Directed by: John Carpenter
Written by: John Carpenter, Debra Hill
Starring: Adrenne Barbeau, Jamie Lee Curtis, Hal Holbrook, Tom Atkins, Janet Leigh, Et al.
Release date: 8 February 1980
Review by: Thomas S. Flowers
For me, the intrinsic appeal of ghost stories is the tale. Sitting around a campfire, sharing a ditty about life, death, and the thereafter typically involving some crime, something that went wrong, some singular cataclysmic event in which something horrible happened that over the years formed into the story. Said story exists both to scare (entertain) and to give warning. Beware the house on Redwood Street, inside its dilapidated walls a horror awaits those foolish enough to enter its haunted halls, etc. etc. In the macabre 1980 masterpiece The Fog, John Carpenter does just that. Using a traditional Gothic atmosphere, he creates a tale, campfire and all, warning the younger generation of the sins the past. Greed. Hate. Betrayal. And murder have stained the lineage of the small California coastal town of Antonio Bay. But as the idealistic community prepares to celebrate their centenary strange things begin to occur and a foreboding blue fog spreads toward the shores. Continue Reading
Release date: March 1980
Director: Peter Medak
Staring: George C. Scott, Trish Van Devere, Melvyn Douglas
Synopsis: “A man staying at a secluded historical mansion finds himself being haunted by the presence of a spectre.”
Review: “The Changeling: Why Do You Remain?” by William D. Prystauk (aka Billy Crash)
Tales of haunted houses trace their eerie legacy back to Horace Walpole’s The Castle of Otranto in 1764 to Edgar Allan Poe’s The Fall of the House of Usher from 1845, and beyond. As horror goes, nothing seems to be creepier than having one’s own home become a threat. The sanctuary turns against its owner and the protective womb of wood and stone may become a tomb. Continue Reading
These holidays (F13) are so few and far between, I couldn’t resist saying a few words about one of my all time favorite horror movie franchises. As a younger fan of the slasher genre, I watched more of Nightmare on Elm Street. In a way, i think that’s because Freddy is more “kid stuff,” especially the flicks starting with part 3, aka Dream Warriors. It became more and more of a build up to those sweet one-liners, such as: “Wanna suck face?” or “How’s this for a wet dream?” or “Welcome to prime time bitch!” and then breaking into that cackling laughter whilst the soon to be dispatched teen flees for however many seconds of life they have left. Good times. But i think it was around 1994-95 when my allegiances changed when Jason Goes to Hell released to VHS. Somehow, one of my buddies (Matt) was able to get his hands on a copy. Fangoria was still really popular back then too and they had done a full spread on the movie. Needless to say, from that moment forward, my slasher heart belonged to Jason Voorhees. Continue Reading
Don’t you hate it when a zombie pulls your brain out the back of your head and squishes it between his fingers like Gak? Are you curious what that would look like? Give the first installment of Lucio Fulci’s Gates of Hell trilogy, City of the Living Dead, about sixty minutes of your time, and you can see for yourself.
The film opens with a séance, during which a psychic, Mary, envisions the suicide of a priest and the subsequent rise of the dead. She gets fairly riled, foams at the mouth, and dies. Only she’s not dead and is almost buried alive but for the intervention of a dashing reporter, Peter, who nearly brains her with a pickaxe in the process of removing her from the casket. It turns out that by committing suicide, the priest of her vision has opened a gateway to Hell in a town called Dunwich. Mary and Peter team up to find the town and close the gate before All Saints Day, when the dead will rise. Continue Reading
Director: Umberto Lenzi
Also Known As: City of the Walking Dead
Are you bored of zombies yet? I am. I am thoroughly fed up of them. Sick to death. If a zombie horde wanted to kill us, they could just wander around and re-enact parts of 90% of the zombie films released in the last 10 years. We’d die of brain fatigue, being forced to watch the same troupes re-trod time and time and time again. I’m not saying all new zombie material is terrible, it’s just that the sub-genre is so flooded it’s harder to find. Continue Reading
[ BIG SPOILERS—like, skip-to-the-number-score-if-you’re-actually-worried level spoilers ]
Okay, two things right out of the gate: this movie is terrible… but I’m going to explain to you why I feel (if you enjoy a certain level of badbad = goodgood) you should still watch it.
