Director: Alejandro Amenabar
Writer: Alejandro Amenabar
Starring: Nicole Kidman, Christopher Eccleston, Fionnula Flanagan
Released: August 2001
Film Review By: Erin Sweet Al-Mehairi
“Sometimes the world of the living gets mixed up with the world of the dead.” – Mrs. Mills
The Others (2001) is a more mainstream gothic film that was popular most likely at the time it released because 1) Nicole Kidman 2) because films like this were popular at the time (The Sixth Sense came out with a splash in 1999). It debuted at number four at the box office and climbed to number two. However, it’s lasting popularity I think is that it’s also actually an incredible movie and has a shocking twist. It being good is validated by its twenty-nine award wins and fifty-two nominations, including Kidman for a Golden Globe. Continue Reading
[House on Haunted Hill, release 1999; 93 minutes. R. Director: William Malone; Review by: Jon Weidler]
Remember the early days of the Internet, when most websites were primitive displays of text punctuated by the occasional jpeg? And then, how someone had the ingenious idea of message boards, which took the conversation out of the privacy of IM windows and into a virtual town square, where the opinions of others could be lauded or flogged by the majority? (Hey, all trolls emerge from some birth canal.)
Anyway: I was an active participant in the anonymous hate-fests that swirled around Amazon and IMDb. The only equivalent to commiserating with some virtual person on something you loved, was dragging something you hated for all online eyes to see. Continue Reading
When is comes to paranormal and supernatural flicks, and among those foreign in origin, there are few selections better than Ju-On: The Grudge. This movie became a kind of renaissance for me. I’ve dabbled in foreign horror films before, such as the likes of Amando de Ossorio, Dario Argento, and Lucio Fulci to name a few. Mostly all European horror. Those were the classics though. End of the world zombish supernatural and entertainingly dubbed in English. And then came my experience with the Ju-on series. It was around 2004. I was in the Army and on my second deployment to Iraq. And to help pass the time when we weren’t out on mission, a bunch of us would buy bootleg DVDs from a local Hajji on base. One of us (I can’t recall who) bought a DVD with the entire series of Ju-On movies on it. One day we watch them all. And let me tell you, even on that tiny screen, huddled together with a bunch of badass fellow soldiers, I still got freaked out. I was instantly sold on Japanese horror. Continue Reading
Director: James Wan
Writer: Leigh Whannell
Stars: Patrick Wilson, Rose Byrne, Ty Simpkins, et. al.
Synopsis: “A family looks to prevent evil spirits from trapping their comatose child in a realm called The Further.”
Release date: April 2011
Review by: Jonathan Butcher
Throughout its first half, Insidious is a wonderfully unnerving tale about a peculiar type of haunting. Then at some point along the way it becomes a goofy, balls-to-the-wall ghost train ride, complete with wacky gas-mask set pieces and a villain who is basically Darth Maul on hooves.
After the appearance of a menacing hag in the first 30 seconds, the opening credits prime you for watching scenes a little more closely than you might have otherwise. The credits roll to the sound of tense, minimalist strings played over disorienting pans of a large house. In some – or perhaps all – of the brief camera shots, something unsettling is taking place. A ghoulish face appears in a mirror. A chair is moved by an unseen force. A picture frame shifts of its own volition. And with that, the scene is set for a genuinely masterful build-up of tension, caused on some level by the creeping suspicion that unsettling things are taking place right under your, and the characters’, noses. Continue Reading
Director: James Wong
Writers: Glen Morgan, James Wong
Stars: Devon Sawa, Ali Larter, Kerr Smith, Seann William Scott, Tony Todd, et. al.
Release Date: March 2000
Article: What If Death Has A Design?
Review by: Kit Power
[The following essay assumes you’ve seen the film Final Destination, and contains comprehensive spoilers.]
