Nothing makes Christmas better than a warm cup of cocoa or the warmth of your loved one sitting next to you, as you snuggle close to watch your favorite Christmas shows. Except, when the cable goes out and nothing seems to be on, you find yourself heading down to the nearest Redbox—you can’t break tradition ( my wife loves tradition, god help me, if I break our holiday ritual). You see that all the movies are sold out—the only one remaining is “Krampus”. You select it and move back to the house, and you and the misses continue the night. I can’t stand the holidays. My father passed away five days after Christmas and to this day: December is my month of hell, so, when it comes down to it: I fake it for my wife’s sake. Now, Holiday movies are a different kind of beast for me. I love them—they make you feel good and warm, (I can’t explain it and neither can my therapist) and you see people be happy and together—which, is always a good thing. Now, I love horror movies and holiday movies, More so, I was excited to get the opportunity to write this review. So, let’s make sure our stockings are hung tight on the fireplace with care, add a little bailey’s to our cocoa, and let’s look at “Krampus.”
For those of you who aren’t familiar with European traditions, Krampus works for Santa Claus, abducts naughty children and stuffs them into a sack, and whips them with a switch, repeatedly. Now, that you know that I feel a little safer continuing with the review.
Krampus is a holiday horror film directed by Michael Dougherty, who also directed, “Trick’r’Treat”, another great holiday movie, and will be directing the upcoming “Godzilla” Sequel. Which, if you’ve seen “Trick’r’Treat”, you can imagine what type of movie “Krampus” will be. A bit of humor, and a bit of terror.
The story takes place on Dec.22. A suburbanite family is preparing for their annual Christmas get together. Tom and Sarah and their two children: Max and Beth. Sarah’s sister Linda and her husband, and their three children. Along with their German-speaking grandmother, Omni. The family has a bit of a falling out, and max rips up his letter to Santa—which summons the Krampus, who appears when people have lost their Christmas spirit have lost their Christmas spirit (unlike, the Germanic folklore of Krampus beating naughty children with sticks). The power is cut and all hell breaks loose, family member begins to disappear and toys start attacking the family. Omni reveals that the family is being tormented by the Krampus, and tells of a time when she had lost her Christmas spirit and her hometown was dragged to hell. Max finds Krampus loading his sleigh with his family members and begs and pleads with the demon to return his family, and that he will appreciate Christmas and never lose sight of it again. Contemplating the plea—Krampus opens up a portal to hell, and max apologizes, considering his apology, drops the child into the pit.
Max screams and wakes up, back into his bed—on Christmas Eve, with everything back to normal. The camera pans out and you see the house in a snow globe, as Krampus watches the house to make sure, the Christmas spirit is never broken again.
The movie wasn’t bad, and it wasn’t good. It was well worth the Redbox price. One thing I will praise this film for are the special effects. Weta workshop nailed the look and feel of what I think are demonic toys. Krampus looked amazing as well. While I can’t praise a movie for special effects alone (learned my lesson after the Beowulf movie). Also, the dysfunctional family plays out well. It feels like Gremlins—I like that.
One thing that I feel is: The story is too generic, the twist ending, the grandma who knows what’s going on and the overall trope of the family. It felt like any other holiday movie when it could have been something, so, different and magical. Yet, it stayed too much into the Holiday trope of killer presents, and everything working out again and starting something anew. It had a lot of hits and misses with me.
Overall, I had fun with the movie, and my wife…well…she thought it was “Okay”, and that’s the best response I can manage to get out of her. I would have loved to have added this movie to my holiday library, I just feel, now is not the time.
Kurt Thingvold was born and raised in IL. He finds passion in writing, that helps calm his demons. He grew up in a tough household that encouraged reading and studying. He spends his time writing in multiple of genres. His published short story, Roulette, can be found on Amazon. When not writing he can be found playing games, reading, or attempting to slay the beast known as “Customer Service”, which, he fails at almost every day. Kurt is a frequent flyer here on Machine Mean, you can also check out his review on Ridley Scott’s legacy movie Alien here.
