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Paranormal & Supernatural in Review: Hereditary (2018)

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The ideal of motherhood is often posited as the pedestal upon which society is built. Mothers are supposed to be the ones who protect us, civilize us. Women are expected to flow gracefully into the role of motherhood with full acceptance and wisdom. Fear or resentment are taboos women are expected to repress. The theme of the perversion of motherhood is a popular one in horror, and is a central theme of writer and director Ari Aster’s HEREDITARY.

Even stripped of all supernatural elements, HEREDITARY is a devastating film about a family destroyed by secrets and mental illness. The death of Annie’s (Toni Collette) mother, after a long illness, serves as a catalyst for the family’s final breakdown. They are also attacked by some bizarre force they are powerless against. Annie, her husband Steve (Gabriel Byrne,) son Peter (Alex Wolff) and daughter Charlie (Milly Shapiro,) all seem disoriented and disheveled, pulled along like the puppets Charlie is constantly making. Annie’s mother was very manipulative, especially of Charlie, who tells Annie, “She wanted me to be a boy.” She also asks who’s going to take care of her after Annie dies.

HEREDITARY is a Freudian film. Most of the important information comes from things the characters don’t mean to say. Annie seems to try to live in two different realities; one in which she understands her mother was an evil person trying to destroy her children, and a sublimated one in which she rationalizes that her family was haunted by mental illness. Her dioramas,based on her real life traumas, seem to be an attempt to exert control when she feels she has none. The idea of a parent’s fear that they have passed on some curse to their children is a main one. Annie is tormented by helplessness and guilt that she has been trapped in a life she tried to avoid and is now doomed to watch rot away.

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Inescapable fate is a central theme. Peter listens to a lecture in class about not being able to change what is meant to be in a scene reminiscent of the original HALLOWEEN. The opening scene of the camera moving into the window of Annie’s work room into one of the dioramas that becomes Peter’s bedroom sets up the idea that this family is being controlled. Even Charlie’s horrific death and Peter’s devastating reaction seem like pre-planned clicks moving to a dark end.

Annie makes friends with Joan (Ann Dowd) who introduces her to seances. Annie begins to realize that Joan is connected to her mother and part of the group trying to get to the family. Husband Steve is the stabilizing force, the only thing holding Annie and the children together. He is the protection against the Grandmother and then between Annie and the children. When he dies, there is no protection and the evil is escalated.

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HEREDITARY is a film that builds dread throughout with no redeeming hero or hope. As the title indicates, the curse in the blood and is unavoidable. Toni Collette’s disturbing performance as a mother fighting against herself and her mother’s legacy to try to save her children and failing is one that truly stands out in the films of the last 10-15 years. HEREDITARY is a classic that needs to be watched several times to find all of the pieces Aster has buried in the cinematography and dialogue.

Kim McDonald is a horror junkie from outside Charleston, SC. Her reviews and stories can be found and

Check out Kim’s slasher review on Happy Birthday to Me!

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3 responses

  1. Joan MacLeod

    Great review. I enjoyed the movie bit have to admit I was disappointed as I didn’t find it scary at all even though they said it was scariest movie ever and I hated the ending.

    May 31, 2019 at 2:03 pm

    • Thanks for reading, Joan. Yeah, typically any movie that claims to be the scariest ever will disappoint, all but for The Exorcist, which is truthfully the scariest movie ever.

      May 31, 2019 at 2:48 pm

  2. Brilliant review of an amazing film. My only criticism of Hereditary is of the final few minutes, which I felt suffered from a one-two punch of some fairly silly imagery ( the floating corpse didn’t convince me at all) and a wrap up that owes a LOT to Rosemary’s Baby.

    Other than those complaints, I loved the film. As was the case with John Goodman’s superb, next-level performance in 10 Cloverfield Lane, I felt Toni Collette legitimately deserved at least an Academy Award nomination . The fact that didn’t happen illustrates the continuing bias the mainstream has toward horror.

    I’m really looking forward to director Ari Aster’s new film Midsommar.

    June 7, 2019 at 11:11 am

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