Universal Monsters in Review: The Invisible Woman (1940)
Have you ever had one of those moments when you question precisely what it is you’re watching? I had one of those during the screening for The Invisible Woman. Now, to be fair, the “Invisible” films have had a rather rough go at it as far as quality, in fact, the only movies from the “Invisible” production line I like are the original, The Invisible Man, and Invisible Agent, and you can thank Peter Lorre for that one. And I guess that gives you a bit of a spoiler on my thoughts for this rendition. While watching, I was really wanting to like the movie, I really did try. The major problem with The Invisible Woman, for me at least, was that it was trying to do one thing while simultaneously circumventing those attempts. The Invisible Woman started out as a comedy, Shemp Howard from The Three Stooges was in the film for Christ’s sake, and the movie was, at first, calling attention, through comedy, certain discriminations/sexism against women. The volunteer for the “invisible” project was after all a working gal whose boss was a certifiable pig. And I feel, at the beginning, the film achieved its goal of making light of a rather dark subject. But as the film progresses, the plot unspools into a heap of intangible wool. It made no sense…the woman was strong and could save the day, but couldn’t control herself and needed a man to save her? The message the movie is presenting is confusing. Does making a movie that semi resembles some sort of pro- women’s right as a comedy mean the subject is laughable? Then again, we need to remember the era in which the film was made and not interpret past events in terms of modern values and concepts. Anyhow, that’s the beans on how I feel regarding the movie, let’s see what our honored guest has to say about The Invisible Woman.
The Invisible Woman
By: Matt Shaw
‘I was just wondering if you fancied doing a film review for me?’
‘Hey? What do you mean – I mean, I know what you mean but… What do you need?’
‘I’m doing a series of blogs about Universal Monsters and just wondered if you wanted to review one of the films…’
‘Erm. Can do. Not really my strength but – sure. Which one?’
‘You can choose from these.’ <List given>
‘Oh, I’ll have The Invisible Woman.’
And then I forget about the conversation only to be reminded months later. Panicked, with the review due shortly, I go off to download the film Bride of Frankenstein. Not sure how my brain went from one to the other but – meh – a lucky conversation on Facebook and I realized my mistake and soon found myself watching the correct film on YouTube. And – you know what – I wish I hadn’t bothered. Still… I did bother so I might as well review the turd. I mean “film”. Try and guess what I thought about it before you get to my verdict at the end of this review and – remember – I’m a horror author, not a film critic.
The Invisible Woman was released in the 1940s. It has that “old film” charm with the black and white footage and grainy specks here and there which normally trick you into thinking you’re watching an intelligent movie classic – you know, the type of pretentious shite you were forced to endure at school as part of life lessons. Unfortunately there is nothing intelligent about this film, nor – in fact – are there any lessons to be learned. It is also lacking any charm. In fact, how the studio survived with the release of this festering cesspit is beyond me, but – there you go.
Starring Virginia Bruce (The Wicked Witch no less) as the Invisible Woman (Kitty Carroll) and John Barrymore (as the eccentric Professor Gibbs), it also stars John Howard as Richard Russell, the millionaire playboy character on the verge of bankruptcy after years of living life to the full and paying towards Gibbs’ inventions. But none of these characters, or performances, will stand out compared to one of the other characters and – no – I’m not referring to Shemp Howard (one of the Three Stooges). I’m referring to Charlie Ruggles who played George, the butler to Richard Russell – a character who stands out for the wrong reasons. In fact – Charlie Ruggles deserved to never work again and – quite frankly – I am too irritated to check to see if he even did. The character was a bumbling idiot, given most of the “slapstick” scenes and delivering them a bull in a china shop. No… Not a bull. What’s bigger than a bull? Ah. An elephant. His oafish “acting” and over the top mannerisms doing nothing more than to fuel my hatred for the film and all involved.
‘George! Call for an airport!’
‘No, George… Call for an airport on the telephone.’
Oh, how I rolled around the living room laughing my quite frankly massive bollocks off.
George and Richard are in heated debate. Richard goes up the stairs and George goes up the ladder next to the stairs, only to do a somersault when he reaches the top, landing in a heap on the floor.
Someone call 999! I’m dying from laughter.
Now I know what a farce when I see one. I studied it at school with the likes of Dario Fo. I enjoy a good farce when they are done correctly but – here – there are so few scenes of comedy that when it does happen (poorly) it does nothing to serve the film and just feels painfully out of place. Anyway, fuck off, I’m watching Universal Monsters. I want horror. I’ve been duped. I don’t want some piss poor attempt at comedy. If I wanted something funny – I’d watch something by Seth Rogen…
Oh, the irony.
