I got my first taste in publishing when I was in high school. Some short story of which I have long since forgotten the title for and have long since misplaced the letter of authentication. Given my moody teenagerism, it was probably something dark and depressing. It would be another 15 years before I’d publish again. In 2014, I put out my second short story, Hobo, and followed it closely with Are You Hungry, Dear?, and then released my first novel, Reinheit. In that very short span of time, I’ve been able to launch 4 more novels in a continuing series called The Subdue Series (Dwelling, Emerging, Conceiving, and Converging), 2 solo shorts, contributed to 7 published anthologies (the 8th to be published later this year), including a serial short story exclusive to the 13: An Anthology of Horror and Dark Fiction series, my first collection called The Hobbsburg Horror, AND 2 novellas, Lanmò and Feast. That’s what? Some 20 published works, most of which are shorts. I’d say I was simply prolific, but I know more authors that do way more than my meager sum.
No, the aim (for me) cannot be about out producing the competition. I’d go nuts trying to keep up. What I can aim to do is provide quality entertainment in the vein of horrifying reads. I want to tell stories, plain and simple. I don’t want to out do anyone. I want to tell tales and get them out there to be read. Easy enough, right? What’s interesting, in this current era we find ourselves, is the constant development of technology that allows schmoes like me to publish our works. Amazon wasn’t around when I was a grump moody teenager. Self publishing was unaffordable. And traditional publishing took knowing someone who knew someone who knew someone. If you didn’t have that connection to your father’s brother’s uncle’s cousin’s former roommate, you were SOL. And the BIG 5? Forgetaboutit.
But now? Man, the entire system has expanded exponentially. With the development of eBooks (and its popularity) which later gave rise to print on demand (I use CreateSpace), publishing became insignificant. Not to belittle it, just that anyone can and many do. In fact, its not uncommon to stroll into a cyber writers group and read at least a dozen complaints about how saturated the market is. Its a favorite word to toss around that makes you sound more knowledgeable than what you really are. Saturated. Saturated. Saturated. Martha. Martha. Martha. And its true, the market IS super saturated. Personally though, I don’t think that’s such a bad thing. Now readers have more of what they want. They have options outside of what they thought they could only get from the BIG 5.
But there’s a trick.
You cannot just put something out there and expect readers to flock to you. That’s just insane. Unless you have a known name, readers are not going to flock to you. Connections help; making connections is even better. What I’ve found most appealing with how this publishing world has evolved is how much of a community it has become. Embrace it. There will be some who try to take advantage. Don’t let a few turds keep you from making lasting connections. If people are willing to not only share your stuff, but also interact and maybe even give advise, those are the connections worth holding on to.
Experimenting with marketing can lead to surprising results. Ever heard the phrase, “Put your money were your mouth is?” The same applies to marketing your wares. I think “nut up or shut up” also applies, but its a tad cruder to tell your 80 year old grandma who wants to self-pub her book of recipes. In lieu, sometimes you gotta take a risk. Just don’t bet the farm. Play it smart, ask and listen to those connections, share what has worked or hasn’t worked. A word to the wise, among small press folk, BookBub is a known book promoter that lives by the slogan, money well spent.
Above all this noise, the most important thing publishing schmoes can do is keep writing, keep publishing, keep moving forward. And if you want those quality stories to reach more readers, you need to be willing to adapt to new technology. Last year, I was introduced to a little thing called Audiobooks. This is not new, per say. The spirit of audiobooks has been around a long time, back in the land before TVs and cable networks. Audio entertainment is not a new idea, but the tech behind it has come a long way since The Shadow and Little Orphan Annie broadcasted to delighted listeners gathered around a cherry red cabinet Philco radio. Cassette tapes came, followed by CDs. Nowadays, we’ve got digital recordings. At first, it was new and I didn’t want anything to do with it. I turned my nose up at it. But then Audiobook Creation Exchange (ACX) made everything so bloody simple its almost scary. I jumped in and released 4 titles on ACX last year and have released 2 titles thus far in 2017.
The idea here isn’t that your putting out even more stories (though you ought to be working on that). The idea is to use the technology available in order to put your work on as many platforms as possible so you can reach readers on the format that suits them best. And you’d be surprised. Audio is a expanding market for books. And the more this tech develops, the more affordable it becomes. Readers are now listeners, tuning in while driving to or from work or school. City and urban consumers plugged into YOUR book from their phones or tablets while they ride the train or bus or even airplane. Times are a-changing, but that’s not necessarily a bad thing unless we let it, right?