In the early 2000’s, I was bascially out of the horror scene. I wasn’t watching horror movies, and most of my reading was crime fiction – Kellerman, Leonard, Ellroy. My spare time was almost entirely absorbed by a combinaiton of internet poker and my band, Capo Jr, who I confidently predicted would be headlining Glastonbury and/or Download in a year or two. It hadn’t been a conscious choice – I wasn’t ‘off’ horror ,or anything like that – it was more just how things played out, that’s all. Neutral drift. The life thing that happens when you’re making other plans. Continue Reading
Director: Dario Argento
Writers: Dario Argento, Daria Nicolodi
Starring: Jessica Harper, Stefania Casini, Flavio Bucci
Release Date: 12 August 1977
Review By: Jeffery X. Martin
Synopsis: Suzy Bannion travels to Germany to perfect her ballet skills. She arrives at the Tanz dance academy in the pouring rain and is refused admission after another woman is seen fleeing the school. She returns the next morning and this time is let in. She learns that the young woman she saw fleeing the previous evening, Pat Hingle, has been found dead. Strange things soon begin to occur. Suzy becomes ill and is put on a special diet; the school becomes infested with maggots; odd sounds abound; and Daniel, the pianist, is killed by his own dog. A bit of research indicates that the ballet school was once a witches’ coven – and as Suzy learns, still is.
The 1977 film, Suspiria, didn’t turn me into a horror fan. It was the trailer. I was eight years old when I saw it for the first time, and I was immediately repulsed and fascinated. The title font that looked like pulsating flesh. That ominous voiceover. And what the hell was a suspiria? Was it a musical instrument? Could I buy one? Continue Reading
Directed By: Tommy Lee Wallace (Fright Night Part 2, Vampires: Los Muertos)
Starring: Tom Atkins (Night of the Creeps, The Fog), Stacey Nelkin (Yellowbeard, Get Crazy), and Dan O’Herlihy (The Last Star Fighter, Twin Peaks)
Written: Tommy Lee Wallace (Amityville 2: The Possession, It), John Carpenter (Escape from New York, The Fog), Nigel Kneale (Quatermass and the Pit, The Abominable Snowman)
Release Year: 1982
Review By: Andy Taylor
Halloween has always been my favorite time of year, and one of my favorite aspects of the holiday are the costumes, specifically the masks. Every year on November 2nd, I go to whatever Halloween superstore is in the area and purchase a discount mask because I am far too cheap to pay full price. This strategy has netted me a great collection of creepy, humorous, or disgusting Halloween masks. I’ve got cinematic favorites, scary monsters, and twisted psychos galore, and yet my creepiest mask by far is a large, rubber judge mask that seems to scare everyone who has seen it, judges being terrifying enough without having warped, elongated faces. One mask I’ve never been able to get, and one I would love to own, is the pumpkin mask they put out as promotion for the release of Halloween 3: Season of the Witch. They do have recreations you can get for around a hundred dollars, but if I’m paying that much for a pumpkin mask, it better have a real piece of Stonehenge in it like the ones in the film. My face might get melted off and some nasty creepy-crawlies might come pouring out of my head, but at least I’ll die a horrifyingly memorable death. Though I’m not sure Doctor Challis or the victims of Silver Shamrock would agree with the sentiment. Continue Reading
Directed by: John Carpenter
Written by: John Carpenter, Debra Hill
Starring: Adrenne Barbeau, Jamie Lee Curtis, Hal Holbrook, Tom Atkins, Janet Leigh, Et al.
Release date: 8 February 1980
Review by: Thomas S. Flowers
For me, the intrinsic appeal of ghost stories is the tale. Sitting around a campfire, sharing a ditty about life, death, and the thereafter typically involving some crime, something that went wrong, some singular cataclysmic event in which something horrible happened that over the years formed into the story. Said story exists both to scare (entertain) and to give warning. Beware the house on Redwood Street, inside its dilapidated walls a horror awaits those foolish enough to enter its haunted halls, etc. etc. In the macabre 1980 masterpiece The Fog, John Carpenter does just that. Using a traditional Gothic atmosphere, he creates a tale, campfire and all, warning the younger generation of the sins the past. Greed. Hate. Betrayal. And murder have stained the lineage of the small California coastal town of Antonio Bay. But as the idealistic community prepares to celebrate their centenary strange things begin to occur and a foreboding blue fog spreads toward the shores. Continue Reading
The Amityville Horror (1979)
A Review-ish by: Feind Gottes
Directed by Stuart Rosenberg
Adapted for the screen by Sandor Stern from the book by Jay Anson
Starring: James Brolin, Margot Kidder and Rod Steiger
The Gist: Come on, even non-horror fans know this one! The Lutz family buys a new home on Long Island (Amityville), NY where a young man killed his entire family about a year prior. Evil abounds and 28 days later the Lutz family run for the hills never to return to the home themselves ever.