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December 20, 2016 | Categories: Horror, Movies, Reviews | Tags: 2015, Christmas, Christmas Eve, Christmas horror, Comedy, dark fiction, Demonic, demonic toys, devils, fiction, film, folklore, German folklore, gingerbread, Guest author, hell, holiday horror, Holidays, horns, Horror, horror comedy, Krampus, Kurt Thingvold, movie review, Movies, nihilism, nihilistic, Reviews, Santa Claus, scary movies, shadows, snow, teddy bears, terror, toys | 4 Comments
We find comfort in the predictability of 80’s slasher flicks. We know as the blonde runs into the house, she’ll head toward the inescapable attic or head to a basement filled with body parts and chainsaws. Before global conspiracies or villains looking to end the human race, Jason, Leatherface, Mike Meyers, and even Freddy had one goal in mind, kill the group of people trespassing on their turf. While these movies remain classics, we the viewers have grown up and now mock the victims, fueled by the knowledge that if it were us, we would make it out alive. Or would we?
Cue Kim Carnes’ Bette Davis Eyes and the opening sequence of Final Girls. The film stars Max (Taissa Farmiga) a young woman who lost her mom (Malin Akerman), the star of the cult classic Camp Bloodbath, in a tragic car accident. Now years later, Max still struggling the death, attends the anniversary screening of her mom’s slasher flick. When a fire breaks out in the theater, Max and entourage escape through the projection screen and find themselves trapped inside the movie.
Your expectations of this unheard of the film are low, lower when you realize director Todd Strauss-Sculson is most well known for “A very Harold and Kumar 3D Christmas.” I’ll admit, my knowledge of the movie was nil, and at the time hadn’t even heard of the concept of “the final girl.” I figured while being forced to watch this movie I could check my email, tag photos in Facebook, and aimlessly shop on Amazon. Opening Scene – nothing else but this movie mattered. I put my phone down for the entire movie and those Halloween themed PJ pants I so desperately needed to be remained in my cart.
The opening reveals the trailer for Camp Bloodbath being viewed on our protagonist’s phone while she waits for her mom to return from an audition. As they drive away, the majestic and experimental camera angles instantly tell you that this is going to be a movie filled with visual eye candy as complex and entertaining as the movie within a movie plotline. As the car is t-boned by a mac truck, we are left pondering the plot, the tone, and even the genre of the movie.
Is sarcastic horror satire a movie category? Cabin in the Woods taught us that horror with an underlying sense of humor blended with complex multilayered plots can create a success. I would say the creators made the movie for me. It held my #1 horror slot, but Final Girls with its dripping sarcasm, it will forever own a place in my heart.
Through a series of events, Max and her friends (the fanboy, the secret crush, the best friend, and the mean girl) find themselves inside the movie itself. Caught within the opening scene, they are baffled, and every 92 minutes, the opening scene begins again. The fanboy decides they must partake in the plot if they’re going to make it out alive. Instead of having the “magical black man” reveal the key plot points, Duncan the fanboy (Thomas Middleditch) explains they will only make it out when the movie ends. This means Billy, the crazy killer needs to die at the hand of the Final Girl, a character in the movie.
When Duncan dies, they try to flee the movie, but find themselves constantly returning, “It’s the movie, the movie won’t let us leave.”
As they sit in a circle with the camp counselors the expressions say everything. The counselors sing Kumbaya in a loving fashion why Max and friends stare horrified. The movie’s Final Girl, Paula, appears. They think by staying with her, they have a chance of making it to the final scene and surviving the movie. As the plot begins to change from their meddling, Paula meets a tragic death, changing the ending of the movie.
While Max attempts to keep Nancy, the character played by her mother from having sex and getting herself killed, the ominous trademark sound “Chuh Chuh huh huh” alerts them Billy is nearby and death is imminent.