Thomas S. Flowers is known for his character-driven stories of dark fiction ranging from Shakespearean gore feasts to paranormal thrillers. Residing in the swamps of Houston, Texas, with his wife and daughter, his debut novel, Reinheit, was published with Shadow Work Publishing, along with The Incredible Zilch Von Whitstein, Apocalypse Meow, Lanmò, The Hobbsburg Horror, and FEAST. His veteran focused paranormal thriller series, The Subdue Series, including Dwelling, Emerging, Conceiving, and Converging, are published with Limitless Publishing, LLC. In 2008, he was honorably discharged from the U.S. Army where he served three tours in Operation Iraqi Freedom. In 2014, Thomas graduated from University of Houston-Clear Lake with a Bachelors in History. He blogs at machinemean[dot]org, where he reviews movies and books and hosts a gambit of guest writers who discuss a wide range of strange yet oddly related topics. You can follow Thomas by joining his author newsletter at http://goo.gl/2CozdE.
Now Available for YOUR earbuds!!!
Science without limits. Madness without end.
All proceeds from the purchase of this ebook will be donated to Doctors Without Borders / Medicins Sans Frontieres.
This is a warning. What you are about to read violates the boundaries of imagination, in a world where science breeds and breathes without restraint. A world very much like our own.
Within these shadowy corridors you will discover characters seeking retribution, understanding, power, a second chance at life—human stories of undiscovered species, government secrets, the horrors of parenthood, adolescence and bullying, envisioned through a warped lens of megalomania, suffering, and blind hubris. Curious inventors dabble with portals to alternate worlds, overzealous scientists and precocious children toy with living beings, offer medical marvels, and pick away at the thin veil of reality.
You can run. You can look away. But don’t say we didn’t warn you.
Witness our Dark Designs.
David Cronenberg, infamous director and storyteller of body-horror movies such as The Fly (1986), Shivers (1975), and Videodrome (1983), once said, “Everybody’s a mad scientist, and life is their lab. We’re all trying to experiment to find a way to live, to solve problems, to fend off madness and chaos.” This statement of Cronenberg’s is a rather optimistic one. And not altogether inaccurate, we are after all trying to find ways to live in harmony and in doing so we must solve problems that arise to get there. But that’s not really the genesis of the purpose of mad scientist stories. The notion of “mad science” is self-explanatory, that there is something strange or “mad” in the unknown realities that surround us. Even today, quantum theorists are often seen as “mad” scientists, practitioners of metaphysics more than actual provable science. And in some ways, there’s some truth in that metaphysics and quantum mechanics often overlap, which brings us to one of the most exhilarating and equally terrifying aspects about science, that is, it’s never ending, always searching, constantly discovering something new, something previously unknown, beyond us. In part, our understanding of science; or more to point, our misunderstanding of science has become the inspiration over centuries for what has been deemed the quintessential “mad scientist.” Not for reasons given by Cronenberg above, that we are all in the same pursuit, but out of fear, fear bred from the unknown, and fear of what all these discovers, these advances, will bring us. And even more alarming, how far are we willing to go to achieve the impossible?
My first impression while surveying the history of “mad science” was that Victor Frankenstein, created by the imagination of a twenty-one-year-old Mary Shelley, was the first of the mad scientists to be conjured into the literary world. I was wrong. It was actually Dr. Faustus, written in 1604 by Christopher Marlowe, that should be credited as the first “mad scientist.” Dr. Faustus was perhaps more alchemical in nature than traditional science, but still the story serves as asking the proverbial question all mad scientist stories ask, “How far are we willing to go…?” Some of the more popular “mad scientists” who defied boundaries and terrified audiences with their audacity against “nature” include, Dr. Moreau, an H.G. Wells story penned in 1896, and Danforth & Dyer in “At the Mountains of Madness” by H. P. Lovecraft, published in 1931. These stories are typically told from the perspective of a layman looking into nightmarish worlds, boiled in a cauldron of obsession and forbidden knowledge. H.P. Lovecraft would go on to create a few more characters in this realm of unrestrained science with Dr. Herbert West, one of my personal favorites, and Charles Dexter Ward.