My Review-ish: Now if you’re a horror fan and you do not know the basic story of The Amityville Horror I have to assume you’re very young, like under 5 or something, or you aren’t actually a horror fan in which case… WHAT THE HELL ARE YOU DOING HERE??? Due to that fact this review isn’t so much a review as it will be a personal story. Don’t worry I’ll keep it short but I should tell you this film is one of the most important horror films to me personally. Now I’ll move on to some facts then we’ll have a little fun, ‘kay? Continue Reading
Release date: March 1980
Director: Peter Medak
Staring: George C. Scott, Trish Van Devere, Melvyn Douglas
Synopsis: “A man staying at a secluded historical mansion finds himself being haunted by the presence of a spectre.”
Review: “The Changeling: Why Do You Remain?” by William D. Prystauk (aka Billy Crash)
Tales of haunted houses trace their eerie legacy back to Horace Walpole’s The Castle of Otranto in 1764 to Edgar Allan Poe’s The Fall of the House of Usher from 1845, and beyond. As horror goes, nothing seems to be creepier than having one’s own home become a threat. The sanctuary turns against its owner and the protective womb of wood and stone may become a tomb. Continue Reading
Legion: The Exorcist III
Release Date: August 17 1990
Starring: George C. Scott, Brad Dourif, Ed Flanders, Jason Miller, Nicol Williamson.
Written and Directed by: William Peter Blatty, based on his novel Legion.
Review by: D. S. Ullery
I have a list I’ve compiled over the years consisting of movies I feel were grotesquely underappreciated in their initial release. Not too long ago, readers read an earlier piece I wrote about one such title – the late Tobe Hooper’s fantastic science fiction horror opus Lifeforce (you can read that article here).
The film I’m discussing today isn’t merely on that list, it holds the top spot. The Exorcist III (originally titled Legion: The Exorcist III after the novel it’s based on, but shortened to just The Exorcist III on screen and in later promotional materials) is the definitive example of a sequel hampered by both the poor reputation of an immediate predecessor (which this film thankfully ignores entirely) and a cinematic climate that didn’t really have much room for this sort of film at the time. In a bit, I’ll break down some of the specific reasons why I regard this film not only as an equal to the original but a masterpiece in its own right. Continue Reading
The ideal of motherhood is often posited as the pedestal upon which society is built. Mothers are supposed to be the ones who protect us, civilize us. Women are expected to flow gracefully into the role of motherhood with full acceptance and wisdom. Fear or resentment are taboos women are expected to repress. The theme of the perversion of motherhood is a popular one in horror, and is a central theme of writer and director Ari Aster’s HEREDITARY.
Even stripped of all supernatural elements, HEREDITARY is a devastating film about a family destroyed by secrets and mental illness. The death of Annie’s (Toni Collette) mother, after a long illness, serves as a catalyst for the family’s final breakdown. They are also attacked by some bizarre force they are powerless against. Annie, her husband Steve (Gabriel Byrne,) son Peter (Alex Wolff) and daughter Charlie (Milly Shapiro,) all seem disoriented and disheveled, pulled along like the puppets Charlie is constantly making. Annie’s mother was very manipulative, especially of Charlie, who tells Annie, “She wanted me to be a boy.” She also asks who’s going to take care of her after Annie dies. Continue Reading
Directed By: John Carpenter (Halloween, Escape from New York)
Starring: Donald Pleasence (Halloween Franchise, Phenomena), Victor Wong (Tremors, Big Trouble in Little China), Dennis Dun (Big Trouble in Little China, The Last Emperor), Lisa Blount (Chrystal, An Officer and a Gentleman), and Jameson Parker (The Bell Jar, Jackals)
Written By: John Carpenter (They Live, The Fog)
Release Year: 1987
Review By: Andy Taylor
As the son of a preacher-man, it should surprise no one that I’ve always had a strong interest in religion. Christianity, Islam, Hinduism, Buddhism, and so many others have long fascinated me, ever since I found reading the Bible, the only reading material available during church, to be more interesting than listening to the sermons. I might not prescribe to any particular one, though what my beliefs are remain immaterial to this review, but I’ve read most of the different religion’s main holy books to sate my curiosity, finding each one to be a fascinating look at how early humans tried to explain the world around them. Another big interest of mine is science. I might not understand a lot of it, but I love how science continues to delve the depths of our universe for answers we’ve been asking as a species for thousands of years. In some cases, both science and religion can be blended together, though many times the two are diametrically opposed, and this can make blending them effectively a difficult task. Thankfully, John Carpenter seems to have those same interests, and being the talented writer that he is, did a good job mixing the two into a strange, but fascinating tale, even if it does suffer from a couple of issues. Before we get to that, let’s look at the weird tale of Liquid Satan. Continue Reading
I decided to take a trip down amnesia lane and revisit an old classic with the Evil Dead, the movie that would launch both a franchise as well as (arguably) the career of Bruce Campbell.