At the mention of Billy’s name, Nancy begins to tell the legend of how little Billy Murphy died. Oozing fluid descends from the ceiling and Max and company find themselves in a flashback. “Why am I color blind, am I having a stroke?” “No, it’s a flashback.” They roll their eyes as the narrator of the legend talks and even the font denoting the year is stepped over in a big of outlandish ridiculousness.
As they emerge from the flashback, covered in blood, the counselors freak out. Those attempting to run die in an outlandish manner. It’s then Max reveals what is happening and that the characters in the movie aren’t real. The levels of meta run deep as the characters contemplate their existence. We watch the characters try to understand their role in the movie. The dumb slutty counselor has her clothes duct taped on with great lines like, “Why does he hate my boobies?”
The mean-girl, Vicki (Nina Dobrev) decides they need to formulate a plan and they elect the new Final Girl, Max. Using their knowledge of the movie, and drawing from every horror movie they’ve ever seen, they make a stand.
Their modern sensibilities are heightened as they talk to the male whore, eye roll at the slutty blonde, and fall in love with the token black man. The over-the-top characters of the slasher flick may be lost in or seen as goofy on their own, but Max and friends are us, and we mock the film in unison.
They have more depth than one would expect. Characters explore their roles in the world, trying to grow in a plot where they’re reduced to nothing more than basic tropes. Max is forced to confront her mother and gain closure during a montage of characters arming and setting booby traps plays out. Even mean girl Vicki makes amends with the cast explaining why she pushed them away knowing she’ll eventually die. “I’m the mean girl in an 80’s horror movie and we’re past the midpoint, I’ve overstayed my welcome.”
The deaths are amazingly funny. We assume, knowing we’re in a horror movie we would make it out alive. Our smarts and our strength would keep us alive until the closing credits. Of course, most of us wouldn’t have luck unless it was bad luck. The irony is tragic and even the best-laid plans go wrong and in this case, it all goes horribly wrong.
The final scene leaves only Nancy and Max alive. Max tries to keep her mom alive, hoping she’ll come back with them when the movie ends. But without the powers of the final girl, the movie won’t end. In a sexy dance scene luring in Billy, Max’s mom sacrifices herself never quite understanding their bond. With that death, Max awakens with the power of the final girl. In their attempt to change the outcome of the movie, they have fallen victim to fixed rules of 80’s horror.
Now we fight to the death.
The movie maintains levity throughout the entire thing. Even in moments of seriousness and character development (and there are many) you can’t help but sit back and laugh at the hilarity of the situation. The dialogue is top notch, mixing the classic bad 80’s horror scripts with the snappy comebacks from this day. It only gets funnier as each era of characters mocks the other group’s differences.
The movie is smart, and visually, it’s quite a sight to see. I would say it’s a classic 80’s horror flick re-envisioned through the eyes of an artistic director who wasn’t told no to any of his vision. Even as the after credit (to Camp Bloodbath) scene appears and they find themselves in the opening of the sequel, it leaves us hanging, wanting an actual sequel. Will we get it? Probably not, but we can hope that something this witty and sarcastic comes along and forces us to re-examine our passion of 80’s horror.
Jeremy Flagg is a high school graphic design and marketing teacher, at a large suburban high school in Massachusetts. Working as a high school educator and observing the outlandish world of adolescence was the inspiration for his first young adult novel, “Suburban Zombie High.” His inspiration for writing stems from being a youth who struggled with reading in school. While he found school assigned novels incredibly difficult to digest, he devoured comics and later fantasy novels. Their influences can be seen in all of his work. Jeremy took the long route to becoming a writer. For a brief time, he majored in Creative Writing but exchanged one passion for another as he switched to Art and Design. His passion for reading about superheroes, fantastical worlds, and panic-stricken situations would become the foundation of his writing career. Jeremy participated in his first NaNoWriMo in 2006. Now he is the NaNoWriMo Municipal Liaison to theMassachusetts Metrowest Region. Jeremy also belongs to a weekly writing group called the Metrowest Writers. You can check out Mr. Flagg’s impressive work on Amazon.