Growing up, the one “mad scientist” story that ignited my imagination and kept me glued to the edge of my seat was Steven Spielberg’s science-fiction epic Jurassic Park (1993). Even in my pubescent years, the memory still rings clear today, the duel realities of science, that in the wonder of watching a baby dino hatch or Dr. Grant’s first realization of what was going on as the Jeep drove through the part to the Visitor’s Center, first realizing that those massive tree trucks were moving and were not in fact trees, being held prisoner in a sort of child-like spell, and then suddenly seeing it all go wrong, demonstrated the dangers of unrestrained science, that even now the question of trust must be asked. Ian Malcolm, played by a black leather clad Jeff Goldblum, has one of the more illuminating statements in the film, a statement that has rung in the minds of audiences for over four-hundred years, when he says, “Your scientists were so preoccupied with whether they could, they didn’t stop to think if they should.”
Today, “mad scientist” stories have for the most part found themselves kicked to the kid’s corner, in such books as Meet the Creeps or Franny K. Stein. Sadly, there isn’t much being offered in way of adult entertainment. This was the prime motivation for raising the question to my Shadow Work Publishing cohorts of collaborating on a mad scientist anthology. While science continues to evolve and new discoveries are being made every day, the question posed in 1604 still remains relevant today, “How far are we willing to go” in the pursuit of said discover what consequences, if any, will we face? We landed on the title, Dark Designs, more or less on the alluring sinister quality, but not just that, also, as our quote says, “Science without limits. Madness without end,” there is a certain amount of ambiguity regarding science, that without limits perhaps we could possibly go “too far,” and in reaching such limits, madness is sure to follow. Here, as you turn the page, you’ll find yourself in a world without limits, where science breeds and breathes without restraint. You’ll walk these corridors with characters seeking retribution, understanding, revenge, and perhaps for some a second chance on life. These are human stories through the spyglass of mad science, of undiscovered insects, government secrets, horrors of parenthood, adolescence, and bullying, about curious inventors dabbling in portals to alternate worlds, of ambitious biologists and overzealous children tinkering with things they probably shouldn’t, and stories that stretch our understanding of the boundaries of life.
From Shadow Work Publishing, and the sixteen authors of which contributed to this charity anthology for Doctors Without Borders, thank you and bid you welcome our Dark Designs: Tales of Mad Science.
You can get YOUR copy of Dark Designs: Tales of Mad Science for $0.99!!!
From the span of 1989 thru 1996, Tales from the Crypt sent delightful chills down the spines of millions of viewers as they tuned in to HBO and whatever mad macabre story was about to be unleashed for the next twenty plus minutes. The Danny Elfman theme and horn blasts and the creaking gate ushering us into a decapitated mansion, lightening crashes, and still the camera and the song moves us past the foyer and into the lower regions. Cobwebs and dust cover everything. This place looks abandoned. Buts its not. Just as we reach the bottom, from an aged and rustic coffin, as if conjured by an ellipses of manic cowling, jumps the Crypt Keeper, nearly devoid of flesh, howling with his cankerous jittering laughter, “Welcome, to Tales from the Crypt.” And we watch, popcorn resting in our laps, feet dancing as the title screen comes on and the green ooze comes down in driblets.
If you’re like me than you no doubt have plenty of nostalgic memories of this show. Starting with “The Man Who Was Death,” staring the underrated William Sadler, and ending, seven seasons later, with “The Third Pig,” (the only animated episode) staring the cuddly Bobcat Goldthwait as the Big Bad Wolf. Not forgetting three movies, Demon Knight, Bordello of Blood, and Ritual (the made for TV movie with Tim Curry). Looking at the movies, my favorite has to be Demon Knight, not only was it the first, but it was also one of the best written and directed of the movies, staring again William Sadler and Billy Zane (back when Zane was actually still considered a good actor). Bordello was okay…my biggest qualm was Dennis Miller, the dude can do a hell-of-a monologue, but acting…ugh! Ritual was decent enough to spend an evening. I’m a big fan of voodoo horror and this had the dark arts in spades. Plus, Tim Curry…need I say more?
As for the regularly aired episodes, its hard to say which one was the best. Every season brought on a new collection of guest appearances from some of the most recognizable names during the 1990s. From Adam West to Amanda Plummer to Andrew McMarthy and Anna Friel and even Arnold Schwarzenegger, not forgetting the late great Bob Hoskins and Burt Yong, there was also Carol Kane and Brooke Shields and Ghostbuster alums Dan Aykroyd and Ernie Hudson, Cheers alum George Wendt starred in The Reluctant Vampire, and everyone’s favorite Jedi Master Ewan McGregor guest stared in Cold War, and there was also Hector Elizondo and James Remar, even gangsta extraordinaire “you think I’m funny” Joe Pesci, and the lovable Indian Jones co-star John Rhys-Davies, Full House fellow John Stamos was on the show as well as Kathleen York, and our favorite FBI agent in the piney woods Kyle MacLachlan turned bad guy in one of the more twisted of episodes, “Carrion of Death.” Bill “game over man” Paxton and the always creepy Brad Dourif made an appearance in Season 5. And there were many more celebrities that found their way onto one or more Tales from the Crypt episodes, each one seemingly trying to out-do the last.