I’ve always loved the punk rock, cult atmosphere around these films, for as much more attention as they have gotten in recent years with first the remake and then Ash vs Evil Dead. These films exuded what I have argued is crucial to the heart of great horror movies.
Practical special effects.
The thing that I consistently love the most about this movie is how it feels like it’s occupying an actual physical space. And despite the fact that the budget was so low, they did a phenomenal job making that practical space seem terrifying. Despite having very little backstory, preamble, prologue or exposition, I immediately felt the unease and discomfort around this cabin. Everything has an aged, worn- down look to it, as if the thing is rejecting life itself.
The people who were responsible for dressing the set were geniuses. Everything from the groaning and creaking of the wood, to the look and feel of the faded book which our heroes find, to the sound of rain dripping down through the ceiling and onto the floors. The basement was incredible, with buckets and tools clanking against each other, the sound of it all really brought you into this frightening place, more so than many other movies I’ve ever watched.
I think another area where the film excels is in that it proves that you don’t need make the development of a concept overly complicated. These aren’t difficult machines that we are putting together. It is entirely possible to scare people and engage with the viewer while at the same time laying down some fairly basic brushstrokes. We know nothing about this cabin or how this group of friends came to renting it. We don’t know what’s going on in those words or what the history of that location is. But with a few simple and basic scenes, the film manages to infuse a huge level of dread and foreboding in every set piece that comes onto screen.
All it takes is for our heroes to find a creepy looking book along with some tape recordings from who I assume used to live at the cabin. We have all the basics we need to figure out pretty much exactly what ends up going on for the rest of the film. And while we have an intellectual understanding of what’s happening, the fact that we don’t really have any clue what the hell is going on makes the story that much more captivating and scary.
This is certainly not without its flaws. I’m not going to stand here and try and trumpet some ridiculous song about how this is the pinnacle of modern cinema. The acting isn’t great, pretty much all around. And I realize that Bruce Campbell has achieved a certain level of adoration from his fans. Hell, I’m a fan of his as well, but it’s not like his acting is that dynamic. He plays a character and he’s great at it. His reputation and popularity is well deserved. But I don’t think anyone would mistake this movie for high-level craft. And I don’t think that was what they were going for. This is not meant to be a deep or insightful film. It’s supposed to be fun. It’s supposed to gross you out and scare you.
This is about the ride.
Evil Dead is the epitome of fun horror. The premise and the atmosphere are scary. The monster is implacable and disturbing and there are some beautifully cringe-worthy moments. It’s the kind of film that can stand on its own or can function as a part of a series. It’s not the peak of cinema but it’s the perfect movie to order a pizza and include as a part of a horror flick marathon.
For as low budget as this was, the film still works surprisingly well, even after all these years. It’s a movie of heart and soul and writhing guts that I often find to be a defining product of this time period, the likes of which I have rarely seen again, before or after.
Review by: Carissa Ann Lynch
In order to fully appreciate The Blair Witch Project, you have to rewind the tape twenty years. Go on—I’ll wait.
It’s 1999—I’m fifteen years old, piled in the back of some goober’s pickup, watching the film on a grungy, old drive-in movie screen. I’m pretty sure it was after midnight.