Also, it’s basically about mutant fish people raping women (when they aren’t killing everyone else to get to that) but seeing as how I highly doubt there are going to be humanoid fish people waddling out of the sea and actually raping anyone anytime soon, I’m not going to address that further in any serious way after this intro. I also won’t make a joke out of it, though, and you can call me what you like for that. Continue Reading
Holy cow! What did I get myself into? Cannibal Holocaust?!!? Really? Talk about a movie you have to watch alone for fear of someone walking in and screaming on the way out. You may be surprised, though, to discover that I have never seen the film till this past weekend. I had some time to kill, no pun intended, and thought, “You know, I should watch this movie.” Jesus, what’s wrong with me? Horror fanatics and buffs and nerds alike talk about this movie to great lengths. Strange people have even podcasted reviews and thoughts of the film some thirty-five years in the making. This is part of why I was intrigued to watch it. Another reason is because Cannibal Holocaust is considered as the grandfather of modern day found footage films. And I think this is what really hooked me, at first, to watch the granddaddy of lost tapes. My first experience with found footage was with The Blair Witch Project back in 1999. Cannibal Holocaust is not entirely found footage, however. Its partially found footage and part real time. Which, I thought, made it more interesting. The story goes:
After a documentary film crew goes missing during a trip into the Amazon to make contact and film two warring cannibal tribes, a rescue mission is led by a New York University anthropologist named Harold Monroe. The Professor eventually discovers the ill-fated film crew and recovers their lost cans of film. With only partially watching the footage, an American television station decides to edit and broadcast the material, you know, as a special in memory of the dead documentary film crew in all. However, upon viewing the rest of the reels, some of which even the editors could not watch, Professor Monroe becomes obviously appalled by the team’s heinous behavior and actions towards the Amazonian tribes they encountered, and after discovering how they died, he objects to the station’s intent to air the documentary.
Cannibal Holocaust was filmed in 1980, but it has a very 1970’s vibe to it. That may be the case because its an Italian film, but it reminded me of similar films made during the 70’s, including: Jungle Holocaust, The Mountain of the Cannibal God, and perhaps even Faces of Death. The musical score also screams 1970’s. But as for the special effects, the gore feel all too real. And most of the animal related gore IS real!! Cannibal Holocaust was filmed using actual Amazonian tribes in-hue as actors. The decapitated livestock during production were, apparently, used as real food for these peoples. So, in case you’re worried, nothing went to waste.
Besides being seen as one of the first “found footage” movies, Cannibal Holocaust is also heralded for its controversial history. Because of the films graphic violence Italy ordered the movie to be seized and director Ruggero Deodato was arrested for obscenity and for supposedly making a snuff film due to rumors that some of the actors were killed on camera. Although Deodato was later cleared, the film was still banned in Italy, Australia, and several other countries due to its portrayal of graphic brutality, sexual assault, and violence toward animals. Today, around the world, Cannibal Holocaust has become a taboo cult classic. And surprisingly the message in the movie is still relevant today. If you can get past all the gore and rape, you’ll find an actual significant meaning in all that mess. Crazy right? But that’s how horror movies work. A lot of times they’ll show you the eerie banality in violence by discussing violence in a meaningful, albeit brutal, way.
The message or meaning I got from the film was about xenophobia and ethnocentrism, judging other cultures by the standards of our own culture. During my studies in history, ethnocentrism was a real obstacle for some of my fellow students, and its still a problem with people today. Cannibal Holocaust highlights those issues with blood and the most taboo of taboos. And of course with Professor Monroe’s lasting statement at the conclusion of the film, and I’m paraphrasing: “Just who are the cannibals?” A chilling self examination, are we civilized or barbaric?
I actually enjoyed the film, despite its more unpleasant scenes. And i thought the overall intent of the film to be genuinely profound and still relevant. The grittiness of the film really added to the feel and sucked into that insane world. The turtle scene would be my biggest hangup as it was literally killed for the film, much like the snake from Friday the 13th. If you haven’t had the pleasure of seeing Cannibal Holocaust, why not make it a weekend? Just don’t forget the mustard!
Who doesn’t love a good story? From great works such as, All Quiet on the Western Front and Salem’s Lot, Thomas S. Flowers aspires to create his own fantastic worlds with memorable characters and haunted places. His stories range from Shakespearean gore, feuding families, classic monsters, historic paranormal thrillers, and haunted soldiers. Residing in the swamps of Houston, Texas, with his wife and daughter, Thomas’s debut novel, Reinheit, was eventually published with Shadow Work Publishing, along with The Incredible Zilch Von Whitstein, Lanmò, The Hobbsburg Horror, and FEAST. His veteran focused paranormal thriller series, The Subdue Series, filled with werewolves, Frankenstein-inspired monsters, cults, alter-dimensional insects, witches, and the undead are published with Limitless Publishing. Visit www.ThomasSFlowers.com for more!