Now, deciding which one is “the best of the best,” well…lets see what other horror nerds have to say. Ranking in as their number one, Bloody Disgusting named “The New Arrival” as their personal favorite. Fangoria listed “Cutting Cards” staring both Kevin Tighe and Lance Henriksen as their number one pick. Cinema Slasher has Season 3’s “Undertaking Parlor” as their be-all episode, starring Jonathan Ke Quan, Jason Marsden, Aron Eisenberg, and Scott Fults, “a group of young, wannabe filmmakers that, while spying on an undertaker, discover some creepy and immoral actions being taken.” iHorror lists holiday special “All Through the House” as their numero uno and Den of Geek lists “Fitting Punishment,” among others, as one of the most terrifying episodes to air on TV.
Which episode is my favorite?
How about instead of one, I give you five?
Sounds fair, right?
Sorry. I cannot name just one with a show that spanned nearly a decade.
Not in any particular order, I’ll start my first top pick for Tales from the Crypt episodes with “The Man Who Was Death.” Okay. Sure. Given. This was the first episode of the show, and ought be honored as such, but least we not forget, the story was actually really scary, and socially pointed. My next pick will be, obviously, “Death of Some Salesman.” Of all the shows that’ve aired on Tales from the Crypt, this particular one nearly won the show an Emmy…and it was all because of Tim Curry. If you’re not a fan of infamous voice and stage actor and one of the best drag mad scientists ever to grace cinema, I challenge you to watch this episode and tell me he’s no good. My next favorite also comes out of Season 1 with “Collection Completed.” An elderly man is forced into retirement and soon begins to butt heads with his loony tunes wife. Driven insane by all the pets his wife brings into the house, Walsh decides to taxidermy all her furry companions. To say she is not happy would be an understatement, and the end will leave you chilled to the bone. “Carrion Death” is my next favorite, mostly due to Twin Peaks good guy turned bad guy in Tales from the Crypt, Kyle MacLachlan, but also because of the pacing of the episode, the slow build of terror, even though you can pretty much guess what’ll happen in the end, its still horrifying to watch! My last on this favorites list will have to be “Yellow,” from Season 3. Not only am I a pretentious nerd when it comes to period pieces, but the episode is also wonderfully filmed, almost ornate in feeling, and it boasts a 40 mins run time (the longest episode in TFTC history).
Despite being off the air for twenty years now (feeling old?), a majority of the episodes still carry quite a punch and are actually very relevant. Tales from the Crypt harnessed the best of what those 1950s EC Comics and Twilight Zone and other pillars of twisted anthologies had to offer, giving us some of the most wonderful forewarning of being careful what we wish for, treating others as we’d like to be treated, and other stories of campfire morality. Tales from the Crypt showcased the best of what horror can be and inspired (and still is) countless generations of future filmmakers and storytellers. If you’re a fan of the show, what were some of your favorite episodes or moments? Mention them in the comments below.
Thomas S. Flowers creates character-driven stories of dark fiction ranging from Shakespearean gore feasts to paranormal thrillers. Residing in the swamps of Houston, Texas, with his wife and daughter, his debut novel, Reinheit, was published with Shadow Work Publishing, along with The Incredible Zilch Von Whitstein, Apocalypse Meow, Lanmò, The Hobbsburg Horror, and FEAST. His veteran focused paranormal thriller series, The Subdue Series, including Dwelling, Emerging, Conceiving, and Converging, are published with Limitless Publishing, LLC. In 2008, he was honorably discharged from the U.S. Army where he served three tours in Operation Iraqi Freedom. In 2014, Thomas graduated from University of Houston-Clear Lake with a Bachelors in History. He blogs at machinemean[dot]org, where he reviews movies and books and hosts a gambit of guest writers who discuss a wide range of strange yet oddly related topics. You can follow Thomas at a safe distance by joining his author newsletter at http://goo.gl/2CozdE.
Revenge is a dish best served with BBQ!