Here’s the thing—back then, there was a lot of secrecy surrounding this film. Whoever did the marketing—or lack of marketing, I should say—really set the tone for viewers like me. The actors were unknown; their names in the credits were the same as their characters’ names. And in the very beginning of the film, the viewer learns that this film is “recovered footage” of three film students who went into the hills of Burkittsville, Maryland to film a documentary about a local legend—the Blair Witch—and never returned. So, right from the start, we know they’re doomed. The people in the film aren’t actors—they’re dead people. And now we’re going to watch this footage of what happened leading up to the moment of their deaths… Continue Reading
Starring: Jack Nicholson, Shelly Duvall, Danny Lloyd, and Scatman Crothers.
Written By: Stanley Kubrick and Diane Johnson
Directed By: Stanley Kubrick
Review By: Joshua Macmillan
Synopsis: Jack Torrance is in recovery, now that he is clean and sober, he is on his last legs. Needing to provide for his family, Jack takes a job as the winter caretaker of The Overlook hotel. For the winter, he will move his family in the hotel and he will maintain the building and grounds. Jack doesn’t know that the hotel has its own plans, that the hotel has more than a few dirty secrets of its own. Jack’s son, Danny, has a secret of his own. Danny has the ability to read minds- a trick he learns is called The Shine. Through the shine, Danny learns that his father is deteriorating mentally and the hotel has its own evil agenda.
The shining, arguably one of the most beloved films from director Stanley Kubrick, is a film that has been discussed and dissected by so many people that the task of writing a review for it is rather daunting. Honestly, I put off writing this review as long as possible because the film has become something more than just an adaptation of a Stephen King novel. I am not the type of movie-goer that goes into a movie looking for hidden messages. I want to be entertained and taken on the ride that the story wants to tell me, taking me out of my world and thrusting me into the world of the characters. When looking at writing about The Shining, I find that you can enjoy the film whether you want to dig in deep and search out those hidden themes or if you just want to watch a movie that will take you into its world. Continue Reading
The Entity is a 1982 supernatural horror film based on the 1978 novel of the same name by Frank De Felitta, which in turn was based on the Doris Bither case. Bither claimed to have been repeatedly raped by a trio of spirits–two holding her down while the third raped her–over a period of many years, the assaults eventually becoming less and less frequent until, apparently, they finally stopped altogether.
The film stars Barbara Hershey as Carla Moran, who is based on Doris Bither. It also starred Ron Silver as psychiatrist Dr. Phil Sneiderman; Alex Rocco played Carla’s boyfriend, Jerry Anderson, David Labiosa plays her son, Billy, Jacqueline Brookesplayed parapsychologist Dr. Elizabeth Cooley, and George Coe played psychiatrist Dr. Weber. Continue Reading
Starring: Ethan Hawke, Juliet Rylance, James Ransone, Fred Dalton Thompson, Michael Hall D’Addario, Clare Foley, and Vincent D’Onofrio.
Written By: Scott Derrickson, and C. Robert Cargill
Directed By: Scott Derrickson
Review By: Joshua Macmillan
Synopsis: A washed up true-crime author moves his family into the home of a mysterious murder. While researching the crime, he finds a mysterious box in the attic full of super 8 home videos depicting multiple grisly homicides, leading the author down a path he is not prepared to take.
2012 was a weird year for the horror genre. We saw Sinister release, as well as Excision, American Mary, The Collection, The Possession, and many others- most of which fell below the mark and found themselves in the realm of obscurity. Sinister was one of the few that didn’t fall to the wayside, instead it was one of the best horror films of the year if you look at the “mainstream” releases. Continue Reading
[PRAAAAWBABLY SOME SPOILERS IN THIS ONE]
I actually just had to go through my now-double-digits past write-ups for Machine Mean to see if I was right on this…but HHLLC will be the first found footage film I’ve actually reviewed. And by found footage, I mean the shot-on-video incarnation, and not earlier films with an in-progress-documentary-film conceit like Cannibal Holocaust, Man Bites Dog, etc..