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October 24, 2016 | Categories: Horror, Reviews | Tags: 2015, Adam DeVine, Alexander Ludwig, Comedy, film, Final Girls, Fright Fest, fright fest 2016, Guest author, Halloween, Halloween Movie Marathon, Horror, horror comedy, horror reviews, Jeremy Flagg, Malin Åkerman, movie reviews, Nina Dobrev, Reviews, Satire, Taissa Farmiga, The Final Girls, Thomas Middleditch | Leave a comment
Fresh off the press, I’m very excited to share with you the cover reveals for both books in my new Subdue Series, Dwelling and Emerging. These novels have been penned from the heart, not to sound so literary. But its true. Each character has been weaved and sown from my experiences and those that I’ve served with, compelled with research and good ole fashion storytelling. I’ve included below an full book cover image and synopsis. Thank you all for the support while these books have been in production and for your continued support as we release them out in the world.
Dwelling (Subdue Book 1)
A group of inseparable childhood friends are now adults, physically and psychologically devastated by war…
A horrifying creature emerges from a sandstorm just before Ricky Smith dies in battle. Forced to leave base housing, his widow Maggie buys a home on Oak Lee Road in the town of Jotham. Maggie is isolated in the historic house…and disconcerted by strange clicking sounds inside the walls.
Jonathan Steele attempts to drink the painful past away…
Jonathan was wounded in that fateful battle and now suffers from PTSD. He wants to put the nightmare behind him, but when Ricky’s ghost appears with cryptic warnings about Maggie’s house, he begins to question his sanity.
Bobby Weeks is a homeless veteran struggling with a lycanthropic curse…
Afraid of bringing harm, Bobby stays far away from those he loves. But after a full moon, a mysterious woman approaches him and reveals a vision about a house with a sinister presence, and he realizes staying away might no longer be an option.
Minister Jake Williams lost his faith on the battlefield…
While Jake will do anything to reconnect with God, he turns to vices to fill the religious void. But a church elder urges him to take a sabbatical, and a ghost tells him to quit the ministry, and his life is more out of control than ever.
When Maggie wakes in a strange subterranean cavern, she can’t deny her home harbors dark secrets. Desperate, she sends letters to her old friends to reunite in Jotham, and events conspire to draw them all to the house…unaware of the danger awaiting them.
The friends have already been through hell, but can any of them survive the evil dwelling beneath the House on Oak Lee?
Emerging (Subdue Book 2)
Traumatized by war, friends gather for a reluctant reunion…
A historic house in Jotham, Texas harbors a malevolent force, and as her fear grows, widow Maggie Smith pleads with three lifelong friends to gather in her home. But will their presence combat the darkness…or feed it?
Minister Jake Williams fears Maggie has had a breakdown…
Feeling he has no choice, Jake locates the other intended guest, Bobby Weeks, who agrees to go with him but struggles with keeping his lycanthropic curse hidden.
Jonathan Steele, a wounded veteran battling PTSD, arrives with his disgruntled wife. After drinking too much at dinner, Jonathan insults the homeless Bobby, and Bobby is missing from the house the next morning.
The dark past of Maggie’s home awakens in the present…
Jake, whose faith is in doubt, confides in a local priest while he and Jonathan search for Bobby, and Ricky’s ghost makes another visit to Jonathan, causing him to become fixated on saving Maggie from the evil that surrounds her.
As the danger intensifies, trust is elusive, and betrayal is certain…
Maggie might be lost, Bobby confronts a terrible choice, and Jake and Jonathan fight to save them all—before they become more victims of the horror emerging beneath the deadly house in Jotham.
Dwelling releases on Dec 8th. Available for presale now on Amazon here.
Emerging releases on Dec 15th. Available for presale now on Amazon here.
December 1, 2015 | Categories: Book Review, Horror | Tags: 2015, books, danger, December, Dwelling, Emerging, homeless veteran, Horror, Iraq War, Limitless Publishing, mysterious, new authors, new releases, post war, presale, PTSD, religious, Subdue Series, thriller, Veteran Writers, void, werewolf | Leave a comment