The plot of the film itself is fairly bog standard. An inventor who invents a machine that turns people invisible. The investor gets excited because he thinks it will solve his money problems. After putting an advert in the paper – a woman (Kitty) gets in touch to be the test subject. But – wait for it – three crooks also hear of the machine and want to steal it for their boss! So – Kitty goes invisible and seeks revenge on her boss (she works as a model) who learns the error of his ways after getting literally spanked by Kitty. She then goes with Gibbs to Russell’s lodge to prove the machine works (and hear we discover how sexist films were back then) and they end up falling for each other and – boom – the crooks show up and kidnap the professor and the girl having already stolen the machine from back at the lab. Everything is wrapped up nicely with the Invisible Woman teaching them lessons in the space of about four minutes and the credits roll. That’s all there is to it and I’m sorry for the spoilers but – seriously – you’ll thank me. This film is a crock of shit with it’s dire “comedy”, flat acting, so-so music and… Fuck me… I’ve got something good to say… Hold your pants, this is big…
The effects, given this, was made in the 40s are actually pretty good. With regards to the invisible effects anyway. Don’t mention the lightening towards the end of the movie. So – yeah – there you go – a positive in this shit pie. Good effects. But, if you’ve read my books, you’ll know I don’t like happy endings so… Remember when I said was sexist? Sexist and degrading to women. Check out these lines, babycakes:
‘It’s me, Mrs. Jackson.’
‘You can’t possibly be Mrs. Jackson! She’s in the kitchen where she belongs!’
‘Any girl insisting on becoming invisible can’t be easy on the eyes!’
‘Hiding your stout figure…’
It’s okay, though. The rumor is Hollywood is remaking the film and casting an all-female cast with the exception of the invisible man.
‘Of course, you chose to go invisible… With a penis that small, why wouldn’t you?’
‘He didn’t need the machine for us to not be able to see that!’
Anyway, I’m not sorry for this negative review. The film portrayed women to be either thick or deranged. This isn’t a hero piece. The male characters – with the exception of the Playboy – don’t fare any better on the stupidity scale and, quite frankly, the screenwriters should have been blacklisted just to fuck them off from the scene before they could do any more damage to the brains of those foolish enough to try their work out.
This is not a good film and it’s no surprise I struggled to find a torrent with which to view it…
Thanks for reading now, if you’ll forgive me, I’m off to pour bleach in my eyes and drill a hole in my head – into which I shall be pouring sulphuric acid.
Peace out, homies.
Matt Shaw is the published author of over 100 titles – all readily available on AMAZON. He is one of the United Kingdom’s leading – and most prolific – horror authors, regularly breaking the top ten in the chart for Amazon’s Most Popular Horror Authors. With work sometimes compared to Stephen King, Richard Laymon, and Edward Lee, Shaw is best known for his extreme horror novels (The infamous Black Cover Range), Shaw has also dabbled in other genres with much success; including romance, thrillers, erotica and dramas. Despite primarily being a horror author, Shaw is a huge fan of Roald Dahl – even having a tattoo of the man on his arm; something he looks to whenever he needs a kick up the bum or inspiration to continue working! As well as pushing to release a book a month, Shaw’s work is currently being translated for the Korean market and he is currently working hard to produce his own feature length film. And speaking of films… Several film options have been sold with features in the very early stages of development. Watch this space. Matt Shaw lives in Southampton (United Kingdom) with his wife Marie, his bastard cat Nellie and three rats – Roland, Splinter and Spike. He used to live with Joey the Chinchilla and Larry the Bearded Dragon but they died. At least he hoped they did because he buried them. You can follow Matt and delve into his work by following his site at www.mattshawpublications.co.uk AND on the altar of Facebook at www.facebook.com/mattshawpublications.co.uk
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This entry was posted on August 31, 2016 by Thomas S Flowers. It was filed under Horror, Reviews and was tagged with 1940, authors, Comedy, guest authors, Horror, horror reviews, John Barrymore, Matt Shaw, monsters, movie reviews, Reviews, sexist, Shemp Howard, slap stick, The Invisible Man, The Invisible Woman, Universal Classics, Universal Monsters, Universal Monsters in Review, Universal Studios, Universal Studios Classics, Virginia Bruce, women in horror, women's rights, worst movie.
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