Coincidentally, I think I was supposed to review The Houses October Built but maybe didn’t for scheduling reasons or something. I say ‘coincidentally’ because that was another found footage film about the “Haunt” industry—commercial haunted house attractions run by professionals during the fall season, especially around Halloween. HHLLC goes a very different way with its scares, mostly due to revealing itself as a different subgenre of horror to THOB, which was something more like The Blair Witch Project meets The Strangers. Continue Reading
The Grudge (2004) seems to be one of those films it’s cool to hate. The only thing cooler is preferring the Japanese original. I’m going to be uncool (not a stretch) and play a little devil’s advocate (assuming my proposed generality is accurate). I’m going to try to focus on what I think is the film’s greatest virtue. It may even be the case that The Grudge (2004), Takashi Shimizu’s English language reworking of Ju-on, has a great deal to teach us about how to make an effective horror film, even if it ultimately fell flat for you.
What is the virtue in question? The Grudge is played straight. Its premise is held up to the light to live or die by its own merit. The film doesn’t lean on homage the way many horror films have done. Recent successful horror installments like Hereditary and A Quiet Place share this quality with The Grudge. All of these films owe something to the catalog of horror films that preceded them, but they are the clear result of careful digestion and organic integration of classic tropes, not so much ham-fisted nods to their predecessors. There’s a sense that the creators were excited about the stories they were telling. They felt they had something unique in hand, and the general consensus seems to be that they were right. Continue Reading
The Omen: 1976
Starring Gregory Peck, Lee Remick and David Warner.
Directed by Richard Donner
Review By: D.S. Ullery
For a great many people, the peace and love movement launched in earnest in 1967 with the Summer of Love – and, in a larger, ideological sense, the innocence of the 1960’s – came to an ugly end on an eerily silent August night in 1969, when Charles Manson sent his followers into the Hollywood hills on a mission of murder. Even the success of the Woodstock festival several weeks later couldn’t quell the tide of rising tensions.
This may seem an odd note on which to launch a review of what’s essentially a mainstream occult horror flick about the Antichrist, but bear with me.
Between 1967 and 1974, the mood in the United States had undergone a dramatic shift away from the sensibilities distinguishing the early days of the Hippie movement. There was the assassination of Robert Kennedy, the aforementioned Manson cult crimes, the Kent State shootings, Watergate and the eventual resignation of Richard Nixon. Continue Reading
Starring: Vera Farmiga, Patrick Wilson, Frances O’Conner, Madison Wolfe, Simon McBurney, and Franka Potente
Written By: Chad Hayes, Carey W. Hayes, James Wan, and David Leslie Johnson
Directed By: James Wan
Review By: Joshua Macmillan
Synopsis: A single mother and her four children are being attacked by a malicious force that is determined to possess one of her young daughters. After attempting to get help from local authorities, the Catholic church appoints Ed and Lorraine Warren to visit the family and try to figure out exactly what is going on.
If you read my previous review for James Wan’s The Conjuring (2013), you would know that I was grasped by that film. It engaged me on levels that I didn’t think it would at all. After I watched it, I immediately wanted to pop in the disk to The Conjuring 2 (2016) but I held off until after I had written my review for the original. Continue Reading
In light of the recent passing of actor Joseph Pilato, I thought it would be a good time to share some of my thoughts on one of my favorite all-time zombie films. The original trilogy of films which George Romero presented has stood the test of time as great representations of the zombie genre. While zombies have taken off in modern popular culture, all things must have their origins. And while I love all three of the films, Day of the Dead has always been my favorite. Dawn of the Dead is a great film but at times it does tend to drag a bit for me. And while Night of the Living Dead is an undeniable classic, at times it comes off as a bit on the quaint side for me, more of a rough sketch of the greatness that zombie films could become, further down the road. Continue Reading
I say without exaggeration that Jacob’s Ladder was one of the most visually disturbing movies I’ve ever seen. The surreal landscape of the story is terrifying and in my opinion has never been equaled by anything after.
And before I get into this, let me say that there will be spoilers. Sorry, but I want this to he a complete discussion of the film so if you haven’t seen it, stop reading, right now, and correct that oversight.
This is the kind of movie you really need to watch at least twice before you can really appreciate it. This isn’t a film that you coast through. This is a movie that you white-knuckle it for two hours before saying, wait what? What the hell just happened? Re-watching the movie, after already fully immersing yourself in it helps you fully appreciate the journey taken by this character. Continue Reading