were introduced to their first masked serial killers: Michael Myers. The original story was enough to send millions of fans into a terror filled adventure, murder and mayhem a-plenty. Man escapes mental institution after murdering his sister twenty years prior and begins slashing and stabbing his way through Haddonfield, IL. Continue Reading
The Eighties are often thought of as the Golden Age of Slasher movies. And why not? We had Jason and Freddy and Michael roaming around movie screens, dispatching hormone-addled teenagers in creative ways. It all became a bit formulaic, but with pretty naked people and bucketfuls of the red, red kroovy, who cared? The horror algorithm was simple back then, and anybody who could get funding from family or a cabal of local medical professionals could follow the formula, shoot a movie in a couple weeks, and potentially get a lucrative distribution deal.
With an audience hankering for knives and nubiles, other horror movies got lost in the shuffle. That’s why most people have probably never heard of Alone in the Dark, a terrific movie from 1982 with no nudity, little bloodshed, and no young’uns traipsing through the forest, tripping over tree roots in the dark. Continue Reading
This final wrap up post for 2017 isn’t about one individual or even two, this is about our collective achievement. Machine Mean may have started with one nerdy guy talking about horror, history, politics, and whatever else crossed his mind, but it has GROWN way beyond that. From guest posts and interviews to a full on partnership between myself and Chad Clark, we have watched this little horror movie and book review site flourish. In 2017, we had over 17,000 readers, leaving over 200 comments, drawn in from all over the world–predominately in the United States, the UK, Canada, and France. Our most popular post was Chad’s article The Dark Tower And Toxicity in Modern Nerd Culture, ringing in nearly 2,000 reads. In 2017, we posted 137 articles totally nearly 190,000 words. But we couldn’t have done this alone. We’ve had a lot of help from some 31 really awesome contributors. Continue Reading
Today’s offering borderlines what we’d define as a “creature feature.” The monster isn’t some radiated beast nor is it (he) cosmic or multidimensional. Castle Freak is without a shadow of a doubt human. Not subhuman nor extraordinary. He’s not unkillable (such as Jason or Freddy) or super strong. But I wouldn’t categorize Castle Freak as a slasher or serial killer or mass murderer either. In fact, when researching some info on Castle Freak I was shocked to find that it was labeled as a mystery slasher film. I think perhaps that’s because the people doing the “labeling” didn’t understand what it was they were looking at. The “monster” in Castle Freak isn’t out for revenge or to score a high kill count, in fact, there’s not a heck of a lot of death in this movie, not if it were indeed a slasher flick. No. Castle Freak isn’t a slasher, its a creature feature, and I’ll tell you why… Continue Reading